"In the year of Our Lord 1123, King Louis VI Capet of France, known as 'The Fat', waged war against his cousin, Henry I Beauclerc, King of England and Duke of Normandy. Many brave knights fought alongside him. They believed in God and the forces of Evil."Les Visiteurs (The Visitors) is a classic French Fish Out of Temporal Water comedy film directed by Jean-Marie Poiré and written by Christian Clavier. It was released in 1993 and starred Jean Reno, Christian Clavier and Valérie Lemercier. It spawned two sequels.In the year 1123, Godefroy the Fearless, a brave and proud French knight, saves the life of his king, Louis VI the Fat. He is rewarded with the title of Count of Montmirail and is given leave to marry Dame Frénégonde, his betrothed. On his way home, he finds and captures a witch to burn her alive. She slips a poison into his drink in retaliation, causing him to hallucinate, and when he sees his betrothed running towards him pursued by her father the Duke of Pouille, he thinks she's being chased by a bear, shooting the Duke dead with his crossbow. The wedding obviously called off, Godefroy consults his father's magician to travel back in time a few days ago to prevent the accidental killing. Unfortunately, the mage screws up with the formula, sending Godefroy and his squire Jacquouille several hundred years into the future instead. The two wake up in 1993, and their medieval outlook on life quickly gets them into trouble...In the 1998 sequel titled Les Visiteurs II: Les Couloirs du Temps (The Visitors II: The Corridors of Time), Godefroy and Jacquouille are returned to their rightful times just to find out that Jacquouille created a Temporal Paradox by stealing the Duke's jewels and letting them in the 20th century, including an important relic. Once again, Godefroy's marriage is at stake, and they have to go "forward" to the 20th century again to fix the paradox.A second sequel came out in 2016, Les Visiteurs: La Révolution (The Visitors: Bastille Day). It focuses on Godefroy's and Jacquouille's fate in 1793, during The French Revolution, the era they have been sent to by mistake at the end of The Corridors of Time.An American-French co-produced remake with no ties to the other films came out in 2001, Just Visiting (Les Visiteurs en Amérique), with the same main actors and director, oddly. The Revolution ignores it.
Les Visiteurs provides examples of the following tropes:
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- Battle Cry: Godefroy has two of them:
- "Que trépasse si je faiblis!" (which roughly translates as "I shall die if I weaken!")
- "Montjoie saint-Denis!", which was a real life battle cry for French knights.
- Bears are Bad News:
- When Godefroy hallucinates, he thinks Frénégonde's father is a bear chasing her.
- In the sequel, Jacquart bumps into a bear as he's lost in the 12th century woods and countryside.
- Burn the Witch!
Godefroy: One does not torture a woman on my lands. Burning her at the stake will be enough!
- Godefroy is returning home when he hears of a witch living on his lands. He and his men then decide to raid her hideout, and he has this line once the witch is captured and put into a cage:
- Jacquart is sentenced to be burnt for carrying "satanic artifacts" by an inquisitor in the sequel.
- Butt Monkey: Poor Jacquart. His hotel is invaded by smelly Medieval Morons while he's trying to impress important guests, his car gets destroyed, people keep thinking the moronic and smelly Jacquouille is his brother, and he eventually gets sent to a time period full of said smelly medieval people... Things go From Bad to Worse in the sequel, as he is chased by wolves and a bear, gets almost lynched and burnt alive, gets locked in a dark dungeon infested with rats and gets tortured by an inquistor who forces him to drink huge quantities of water, which makes him piss endlessly afterwards. And he caught scabies.
- Jean-Pierre Goulard (Béatrice's dentist husband) doesn't fare much better. First, he's forced to house the aforementioned smelly Medieval Morons into his home (and one of them bites his hand, for starters). Since the two medieval men are out of touch with the 20th century, they end up wasting his luxury products in one single bath, breaking dishes, scaring the shit out of his kids, causing a water flooding in his house, ruining his car's interior (and shoes) with vomit and overall annoy the shit out of him with their medieval manners (especially when Godefroy gets flirtatious with Béatrice). Once they get to Jacquart's château, he is bitten in the butt by an Angry Guard Dog, and ends up lying on a sofa with a woman jabbing his butt with syringes while everyone passes by. Comes the sequel, he's forced to house Jacquouille again, and things only get worse from there. Jacquouille gets scared by his TV and throws an object into it, which makes it implode and causes a house fire. Then, in his full moron mode, Jacquouille ruins the firemen's efforts and equipment by throwing alcohol at the fire and messing around with the firetruck's siren and, worst of all, the fire hose... If a water flooding in his house, his dentist office and his car wasn't enough for poor Jean-Pierre, the woman whose teeth he was treating got caught in Jacquouille's Disaster Dominoes and vows to ruin his reputation. Then he gets sent to Middle Ages by mistake, in a sweatsuit and sleepers... The man just never gets a break.
- Cliffhanger: The Corridors of Time ends with Godefroy and Jacquouille stranded in the middle of The French Revolution, with looming threats of torture and guillotine upon them. The sequel addressing it wouldn't come out until 18 years later.
- And said sequel, Bastille Day, ends with a cliffhanger again, with Godefroy and Jacquouille being stranded in World War II, where Jacquouille's descendant collaborates with Those Wacky Nazis, while Godefroy's descendant is a resistant, and the 18th century descendant of Eusaebius is now prisoner of the Germans.
- Creator Cameo: Director Jean-Maris Poiré appeared at the end of the first film as one of the peasants who mock Jacquart as he has arrived in Middle Ages.
- Deliberate Values Dissonance: Obviously, from the black postal worker being called a "Saracen" to Jacquouille's refusing to sit at the table like the high-born folks.
- Revolutionary ideals are alien to Godefroy in Bastille Day.
- The Dung Ages: Our heroes carry the "traditional" garb of their time (meaning they STINK, by 20th and 18th century standards), and the first thing Beatrice's dentist husband notices is the horrible state of Jacquouille's teeth.
- Jacquouille is the living embodiment of this trope throughout the franchise.
- Jacquart bumps into smelly medieval villagers in the sequel.
- We find out Jacquouille has a brother in The Corridors of Time. His name? Prosper le Purineur. It translates as "Prosper the Manure Gatherer".
- Epic Flail: Godefroy throws a mace at the postman and Jacquouille uses it to destroy the "devil's carriage" (a postal van).
- Godefroy uses a flail in The Corridors of Time to hang on a moving car.
- Eternal French: Godefroy and Jacquouille don't have much problems communicating in the 20th century.
- Eternally Pearly-White Teeth: Wholly averted. See The Dung Ages entry.
- Fish Out of Temporal Water: The two main characters are scared and confused by modern concepts, such as cars, telephone, radio, planes, television (which Jacquouille calls "the troubadours box"), charging into churches bellowing "ASILE!" no longer being an appropriate response to the law... And reversed when two of the modern characters (Jacquart and Jean-Pierre) are sent back in time.
- They associate medieval concepts to modern things they encounter, such as black men being called "Saracens", cars being called "devil-carriages", television being called the "troubadours box", or German soldiers "hailing from Germania".
- The trope is played with a bit of irony in Bastille Day. The medieval man Jacquouille was so accustomed to have cars, electrical light and running water in the 20th century that he's frustrated about their non-existence in the 18th century.
- Get Back to the Future: Rather "Get back to the past", technically.
- Have a Gay Old Time: Among other examples, baiser used to mean "kiss", while in modern French it means, well, "fuck". Also, to mean the act of washing Godefroy uses the word lavement, which means "enema".
- One gag stems from the double meaning of "maîtresse", a transparent cognate of "mistress", both in its somewhat antiquated meaning of "female master" and that of "extra-marital lover". Jacquouille describes Béatrice, who he mistakes for Dame Frénégonde, as his "mistress" to "Dame" Ginette. The latter reacts by calling her a stuck-up "poufiasse" (insult vaguely similar in register to "bitch" or "slag"). Unaware of the word's meaning, Jacquouille takes it for a honorific and proceeds to actually call Godefroy's descendant, "Dame Béatrice la Pouffiasse".
- Historical-Domain Character:
- King Louis VI of France (also known as Louis VI the Fat) in the first film.
- Napoleon Bonaparte shows up at the end of The Corridors of Time.
- Plenty of The French Revolution figures appear in Bastille Day: Maximilien Robespierre, Louis Saint-Just, Georges Couthon, Charlotte de Robespierre (sister of Maximilien), Jean-Paul Marat, Joseph Fouché, Collot d'Herbois, Billaud-Varenne and Catherine Théot (aka "The Mother of God").
- Identical Grandson: Played by the same actors, obviously.
- Godefroy's descendant Béatrice is the spitting image of his betrothed Frénégonde.
- Jacquouille and Jacquart's uncanny resemblance is regularly commented on in the first two films (everyone thinks Jacquouille is Jacquart's incredibly embarrassing and socially ignorant brother or cousin, no matter how much he denies it).
- Godefroy is at first thought to be the family's long-lost cousin Hubert, a racing driver who presumably died in a race in Borneo.
- Eusaebius the wizard and his descendant, Ferdinand Eusebe.
- The Duke of Luigny and Nora's second husband in The Corridors of Time.
- Jacquouillet, the Public Accuser and Jacquouille's 18th century descendant at the end of The Corridors of Time and in Bastille Day.
- Prune, Ginette's 18th century ancestor in Bastille Day.
- Edmond Jacquart (Jacquouille and Jacquouillet's descendant during World War II) looks like his ancestors (and his son) in Bastille Day.
- Immediate Sequel: Both sequels start right where the previous film left off.
- Jabba Table Manners: The Duke of Pouille (Frénégonde's father).The Duke: *burp!*Frénégonde: Father! You promised you wouldn't belch at the dinner!The Duke: *BURP!*
- Jacquouille eats on the ground, because he isn't highborn. He also belches loudly in Bastille Day.
- Lingerie Scene: King Louis VI the Fat's English mistress lifts her dress to show him her knees, which is big enough a deal for him.
- Also happens with Flore, Gonzague's mistress in Bastille Day.
- Magical Incantation: To send someone who drank the potion back or forward in time, the following words must be pronounced: "Per Horus et per Ra et per Solem Invictus ducere".
- The Magnificent:
- Godefroy's surname is "le Hardi" (the Fearless).
- Jacquouille's surname is "la Fripouille" (the Scoundrel).
- King Louis VI "the Fat".
- Meanwhile, in the Future...: In The Corridors of Time, there are cuts between Jacquart's scenes as he's stranded in Middle Ages and Jacquouille's antics in the late 20th century.
- Bastille Day starts in 1124, with the direct consequences of Godefroy's departure in time, then cuts to Godefroy and Jacquouille being stranded in 1793.
- Medieval Morons: Godefroy and Jacquouille destroy a postal van, believing it to be sorcerous. In another scene, they drink from the toilets, not understanding how faucets work. They also waste all of Beatrice and Jean-Pierre's luxury bath oils and perfumes while taking their bath - fully clothed.
- Jacquouille is this all the way.
- The Burn the Witch! situation Jacquard goes through in the sequel. The inquisitor orders him to be burnt for carrying "sorcery" artifacts because he's afraid by a moo box.
- In 1793, both the bourgeois and nobles think our two protagonists are peasants from very remote rural areas, since nobody in Paris speaks like them 670 years after their era.
- Neat Freak: Jacquart, very much so. It shows in his mannerisms and reactions to Godefroy's and (especially) Jacquouille's smelly presence, and it gets even worse when he's sent to Middle Ages.
- Nervous Wreck: Jacquart is one. He's incapable of keeping his cool.
- Nouveau Riche: Jacquart is a living embodiment of this trope.
- Jacquouillet and Charlotte Robespierre are this to a lesser extent, in the 18th century.
- Off with His Head!: The English knight who ambushes the French king and Godefroy at the beginning. The king's sword strike only beheads his armor, as he retracted his head inside the breastplate. He reveals his head, and then Godefroy's strike successfully beheads him. The headless corpse wanders for a few seconds then collapses.
- Our Time Travel Is Different: Of the "Instantaneous" type, via a potion and Magical Incantation. Time travellers get turned into things that somewhat symbolize them when they disappear from an era: Godefroy turns into crystal (that symbolizes either his heart's pureness or his highborn status), Jacquouille turns into... a pile of dung (either because he's a scoundrel or because he's The Pig Pen), and Jean-Pierre turns into golf balls (he loves golf). Jacquart on the other hand turns into a small pile of dung (probably because he's kind of a jerk).
- Period Piece: Whenever scenes happen in the past, be it Middle Ages, The French Revolution or World War II.
- Product Placement: The first film had some obvious ones (Pizza Hut, Polaroid), but The Corridors of Time is littered with product placement for Intermarché, KFC, several Nestlé products, Pizza Hut again... Bastille Day being set for the most part in 1793, the trope is mostly averted, save for a Franck Provost hairspray can Jacqouille brought with him from the 20th century in his coat.
- Running Gag: Jacquouille and Godefroy bump into the same black postman twice by accident, once in the first film and once in the sequel.
- Jacquouille calls a black man "Saracen" in every film.
- Sequel Hook / Saved for the Sequel: The fist film ends with Jacquart stranded in Middle Ages and Jacquouille staying in the 20th century. It naturally prompted a sequel.
- The Corridors of Time ends with Godefroy and Jacquouille stranded in the late 18th century.
- Bastille Day ends with our two protagonists stranded in World War II.
- Set Right What Once Went Wrong: Godefroy wants to travel back in time to prevent the death of his would-be father-in-law. And to retrieve said father-in-law's jewelry in the future in The Corridors of Time.
- Smelly Feet: Since the two protagonists come from The Dung Ages and Jacquouille is an egregious case of The Pig Pen... The Goulards' babysitter and Batardet correctly guess there's a smelly feet odor when Godefroy and Jacquouille are around, and Jean-Pierre advises the two medieval men to "insist well on the feet" when they have to take a bath.
Godefroy: I never take foot baths.
- Then there's this exchange in Bastille Day.
Adélaïde: What a pity. Sometimes, when you gotta go you gotta go...
- Jacquouille's shoes are stinky enough to poison the air in a whole building in Bastille Day.
- Standard Snippet: Felix Mendelssohn's "Violin Concerto in E minor" has become this for the films' endings.
- Time Travel Romance: Jacquouille has one with a homeless woman named Ginette. The duo bumps into her as they steal food from an outdoor restaurant. Jacquouille flees with her as they are chased by the restaurant's owner with a shotgun, and bonds with her.
- Timey-Wimey Ball: Because we can see Godefroy and Jacquouille's descendants in the present, a Genre Savvy viewer may believe the whole thing is a Stable Time Loop (granted the "timeline replacement" bit near the end of the movie, is only there to motivate Godefroy)... Except there's the whole infamous ring scene, where the two "Bague du Hardi" from the past and the present fuse together. It makes no logical sense and, even granted "A Wizard Did It", Makes Just as Much Sense in Context. Apparently, that an only ring could be present in two samples at a time because of Time Travel was found a logical paradox by the writers, never mind that it only applies to the ring and to nothing else in the film. In short, it's pure Voodoo Shark.
- Trapped in the Past: "Trapped in the future", technically, for Jacquouille and Godefroy. Jacquart and Jean-Pierre are trapped in Middle Ages in The Corridors of Time.
- Vomit Discretion Shot: At one point, Godefroy and Jacquouille get carsick. Jacquouille can't hold it for long and the camera cuts as he throws up. Godefroy gets carsick as well in The Corridors of Time.
- Ye Olde Butcherede Englishe: The medieval characters' dialogues are full of butchered Old French, with expressions and words that didn't even exist in reality.
- Arrow Cam: Godefroy's crossbow shots are filmed this way.
- Bawdy Song:Et on lui pelera le jonc comme au bailli du Limousin
QU'ON A PENDU UN BEAU MATIN...
ON L'A PENDU
AVEC SES TRIPES!Translation:And we'll peel his prick like we did with the bailiff of Limousin
HE WAS HANGED ONE MORNING...
WE HANGED HIM
WITH HIS GUTS!
- Boom, Headshot: Godefroy kills the Duke of Pouille (Frénégonde's father) by shooting an arrow right into his forehead with a crossbow.
- As Godefroy comes back in time to that very moment at the end of the film, his will deviates the arrow's path and sends it right into the witch's forehead instead.
- Curb-Stomp Battle / Single-Stroke Battle: Godefroy and the King are surrounded by an English knight and his soldiers. Godefroy simply beheads the knight and the soldiers run away.
- Evil Laugh: The witch of Malcombe cackles evilly as Godefroy is hallucinating.
- Extendable Arms: The witch can magically extend her arms. She does this to reach Godefroy's flask to put her hallucinating poison in it while she's locked in a cage.
- Fountain of Youth: The witch gives an old woman a potion she prepared, causing her to turn into her younger (but ugly) self after a quite horrific transformation sequence.
- Genre Shift: The film starts as a medieval epic before shifting to comedy once the characters are sent to the 20th century.
- Groin Attack: Godefroy grabs Dr. Bauvin by the groin and pins him against a wall.
- Idiot Ball: Eusaebius forgot one main of the ingredients (quail eggs) of the potion, sending Godefroy and Jacquouille to the late 20th century instead of sending them a few days back in time.
- It Tastes Like Feet: According to Jacquouille, the time travel potion "tastes like pig dung". One can only wonders how does he know what pig dung tastes like, but Jacquouille being Jacquouille...
- "Mister Sandman" Sequence: When Godefroy and Jacquouille flee in separate directions after the restaurant incident, Godefroy rides on horseback on a road and a truck almost runs over him. He then passes by a train and a jet airliner flies over him. He then shouts "MONTJOIE!", realizing he is lost in the future, before entering a church to seek "asile". The sequence starts with a guitar riff before switching to "Enae Volare".
- Moral Guardian / Sour Prude: Valérie Lemercier as Béatrice portrayed this so well that today, many French people's image of what's left of the nobility note basically amounts to Dame Béatrice exasperatedly addressing Jacquouille as "Monsieur Ouille". "Couille" is slang for testicle — one sub translated Jacquouille's name as "Jackass" and had Béatrice calling him "Mr. Kaas", which achieves a similar effect.
- Additionally, for the same reasons, Clavier as Jacquart pretty much embodies the "nouveau riche" archetypenote .
- Mushroom Samba: The poison the witch of Malcombe puts in Godefroy's flask causes him to hallucinate. In his hallucinations, his castle inflates, Jacquouille has a rodent head and the monk accompanying them has a pig head. Most tragically, he sees the Duke of Pouille as a bear chasing his betrothed...
- Never the Selves Shall Meet: When first going to the castle, a large ring on Godfroy's finger begins smoking and shaking, as does its temporally stable version in a display case in the castle. As they get closer, the two rings burst free and fly off towards each other, colliding in midair and setting fire on Jacquart's Range Rover.
- Nightmare Fuel: In-Universe, the appearance of the rot-toothed hobo-lookalike heroes sends the Goulard children screaming.
- Scary Black Man: In-Universe for Jacquouille. The first 20th century person Jacquouille and Godefroy meet is a black postman who had to stop his postal van as Jacquouille was kneeling on the road to sniff it. Jacquouille runs back at Godefroy in fear as soon as he sees the postman, thinking the man is a Saracen in a "Devil-carriage", and they come back at him, scare him away and start destroying his van.
- Seeking Sanctuary: At one point in the 20th century, Godefroy enters a church, kneels and invokes his asile right to the priest.
- Shout-Out: Numerous stylistic references to Robin Hood: Prince of Thieves, right down to the music, which is essentially a blatant pastiche. Lampshaded by Dame Ginette rambling about "that tall good-looking guy who rides horses like Kewin Costère !"
- Bilingual Bonus to the extent that the group Era who provided much of the soundtrack specialized in Ominous Latin Chanting... despite not actually singing in Latin but in Latinish-sounding gibberish: the lyrics were meant to have no definite meaning. In this sense it's a bit of a subversion of the obligatory Ominous Latin Chanting in Robin Hood: Prince of Thieves.
- Skull Cups: The old woman at the witch of Malcombe's hideout drinks the youth potion in a cup that is made of a skull.
- Tagline: The film has this one: "Ils ne sont pas nés d'hier!" ("They were not born from yesterday!").
- Wicked Witch: The witch of Malcombe.
- Would Hit a Girl: The English duke, who backhands his treacherous niece while wearing steel gauntlets and shoots her chaperone at point-blank range with a crossbow.
- Godefroy punches Ginette at one point.
Les Visiteurs II: Les Couloirs du Temps
- Agony of the Feet: Jacquouille lets the hot iron he used against Friar Ponce and his men fall on Friar Raoul's foot, with the expected result.
- Corrupt Church: Friar Ponce, the inquisitor. He wants to incriminate Godefroy based on what he made up from Jacquard's torture, presumably to confiscate his lands.
- Flanderization: Jacquouille's Medieval Moron antics get more numerous this time, causing genuine Disaster Dominoes, and he shouts "OKAY!" more often.
- Disaster Dominoes: Jacquouille at the Goulard's home. Ends up with a house fire, floodings, poor Jean-Pierre's reputation at stake and pissed off firemen.
- Gargle Blaster: Jacquouille carries one with him. It's "for warriors" according to him, and he can drink it with no notable effect. He generously offers a swig to a mechanic, who promptly runs outside to throw up after tasting it.
- Golf Clubbing: Jean-Pierre uses his golf club to knock a Burgundian knight down.
- Lost Wedding Ring: Lost fertility relic actually. Godefroy has to go back to the 20th century to retrieve the relic of Sainte Rolande (a big tooth in a golden case) to ensure that his marriage will produce heirs. It's going to be a very bad omen if he marries Frénégonde without it.
- Nice Job Breaking It, Hero! / Hero Ball: Béatrice gets the time travel potion from Ferdinand Eusebe (the descendant of Eusaebius) to send Jacquouille and Godefroy back in time. Unfortunately, the potion tastes like shit and Jacquouille spits it as soon as he tastes it. To make it more drinkable for him, and since there is no milk chocolate around, Beatrice mixes it with alcohol. As a result, Godefroy and Jacquouille are sent back... to the late 18th century, during The French Revolution.
- Present Day Past: Despite taking place right after the first film (which is set in 1992 as evidenced by a wall calendar at the church) it features plenty of mid and late 1990s cars.
- Series Continuity Error: Besides the Present Day Past cars mentioned above, the 1992 Renault Safrane from the original (the one with a hole in the roof from Godefroy's burning ring) inexplicably morphs into a 1997 Volkswagen Passat.
Les Visiteurs: La Révolution
- All Just a Dream: The film's opening sequence, with Godefroy and Jacquouille leaving a castle and being ambushed by bandits in the woods, is dreamt by one of Godefroy's soldiers in 1124, one year after Godefroy has disappeared.
- Brick Joke: Jacquouille is never heard shouting his trademark "OKAY" until the end in 1943, when he hears a resistant pronouncing it inside the truck.
- In Les Visiteurs, in 1993, Godefroy asks Jacques-Henri Jacquart why he changed his family name from "Jacquouille" to "Jacquart", which is left unanswered (probably because it happened too long ago). In Bastille Day, at one point in 1793, Jacquouillet wants to change his name because it would sound too ridiculous at the Convention. Godefroy is present when this happens, and suggests the name "Jacquart", which is adopted, thus causing himself the change he was puzzled at in the first film.
- In Les Visiteurs, Godefroy commented how the lack of defenses on the castle (which has been demolished and rebuilt in the 18th century) will make it easy to invade for the Wisigoths. At the end of Bastille Day, the castle is occupied by Germans during World War II.
- Continuity Nod: In the first film, Béatrice mentions Gonzague de Montmirail, a descendant of Godefroy who lived during the French Revolution and embraced its ideals. We meet him in Bastille Day. Godefroy, before leaving this period, even warns Gonzague that he is going to be beheaded on Robespierre's orders in a few days/hours, which Béatrice told him, and orders him to ensure the Montmirail bloodline doesn't go extinct with him.
- Darker and Edgier: While still comedic, The Revolution is set during quite dark times of French history, namely the Reign of Terror and the German Occupation during World War II.
- Later Installment Weirdness:
- The film starts with a Star Wars-like Opening Scroll that recaps the previous films.
- Jacquouille pronounces curse words he was never seen using in the first two films, or words that he was very unlikely to have learned in the 1990s, like "Putain" ("Bloody") or "On est niqués!" ("We're fucked!"). He also never pronounces his trademark "OKAY" until the end.
- Ganelon and Enguerrand le Balafré ("the Scarred") are not seen in the 1124 segment, while they were introduced in Les Visiteurs as Godefroy's most trusted men of arms, and thus would have been the most likely to dream the film's opening sequence and seek for Godefroy.
- Loads and Loads of Characters: A lot of characters are introduced in Bastille Day, way more than in the first films.
- Race Against the Clock: Godefroy and Jacquouille must return to their time as fast as possible, otherwise they will die from the tumors that grow on them and old age.
- Rapid Aging: One of the unfortunate effects of too much travels in time. Godefroy and Jacquouille age "ten weeks per day" (according to Norah) and tumors grow in Jacquouille's throat and Godefroy's nose.note
- Reign of Terror: Our protagonists are caught in the anti-nobles turmoils of that time.
- Rightful King Returns: Godefroy initially has the idea to reestablish the Dauphin of France on the throne after King Louis XVI's beheading, before giving up in order to seek a way to return to his era.
- Time Travel Escape: In the climax, Godefroy and Jacquouille end up with both revolutionary soldiers on their trail and tumors growing rapidly in their face. They seek out the apothicary named Eusèbe (Eusaebius' 18th century descendant) and travel in time with him seconds before the soldiers reach Eusèbe's hut.
- Vorpal Pillow: With no intention to kill. At one point, Jacquouille finds himself unable to sleep because someone is snoring loudly. He finds out it's Adélaïde, and tries to silence her with a pillow. He ends up waking her up and causing much drama, as everyone thinks he was trying to suffocate her.