Hey, you! Don't look so perplexed / Why must you be vexed / Can't you see you're next?
Yes, you're next! You're so next!"
The plot features Bugs Bunny being chased by Elmer Fudd into the stage door of the Hollywood Bowl, whereupon Bugs tricks Elmer into going onstage, and participating in a break-neck operatic production of their chase punctuated with gags, all to the tune of Rossini's overture to The Barber of Seville.
Compare with Woody Woodpecker's equally famous take on the song. Contrast with What's Opera, Doc?, which does parody a famous opera, but the former (this one) is more comedic, while the latter is more artistic.
- The 50 Greatest Cartoons: #12.
- Backwards-Firing Gun: This happens after Bugs ties Elmer's shotgun into a knot.
- Bowdlerization: The ABC airing mutes out some of the sound effects of Elmer shooting in the beginning. The shot of Bugs slashing Elmer's face with a razor was also cut by replacing it with a cropped shot of Bugs holding a mirror (which appeared after Elmer got slashed) and grimacing in disgust while the sound of the slashing played as normal. Also cut was the segment where Bugs ties Elmer's gun into a knot. It skips from the shot of Bugs doing a provocative thrust backward towards the camera to the shot of Elmer being flung back into the barber chair, attempting to suggest some continuity between the two.
- Comedic Underwear Exposure: Bugs, dressed as a Spanish senorita, does a flamenco dance with scissors as castanets. As he does, he snips the buttons off Elmer's suspenders, causing his pants to drop and exposing his polka-dot boxers.
- Dangerously Close Shave: Bugs gives Elmer one:There, you're nice and clean!
Although your face
Looks like it might have gone through a machine...
- Escalating War: During the climax, Bugs and Elmer start chasing each other back and forth across the stage with ever larger weapons, starting with a hatchet, and ending with a cannon that wouldn't look out of place on a modern battleship.
- Funny Background Event: A poster outside the theatre promotes Eduardo Selzeri, Michele Maltese, and Carlo Jonzi.
- Goofy Print Underwear: Elmer wears these.
- Lohengrin and Mendelssohn: Very briefly right before the end. Whereupon Bugs carries Elmer across the threshold and drops him into a giant cake bearing the words "The Marriage of Figaro."
- Mickey Mousing: Being done quite masterfully at that.
- Mirror Reveal: After rubbing hair restorer and Figaro fertilizer on Elmer's scalp, Bugs shows him the results on a mirror. Elmer is at first elated that strands of hair are growing, but then he sees them sprout flowers, so he grabs his rifle and the chase is on again.
- Musical Episode: Every line except for the absolute last ("N-ext!") is sung to the tune of the overture; all lines but one are Bugs'.
- Never Trust a Hair Tonic: Bugs rubs and sprinkles a number of tonics on Elmer's scalp, only for flowers to sprout from his head instead of hair (the last one was actually plant food).
- Shrug Take: As Elmer looks for Bugs on the stage, Bugs pulls the switch that opens the curtain. The conductor looks confused, glances at his watch, then shrugs at the camera and starts the music.
- Snake Charmer: Bugs dresses as one and uses a flute to control an electric shaver that attacks Elmer.
- Sudden Anatomy: At one point, Bugs' hands sprout five fingers, to have his hands match those of a piano player.
- Wholesome Crossdresser:
- Bugs distracts Elmer while dressed as an elegant lady in a green dress. Elmer does not notice until he his bamboozled, as usual.
- Elmer, during the ending, dresses as the bride after Bugs gives him a number of gifts, including an engagement ring. Bugs then proceeds to drop him into the cake that (presumably) would have been used later in the actual opera, had the two not stolen the show.
- With Lyrics: A large section of the cartoon has Bugs (and Elmer) singing their dialogue to the tune of the overture from The Barber of Seville.