This is the polar opposite of Pretty Little Headshots, usually found in military fiction and gorier video games. As the above quote says, it's after a sniper has shot someone, and all that delicious blood-jelly bursts into a bloody cloud, which, from a distance, appears to be pink. Usually some part of the cranium is blown off in the process. This type of headshot is almost invariably seen from the sniper's point of view.
The thing that keeps this from falling into Ludicrous Gibs is that it actually happens, although it requires a sufficiently high-velocity bullet to produce the effect. Typical pistol bullets can (and often do) produce a blood-splattering exit wound in headshots, but the vaporization of enough blood and brain tissue to produce an actual mist requires a supersonic velocity of the sort most typically found in rifle bullets (thus partially validating the Pretty Little Headshot, at least if the shooter is using a pistol). The .357 revolver suicide of R. Budd Dwyer on live TV could be clearly seen to produce no visible pink mist, despite involving a powerful pistol caliber to the brain at point-blank range.
The most easily accessible real-world evidence for Pink Mist is surely the Gross-Up Close-Up provided by the Zapruder film of the Kennedy assassination. A 10.5 gram rifle bullet traveling at 2,300 feet per second into a large, homogenous mass with the consistency of a custard pie can be clearly seen to support the trope, although not quite as strikingly as one might expect.
- Baccano!: The conductor who takes a bullet to the head splashes blood all over the place and is later shown with a substantial hole in the back of his head.
- The memorable restaurant scene in The Godfather has Michael Corleone turning both Virgil "The Turk" Solozzo & Captain McKlusky's brains into this.
- The ending of Chinatown has a disturbingly realistic exit wound where somebody's eye used to be.
- The first Young Guns has a scene in which Emilio Estevez shoots an accused traitor in the head. Unlike the usual modest blood-splats found in Westerns, another character flinches when a huge splash of gore hits his hat from about ten feet away.
- David Mamet's Spartan has someone's head do this after being hit by a sniper's bullet.
- Sadly (maybe) the lead characters of Jarhead never got to see the pink mist they so longed to see due to a airstrike taking out their targets just before they took the shot.
- Happens in The Matrix when Trinity challenges an Agent to dodge a bullet at point blank range. The resulting headshot produces this.
- There are some impressive instances of pink mist in Apocalypto. All the more so because there are no firearms, only clubs and arrows.
- Oh so very used in military fiction. Case in point: Tom Clancy. The shootout sequence that opens Patriot Games actually describes "a wet, pink cloud" as Jack Ryan shoots one of the bad guys.
- In Inside Delta Force, the narrator describes a mission in which he and a teammate are tasked with sniping enemy shooters that always fired from within groups of children. Once the shots were fired and the guns came back down from recoil, all that was visible in the scopes was a mist, a "fading pink chimera in the sunlight."
- In The Crossing, "Bosch felt a fine mist of blood hit him full in the face" after another cop puts a bullet through the skull of the bad guy.
- This effect is described in detail in one episode of In Plain Sight, by the main protagonist, Mary Shannon.
- One of the last episodes of Dollhouse has Bennet shot in the head by whoever Whiskey is at the time. The pink mist surrounds a stunned Topher.
- Explained to Christina Ricci and later demonstrated by the bomb squad guy on the season 2 Super Bowl episode of Grey's Anatomy
- The X-Files would mostly use Pretty Little Headshots, but when Mulder shoots John Lee Roche in "Paper Hearts", it's this trope: lots of blood spattered on the window.
- Grand Theft Auto
- This happens in Sniper Elite after you shot everybody at both entry and exit.
- The Metal Gear Solid series uses a cloud of particulate-rendered blood whenever someone takes a hit as well.
- Most of your foes in Mass Effect 2 have some variety of helmet/shield/hard carapace, so a headshot will cause a mist of blood (in whatever color is appropriate, red for humans and Vorcha, bluish purple for Asari and Turians, green for Salarians, orange for Krogan and Collectors, etc.) but will leave the outer shell of the head intact.
- Call of Duty: Modern Warfare features this kind of effect when enemies are hit by gunfire, as does World At War.
- The Sniper of Team Fortress 2 refers to this trope by name repeatedly ("Everything above your neck is gonna be a fine red mist!"), but the in-game effects for most of his primary weapons are Pretty Little Headshots — except the Hitman's Heatmaker and The Classic, which skip straight up to decapitation and full-body explosion, respectively.
- A confusing one in Tomb Raider: Legend. In the flashback level, the wraith grabs Kent and leaves behind a red mist: it is debatable whether this is the creature's presence, or Kent's blood.
- Averted in America's Army due partially to the need to avoid a rating higher than T, and partially to the fact that 5.56mm bullets rarely cause that kind of Gorn. Plus, it's a recruiting tool; people are likely to be less open to joining the Army if their death was just rendered in agonizingly gory detail. Those to whom such things would appeal are generally more unstable than Army recruiters would like.
- Soldier of Fortune has this plus splattered brain matter and shattered skulls.
- The result of scoring a killing headshot with a hammer or mace in Chivalry Medieval Combat.
- Vietcong featured this effect whenever a character is shot.
- Some of the deaths by sniper shot in Rose Guns Days are depicted this way most notably Stella's death at the end of Season 3.
- Tragically Truth in Television, as anyone who has seen the Zapruder Film (the film of John F. Kennedy's assassination) can attest.
- The term was coined during The American Civil War, describing the effects of canister shot on oncoming infantry. Cannon in the Civil War typically fired either solid shot, which was deadly only if it hit you directly, or exploding shells, which sent shrapnel flying and could kill more soldiers than solid shot. When the enemy got close enough, the artillery would load canister, which was tin cans filled with lead pellets—thus converting the cannon into a giant shotgun. Pink Mist was often the result.