"Why did it have to be snakes
The Saga of Ragnar Lodbrok
(Ragnars saga lođbrókar
) and "Tale of Ragnar’s Sons"
("Ragnarssona ţáttr") are two 13th century Icelandic narratives
, telling the story of a prestigious clan of enterprising warlord-kings, set in a fictionalised 9th century
, in the heyday of the viking raids
. The authorship is anonymous
. Despite what the titles suggest, the two narratives are not sequels
, rather different treatments of the same story, but with a shift in emphasis, and also a few inconsistencies between them. The "Tale" is much shorter than the Saga
Ragnar succeeds his father as king of Sweden
. While he is still a youngster, he kills a giant snake
, wearing special clothes made of fur for protection, which earns him his rid … unique
nickname Lodbrok (a.k.a. Lothbrok or Lodbrog, depending on transliteration) — "Hairy-Breeches"note
— and also the jarl’s daughter
that the monster guarded, Thora Hart-of-the-Townnote
But Thora dies young, and Ragnar takes another wife – Kraka, a mysterious girl raised by a poor couple, who will eventually reveal a lofty heritage. Thora’s sons are Erik and Agnar; Kraka’s sons are Ivar the Boneless, Bjorn Ironside, Hvitserk, Rognvald, and Sigurd Snake-in-the-Eye.
In time, the sons follow in the footsteps of their father and take up careers as viking raiders and conquerors — and soon, father and sons find themselves competing against each other in a quest for glory that ravages half of Europe, drips of blood, and entertains the reader.
Ragnar Lodbrok and his sons were popular stuff of legend of medieval Northern Europe; however the details of the story vary considerably – especially the number and names of the sons. Nevertheless, many of the episodes are obviously based on history
: Ragnar is implied to be identical to a certain viking warlord Reginer who sacked Paris in 845, Ivar the Boneless is modelled on a certain "Hinguar"note
who, together with his brothers, invaded England in 865, and the Ragnarssons’ foray to the South mirrors a real-life viking invasion of the Mediterranean that occurred in 859-862. Altogether, the saga is cleverly stitched between the age of legend and history – while the Ragnarssons are descended from mythic heroes, they are also (supposedly) the ancestors of the historical royal houses of Norway
, Denmark and Sweden.
The sagas of Ragnar Lodbrok and his sons are among those medieval works that deal explicitly with viking expeditions (even if they are not strong on the realism), and portrayal of Vikings in fiction often takes inspiration from them. This begins, of course, with all the fictional Viking chiefs called Ragnar.
A free translation of Ragnar's Saga
can be found here (pdf file)
; "Tale of Ragnar's Sons" can be read here.
The 1958 Hollywood epic The Vikings
and 2013 TV series Vikings
are loosely based on the sagas.
Tropes in Saga of Ragnar Lodbrok and "Tale of Ragnar's Sons":
- Angel Unaware: The wandering stranger that dissuades the Ragnarssons from attacking Rome is obviously an angel or a saint in disguise.
- Archer Archetype: Ivar the Boneless has crippled legs which make him unsuited for melee combat, but he is a good archer. He is also cunning, prefers stratagems over blunt force and is described as emotionally cold.
- Artistic License - History: Ragnar's Saga claims that Ivar the Boneless founded London. Nevermind that London goes back at least to Britain's Roman era.
- Asexuality: According to "Tale of Ragnar's Sons", Ivar the Boneless "had no children, because of the way he was: with no lust or love". This seems to be saying that he was asexual.
- Awesome Mc Cool Name: Your mileage may vary on "Ivar the Boneless", but "Sigurd Snake-in-the-Eye" and "Bjorn Ironside" definitely have a nice ring to it.
- Badass Family: Ragnar, Aslaug and their sons.
- Cinderella Circumstances: Aslaug/Kraka, a princess, is raised by the poor couple who murdered her foster father, who shave her hair, dress her in bad clothes, and make her do the "worst work".
- Clothes Make the Superman: The eponymous "Hairy Breeches". Also, the impenetrable silk shirt made by Aslaug.
- Continuation: The Saga of Ragnar Lodbrok is ostensibly written as a continuation of the Saga of the Volsungs.
- Cruel and Unusual Death: A lot. Click here if you don't mind the spoilers.
- The Conqueror: Ragnar.
- Damsel in Distress: Thora Hart-of-the-Town.
- Deliberate Values Dissonance: This was undoubtedly relished by the author.
- Deuteragonist: Ragnar, with Aslaug as the protagonist.
- Dragon Hoard: Thora's dragon hatched a pile of gold from a single gold coin.
- Dragons Prefer Princesses: Princess Thora ends up a de facto captive of her pet dragon. The dragon is not actively harmful to her, though — in fact it looks like the situation is a consequence of the monster's misguided protective instinct towards its mistress.
- Dying Moment of Awesome: When Hvitserk is captured in the Eastlands, his enemies allow him to chose how he wants to die. He choses to be burnt alive on a pyre built from the severed heads of the battle dead.
- End of an Age: The ending suggests that the death of the Ragnarssons marks the end of the fornaldar, the time of heroes.
- Evil Cripple: Ivar the Boneless has crippled legs that make him unable to walk, but "he wasn't short of cunning and cruelty." ("Tale of Ragnar's Sons")
- Famed in Story: After the Ragnarssons' campaign through Southern Europe, "they were then so famous in all that region that there was no child, however young, that did not know their names."
- Fluffy the Terrible: For being supposedly the probably most feared Viking warlord ever, Ragnar Lodbrok has a curiously comical nickname. The real reason for the epithet is probably that it's a garbled form of a foreign nickname — maybe Old English leódbroga, 'the people's terror' (that's more like it!).
- Genius Cripple: Ivar the Boneless is the mastermind of the Ragnarsson troupe.
- Girl in the Tower: Thora Hart-of-the-Town is trapped in her tower when her pet dragon grows too big and fierce to let anyone in or out.
- Glory Seeker: The main motive of Ragnar and all his sons.
- Gone Horribly Right: Don't rear baby dragons if you don't want a giant fire-breathing monster living on your property.
- Handicapped Badass: Ivar the Boneless is unable to walk, and therefore is carried onto the battlefield on a shield.
- Heroic Vow: Worried that his own fame might be eclipsed by that of his sons, Ragnar decides to conquer England—with no more than two ships.
- Homage: There are several scenes which echo motifs from The Saga of the Volsungs: Ragnar killing a dragon (like Sigurd), Aslaug receiving a warning by understanding the language of the birds (as did Sigurd after eating Fafnir's heart), and Ragnar dying in a snake pit, as did Gunnar the Niflung in Völsunga saga.
- Horny Vikings: Apart from the horns, this story is among the Trope Makers.
- Iconic Outfit: The "hairy breeches".
- I Was Quite The Looker: When Ragnar's crew wonder that beautiful Kraka should be the daughter of ugly Grima, Grima tries to invoke this.
- Lady Macbeth: The farmwife Grima goads her husband Aki into murdering their guest Heimir, as she believes the latter to be very rich.
- Lady of War: Aslaug commands an army in the campaign to Sweden.
- Lamarck Was Right: Aslaug has inherited the ability to understand bird talk from her father, but her father only acquired this ability by eating a certain dragon's heart.
- Made of Iron: The meaning of Bjorn Ironside's nickname, who was said to be impossible to wound — even though the saga offers no explanation why this should be so.
- Mama Bear: An interesting variant: Aslaug vehemently drives on her sons to avenge Erik and Agnar — even though Erik and Agnar were just her stepsons, and her biological sons are initially rather unwilling to go to war for the sake of their half-brothers. Yet Aslaug prevails, and even personally heads an army in the resulting campaign.
- Marital Rape License: Kraka wants Ragnar not to sleep with her for three nights after their wedding, as she foresees that a child thus conceived will "have no bones". But Ragnar "follows his own advice." Cue Ivar the Boneless.
- Mood Whiplash: The beginning, with Ragnar slaying a dragon and marrying a princess, reads much like a Fairy Tale. But the princess dies almost immediately, and the rest of the story is less and less fairy-tale like, and increasingly bloody.
- Our Dragons Are Different: An interesting quality of the giant snake in Ragnar’s Saga is that it hatches gold: The heap of gold magically grows together with the dragon.
- The Protagonist: While Ragnar and his sons are the eponymous characters, and have starring roles in the first and the second half respectively, a closer look reveals that the protagonist of the whole cycle is actually Aslaug.
- Rape, Pillage, and Burn: "They killed every man’s child who was in the town, and they took all the goods and burnt the town before they went on their way." (Ragnar's Saga)
- Red Baron: When Aslaug leads an army to Sweden, she earns the nickname 'Randalin', "Shield-Lady" (also a poetical term for 'valkyrie').
- Rescue Romance: Ragnar and Thora.
- Secret Legacy: Kraka, although it seems she was always aware of it herself: She is actually Aslaug, the orphaned daughter of Sigurd Fafnisbane and Brynhild the Valkyrie.
- Sibling Team: The Ragnarssons are used to working together. In fact, they are always successful when they cooperate, but every time they don't they are in for a defeat.
- Single Tear: According to Ragnar's Saga, Aslaug weeps a single tear of blood for Erik and Agnar.
- Snake Pit: The manner of Ragnar's death.
- Speaks Fluent Animal: Aslaug has inherited the ability to understand the language of the birds from her father.
- Tears of Blood: According to Ragnar's Saga, Aslaug weeps a single tear of blood for Erik and Agnar.