"Harrison Bergeron" is a dystopian sci-fi short story by Kurt Vonnegut, first published in October 1961. It is usually seen as a darkly satirical critique of forced egalitarianism, but it can also be interpreted as a Stealth Parody of the above, since both the forced egalitarianism and the Übermensch who fights against it are depicted as completely over-the-top.
"The year was 2081, and everyone was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else." The U.S. Constitution has been amended to allow the Handicapper General, Diana Moon Glampers, to physically handicap anyone with an advantage. The story centers on George and Hazel Bergeron and their fourteen-year-old son Harrison, who has been imprisoned because he constantly outgrows his handicaps. It begins with George and Hazel watching television when breaking news announces that Harrison has escaped from prison, followed by Harrison bursting into the TV studio. He is revealed as being not just above-average, but outright superhuman. Among other things, he can fly.
In many ways the story is an expansion of scenes from Vonnegut's earlier work The Sirens of Titan, where the theme of enforced equality was introduced; however, "Harrison Bergeron" takes a far more dystopian view of the concept.
There is also a 1995 made-for-TV movie based on the story, starring Sean Astin as Harrison. The movie follows his childhood and later recruitment by Administrator John Klaxon into the National Administration Center, a secret cabal of geniuses within the government who ensure that the handicapped America functions, and the consequences of his love affair with Phillipa, an illegally handicap-free woman.
A 25-minute long film based on the story, 2081, premiered at the Seattle International Film Festival in May 2009. The film was released on DVD on January 25, 2010.
This story displays the following tropes:
- Adaptational Heroism: In the original short story, Harrison was a Parody Sue and the story was ambiguous as to whether he was in the right. However, the movie and 2081 are unquestionably on Harrisons side.
- Adaptation Expansion: One scene from an earlier novel into a short story, then the short story into a movie.
- The Bad Guy Wins: Diana ultimately kills Harrison and makes sure that nothing changes.
- Big Bad: Diana Moon Glampers is the Handicapper General who controls Americas new society of forced equality, wherein anyone who is better than anyone else in any way is handicapped by her soldiers.
- Boomerang Bigot: Diana despises extraordinary people and orders them all to have their abilities removed. She herself has to be extraordinary in order to run her society, and the simple fat free that she is effectively the supreme leader gives her unchecked power, making her unequal to everyone else.
- Bureaucratically Arranged Marriage: In the film version, the government chooses spouses for people in order to increase the odds for breeding average children.
- Crapsaccharine World: A world where everyone is equal, at the cost of freedom and quality of art. And thats if youre average: if you are not - and neither Harrison nor Philippa were - its a straight up Crapsack World.
- Character Title
- Deconstruction: This is a United States where everyone is equal. A little too equal. Everyone is equal to the lowest common denominator, with Mrs. Bergeron being easily forgetful, slow, and all around pretty weak, while her husband is forced to have handicaps like headphones that play loud noises to disrupt his train of thought, and glasses that give him terrible headaches while forcing his vision to be blurry. And although the society is supposedly run by the people, in practice General Diana and her secret organization of extraordinary people run everything, because unintelligent people cant be expected to cope with all the intricacies of government and society.
- Do Not Adjust Your Set: When Harrison takes control of the broadcasting stations to wake up the people.
- Downer Ending: Harrison dies, his parents forget about him almost instantly, and nothing about their world changes. But the movie, at least, implies that this may not last.
- The Dragon: Klaxon is presumably this to Diana. She never actually appears, but he runs the organization of extraordinary people in her stead.
- Dumb Blonde: Hazel has perfectly average intelligence and doesn't need any mental handicaps, which translates to this.
- Dystopian Edict: Everyone must be equal.
- Foreshadowing: At one point in the movie, Klaxon mentions that the broadcast station is protected by a nigh-impenetrable door. Good for Harrison, who hides behind it as he hijacks the station to start his own rebellion.
- Full-Circle Revolution: During the Great Recession, the people rebelled out of unsatisfaction for the state of America. They succeeded, only to end up even less free than before, since now anyone deemed to be unequal (i.e. not handicapped in some way) is artificially crippled with technology to make them equal to everyone else.
- Genius Bruiser: Harrison, supposedly.
- Individuality Is Illegal: Because everyone has to be equal, to be yourself means to be unequal. Anyone not wearing their mandatory handicapping technology is considered an enemy of the state.
- Informed Ability: Harrison is supposed to be a genius. But what he actually does isn't smart at all: he breaks into a TV studio, declares himself to be Emperor, picks a dancer to be his empress and dances with her until the Handicapper General arrives and shoots them both. Though the psychological damage of imprisonment could have had an impact, and Harrison is supposed to be a Parody Sue.
- The movie averts this, as hes an A+ student who rattles off trivia effortlessly.
- Karma Houdini: The Handicapper General Diana kills Harrison and continues to lead her dystopian society.
- Looking Busy: In the short film adaptation 2081, Hazel washes dishes while her son Harrison stages an on-screen revolution at a ballet. She's clearly doing this so she doesn't have to watch his inevitable demise.
- Parody Sue: Harrison in the original story, who "tore the straps of his handicap harness like wet tissue paper, tore straps guaranteed to support five thousand pounds." The film adaptations make him more of a normal-if-strong human being who happens to disagree with the society.
- People's Republic of Tyranny: America becomes this under General Dianas rule. Everyone is equal, but no one outside the elite is free.
- Political Correctness Gone Mad: The driving force of the work. Everyone is equal because everyone is forcibly made equal through technology that cripples anyone who is better than anyone else.
- La Résistance: Harrison becomes a one-man version of this, attempting to inform people through a television broadcast that equality should not be forced upon everyone. Less idealistically, the society came about after an uprising during the Great Recession.
- Revealing Cover Up: The handicaps used are both visible and proportional to a person's abilities, which ironically makes exceptional people more obvious.She must have been extraordinarily beautiful, because the mask she wore was hideous. And it was easy to see that she was the strongest and most graceful of all the dancers, for her handicap bags were as big as those worn by two-hundred pound men.
- Screw the Rules, I Make Them!: The Handicapper General isn't subject to handicaps like the rest of the population, as she shoots Harrison with perfect aim.
- Shoot the Shaggy Dog: It turns out Harrison isn't bulletproof. And the government inadvertently wipes his death from his parent's memories and everybody else's memories. However inadvertent, it's still a favorable outcome which the government would no doubt support.
- The Social Darwinist: Inverted- the government arranges marriages in order to make it more likely for people to have average children, and praises the hell out of being average. Essentially, they maintain a society in which the weak rule over the strong.
- Stealth Parody: In certain circles, the book has been interpreted as a grossly over-the-top satire of Anthem and similar collectivist dystopias (and the individualist heroes that transcend them), or of Cold War-era American conceptions of egalitarian social goals. Used to support this is the argument that the society depicted in the story is a straw Dystopia based on flagrant misunderstandings of the goals of socialism. Vonnegut himself is not known to have publicly taken this position; as both a socialist and a noted anti-authoritarian, however, his politics could support either interpretation.
- Stepford Smiler: Most of the civils talk about how wonderful their world is, and the beauty of equality, but it is made clear that it is little more than regime propaganda.
- Stupid Future People: Another deliberate dystopia example. Intellectuals are repressed for the simple reason that having some people smarter makes everyone else feel inferior.
- Tall Poppy Syndrome: Deconstructed. The story is about an entire society that operates on the concept of tearing down exceptional people. The "average" is extremely low as shown by Harrison's mother, most likely to show how some people would be too hard to raise up and to make everyone "equal". It's easier to bring people down than it is to raise them.
- Technology Levels: The movie version.
- Thoughtcrime: Critical thinking is outlawed in the society, because it is seen as offensive to those who are not as intelligent.
- Well-Intentioned Extremist: Administrator Klaxon genuinely wants a society of equality- he also believes that the best way to accomplish this is to use technology to artificially handicap people until everyone is equally crippled.
- "World of Cardboard" Speech: Harrison, before he finally takes off his handicaps.
- You Can Say That Again: At the end, where Hazel says she could tell that one was a doozy, George replies with this. She then does just that.