"Everyone goes to Hell. Everyone."The Underworld is often a gloomy, depressing realm, if only because it is often depicted as being Beneath the Earth. (The fact that people go there after they die might have something to do with it, too.) Still, it isn't evil. It's not Hell. All of the dead come here, whether they were saints, total jackasses, or just kinda so-so in life. Some versions of the Underworld judge the dead and grant them different living standards (or unliving standards, if you prefer) depending on their conduct in life. In others, there's no real judgment, and life—or whatever—continues much as it did before. Possibly they receive, in due course, a chance to go back. See also Heaven and Hell, the Underworld's more exclusive counterparts. Despite its normally neutral nature, the Underworld, especially the Greek Mythology version, is susceptible to being Hijacked by Jesus and becoming Hell. Expect intrepid mortals to mount an Orphean Rescue for a loved one. See also Afterlife Antechamber, which is a waiting room or brief rest stop on the way to the true afterlife. Compare and contrast Mundane Afterlife. Not so present in movies. If you were looking for the band, it is at a different realm.
— Danny Estacado, The Darkness
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Anime & Manga
- In Berserk, all human characters who perish in the series (Apostles especially) end up being sent to the Abyss, a realm consisting of only nightmarish forms and a swirling ocean of writhing souls known as both Heaven and Hell. Given what generally happens to people there, most readers would describe the place as Hell.
- In Death Note, Ryuk informs Light that anyone who uses a Death Note can neither go to Heaven nor to Hell, but rather to a place called "Mu," or "nothingness." Eventually, Light figures out that this applies to everyone, whether they have used a Death Note or have never even seen one. In the prequel novel Another Note, the narrator Mello hints that rather than being a true Cessation of Existence, Mu is more of a Mundane Afterlife or simply a generic world of the dead.
- Rowan Atkinson had a sketch where he plays the Devil welcoming a batch of new arrivals to Hell, separating them by nationality, sin and religion. Turns out everyone but the Jews goes there.
- The Darkness. According to Danny Estacado, a previous host of the Darkness Entity, and Nick (who is actually the true Devil that religious stories of Lucifer and The Devil are all based on) that all souls - whether they were good or evil in life - eventually fall into Hell. A rather disheartening side note is that there actually is a Heaven in the series but no human soul has ever been seen to enter it due to the fact only "beings of light" are allowed entrance.
- The Avatar published Lady Death comics took place in the Labyrinth, a dark domain in the afterlife inhabited by demons or humans from the living world that were sentenced there. It wasn't necessarily considered a Hell or a place of torment, though it was populated by many monstrous beings.
Films — Animation
Films — Live-Action
- Beetlejuice has the Neitherworld, which is pretty much the Underworld, with a Waiting Room From Hell.
- The Necromongers in The Chronicles of Riddick speak of their promised land as "the underverse", an alternate plane where the dead go, and which has been visited by every Lord Marshal to have ruled their empire, gaining magical abilities because of it.
- In Black Orpheus, a symbolic retelling of the Orpheus myth in 20th century Brazil, Orfeo is taken to a strange place where a pagan ceremony is taken place. He hears Eurydice's voice, and just as in the myth, he loses her forever when he turns to look.
- In Robert E. Howard's Conan the Barbarian franchise:
- During "The Phoenix on the Sword", Conan describes his people's gods: "Their gods are Crom and his dark race, who rule over a sunless place of everlasting mist, which is the world of the dead."
- In "The Slithering Shadow", Natala is convinced that she and Conan have died, so strange is the city they find themselves in.
- In Ursula K. Le Guin's Earthsea, the Underworld is characterized by strange stars and total lack of water. Late in the series, it's revealed that it's the result of a botched attempt at Immortality.
- In His Dark Materials, God is a pretender who created an afterlife of near non-existence, where no one was happy; murderers and saints and poets and beggars all went to the same miserable, grey place.
- Percy Jackson and the Olympians uses the underworld several times, although the movie interpretation is exclusively a Fire and Brimstone Hell.
- In Literature/Riverworld, there are two afterlives: one for children who die before the age of five, and the Riverworld itself for those who die at an age where they'll be able to care for themselves once they're resurrected.
- In The Salvation War, God had already accepted his most blindly devoted worshippers (historically maybe 10% of the population) and closed the gates of Heaven. This action had the effect of ensuring that everyone else (faithful or not) would burn in Fire and Brimstone Hell after death. When humanity finds out, they decide to fight back.
Myths & Religion
- In Greek Mythology, the Underworld is Hades, the realm of the god of the same name. Depending on their conduct in life, the dead can end up in the Elysian Fields, which are basically paradise, in the Fields of Asphodel, where they just sort of...hang out, or in Tartarus, whose inmates are tortured for all eternity for crimes against the gods.
- In Japanese Mythology, Izanagi, the father of the gods, went to the underworld to recover his wife, Izanami, after she died, but ran in terror from her when he saw she was now a rotting undead. Bizarrely, his son, the god Susano-o, on finding out his mother was there, just went to the underworld to live with her like nothing was wrong!
- In Mesopotamian Mythology, the dead go to Irkalla, ruled by Ishtar's Darker and Edgier twin sister Ereshkigal. Ishtar tries to take over. She isn't successful, and in fact loses her beloved husband Dumuzi for six months out of the year. Sort of karmic payment for stealing Ereshkigal's husband and getting him killed.
- In the Book of Genesis, everyone expects to "go down to Sheol" after death. The phrase suggests that Sheol is conceived of as The Nothing After Death instead of some sort of paradise or punishment.
- In Norse Mythology, you have Hel, which like Hades is the realm of a goddess sharing its name. There is also Niflhel (Misty Hel), where the dead go when they die. Apparently that which is dead may die again.
- See the other wiki if you are interested in many more assorted examples (one can't choose one's afterlife carefully enough).
- Exalted's Underworld didn't exist until the titular Exalted Divided By Zero by killing the creators of the universe, who had never designed the world with mechanisms to cope with their deaths. The result was a gaping hole in existence, the Well of Oblivion, around which the remnants of the dead Primordials, the Neverborn, gathered, and a shadowy reflection of the living world formed.
- The Underworld in the New World of Darkness is where ghosts who lose all their anchors to the living world end up. It's divided into the Autochthonous Depths, a massive underground labyrinth that bears a vague resemblance to the underworld myths of the nearest living civilization, and the Lower Mysteries, which are alien realms governed by strange laws enforced by the Kerberoi.
- The Old World of Darkness, on the other hand, has the Dark Umbra, the place where wraiths materialize. It's split into layers; the Shadowlands, which mirror the living world, are at the top, while beneath them are a number of firmaments known as the Dark Kingdoms (America and Europe play host to the Dark Kingdom of Stygia) and an everswirling storm of unsettled spaces known as the Tempest. Below the Tempest lies the Labyrinth, which is not a nice place.
- In Scion, the prison of the Titans drew the souls of the dead to it. When the gods noticed this - and that the dead still held a good measure of their humanity - each pantheon created an Underworld where the dead could go; as a consequence, most every mythological Underworld exists somewhere in Scion. However, the Titans' escape from their prison has caused upheaval across the various Underworlds.
- Magic: The Gathering has a very classically-inspired variant in the "Theros" block, where the realm of Erebos functions as this in a manner similar to that of Hades, right down to being named after the god who rules it. All mortal souls on Theros go here after death, and coinage minted from clay burial masks is the local currency. Interestingly, there is a way for the dead to return to the land of the living— by forging a golden mask to wear in order to escape Erebos. Sadly, the act of forging this mask and returning to the mortal world also removes the memories of the would-be fugitive, turning them into a shambling zombie known as a Returned.
- In the Eberron setting of Dungeons & Dragons, the souls of the dead go to the grey wasteland of Dolurrh, where the pervasive hopeless apathy of the realm causes them to fade into Shades. The world's primary religion accepts this as the natural order of things, although others, like the Church of the Silver Flame, promise deliverance from Dolurrh to the faithful.
- Super Mario Fusion Revival has Di Yu, a world named after the Chinese hell. Many enemies found there are either undead or demonic.
- Mushroom Kingdom Fusion also has the Demon Realm, with levels based on Castlevania and DOOM among other things.
- In the Fall from Heaven backstory, most souls go to an underworld-like place when dead.
- The underworld map in the Fantasy game of Civilization 2: Test of Time.
- The Underwhere of Super Paper Mario is pretty much one big Expy of the underworld from Greek Mythology. It's populated by creatures called Shaydes (Shades) who lament about how their "games were ended" and ruled by Queen Jaydes (Hades), who acts as a judge for the Shaydes. Other characters include a ferryman named Charold (Charon) who provides you safe passage across the River Twygz (River Styx), a three-headed Chain Chomp named Underchomp (Cerberus) that guards the entrance to the Overthere (Heaven), and three old hags (Fates) who live on the Underwhere Road (Tartarus).
- The protagonist of Terranigma actually starts in the Underworld.
- A typical feature of the God of War series, though its appearance varies between games. In the first game, all that is seen is a river of blood and several pillars made of bones, with rotating bridges with blades on them that are implied to be made of flesh. The second game does away with the gore-related aspects, though it still looks distinctly hellish. The third game, however, has a depiction that is significantly more faithful to the Underworld of Greek Mythology, with only the part of Tartarus actually looking like Hell. Kratos regularly comes down here and manages to escape in some form or another, though in earlier cases he required help of some kind.
- The Netherworld in Romancing SaGa. It also has Purgatory, a realm for those who choose to retain their memories of life until they abandon them and become reincarnated.
- The underworld is one of many Netherworlds in The Multiverse of Makai Kingdom, and is implied to be the resting place of people too vile to even qualify as prinnies. It is ruled by Seedle, a former samurai who murdered his way to the top after being sent there.
- In Lost Eden, The Valley of Mists is this for the dinosaurs, and is accessible by humans only by eating the Root of Ages. It's also where you learn the secret of the strange tablets you've been collecting throughout the entire game.
- King's Quest: Mask of Eternity: The Dimension of Death. Implied to be a temporary holding place for souls.
- According to Shadowman, everyone who dies ends up in Deadside- basically, hell- where they gradually lose their identities and become mindless zombies. The sole exception is the titular protagonist, due to the power of the Mask of Shadows.
- In The Gamer's Alliance, the Land of the Dead is where all the spirits of the dead go regardless of their alignment. It used to be a neutral realm ruled by Dis Pater until Death took over and turned the land into the verse's equivalent of Hell with his corrupting influence.
- Karzahni in BIONICLE, where Matoran used to be sent to for repairs. Unfortunately, the ruler, also named Karzahni, didn't do a great job, so he sent some the badly repaired Matoran away from their islands or kept them. The Turaga realized Matoran weren't coming back, so they stopped and told stories of Karzahni as a scary place where lazy Matoran were sent to.
- Adventure Time has the Land of the Dead seen in "Death in Bloom".
- My Little Pony Friendship Is Magic has Big Good and sun goddess Princess Celestia put out lost dog flyers for Cerberus, and Twilight worries about the evils in Tartarus escaping. Putting something from Greek Mythology into a world that has little to nothing to do with the world of the viewer was a bit jarring. However, it definitely still counts: much much much later, the final enemy of season four was being held there and Cerberus' temporary absence so long ago was what allowed him to get free. No word on whether or not there are less nasty-looking areas for people who aren't imprisoned Big Bads, or if it's where the souls of the deceased go at all (unsurprisingly, My Little Pony doesn't bring up the souls of the deceased very often.)
- In a Robot Chicken sketch, a man dies and finds out that everyone goes to Heaven. He passes by several people before seeing Adolf Hitler.
Hitler: I'm just as surprised as you are.
- Appears in The Grim Adventures of Billy & Mandy often. Located miles beneath the surface, oceans of lava and macabre, monstrous architecture are commonplace. It's populated by monsters and demons of every type imaginable with many of the show's supernatural characters coming from the realm (including the Grim Reaper himself). Despite the similarities to Hell though, most of the monsters live a normal Earth-like life and many seem to be quite amiable if frightening.