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Anime and Manga
- Arguably due to the presence of Anthropomorphic Personifications, Axis Powers Hetalia would likely count as well. Especially in the way the Nations are presented in contrast to their citizens.
- Baccano! injects alchemy (specifically, the Elixir of Life and homunculi) into the organized crime world of the 1930s.
- Blood: The Last Vampire largely takes place in a 1970s Japan that looks very much like the real world deal...except for the aforementioned vampires running around.
- In Campione! the modern myths of King Arthur were created and perpetuated by Guinevere. The original story is far different, with "Artos" being a god the Brittish worshipped after he killed a Roman general who had become a Campione and became their land's protector.
- Chrono Crusade is set in the 1920s in America, and features a nun-with-a-gun and the demon she's contracted to fighting demons and other supernatural threats. The manga also fits under Alternate History towards the end, but the anime makes a point of working in the 1981 Pope John Paul II assassination attempt into the finale of the show.
- The 2003 version of Fullmetal Alchemist becomes this near the end of the series and in Conqueror of Shamballa.
- Gatekeepers likewise is set a bit further back, in 1969-70 Tokyo, with a dash of Alternate History. Aside from the Invaders and super powered heroes, it does manage to capture the real economic and social changes in Japan during that time.
- On that note, InuYasha qualifies as well, since it's Sengoku-era Japan but with demons and magic, and yet the timeline appears to be unchanged.
- Maria The Virgin Witch takes place during the Hundred Years War.
- Ouja No Yuugi is a fantasy retelling of the Romance of the Three Kingdoms and the Three Kingdoms history.
- The Mysterious Cities of Gold is set in the 16th century during Spain's exploration/exploitation of the New World, but with Lost Magitek.
- Princess Mononoke is set in a version of Muromachi-era Japan where spirits and gods openly walk the earth.
- Samurai Champloo has some minor fantastical elements, like the existence of ki. Zombies, however, are most likely mushroom-induced hallucinations.
- Samurai Deeper Kyo is set in Sengoku Japan with a truckload of Functional Magic and Lensman Arms Race levels of new hidden powers coming to the forefront.
- Astérix is set in Gaul under Roman rule, the Gauls village is the last one not to fall to the Romans because their druid is able to provide them with a magic potion that grants them super strength.
- 2000 AD:
- The League of Extraordinary Gentlemen.
- Papyrus take place in Ancient Egypt. The cast interact with historical characters from that era, but Gods and monsters also present.
Film - Animated
- Anastasia imagines that the famous Romanov heiress was really the target of a magical plot, and Rasputin was really an evil sorcerer (something which many people believed at the time). Fox took care to market the film as a 'historical fairy tale' in Russia not to be taken as fact. It worked and they loved it.
- Mulan downplays it but it's based on the ballad of Hua Mulan, a Chinese mythological figure. It's a fantasy version of Ancient China, though the only overt fantasy elements are the spirits of Mulan's ancestors and her talking dragon sidekick.
- Pocahontas similarly takes place in a Virginia that has talking willow trees, with the titular heroine having distinct shamanic powers. Filmmakers stressed that they were merely adapting a legend rather than what really happened.
Film - Live Action
- Fairy Tale: A True Story is a fantasy version of a real-life event where two girls took photos of fairies in their garden (they later confessed that they had faked the photos). The film shows that the fairies are indeed real, with guardian angels implied to exist too.
- Fantastic Beasts and Where to Find Them lovingly showcases JK Rowling's magical community in 1920s New York, putting the movie squarely between this and Urban Fantasy.
- The Highlander films focus on an order of people called the Immortals, who have appeared at various points throughout history.
- Indiana Jones the movies take place in the 1930s and 50s where Indie has to encounter various mythical artefacts such as The Ark of the Covenant and the Holy Grail.
- Pirates of the Caribbean was set in a loose early 18th century setting until the fourth movie set the year in 1750 and introduced historical characters such as Blackbeardnote , George II of Britain and Ferdinand VI of Spain.
- Sleepy Hollow takes place at the dawning of the 19th century, and deals with a Wicked Witch summoning the Headless Horseman from the depths of Hell as part of a revenge plot. This is in contrast to the book, where the Horseman is only a trick organised by the locals.
- Abraham Lincoln: Vampire Hunter.
- And Queen Victoria: Demon Hunter.
- And King Henry VIII: Wolfman.
- And Dawn of the Dreadfuls.
- And Pride & Prejudice & Zombies.
- And Dreadfully Ever After.
- And Sense & Sensibility & Sea Monsters.
- Modern retellings of the Arthurian mythos often overlap with Historical Fiction to show the writer's version of the "true story" behind the legend. These are set in a more or less historical Europe in the Dark Ages (or The Low Middle Ages) instead of the fantasyland Europe of Chivalric Romance, usually depicted as High Middle Ages. These may trade the glittering castles and knights in shining plate armor for wooden hill-forts and horsemen in leather and chain mail. But magic and other fantastic elements may remain, thus falling under this trope. Other retellings (listed under Demythtification) play it straight and omit all fantastic elements.
- Gillian Bradshaw's Down the Long Wind trilogy. The fantasy elements are strongest in the first book, wherein Gwalchmai (Gawain) receives Caledfwlch from the Celtic Otherworld and opposes the Dark sorcery of his mother Morgause as a servant of the Light. These elements are less pronounced in the sequels - possibly because of different narrators in each book: Gwalchmai, then his Teen Sidekick or "squire", then Gwynhwyfar (Guinevere).
- Stephen R. Lawhead's Pendragon Cycle series contains virtually no "flashy" magic like spell-casting, etc. But Merlin is descended from Atlanteans, who are treated like Tolkien's Elves - including their longevity and application of magic.
- Joan Wolf's The Road to Avalon has no magical elements except for Arthur and Morgan le Fay (portrayed as Arthur's true love) sharing a telepathic link. Merlin is a Roman-trained engineer.
- Courtway Jones' In the Shadow of the Oak King similarly strips out the magic except for making Arthur and his half-brother Pelleas telepaths. Pelleas also bonds with a pack of wolves. Merlin is a blacksmith and general wise man.
- Bernard Cornwell's The Warlord Chronicles trilogy takes the Maybe Magic, Maybe Mundane route for the first two books, but the waters get muddy in the third book due to some Contrived Coincidences. It also has an Unreliable Narrator.
- David Gemmell's Ghost King and The Last Sword of Power, much more akin to "fantasy" than "historical" fiction though they're set in post-Roman Britain.
- Gwenhwyfar: The White Spirit by Mercedes Lackey.
- Mad Merlin by J. Robert King and its sequels.
- The Coming of the King by Nikolai Tolstoy.
- The Arthor series by A. A. Attanasio.
- The Mists of Avalon by Marion Zimmer Bradley. It has a series of prequels set in Britain co-authored with, and then (after Bradley's death) solely written by, Diana L. Paxson.
- The White Raven, a retelling of Tristan and Isolde by Diana L. Paxson. Followed by The Hallowed Isle series, her own retelling of the Arthurian legends.
- Bride of the Rat God, also by Hambly, about a cursed artifact that winds up being a prop in a Hollywood film.
- The Cardinal's Blades series by Pierre Pevel is Alexandre Dumas with dragons and dragon-kin, and also a Perspective Flip since the heroes are agents of Richelieu.
- The Cats of Seroster by Robert Westall is set in a fairly realistic version of 16th Century France, with the tactics, weaponry and technology of the era preserved intact. It's just that there also happen to be telepathic cats and mystical knives that grant immortality to the wielder.
- Child of the Eagle by Esther Friesner. Venus appears to Marcus Brutus and convinces him to thwart the assassination of Julius Caesar.
- Takashi Matsuoka's Cloud of Sparrows and Autumn Bridge are set in 19th century Japan, but some members of the Okumichi clan can see the future.
- Colleen McCullough's novels set in ancient Rome are all considered historical fiction, but feature a few ambiguous fantastical elements such as various prophecies coming true and omens almost always being accurate.
- Acurate prophecies and omens are fairly common in "realist" fiction, and frequently are not considered fantastical elements. After all, lots of people in the real world believes those things to be true. It should also be noted that the Romans themselves placed great stock in fortunetelling and divination.
- Sylvain Hotte's Darhan series takes place in the time of Genghis Khan.
- David Gemmell:
- The Stones of Power sequence includes a few series like this, one set in ancient Greece around the time of Philip II and Alexander the Great (Lion of Macedon), and another in Arthurian Britain (Ghost King).
- He's also got one set during the siege of Troy, though that one is presented in such a way that almost all of the supernatural things apart from Cassandra's precognition have obvious natural explanations.
- Devil's Tower and Devil's Engine by Mark Sumner: A combination of the fantasy and western genres. The Battle of Shiloh released magic into the world. A generation later the United States and the Confederacy are confined to the east and the western half of the country is broken up into isolated communities run by sheriffs who've mastered some magical powers.
- Forgotten Gods has The Fair Folk returning 18th century Britain.
- Ben Kane's The Forgotten Legion trilogy, set during the last decades of the Roman Republic. One of the main characters is the Etruscan seer Tarquinius, one of the few such genuine ones in the books. His divination skills help his friends, fugitive gladiators Romulus and Brennus, survive various escapades — from Crassus' defeat in Parthia to serving as mercenaries further East (hence the title), to serving with Caesar in Egypt, leading all the way to the Ides of March. Romulus' twin sister Fabiola, sold to a brothel instead of a ludus, also occasionally has accurate visions regarding her brother.
- Guy Gavriel Kay is a specialist of the variant, with Tigana an obvious stand in for Renaissance era Italy, The Lions of Al-Rassan for Spain at the time of the Reconquista, The Sarantine Mosaic for the Byzantine Empire under Justinian, and A Song for Arbonne for France at the time of the Albigenoise Crusade.
- He has since added The Last Light of the Sun, based on 9th-century England, and Under Heaven, based on the An Lushan Rebellion in Tang dynasty China.
- Jonathan Strange & Mr Norrell by Susanna Clarke is set in Regency England, with The Fair Folk and magicians.
- Kat, Incorrigible features an alternate Regency, with magic.
- Keturah and Lord Death. Romance with Death taking place in the Middle ages.
- Eric Flint and Dave Freer's ''Krim Pyramids" books may qualify, taking place largely in Greek and Egyptian myths.
- Paul Kearney's Macht Trilogy. The first novel, The Ten Thousand retells Xenophon's Anabasis; the remaining novels, Corvus and Kings of Morning, loosely follow the life of Alexander the Great.
- The Magicians and Mrs Quent: a somewhat barefaced hodgepodge of Jane Austen, Charles Dickens, Henry James, Jane Eyre, and a couple other 19th century British greats, set in a parallel universe with a really odd sun cycle where magic provides a rationale for some of the gender roles that century is famous for. Clearly evoking the kind of Regency England fantasy Susannah Clarke achieved, but with considerably less subtlety, grace, or prose style.
- Mercedes Lackey's urban fantasies have a series of books in the same universe set in various time periods in Europe.
- Mercedes Lackey and Eric Flint wrote the novels The Shadow of the Lion and This Rough Magic, which are set in Venice in the 1530's but contain demons, elemental spirits, and Functional Magic.
- Marie Brennan's Onyx Court series recounts the secret history of London and the faeries living beneath it, from Elizabethan times through the Victorian era.
- Portlandtown takes place in late 19th century Portland, with subtly magic and unsubtle zombies.
- Megan Whalen Turner's The Queen's Thief series is an interesting case. It's set somewhere on the Mediterranean in a culture that's heavily Byzantine, but the countries mentioned are entirely fictional. Turner goes to great pains to make the story feel like real historical fiction. The fantasy comes from the highly active pantheon of gods directing events.
- Ragnar Lodbrok and His Sons, a 13th century saga that mixes history and fantasy in its portrayal of the 9th century Viking Age.
- The Sea of Trolls and sequels by Nancy Farmer.
- Caroline Stevermer's Scholarly Magics series is set in an Alternate History early twentieth century with Functional Magic.
- Shades of Milk and Honey: Mary Robinette Kowal's sweet evocation of Jane Austen and her own art of puppetry (recast as the magic of illusions). Quietly focused on characterization and a slow-burn romance, but with the magical talents an integral, trivial yet all-pervasive force, building to a quite exciting climax.
- The Shadow of Black Wings series by James Calbraith, a steam fantasy set in alternative version of 19th century Wales and Japan.
- Patricia C. Wrede and Caroline Stevermer's Sorcery & Cecelia and its sequels (Regency England, but with mages!). Also, Patricia C. Wrede's Mairelon the Magician and Magician's Ward.
- Neil Gaiman's Stardust is an odd example, since most of the action takes place outside of historical England. The majority of the mystical parts are contained within the land beyond the wall. The wall is just a low stone wall running across the bottom of a village, which happens to contain a gate to the world that is spoken of in fairy tales. The part of England in that world is full of living stars and lightning smugglers. The real world, however, is so mundane that any part of the fairy realm that isn't at least partly from the real world would not survive the trip, turning into lifeless matter.
- The Strangely Beautiful Series involves the guard facing off against Hades, the ruler of the whisper world, during the Victorian era.
- Tales of the Otori by Lian Hearn.
- Tall Tale America: a retelling of American history, but focusing less on tariffs and more on people digging the Grand Canyon with their bare hands.
- Naomi Novik's Temeraire series is set during the Napoleonic wars... with dragons as air support!
- Those Who Hunt the Night and its sequels, by Barbara Hambly, features vampires in The Edwardian Era.
- The books in Anne Rice's Vampire cycle that are set in the past qualify since they are depictions of history - except with vampires.
- The same is true of the Vampire Plagues series.
- Most of Andrzej Sapkowski's newer, post-Witcher works fall into this category. This includes the "Hussite Trilogy", a series of historical fantasy adventure novels taking place in 15th century Silesia and the Kingdom of Bohemia during the time of the Hussite Wars.
- The Wolfsangel Cycle by M.D. Lachlan.
- Kushiel's Legacy by Jacqueline Carey stretches the definition towards Constructed World, but is essentially a late Middle-Ages/early Renaissance Europe where The Four Gospels were literally true, but took a very different turn: His blood shed on the earth at the crucifixion spawned a second messianic figure, Elua, who called a group of angels to leave heaven and follow him; they interbred with humans in the setting's France-equivalent Terre d'Ange. There's workings of high magic and Physical Gods, but little small-scale magic.
- A Curse Dark As Gold by Elizabeth Bunce focuses on a miller's problems with the shifting industry during the First Industrial Revolution... and also the uncooperative Genius Loci mill, a few visits from The Fair Folk, and the titular curse.
- Herodotus's The Histories can come across as this due to Values Dissonance - though its intent is strictly a historical recounting of the Persian War, in the Classical Greek sense, that meant adding things like gods appearing on the battlefield.
- A Widow in Waiting by Anne B. Walsh takes place in 18th century England and Ireland. There's a hidden village of people who have magical powers.
- Carnivàle: Fantastic things happened during The Great Depression.
- Da Vinci's Demons: A young Leonardo da Vinci defends Medici-controlled Florence and combats a Papal conspiracy with the ancient Sons of Mithras.
- Young Blades: The Musketeers during the time of Louis XIV, and Cardinal Mazarin is the leader of an evil magical cult.
- AH.com Eternals.
- Any of the Gurps historical volumes can be fantasized to discretion and many contain information on the mythology of the time period as a guide to doing this.
- One common trick is to assume the PCs think they are in a fantasy world, the way average people in the time period might, and not tell the players running the characters whether or not the GM is running a fantasy world until after the game is over.
- Marked RP.
- Assassin's Creed within each era, there's a secret war between the Templars and the Assassins, who are trying to find and utilize the pieces of Eden. The settings take place from the Crusades, the American Revolution, to the present day.
- The Bastard Of Kosigan,a mod for Neverwinter Nights, revolves around a fictionalized version of 14th-century France combined with the Standard Fantasy Setting inherent in the D&D rules, leading to things like the King of France having a red dragon or two as personal pets. Most of the wider setting isn't detailed, but the Duke of Burgundy seems to have incorporated magic into his court pretty effectively.
- Darklands is a fantasy RPG set in the Holy Roman Empire during the 15th century, with various elements from local folklore used to flesh out the fantasy aspects.
- Devil Summoner: Raidou Kuzunoha vs. The Soulless Army and its sequel are set in Taisho-era Japan, and well, you play as a devil summoner. You summon demons.
- Onimusha follows a semi-historical person (Hidemitsu Samanosuke Akechi is based on a real person, but very loosely) in games one and three, and a heavily fictionalized Yagyu Jubei in the second. Oda Nobunaga was obviously real, although not fueled by demons in real life.
- Sakura Wars is 1920s. Japan/France/America but with demons — it's also somewhat Alternate History, although the crazy steam technology and demonic presence doesn't seem to have affected the timeline too much outside of cancelling World War I.
- The Shadow Hearts trilogy is set around and after World War I. You even get to recruit Princess Anastasia Romanov as a party member in Covenant, and meet historical figures like Al Capone in From The New World.
- The Fox Sister is set in Seoul, Korea, of 1968, adding Fantastic Foxes to the otherwise realistic setting.
- Mayonaka Densha follows the adventures of a British-Japanese girl named Hatsune Rondo who is transported back from modern day Japan to Victorian London of 1888 and ends up joining the Baker Street Irregulars to fight against Jack the Ripper and many other criminals of London.
- In The Red Star, despite the heavy use of Magitek, the story is about the war between the United Republics of the Red Star and Al'istaan, with maps making the parallels clear.