YMMV / Night at the Museum

The first movie provides examples of:

  • Ensemble Darkhorse: Jed and Octavius originally had minor roles in the first film, but after test screenings they proved so popular reshoots gave them a larger presence.
    • The Easter Island Head is also quite popular.
  • Ho Yay: A lot of characters, but most noticeable with Jedediah and Octavius - lampshaded with a Shout-Out to Brokeback Mountain.
    Jedediah: "I ain't quittin' you!"
    • In the sequel - no, they weren't really going to kiss, but yeah...
    • It didn't help when the sand in the hourglass was suffocating Jedidiah, and he was trying to tell Octavius about how their relationship progressed "from enemies to friends and some stuff that will make you cry." Subtle.
    • Octavius' "Just stay alive! I will find you!" before running to get help for Jedediah.
    Steve Coogan (who plays Octavius): There was a certain kind of subtext, what those of a discerning view might read as a subtle homoerotic subtext. If those people read that into it I certainly wouldn't argue with it... Yes, Octavius has a certain fascination with Jedediah because, of course, he wouldn't meet people as irreverent as that in the world of the Roman Empire, I think people were a bit more formal in their behaviour, so that slightly gauche, throwaway attitude that goes with being a cowboy fascinates Octavius, and he finds it quite alluring.
    • Then in the third film, when the tablet is corroding and the exhibits are dying, Jedidiah and Octavius attempt to die whilst holding hands.
  • WTH, Casting Agency?: Theodore Roosevelt is played by Robin Williams? Hey, it worked.

The first sequel Battle of The Smithsonian provides examples of:

The second sequel Secret of the Tomb provides examples of:

  • Canon Discontinuity: Despite the fact that Akhmenrah and his family are having their first reunion in thousands of years, none of them mention his brother Kahmunrah, who was encountered in the second movie (note: as far as we know, they never found out about Kahmunrah's villainy). This is especially jarring as their father reminisces wistfully about Akhmenrah's birth, but hasn't got a word to say about the birth of Kahmunrah who was also his son and possibly his firstborn.
  • Critical Research Failure: Unlike the Museum of Natural History in New York, the British Museum in London is solely confined to human history - mostly ancient cultures like the Romans and Egyptians - and has no reason to feature any dinosaur skeletons; they're all in the Natural History Museum.
  • Harsher in Hindsight: Teddy being among the New York exhibits dying near the end foreshadows Robin Willams' untimely death. Not only that, Teddy losing the ability to properly move himself (due to his body becoming wax again), is eerily similar to Robin's diagnosis of Parkinson's disease (which he hadn't disclosed to the public, but was likely aware of during filming).
    • Also for Mickey Rooney, who makes a reappearance. However, unlike his two colleagues, he's wheelchair bound and quite obviously suffering from mild dementia or Alzheimers. Mickey died of natural causes shortly before the film's release.
  • Heartwarming in Hindsight: Teddy Roosevelt saying goodbye to Larry is lent a ton of extra poignancy from being Robin Williams' last onscreen appearance.
    Smile my boy; it's sunrise.
  • Nightmare Fuel: The Roman Statues shambling around are quite frightening as the scene seems to have been taken straight out of a zombie movie with how they are missing limbs and stumbling about. So is Akhmenrah rapidly reverting into an undead human-mummy-zombie hybrid near the end.
  • One-Scene Wonder: Alice Eve and especially Hugh Jackman as themselves.
  • Tear Jerker: The fact that this was among the final films of both Mickey Rooney and Robin Williams. Both actors received a dedication in the film proper.
  • Visual Effects of Awesome: The Escher fight sequence.