Battleship Potemkin (Rus., Броненосец « Потёмкин », Bronyenosyets "Potyomkin") is a 1925 Soviet silent film, perhaps the most famous one directed by Sergei Eisenstein, who also directed Alexander Nevsky and Ivan the Terrible. It was also his experiment to test the emotional power of montages.
In essence, it is a propaganda film that dramatizes the 1905 mutiny on the eponymous ship. Our brave heroes, tired of eating rotten meat, revolt against their superiors. The people of Odessa join them in launching a peaceful protest, which quickly turns violent.
Its best known sequence is one where a Baby Carriage rolls down the Odessa steps. It has been homaged and parodied numerous times since then.
Although most of the events in the movie are Based on a Great Big Lie, the film itself is considered a masterpiece of direction and cinematography, and is often ranked among the greatest films of all time. The "Odessa Steps" sequence has become one of the most famous Stock Shout Outs of all time.
It is in the public domain in many places; you can watch it here.
This film provides examples of:
- As You Know: Vakulinchuk makes sure to say "We, the sailors of the battleship Potemkin" while trying to talk his sailor buddy into joining the revolution.
- Baby Carriage: The most famous use of one in cinema, and thus the Trope Maker. (Not the Ur-Example, though, as a baby carriage is used for comedy in slapstick film The Curtain Pole in 1909.)
- Based on a Great Big Lie:
- That massacre? Never happened. It was just made up so that the revolution would look more justified, though it still might have had some basis in facts—there were reports of demostrations being put down by troops on that day, so while the massacre as shown in the film most probably indeed never happened, this scene might be an exaggeration of some real event. note
- In the movie, when the Potemkin fired on Odessa, they destroy the Czarist headquarters. In reality someone in fire control disagreed with the mutiny and gave them the wrong coordinates, causing them to level a few blocks of tenements full of innocent people instead.
- The scene where some of the rebellious sailors are rounded up to be shot and a tarp is pulled over them did happen—but there was no tarp. Interestingly, one of the sailors who was in that group saw the film and, in praising it, said "I was under that tarp!" (even though there never was one). Chalk it up to the hypnotic effect of this film.
- Blade-of-Grass Cut: The film makes constant use of what Eisenstein called Associational Montage. Examples: A shot of an officer tapping the hilt of his sword is followed by a shot of a priest tapping his crucifix, to imply the connection between the Church and the oppressive tsarist government; an officer is dumped overboard and a shot of the water churning after he falls is compared to an earlier close-up of the maggot-ridden meat that let to the revolt; and the famous three successive shots of lion statues in progressive stages of standing up, symbolizing the people standing up against oppression.
- Blatant Lies: Smirnov, the ship's doctor, who inspects a hunk of meat full of crawling maggots and proclaims the maggots "dead fly larvae."
- Dastardly Whiplash: The officers of the Potemkin. The XO is literally twirling his mustache as he orders the sailors put under the tarp for execution.
- Disproportionate Retribution: Almost the entire crew was about to get executed for not liking the soup the ship served (or the meat being full of maggots). Or "killed for a plate of soup", as the rallying cry later in the film put it. The discipline on Imperial Navy ships was notoriously strict, and the ship's XO Ippolit Giliarovsky was well known as a Neidermeyer. The complaining crew would've most probably be court-martialed for insubordination at the very least. Ironically, the Red Navy carried on most of the old Czarist discipline methods.
- Easy Evangelism: The protagonists manage to instantly turn legions of people to their side as soon as they begin to speak.
- Epic Movie: Despite being only 75 minutes long, it IS.
- Eternal Engine: The ship's powerplant.
- Eye Scream: That screaming woman with broken glasses and blood running down her face. There's an eye, a scream and an eye scream altogether.
- Historical Hero Upgrade: The sailor shown in the movie as the mutiny leader in fact wasn't - he was just some dude who got caught in the fighting and was killed. The real leader of the mutiny went to Romania (and further to Europe) with the ship, finally settling in Dublin and opening a fish-and-chips shop.
- Historical Villain Upgrade
- Infant Immortality: Averted. If you've seen the movie, you know the scene.
- Kick the Dog: All of the tsarist massacre, but especially shooting an unarmed mother holding her dead son.
- The Man Is Sticking It to the Man: It's a government propaganda film which tells you to overthrow the government. Years later, the Soviet government banned the film when they realized that message might apply to, you know, them.
- Montages: Made Eisenstein famous. The most distinctive one in this film shows three shots of three stone lions that pop up consecutively, making a stone lion appear to rise up.
- Mook–Face Turn: The mutineers manage to convince the government's battleships not only to not fire on them, but to join them in escaping Russia.
- The Mutiny: The sailors of the Potemkin rise up and take their ship.
- The Neidermeyer: Ship's XO, Lieutenant Ippolit Giliarovsky, and particularly cocky and bullyish one. One of the aspects in this film where film corresponds well to reality.
- No Ending: Eisenstein doesn't tell us what eventually happened to the ship; it simply sails through the other ships of the Black Sea fleet as the sailors on those ships cheer. In Real Life the mutineers sailed to Romania and handed the ship over to the Romanian government.
- Obviously Evil: One of the characters even twirls his mustache.
- Odessa Steps: The original.
- Popcultural Osmosis: The baby carriage scene.
- Repeat Cut: The Ur-Example and Trope Maker. Used several times, as when the sailors are being huddled up on the deck for execution, or when the mother on the Odessa steps reacts to being shot.
- The Revolution Will Not Be Vilified: Duh.
- Sinister Minister: That Moses-looking guy on the ship is an exaggerated version of an Russian Orthodox priest and is meant to show how religion is used to support the status quo and reinforce authority. While the film didn't focus on it, an obligatory anti-religion comment would be unavoidable.
- Splash of Color: The Potemkin flew a red flag that was colored in frame by frame.
- Vehicle Title: It's a boat!
- World Half Full: The film ends far more optimistically than its Real Life counterpart.