Cardiacs are that perfect band you've been looking for all your life but couldn't find because they're so damn obscure. Frontman Tim Smith is pretty much the only songwriter of the band. However, older brother Jim Smith is as much of a key character as Tim, bassist, batter-head, bully-bait, he's been "there" since Tim was a baby. Then there's Sarah, Tim's wife, saxophonist, pre-Seaside synth player, skirt wearer supreme, she's been "there" too.
The lineup went through a series of changes, but through all of it Tim and Jim Smith remained. In 2008, Tim Smith had a stroke and cardiac arrest, which led to the band going on indefinite hiatus. Smith survived, but he was left with brain damage and has spent the last decade in recovery. Tim Smith said in 2018 that he hoped to one day be well enough to reform the band.
Despite a polarising reaction in the contemporary music press and rather limited commercial sales, Cardiacs have had a fairly significant impact on other musical acts, being cited as an influence by acts as diverse as Radiohead, Faith No More, and Blur.
They've had a rather large number of releases, although some were not released in large quantities and have never been re-released. Some discographies leave out all the recordings before A Little Man and a House. You can find most of their stuff at their Bandcamp, along with material from several related projects.
The Cardiac Arrest Lineup
- Mick Pugh: Vox
- Tim Smith: Guitar
- Jim Smith: Bass
- Colvin Mayers: Keyboards
- Peter Tagg: Drums
The "Classic 6-Piece"
- Tim Smith: Vox, Guitar,
- Jim Smith: Bass
- Sarah Smith: Sax
- William D. Drake: Keyboards
- Dominic Luckman: Drums
- Tim Quy: Percussion + Bass Synth
The "Power Quartet" Lineup
- Tim Smith: Vox, Guitar
- Jon Poole: Guitar
- Jim Smith: Bass
- Bob Leith: Drums
- 1980 - The Obvious Identity (as Cardiac Arrest; released on cassette in extremely limited quantities; never re-released)
- 1981 - Toy World (released on cassette in extremely limited quantities; never re-released)
- 1984 - The Seaside
- 1986 - Big Ship (EP; later re-released as part of Songs for Ships and Irons)
- 1988 - A Little Man and a House and the Whole World Window
- 1989 - Cardiacs Live
- 1989 - On Land and in the Sea
- 1989 - Archive Cardiacs (compilation that collects some, but nowhere near all, tracks from the band's first two albums; also contains several exclusive demo tracks)
- 1990 - All That Glitters Is a Mares Nest (live)
- 1991 - Songs for Ships and Irons (compilation of mostly 1986-1987 material)
- 1992 - Heaven Born and Ever Bright
- 1995 - Sing to God
- 1999 - Guns
- 2005 - The Special Garage Concerts Vol. I
- 2005 - The Special Garage Concerts Vol. II
- Artist Existence Failure. Tim Smith suffered a stroke on the night of a My Bloody Valentine gig. Tim then had a further stroke and Cardiac Arrest and is thus unable to even talk, let alone perform.
- Black Dude Dies First. Colvin Mayers who died of effects of AIDS on Boxing Day.
- Black Sheep Hit. Their most commercially successful song Is This the Life? sticks out in their discography because of how simple it is.
- Bohemian Parody: The cover of Sing to God has the band's faces arranged in a way set up to evoke the video for "Bohemian Rhapsody".
- BrotherSister Incest. Double Subverted Tim and Sarah were set up by the band's manager as an incestuous brother and sister item, the desired outcome being publicity. Their onstage antics didn't exactly help this and many people actually believed it, with Kingston police 'investigating it'. The story got into a British tabloid and Ex-Cardiacs to this day still push it as the truth, although with tongue firmly in cheek.
- Crowd Chant "JIM JIM JIM JIM JIM..." Also "WHO IS HIM WHO IS HIM? IT'S JIM IT'S JIM!"
- Damsel in Distress. Jim Smith who looks particularly sad on most album covers/promo pictures.
- Epic Rocking: Several of their songs get quite long. The longest is probably the Sing to God version of "Nurses Whispering Verses", which runs for 9:54.
- Insistent Terminology: Tim Smith isn't terribly fond of the punk and progressive rock labels being applied to his music, insisting Cardiacs are simply a pop band. Given the eccentricity and complexity of their music, some listeners may interpret this as a Suspiciously Specific Denial. The only other descriptor he's particularly open to is psychedelic.
- Loads and Loads of Characters/Revolving Door Band: Dozens of people have been members of the band at various points.
- Loudness War: Most of their material was released before this trope really began to take hold, but Sing to God and Guns are affected by this, as are at least some reissues of The Seaside. Strangely (and coming as a relief), the 2005 Garage Concerts are very dynamic by modern standards, with most tracks coming in at around DR10.
- Manchild. Tim Smith plays this for laughs and would often be really immature on stage and make commentary that someone 20 years his junior would have felt uncomfortable.
- Miniscule Rocking: Quite a bit of this, too. "Billion" runs for 0:42, for instance. Many of these can be taken more as introductions to other songs than as songs in their own right.
- Neoclassical Punk Zydeco Rockabilly: Their music is very nearly indescribable.
- Non-Appearing Title. "Bus for a Bus on the Bus", "The Obvious Identity", "As Cold As Can Be In An English Sea", "Is This The Life" to name but a few...
- Not Christian Rock: Tim Smith has stated that the album 'Sing To God' is in no way a religious work, despite the word Jesus being clearly audible in amongst the lyrics of the song 'Fiery Gun Hand'.
- Offscreen Moment of Awesome. Most of Cardiacs' early material (As Cardiac Arrest) was either not recorded or recorded poorly (and to make matters worse only released once and in extremely limited quantities).
- Somewhat rectified by the special garage concerts, when live versions of their pre-1984 songs were played and recorded, with the end result being a double album featuring much, although not all, of the previously lost material.
- Re-release the Song/Rearrange the Song: They've recorded a lot of their songs several times, early material in particular. Arrangements often differ substantially between recordings; for instance, "Nurses Whispering Verses" gained almost four minutes of running time between the 1984 Seaside version and the 1995 Sing to God version.
- Shout-Out. Cardiacs were far from adverse to this:
- During Gloomy News Colvin Mayers would often play a short part of the Enter the Gladiators riff. Colvin appears to like Shout-Out since Rock Around the Clock (itself being a pun on the Bill Haley and His Comets song) was often introduced as "Real Rock and Roll!"
- 2:50 into Dive a choral section starts. The lyrics? "Oh the grand old duke of York he had ten thousand men, he marched them up to the top of the hill and he marched them down again". Some of you may recognise that nursery rhyme...
- Half way into Pip As Uncle Dick But Peter Spoilt It there's a pretty big Spider-Man Shout-Out.
- The song title "Nurses Whispering Verses" is a line from the song "In the Sickbay" by the avant-garde rock bands Henry Cow and Slapp Happy.
- The song title "A Bus for a Bus on the Bus" is probably a reference to the Frank Zappa instrumental "A Pound for a Brown on the Bus".
- The Smurfette Principle: Sarah was the only woman in some lineups. However, at times this trope has been averted either because there weren't any women in the lineup, or there were more than one. The current lineup on That Other Wiki lists Cathy Harabaras and Melanie Woods as part of the band.
- Soprano and Gravel: Tim Smith's thickly accented voice, heavily influenced by English punk rock, contrasts with the ethereal, more conventional vocals their various female singers have provided over the years.
- Suburbia: The source material of many of Tim's lyrics. See also Real Life Writes the Plot although less evident.
- Tim is the Band Inverted with Jim being a punchbag on stage and music videos. Not to mention being in the band as long as Tim and standing next to him on stage.
- Uncommon Time: Often, such as on the intro to Will Bleed Amen, which is in 13/8.