The fifth season of Samurai Jack, set 50 years after the previous season featuring more violence and a grittier story. Its also on [adult swim] / Toonami instead of Cartoon Network.
The works of Fleischer Studios (which brought us cartoons such as Betty Boop, Popeye, and Superman) was mostly lighthearted or at most Dark Comedy- with the exception of Somewhere In Dreamland (1936), which takes a surprisingly sad glimpse at growing up in poverty.
Family Guy entered this territory more or less since season 4. The first few seasons were a kind of humor reminiscent of The Simpsons (with more crudeness and mockery), and the characters themselves are sane. However, it was not until season 4, and later episodes, which adds up to the brim, extremely sadistic, and violent moments with people being gutted, torn in half, beheaded, etc. Watch any occasional episode of the first three Family Guy's seasons and then see recent episodes like the third episode of "Family Guy Presents: Laugh It Up, Fuzzball!" and the full episode "Screams of Silence: The Story of Brenda Q", there is a clear difference.
Brian's hallucinogenic trip in the episode "Seahorse Seashell Party" is often regarded as the most disturbing and dark animation in the show.
The episode "Life Of Brian" is probably the darkest episode ever in the series so far. The episode in itself seems to mark a total change in the whole series because Brian is suddenly Killed Off for Real and really Played for Drama. And then, two episodes later, he's back. Death Is Cheap, indeed.
It started off as a light-hearted children's show (albeit with a heavy dose of subversive jokes and Black Comedy) but took a darker turn around the end of season 2, in which we are presented with a villain with absolutely no quirky or amusing characteristics whose only goal is to end all life. Since then, we've seen the show openly deal with issues like death, mental illness, Mind Rape, suicide, despair, self-esteem, child abuse/abandonment, relationships and break-ups, age differences, bad communication in relationships, puberty, even dismemberment. The show is in its 6th season-a far cry from the candy-colored jelly beans shouting "Algebraic!" in the pilot so many moons ago.
The show's backstory is also dark. It takes place a thousand years after a global thermonuclear war ravaged the planet and pushed the human race to the brink of extinction. Currently, only three humans are known to exist: Finn (the protagonist), his father Martin (a total Jerkass), and Ice King's old fiancee Betty (who was brought to the present via time travel). One character, Moe (BMO's creator who looks like Jamie Farr) is also human, but his internal organs have been replaced by cybernetics. Also, Susan Strong may be a human or a Hyooman (a mutant human with fish fins and gills). With only three humans known, and the only other humans besides Finn either biologically related to him or too old/engaged to someone else, the future seems bleak for humanity. It's never stated, but the mythology of the show always implies this.
Most fans of the series agree that the seventh season has been by far the grimmest and deepest yet. The miniseries Stakes is primarily about Marceline coming of age. She's confronted with five evil foes from her past whom she has to defeat, and there are plenty of heartbreaking flashbacks of her childhood.
Danny Phantom: The TV movie, "The Ultimate Enemy", was the perhaps the darkest episode in the entire series, as well as one of the darkest moments in Nickelodeon history.
Warner Brothers attempted to make the classic Looney Tunes characters Darker and Edgier in the 2005 series Loonatics Unleashed, only to result in massive outcry against the idea, and an overhaul resulting in a strangely drawn cartoon that wasn't very much in the way of new or interesting. A retool for the second season attempted to add more references to the original Looney Tunes, with mixed results.
The Looney Tunes series went in this direction during the mid 1940's. The Disney-esque musical cartoons were all but abandoned, the jokes became meaner and more cynical, etc. "Fresh Airedale", "Each Dawn I Crow", "Long-Haired Hare", "Knights Must Fall", "Chow Hound", and "Hare Raising Hare" are among the darkest cartoons Warner Brothers ever produced. Around 1952, this toned down slightly, and there were more fluctuations between Darker and Edgier and Lighter and Softer (although 1964's "Dumb Patrol" was among the darkest Bugs Bunny cartoons ever made). This also renders quite pointless the general notion that The Looney Tunes Show is one of the most cynical adaptions of a classic cartoon franchise.
This goes back even further in some cases. For example, the Porky Pig cartoon "Pied Piper Porky" is surprisingly dark for a pre-1943 Porky Pig cartoon.
Legion of Super-HeroesAnimated Adaptation started out fairly light in tone, but the second season features a future laid waste by an evil warlord, the replacement of the young Clark Kent version of Superman with a rather disagreeable clone called Superman X, an utterly destroyed New Metropolis, and the death of one of Triplicate Girl's selves. Dark and edgy enough? No? How about, Superman X says Brainiac 5's going to do something original-Brainiac-level nasty at some point in the future. The other episodes showed similar darker shades such as a murder conspiracy where Timber Wolf was convicted of patricide, the Legion brainwashing Chameleon Boy to infiltrate Imperiex's lair, a child who will be responsible for Imperiex's creation in the future being hunted down for that exact reason, Dream Girl being kidnapped and forced to use her precognitive powers to fight against the Legion by a group of terrorists. Ultimately, Brainiac 1 influences Brainiac 5 with More Than Mind Control, and Brainy brutally kills Imperiex onscreen, turns on the Legion, puts a crown of Kryptonite on Superman - not the clone, our Superman. He begins to digitize the entire universe, basically assimilating the Coluans to be his army. The LOSH finale is how Wham Episode is done. We get an Earn Your Happy Ending, though, when 5 is able to drive 1 out during a Journey to the Center of the Mind, and Superman X can go home right and the restoration of the time-stream brings the third Triplicate Girl back.
It's not just making 'em a little older, either. With Alien Force and Ultimate Alien, villain motivations go from "steal the Omnitrix and kick puppies" to ethnic cleansing, civil war with Black and Grey Morality and no good guys, people dying and staying that way, and consequences go from "astonishingly, nobody got hurt" to "Anything goes behind a Gory Discretion Shot and people stay dead." The last half of Ultimate Alien takes it farthest, especially with the episode "Catch a Falling Star."note Today, on your favorite kids' cartoon: A murderous criminal better suited for CSI gets back-alley surgery to alter his face. The amount of blood the team found from that was apparently impressive. We find he killed the "surgeon" (that is, the veterinarian who owed him a favor) and anyone else who got in his way. His sidekick is an actress with a messed-up upbringing that lead to her becoming like the many Real Life "groupies" of criminals. He had in fact put her in a Sadistic ChoiceDeath Trap back when he'd been more of a "cartoon" villain than a dark villain; her affection for him is explicitly compared to Stockholm Syndrome.In comparison, the new Omniverse series scaled it back a lot (it does have some more serious episodes, but never reached the same heights and usually tried to made them lighter with more jokes and silly situations inserted), and the new reboot has completely gone back to lighter and softer.
ReBoot pulled this off rather well in season 3 by showing two young characters suddenly grown up, adapting to the change in writing style, introducing new locations, and expanding the scope of the series.
This was the culmination of a transitional phase of the story begun during the Web World Wars when Bob was thrown into the Web and the previously one-shot virus attacks became a full-on assault. When Enzo was required to take the role of Guardian and lost in a game, losing his right eye in the process... that was when the Darker and Edgier tone was cemented.
Starting with the season three opener "Transwarped", instead of the usual light-hearted action/humor, it explored the ethical implications of building a sentient but simple-minded superweapon, dealt with Ratchet's troubled past, involved far more visceral violence (albeit to robots) and brought several main characters close to death. As of "Where Is Thy Sting" one Autobot character's been killed off grotesquely and the leader of the Autobots is beaten into a coma with his own hammer. We never do see him wake up, by the way.Word of God says that had the series continued, he would have been revealed as having been killed.
All in all, the series has a habit of borrowing characters, ideas, or scenery from the earlier Transformers shows and modifying them for its own purposes. In Beast Wars Waspinator was the lovable hapless Butt Monkey who blew up many times but always pieced himself together without any obvious lasting effects. In Animated he's a gigantic, half-crazed techno-organic bent on bloody revenge upon Bumblebee for (accidentally) having him sent to the stockades under accusations of treachery. When he blows up, he's also seen piecing himself back together, but the effect is intensely creepier.
Beast Wars itself saw this after the end of season 1, which featured the death of Optimus Primal. The first, episodic, often very campy season stands in contrast to the more mature, more serious later seasons. Anyone Can Die also goes into full effect, though naturally, Optimus does get resurrected into a new toy, er, body.
Transformers Prime is the darkest and edgiest Transformers cartoon thus far. There's far less comic relief; disease, brutality, and the undead are common thematic elements; and deaths are common (the Autobots are actually shown killing Decepticons). Heck, in the first episode a character is killed by Starscream rather violently and his death is mourned throughout the series. Whenever a character is killed, they don't come back and are only referenced.
The movie was edgier and more serious than the majority of the series — not that that's hard to accomplish.
In the episode Super Zeros, where the girls try to act like their favourite heroes, they poke fun at this trope. Buttercup at one point complains, "And we're not all dark and tormented!".
In 2003, John Kricfalusi made a revival of his cartoon The Ren & Stimpy Show, called Ren and Stimpy Adult Party Cartoon, to allow him more freedom on what he couldn't do previously on the show. It was darker, much more violent, the characters used stronger curse words, and it had a lot more blatant sex jokes, including a few episodes where the duo are portrayed as gay lovers. Needless to say, it didn't go down well...
To promote the movie, a PG-13 version of G.I. Joe called G.I. Joe: Resolute was launched on [adult swim]. The first episode involves Cobra getting a massive boost in competence, leading to the Joe's battleship base being attacked, Bazooka getting killed, and Moscow getting wiped off the face of the map. Then again, what do you expect when Warren Ellis is doing the writing?
The final episode of Tales from the Crypt (the only one animated) was a bloody and gory retelling of The Three Little Pigs, featuring the wolf messily eating the pigs (and presented as a rapist in one scene) and making two of the pigs a smoker and an alcoholic who sponge off their brother. Plus, The Bad Guy Wins.
Strangely enough, Raphael becomes Darker and Edgier for a few seconds in the second intro of the 1987 series of Teenage Mutant Ninja Turtles. This happens during the long version of the intro when the Theme Song reaches about 18 seconds and happens right at the beginning in the short version. It's when the screen pans upward to Raphael's face. His shading is much darker than usual, not to mention having an angry glare in his eyes. Keep in mind that this version of Raphael is a levelheaded wise guy, unlike the usual portrayalofRaphael in most of the other TMNTcontinuities. With that said, this instance of an aggressive-looking '87 Raphael (pre-season 8) is actually quite fitting.
The Nickelodeon series is in-between, being more serious than the 80s one but lighter than the 2003 one.
Avatar: The Last Airbender features this after Season 1. While the first episodes did detail how a nation was destroyed and explains Zuko's scar, it's not until the second season when the plot really starts to hammer in the sheer destruction of war, touching on such cheery implications as genocide, concentration camps for water benders, and a general feeling of helplessness. In addition, the second season introduced the extremelycompetentPrincess Azula to follow up on the first season's Starter Villain. Even the personal stories get deeper and darker, with Zuko struggling with moral issues, Katara seeking vengeance for her mother's death with a technique called "bloodbending", and Azula going absolutely psychotic. Done well, because the descent into darkness is gradual and doesn't just put a gun in a character's hand. Rather, the focus is on fleshing out characters and exploring the implications of their situation.
The creators have even stated outright that Korra is darker and more mature in comparison to Airbender - which is extremely impressive for a Nickelodeon cartoon, given how mature the original series was already. So far, nothing has proven them wrong, with scenes that are highly reminiscent of public executions and rape, constant allusions to historic examples of oppression such as McCarthyism, the Red Scare, the Nazi suppression of Jews, etc. A politically driven storyline filled with social and political unrest, perhaps the most blatant depiction of a terrorist attack in the history of children's television, and a Murder-Suicide in the season finale.
Season 3 started out dark, showing unambiguous suicidal thoughts, violent prison escapes, and a queen who forced airbenders into an army regardless of age, but once the show was put online it got even darker than Books 1 and 2. To start off, Zaheer killed the Earth Queen in the most graphic death in the series by bending the air out of her lungs while giving her a chilling Hannibal Lecture. After doing that they broke down the walls of Ba Sing Se and the city descended into chaos with looters robbing the palace and entire neighborhoods being burned down. The Red Lotus next tried to get their hands on Korra by threatening another Airbender genocide with P'Li being the cold sniper and nearly killing Kai. The episode also ended with Tenzin being on the receiving end of a No-Holds-Barred Beatdown. The finale had P'Li accidentally blowing herself up and her love Zaheer witnessing her death, Korra being poisoned with mercury, Ghazan committing suicide to avoid reimprisonment, Ming-Hua getting electrocuted, and Zaheer going pretty much berserk. The finale ends with Korra broken physically and mentally from the poison and wheelchair bound, and the story ends with a Single Tear from Korra who can barely talk, move, or smile. Basically, by the end of the book there were no more questions why this season was put online and not TV.
Sonic SatAM to Adventures of Sonic the Hedgehog: The latter show was a light hearted comedic show without any of the characters being in any real danger while in SatAM, Dr. Robotnik has become a power hungry dictator who has taken over the city of Mobotropolis, captured the king and thrown him into another universe, and has turned most of the inhabitants into robots to do his bidding. He is also much more menacing and capable than his other interpretations, which are generally bumbling idiots. Also, Sonic, Tails and a band of surviving friends known as the Freedom Fighters try to stop him from completely taking over the world- he already owns most of it -and must avoid being captured and roboticized in the process.
Parodied in The Stinger for the movie. Having been beaten up by the cul-de-sac kids over a misunderstanding (he attacked the Eds, not knowing that everyone had made up), Johnny, as his superhero persona Captain Melonhead, reimages himself as The Gourd and swears revenge on the neighborhood... only for Plank to tell him the movie was over.
The movie itself was a Darker and Edgier version of the series, and not in the fun way: The Eds' scheme seriously wounded the other kids for once, which cause them to seek retribution, meaning ganging up on the Eds and (though merely implied) murder them. The Eds themselves ends up in several hardships trying to escape them, which takes its tolls on both Edd and Eddy. They end up in a rather ugly fight because of Eddy's lack of seriousness and empathy unleashed all of Edd's repressed anger, and later it turned out that Eddy has his reasonsforhisbehavior. The climax itself was a horrific deconstruction of Amusing Injuries and what consequences they actually have.
Another episode that has a dark feel to it is the Cartoon Network Invaded special episode "The Eds Are Coming".
In addition to the direction of its writing, South Park's evolving animation style and loosening content restrictions imposed by the network played a major part in the show becoming darker (if not more serious) over its run, with more and more graphic content included on a regular basis. It's gotten to the point that most of the old episodes, which were once rated TV-MA, are now rated TV-14 since they appear downright tame compared to what's been allowed on the show (and other basic cable programming) in recent years.note Some of them are still Edited for Syndication in order to achieve said rating.
South Park: Bigger, Longer & Uncut was an early indication of some of the things the series would do in later years. To elucidate, there's a higher body count than the first three seasons combined (As it involves a war), Kyle's mom is a genuine, no-nonsense Big Bad and the global scale war and The End of the World as We Know It was treated dead seriously, although some of the events that kick-start it, like rampant cussing and the bombing of the Baldwins, is pretty hilarious.
Some pretty dark and dramatic episodes, such as "The Return of Chef", "Stanley's Cup", "Imaginationland" trilogy (that is clearly more serious), "Coon & Friends" trilogy and "You're Getting Old" are clear examples that often the series goes from being Played for Laughs to Played for Drama. Try watching these episodes and then watch any episode from the season 1. There is a clear difference.
Spider-Man: The New Animated Series is perhaps the darkest telling of Spider-Man. The pilot alone portrays the origin of villain Electro as a tormented university student who smashes a sign after everyone laughs at a cruel prank played on him, is electrocuted, then murders the chief antagonist. Spider-Man tries to stop him from killing more people, Electro seeing everyone as the people who hurt him, but can only do so by killing him. Too bad, as the graphic nature was what killed the series.
The 1981 syndicated Spider-Man series was also darker and edgier compared to the Spider-Man and His Amazing Friends series shown on NBC's Saturday morning lineup at the same time.
The first movie. Murderous animals, child endangerment, and tension between the babies thick enough that it can be cut by a katana. It's a bad sign when the adults are being more competent than usual.
The 1991-1994 episodes, in comparision to the more kid-friendly later seasons. They featured very adult jokes and references no child could possibly get, scary situations out the wazoo, and more subplots involving the adults than the post-hiatus episodes.
The Penguins of Madagascar has taken on a slightly darker tone in season two, by playing up the For Science! and commando motifs more. "Driven to the Brink" is a far darker Halloween special than "I was a Penguin Zombie."
The show started out mainly as an action-comedy cartoon with only the Robin-centric episodes being serious, but after the first season it all went downhill from there, and you got episodes like Robin going temporarily insane and Terra "dying" and then later maybe possibly coming back to life? And then there was the apocalypse with everyone turning to stone.
All of the arc episodes in Raven's season (a.k.a. season four) were Cerebus Syndrome incarnate. How bad is it? Well, Slade comes back to life, has pyrokinesis, and is after Raven in a seriously Pedobear way. And that's just the first arc episode.
J. Torres: [The show] started out skewed a lot younger... but along the way, I think the producers discovered it was reaching a wider audience. ... [the show] got into some darker story lines, and they introduced a lot more characters, so they expanded on it, and they let the show evolve with the audience.
Thomas the Tank Engine: Season Five. It had several scary and adventurous episodes, and most episodes involved violent crashes. Nothing too gratuitous of course (it is a kids show after all), though an unnamed engine was shown falling to its death on-screen.
The Boondocks TV series in comparison to the comic strip its based on. Though justified in that being on television obviously allows it to get away with a lot more than what a daily newspaper comic strip would.
When Batman: The Animated Series started in 1992, it was this compared to every other kids show out there. In a good way though, with mature storylines and complex characters and themes. The movies were even darker.
While Phineas and Ferb is funny and light-hearted in its own right,The movie is this. It involves the first time where Phineas is truly mad at someone (him being upset at Perry revealing himself to be a secret agent, as he feels like Perry never regarded him and Ferb as friends), we have a dictatorship where every character has Darker and Edgier counterparts, and the first time the main characters have been faced with someone trying to kill them.
To a lesser extent, the fourth season as a whole seems to be more liberal when it comes to using black comedy and Getting Crap Past the Radar, and the stories of some episodes may count too, in particular Phineas' controversial snapping in "Mission Marvel".
King of the Hill has an in-universe example. Multiple episodes show Luanne running a Bible-themed puppet show called "The Manger Babies". In a later episode, John Redcorn runs a business of selling children's educational DVDs and has Luanne make some. When her popularity wanes, she tries to gain back her fanbase by making a Darker and Edgier show with "edgier" storylines and characters, including a Bratz doll Expy.
The show's first 7 seasons were darker and occasionally more violent than the last, culminating in episodes like "One Coarse Meal", "Squidward in Clarinet Land" and "Earworm". This was dialled back a bit in Season 8, and especially the second half of Season 9.
The films and Comedy Central seasons, though there were earlier examples that foreshadowed this.
The darkest episode has to be "The Sting", with its death of Fry moment, Leela's hallucinations, and her almost-suicide. As well, the episode is favored as a clearer view of Leela's unrevealed affection for Fry and Philip's not-as-dumb-as-seems devotion to her.
"The Rise of Miss Power" is this to the regular WordGirl series. While there are still jokes, we are introduced to the villainess Miss Power, who, unlike other villains, is taken seriously. She goes to Earth, and teaches WordGirl her powers (like ice breath), and also teaches her to mock the other villains. This goes so far as to WordGirl/Becky Botsford talking back to her parents, and she even mocks her own sidekick. When she discovers Miss Power's scheme, she gets a No-Holds-Barred Beatdown, and is declared to be weak by Miss Power, and she takes over the town. And, unlike other villains, she would've succeeded in killing someone, had WordGirl not intervened, and almost succeeded in taking over the world. This feeling towards the episode is mostly because of the anti-bullying message they put into the movie.
Miss Martian is now an Anti-Hero who regularly extracts information from her enemies' minds, even though it leaves them completely catatonic. Superboy (now her ex-boyfriend) is increasingly concerned, and the fact that she tried to make him forget he was upset was the last straw before the breakup.
Aqualad's arc isn't any lighter. When he first appears, it's set up to look like he switched sides during the Time Skip, and he nukes a base full of oblivious krolotean henchmen just to make it convincing. Then it turns out he's a Fake Defector and picked warning his friends about the bomb over saving the aliens, but Nightwing still notes that it was an "impossible choice". He is then mind-raped by M'gann.
Have fun watching Artemis's Team and family mourning her death and swearing vengeance on the killer!
It gets worse with the revelation that Jason Todd existed in Young Justice and was introduced and killed off during the time skip. Not enough terror yet? Think about the emotional effects of that on Nightwing coupled with everything else that's been going on. Can you say "impending mental breakdown"?
The closer two episodes take the cake. "Summit" shows a character get stabbed with blood on the exit wound (granted, it was Ra's Al Ghul). And in the second season finale, Kid Flash disintegrated very painfully on-screen, being very definitely Killed Off for Real.
X-Men was a pleasant surprise when it first hit TV. It had the death of one of the main characters in the first episode, dealt with prejudice and interpersonal conflicts virtually unknown in a Saturday morning cartoon, portrayed bad futures, and took a more adult approach that treated viewers as mature.
Beavis and Butt-Head Do America. While the film still has comedic beats, the plot is much more serious than any episode of the series. A criminal confuses Beavis and Butthead for a couple of thugs he hired to kill his wife, Dallas. Dallas also hides an extremely dangerous biological weapon in Beavis' shorts. The CIA learns of this and starts to go after the duo. Given all of this, Beavis and Butthead have several brushes with death. In addition, a couple of scenes were somewhat sexual.
Episodes featuring Katz are clearly darker and edgier, but also more dense.
In the final season things really got worse, especially in the episode "The Mask", which had a realistically portrayed domestic abuser in the form of villain Mad Dog.
Then came the grand finale, and in "Remembrance of Courage Past" we were introduced to the worst villain in the show, an evil vet who was responsible for the fate of Courage's parents, while "Perfect" revolves around psychological abuse and despair, and includes absolutely horrifying nightmare sequences.
Barbie in a Mermaid Tale 2 is more serious than the first movie; despite Eris being deposed, the scenes of the characters' worst nightmares are pretty intense, and it has Merliah in the position of possibly losing her legs forever. There's also two scenes where Kylie almost drowns.
The episode "Dreamscapers" (and "Gideon Rises", for that matter) of is a WHOLE lot darker than the rest of the season. It had a MIND DEMON. Things took an EVEN DARKER turn when he got mad. EAT NIGHTMARES!
The short series Dipper's Guide to the Unexplained was mostly a short, lighthearted comedic bit of animation. However, the last episode The Hide Behind featured a real lumberjack legend (which is disturbingly similar to Slenderman), and even ended with him being real and stalking Dipper on the way home.
Northwest Mansion Mystery is also pretty harsh: A psychoticallyvengeful lumberjack ghost, blood oozing from taxidermy animals, and the true nature of Pacifica's vile father.
The show itself turns dark and edgy in Season 2 once the myth arc begins to kick in, with its Grand Finale featuring an actual apocalypse on Earth transpiring.
This goes to the point of being riddled with several cerebus retcons of previous jokes and quirks of certain characters. That's right, season 2 its so dark and edgy it turns the first season darker and edgier.
Dungeons & Dragons got noticeably Darker and Edgier in its second season (even the opening credits!). Sometimes it worked, by averting Angst? What Angst? and letting the kids actually show the emotional pain they would logically be feeling due to their circumstances. Other times, it drifted into Narm and seemed like a lot of cheap angst for its own sake. The third season pulled back to a tone midway between the first two.
The Snow Queen (2012) is darker than the fairy tale that inspired it; The Snow Queen rules the world as a dictator and plans to cause eternal winter everywhere.
The Intruder II has taken this route and outdoes its predecessor in term of being a Wham Episode. Whereas the original Intruder was perfectly content in killing TOM 1, this has seen that the Intruder has taken over TOM 1's body, assimilate SARA's core, gloat about killing TOM 4, TOM 5 rip off his own arm, and the Absolution is destroyed. There's also a touch of The Fourth Wall Will Not Protect You thrown into the bumpers as they go from flashing "RED ALERT", to garbed text as SARA "dies", to error messages after the Absolution's destruction. However, things end on a positive note, as TOM managed to back up SARA and upload her onto a ship he finds and she builds him a new arm.
The Lion Guard: Although the series itself is much more lighter in comparison to the film series, it is this to every other Disney Junior show, as it doesn't have any qualms about mentioning death, many of the fight scenes, although not graphic are rather painful, and some of the episode plots are very realistic, with Cant Wait to be Queen being the best example with Janja's attempted kidnapping of Kiara being very intense. Later episodes seem to have these moments very frequently with main characters in mortal peril and suggestive statements that really push this almost out of preschool friendly territory.
Among the earliest Saturday Morning Cartoon shows, Hanna-Barbera's 1974 show Devlin was promoted as such, as much as Saturday morning cartoons could be in The '70s. Among the issues the show dealt with were PTSD, illegal immigration, satanism, and child runaways.
Sexism existed in the Ever After High series, but the book adaptations ramped it up a lot. Somehow a world where girls studied politics, (magic-)science and cross-country riding in high school, were encouraged to use libraries and the Internet, could dress however they liked, could become renowned businesswomen and not-Quidditch champions note as shown by the characters Snow White and Mira Shards, and never showed anything other than total agency in their love lives became a borderline-Crapsaccharine World whose characters angsted over being seen as nothing more than a pretty face, never had their academic achievements acknowledged, were never allowed "to do anything dangerous or exciting", and whose assigned schoolwork was entirely frivolous in nature. Female characters that didn't fit this agenda were consequently ignored by the authors. In comparison, in the series...one football player refused to let Cerise play on the team, before learning An Aesop at the end of that episode. And that was about as bad as sexism got.
Peter Pan & the Pirates may possibly be the darker of all versions of Peter Pan, much more than the Disney version and even the live action version.
A very uncommon example of an animated series that's Darker and Edgier than the movies they're based on is Men in Black. Whilst the movies are Family Friendly PG-13 comedies with only slapstick violence, the cartoon has some serious mess-up stuffs including Body Horror (one villain is made of alien stolen organs, including heads!), sentient clones dying after a few hours, villains with no problem killing, mutilations and so on. Worth noticing that, even so, the comics were even darker in tone.