Take your standard Heroic Fantasy, except replace that hero with an Anti-HeroJerkass, "a sardonic and opportunistic musician and adventurer, driven by carnal rather than noble pursuits". The Bard (who is never identified by a specific name) is not interested in saving the world, his humble motivations being strictly "coin and cleavage". Then have his quest narrated by a mocking, biased man who cannot stand him.The Bard, after getting burned by and subsequently slaying a giant, fire-breathing rat, ends up being recruited by an old man to help free a princess named Caleigh. As a result of this, the Bard finds himself being attacked by an assortment of fanatics from a Druid-like cult, sent to dispatch him by a being called Fionnaoch. On the way to complete his quest, the not so valiant anti-hero will have to overcome the truly terrifying challenges of three monstrous guardians, break-dancing corpses, spontaneously melodious goblins and a giant, fire-breathing rat.Has nothing to do with the games of The Bard's Tale Trilogy (the first game being titled The Bard's Tale ), although it does have a few shout outs to it (and some editions include the earlier games as an extra). The game was developed by inXile Entertainment.
All Girls Want Bad Boys: In the Starter Inn, being nice to the Innkeeper would get you nothing, while berating her for the huge rat in the basement actually gets the Bard some nookie.
All Men Are Perverts: How did Caleigh get the bard to go on the quest when lures of money and power weren't enough? She offered sex. Lots and lots of sex.
Anti-Hero: Deconstructed in the Evil ending. The Bard has no particular stake in saving the world, so siding with Caleigh really is the best choice for him.
Though the same could be said for the neutral ending, wherein the Bard leaves and gets drunk with some zombies. As it turns out, The Bard doesn't make to be any sort of hero or villain at all, and the undead apparently make great bar buddies. (and definitely good dancers, too)
Bribing Your Way to Victory: At least in the Android version of the game. You have the options of buying packs of items, stat points, talents and in game currency with real currency if you want to. Its all stuff you can acquire in game and its single-player so you're just paying to speed up the game.
Cheese-Eating Surrender Monkeys: Jacques and Jean, a pair of French guys, who give you the run around after offering a tune, will accept your challenge to a fight, then surrender as soon as you draw your weapons.
Chosen One - Parodied. Throughout your quest, you will encounter many other chosen ones, most of whom are either dead or arrested.
The Chosen Zero: Not only is the Bard an unlikely hero (and has this pointed out to him), there are many other "Chosen Ones" (people who think the are, anyway note They actually are, but they just sucked.) who end up dead or worse. And after you come across them, some trow come out and sing about it!
The Chosen Many: At one point you'll even encounter a couple dozen of them. They've all been locked up so they don't hurt themselves.
The Unchosen One: Guess who manages to make his way past the challenges and manages to get a chance to confront the Big Bad?
Continuity Nod: In a conversation early in the game the Bard proclaims that he's had enough adventures, involving, among other things, cities locked in eternal winter. This was the plot of the original 1985 Bard's Tale.
Crate Expectations: Parodied. When the bard smashes a barrel early in the game, the barrel maker comes out and chastises him for smashing his barrels. He then offers a deal: smash all other barrels the Bard sees so that the barrel-maker can sell more barrels.
Also, the game guide lists that the Bard's previous profession was as an assistant to the barrel maker, however he was fired for producing inferior barrels which "... shattered with a mere whack of a sword." And his mentor chased him out of town for such shoddy work, saying that "A key won't even be safe in these things."
Deadpan Snarker: The Bard, whenever you go with the snarky option in conversations.
The Narrator gets in a few zings of his own as well.
Determinator: In the town of Houton, there is an old man who will demand an apology from you if you bump into him. If you refuse, he'll just keep insisting, even following you into a dungeon full of zombies to do so. Refuse enough times and he'll swear to chase you all the way into hell until you say you're sorry.
Distracted by the Sexy: The Rogue will use this, although it won't stop the bad guys from attacking, it will just stop them from attacking you.
Gameplay and Story Segregation: you can summon Caleigh to heal you even if you choose to fight against her in the final battle. If you summon the healing spell during said battle, she appears without any transformation.
Genre Savvy: The Bard, mostly from his own past experiences (if you take the word of a self-serving liar and crook like him, anyway).
The Narrator acts like he has never seen a fantasy game before, given his shock at some standard tropes.
Glass Cannon: The Vorpal Rat. Highest damaging summon, but it only has 1 11 hit points and no armor.
Infinity+1 Sword: The Ego Sword, acquired by rescuing some firbolgs trapped behind a cave-in. It's not the most damaging weapon in the game, but you can summon creatures without unequipping it to draw your instrument, and it's got an oddly long reach.
Lost Forever: If you run away from a village that ambushes you, all you get is a snarky comment about your reputation preceding you and it is wiped from the map. This means you miss out on the whole viking segment, and all the treasure and new summons that go with it.
Kick the Dog: Or stomp on it with a giant flying pterodactyl-like thing.
Magic Pants: Caleigh's transformation into her real form shreds her dress but leaves her private bits covered. Fancy that.
Male Gaze: The first scene after the introduction shows just the innkeeper's chest, and eventually works up to her face.
Money Spider: Parodied. After one straight execution of this trope happens, the narrator says that he'll skip all such passages in the future. The Bard complains, since it was a major source of income.
Nice Job Breaking It, Hero: Finnstown. You learn what happened as a Noodle Incident with Horny Vikings. Also, the Nuckelavee. Really, the Bard's whole career is built on these, and a good portion of the sidequests involve either making new mistakes or fixing ones you made previously.
Pet the Dog: The protagonist is an Anti-HeroJerk Ass more interested in, as the game states, "coin and cleavage" than saving the world. He is a compulsive liar and cheat, swindling his way through life and seducing his way through women. However, not only does he pick up a dog companion early in the game, but he sheds a genuine tear and vows revenge when the dog is killed by a monstrous minion of the apparent Big Bad.
The Power of Rock: The Shadow Axe is an axe, that has strings tightened on it that enables it to sound like an electric guitar when you summon someone.
Seen It All: The Bard. By the time you get to the last tower, he gets pretty tired of hearing idle threats. Also if you skip a scene, you'll sometimes hear the Bard give a dismissive "Next" or "Heard it already".
The Bard: "I've had just about enough of these atrocious alliterative announcements... Now I'm doing it!"
Summon Magic: A big part of gameplay. Several of the summon spells you get are plot-important.
First, you can summon various creatures and warriors to back you up in battle, spending energy out of your Mana Meter. They stay with you until they're killed or banished.
Second, you can use magical artifacts in combination with a limited supply of adderstones. These artifacts call Caleigh or one of three tower bosses to cause some instant or temporary effect on the field.
Watching the "Chosen Ones" (a small army of teenagers) get killed in stupid and hilarious ways is one of several running gags.
You can also kill chickens and push over cows in Houton. This serves no purpose (the chickens give you minimal experience, and only occasionally drop a nugget worth 1 piece of silver, and the cows getting tipped is only there for poops and giggles) and will get a very angry cow and chicken come after you if you do it enough times.
Count the number of times that you can arbitrarily swindle, abuse, or threaten people to get money or goods. Don't make a drinking game of it though; you'll make yourself very sick.
Violent Glaswegian: Averted. You'll run into a guy with a very thick Scottish accent, loves to go to Pubs, but doesn't ever once engage in an act of violence.