Night at the Museum is a 2006 American adventure comedy film. It is based on a 1993 children's book by Milan Trenc. It follows a divorced father trying to settle down, impress his son, and find his destiny. He applies for a job as a night watchman at New York City's American Museum of Natural History and subsequently discovers that the exhibits, animated by a magical Egyptian artifact, come to life at night.Released on December 22, 2006, by 20th Century Fox, the film was written by Robert Ben Garant and Thomas Lennon of Comedy Central's Reno 911! and MTV's The State, and directed by Shawn Levy. The cast includesBen Stiller, Robin Williams, Dick Van Dyke, Mickey Rooney, Bill Cobbs, Paul Rudd, Ricky Gervais, Carla Gugino, Steve Coogan and Owen Wilson. A new novelization of the screenplay by Leslie Goldman was published as a film tie-in.The sequel, subtitled Battle of the Smithsonian, was released in May 2009. Here, as the New York museum is being renovated many exhibits are stored in the Smithsonian. This brings with them a whole other genre of problems as well as some other features of the Egyptian artifact.
Brick Joke: In the second, Larry loses his smartphone when he and Amelia Earhart are chased into the VJ Day In Times Square portrait, which is picked-up by a seaman from Brooklyn. A post-credits scene has this sailor tinkering with the device in his home. His name? Joey Motorola.
Eternal English: In the first movie, Ahkmenrah speaks perfect English right out of the gate, which he explains as being from his time as an exhibit at Cambridge. In the second film, Kahmunrah first tries Egyptian, then French when he meets Larry before settling on English.
This implies that Kamunrah was paraded around in France for a while before ending up in the Smithsonian (or the British Museum). Small inside joke, but like a lot of the movie, definitely History Bonus for those who get it.
The Guards Must Be Crazy: This trope was averted in the first film: Larry was the only guard and it didn't take long for the news to notice when the exhibits started running through Central Park, especially the appearance of cave drawings at the subway station or dinosaur tracks on 81st Street. The second film has no such excuse. The entire National Mall is brought to life by the tablet. They fly the Wright Brothers plane outside. An octopus swims in the reflecting pool. The Lincoln Memorial goes for a stroll! No one notices. For heaven's sake, there's a hole in one of the buildings and arguably millions in property damage!
Plus lets not forget Washington D.C. is one of the most heavily policed and security conscious areas on earth with numerous security-sensitive buildings and areas. One of the exhibits would've tripped an alarm somewhere in the city to cause a massive security scare in the city.
Also, Larry and his son spend time at the beginning of the movie studying the vast security measures of the museums, and yet are somehow able to stroll through them and leave and enter at his leisure. Huh?
Not to mention that the real Smithsonian facilities are virtually never empty of people, as plenty of staff work through the night on maintenance, conservation, and research.
Hoist by His Own Petard: Cecil did this unintentionally when giving advice to Larry in the first movie. Cecil advises Larry to research stuff on the museum exhibits to help him out which is used against him when Larry shouts the secret code to stop the horse-drawn cart Cecil used to escape
It Is Pronounced Tro PAY: Sacajawea's name many times. There's also a deleted scene where Sacajawea's name is pronounced "Saka-gah-way-a", while Ahkmenrah's name is pronounced "Akh-men-rah". The Sacjawea case is justified since no one knows how her name really was pronounced.
The Smithsonian guard Brandon (as spelled on his nameplate) in the sequel argues to Larry that his name is "Brundon" "BUR-RUN-DON".
"You're going to live!" (breaks hourglass with helmet)
The bit in the first movie where the two battle the raging gale... of a decompressing tire.
This is lampshaded, as the camera keeps cutting back to a wider view of the area...and the only indication of this "battle" is the very soft, almost inaudible hiss of air leaving the tire.
Done again in the sequel, when Octavius gives a speech about how he's going to storm the White House to get help for Jedediah and begins to epically race towards the building on foot. Cue the camera cutting to a position where we can't even see or hear him. Eventually he gets tired, admits he misjudged the distance, and gets attacked by a squirrel.
They do it again at the final battle of Smithsonian, this time to 300.
Early on in the movie Octavius orders a Rain of Arrows to be thrown at Larry his order is Unleash Hell! in reference to Gladiator.
When Octavius sees the squirrel, he makes the "dinosaur vision" speech from Jurassic Park.
As pointed out above, they have one to Brokeback Mountain in the first movie. It helps that Jedediah's an actual cowboy.
In BOTS, Kahmunrah gets into the pop-culture wing and claims Archie Bunker's"throne" as his own. He's also seen trying on Muhammad Ali's robe at one point, as well as passing on wearing Dorothy Gale's ruby slippers.
When Custer is knocked off the motorcycle early on, he tells Larry to keep going with, "Fly, you fool!"
Sidekick Ex Machina: Ahkmenrah owns the tablet which made the whole exhibits alive, but he doesn't gain a lot of screen-time, especially in the second movie.
To the point where the last fight with Kahmunrah is not only his Greatest Crowning Moment, but it's actually much more epic than what it actually should be. Just watch it, and you'll know what I'm talking about.
The first film explained that the older janitors became Badass Grandpas because of dealing with the museum exhibits (and the magic of the tablet). Between films Larry gained those same skills in a younger body.
Angrish: When angry, the owner of the museum starts metaphors and can never finish them.
Artistic License - History: You know, for a film that's supposed to encourage kids to learn history, they do love re-enforcing old (untrue) stereotypes — like Napoleon's shortness.
To be fair, it makes sense that the exhibits would all be Flanderizations of the actual figures as that's largely what is taught with basic history. Even in the movie, even though Napoleon is shorter than most of the rest of the cast, he's not played by a midget or anyone extraordinarily short, and the closest they come to actually calling him short is Larry commenting that he makes a lot of analogies involving him being bigger than other people.
The flight of the Wright Flyer during the second film (flying from a dead stop, and making maneuvers that would have been impossible for the flyer).
Likewise, even on the winter solstice (when you'd get the biggest advantage from latitude) it is impossible to take off from Washington, DC an hour before sunrise and make it to New York City in a single engine propeller plane and land in New York City before dawn. The plane simply isn't fast enough.
Better to Die than Be Killed: At the end of the film, Amelia decides to take a plane and fly off into the wild blue yonder, and certain death, since she'll turn to dust once the sun rises. However, she wants to die doing what she loves, rather than spend the rest of her existence as an inanimate statue.
Demoted to Extra: The exhibits who have to stay at the Museum of Natural History during the movie (except for Teddy Roosevelt, who was also a metal bust at the Smithsonian).
Deus Exit Machina: The statue of Abraham Lincoln walks off after dispatching Kahmunrah's underworld army, since it would have been a Curb-Stomp Battle had he stayed for the climax.
Distracted from Death: A non-lethal variant. Teddy Roosevelt is about to go back to being wax, and wants to give him one last bit of advice before he does so. However, unfortunately, just as he is about to give said advice, Larry has to take a phone call, and looks up to find that Teddy has already turned to wax by the time he finishes talking.
Fanservice: This being a family movie, there's something for everyone - Amelia Earhart's really, really tight pants for the boys (and dads); Ahkmenrah's Bare Your Midriff costume for the girls (and moms).
The Smithsonian therefore has both the worst security and best maintenance staff of all time.
The Guards Must Be Crazy: We only see one security guard for the Smithsonian, and it seems to be the slowest night ever in Washington, DC - no one notices a thing amiss. Where's the DOD when you need them?
Hands Go Down: Kahmunrah after being asked about his tunic thinking it's a dress by Al Capone and Ivan the Terrible.
Kahmunrah: Are there any other questions? (Napoleon's hand goes up) Kahmunrah: Any questions not about the dress... tunic. (Napeleon's hand goes down)
Hidden in Plain Sight: The movie ends with Larry selling his company and donating the money to the AMNH, under the guise of funding more "high-end" upgrades to the exhibits, allowing the exhibits to come alive at night without any fear of breaking the Masquerade.
Historical Villain Upgrade: Ivan the terr... er, the Awesome complains about this in the second movie, just before acting the part for the rest of it.
Hollywood History: Subverted somewhat with Ivan the Terrible, who points out that a more accurate translation of his nickname would be "the Awesome", and that he was in fact a fairly good ruler.
Homage: Larry scouting out the Smithsonian is accompanied by background music from National Treasure. Note that both movies involve breaking into a national museum.
Jedediah and Octavius use combat moves lifted intact from 300 when they're attacking the mooks' feet.
Hypocritical Humor: Al Capone makes fun of Kahmunrah's tunic, calling it a "dress". Ivan the Terrible also makes fun of Kahmunrah's "dress", even though he himself is wearing a fairly long robe that itself might be easily mistaken for a dress.
In a somewhat darker example, we have this line: "You'll never get lost following Amelia Earhart."
Identical Grandson: Subverted with the girl at the end who looks like Amelia Earhart. Apparently they're not related. As far as she knows.
Idiot Ball: Larry seems to have forgotten that it was well established in the previous film that simply turning the middle piece of the tablet cancels the spell, meaning he could effectively solve the entire problem in seconds.
In the sequel, When Larry returns to the villains and is given the hourglass with his trapped friend, why doesn't he immediately free the cowboy, by opening the glass as quickly as Kamunrah closed it? Or at the very least turn it upside down to let the sand flow away from him? Instead, he stands there for a huge part of the dialogue just holding it (at least having the sense to hold it horizontally so no more sand pours on the cowboy). Later on, the hourglass once again falls on the floor upright, putting the cowboy in mortal danger again.
Mayfly-December Romance: Amelia Earheart and Larry. There's obvious sexual tension between them, but Larry deliberately chooses to spur her advances knowing how, upon taking the Tablet away, Amelia will return to her lifeless, mannequin status, dooming their romance to live and die in a single night, and vowing to spare the horrible truth to Amelia. Amelia has different ideas though: she already knows, she just doesn't care that much.
No Endor Holocaust: The destruction or disappearance of some of the most valuable artifacts in human history and a large break-in into a government facility. All signs clearly point to Larry being the one responsible. Are you telling me no-one's investigating this? When you realize his sole alibi is that he was protecting the world from an undead army and allied with waxworks brought to life by magic. Yeah... Larry's likely going to be in prison for a long time.
Oh Crap: That's the exact translation of the Bird-warriors' screeches when Abraham Lincoln's statue enters the battle.
Overly-Long Gag: Often the plot stops dead to allow for various characters to have a back-and-forth argument, seemly just made up of snappy lines the writers came up with.
Reality Is Unrealistic: In-universe example: some kids complain about how Rexy's "animatronics" suck. Rexy, who's genuinely mobile and only acting like he's animatronic, roars to scare the pants off the doubters.
Amelia flies off into the sunset at the end. Unless the plane turned to dust with her, there's going to be one hell of a crash in the morning. May be lampshading the real Amelia Earhart's fate where she disappeared while flying over the Pacific in 1937.
How is Larry going to explain the destruction or disappearance of some of the most valuable artefacts in human history?
Writers Cannot Do Math: Played with. Some bobblehead Albert Einsteins tell Larry that the value of π (pi) is 3.14159265 "to be exact", however, they were specifically providing the exact code for the tablet, rather than saying that this is definitely where Pi stops.