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Is it only a dream that there’ll be no more turning away?
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A Momentary Lapse of Reason is the thirteenth studio album by Pink Floyd, released in 1987. It is their first album not to feature Roger Waters, who left the band in 1985. Along with More and The Endless River, it is their only album to feature David Gilmour on all the lead vocals (except for some spoken word by Nick Mason). Due to this, and because Gilmour wrote all the songs by himself or with outside writers, it is generally considered a David Gilmour solo album in all but name, much like Waters with The Final Cut and Syd Barrett with The Piper at the Gates of Dawn. Like its direct predecessor, this album is a major opinion-splitter.

Unlike their last few albums, A Momentary Lapse of Reason is not a true concept album, although there are loose themes of moving on into a new direction, a fear of death and a fear of loneliness (in the historical context of the Cold War). Richard Wright returned for this album as a session musician, and stayed on as a salaried musician for the supporting tour until he was officially reinstated for The Division Bell. “Learning to Fly” became a major hit from this album, introducing the band to the MTV Generation.

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Preceded by The Final Cut. Proceeded by The Division Bell.


Tracklist:

Side One:

  1. “Signs of Life” (4:24)
  2. “Learning to Fly” (4:53)
  3. “The Dogs of War” (6:05)
  4. “One Slip” (5:10)
  5. “On the Turning Away” (5:42)

Side Two:

  1. “Yet Another Movie” (6:12)
  2. “Round and Round” (1:16)
  3. “A New Machine Part 1” (1:46)
  4. “Terminal Frost” (6:17)
  5. “A New Machine Part 2” (0:38)
  6. “Sorrow” (8:46)

Principal Members:

  • David Gilmour - lead vocals, guitar, keyboard, synthesizer, vocoder
  • Nick Mason - drums, percussion, vocals, sound effects

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A trope in tension that's learning to fly; condition grounded, but determined to try:

  • Album Title Drop: "One Slip":
    A momentary lapse of reason that binds a life for life
  • Anti-Love Song: "One Slip" describes a one-night stand, and its consequences.
    Was it love, or was it the idea of being in love?
    Or was it the hand of fate, that seemed to fit just like a glove?
  • Arc Words: There seems to be a theme of loneliness and isolation in the lyrics. Specifically, the word "one" appears in nearly every song, aside from the instrumentals and "A New Machine (Part 2)".
  • The Bus Came Back: Richard Wright came back (though not as an official member, for legal reasons, until 1994) when he was rehired by Gilmour and Mason during the sessions for this album.
  • Bookends: Though the album itself doesn't have bookends, the instrumental "Terminal Frost" is surrounded by both parts of "A New Machine".
  • Call-Back: "A New Machine" is a callback to "Welcome to the Machine" from Wish You Were Here.
  • Concept Album: Averted. It's the first and only Pink Floyd release since Obscured by Clouds that isn't a concept album.
    • It does however use rivers as a recurring motif in the lyrics and on the cover.
  • Crapsack World: "Sorrow"; justified in that it's directly based on The Great Depression as depicted in The Grapes of Wrath.
    He's haunted by the memory of a lost paradise
    In his youth or a dream, he can't be precise
    He's chained forever to a world that's departed
    It's not enough, it's not enough
  • Damned by Faint Praise: Roger Waters's take on the album:
    “I think it's a very facile but quite clever forgery. If you don’t listen to it too closely, it does sound like Pink Floyd. It’s got Dave Gilmour playing guitar. And with the considered intention of setting out to make something that sounds like everyone’s conception of a Pink Floyd record, it’s inevitable that you will achieve that limited goal.”
  • Demoted to Extra: Richard Wright was only hired as a session musician, providing backing vocals in "Learning to Fly", "On the Turning Away" and "Sorrow" and additional keyboards in other unspecified tracks.
  • Epic Rocking: "Sorrow", (8:46), "The Dogs of War" (6:05), "Yet Another Movie" (6:12), and "Terminal Frost" (6:17).
  • Fake Shemp: Nick Mason, despite being top-lined as a band member with David Gilmour, found himself too out of practice to play on most of the album; most drum parts were performed by drum machines or session drummers.
  • I Am the Band: David Gilmour did most of the work on his own, and wrote all the songs in it by himself or with outside writers like Phil Manzanera. Gilmour and Nick Mason are top-lined as band members in the liner notes, while Richard Wright was hired as a supporting musician for the album and its tour.
  • Limited Lyrics Song: "A New Machine".
  • Magical Native American: In the video for "Learning to Fly".
  • Three Chords and the Truth: "Round and Around" and both parts of "A New Machine".
  • New Sound Album: The album ramps up use of synthesizers, samplers and drum machines, giving it a sound straight out of The '80s.
  • Non-Appearing Title: The instrumentals, "Yet Another Movie", both parts of "A New Machine".
  • One-Word Title: "Sorrow".
  • Refrain from Assuming: "Learning to Fly" is not called "Tongue Tied and Twisted".
  • Shout-Out: "Sorrow" is directly based on the themes of The Grapes of Wrath, and borrows the novel's opening lines for its own.
  • Shout-Out to Shakespeare: The title of "The Dogs of War" is based on the line "let slip the dogs of war!" from Julius Caesar.
  • Siamese Twin Songs: "Yet Another Movie" and "Round and Around"—in fact, both were indexed in the same track until the 2011 remaster.
  • Spoken Word in Music:
    • The radio chatter in "Learning to Fly".
    • "Yet Another Movie" includes snippets from Casablanca.
  • Step Up to the Microphone: Nick Mason gets some spoken word vocals in "Signs of Life" and "Learning to Fly".
  • War for Fun and Profit: The subject of "The Dogs of War".
    Dogs of war and men of hate
    With no cause, we don't discriminate
    Discovery is to be disowned
    Our currency is flesh and bone
    Hell opened up and put on sale
    Gather 'round and haggle
  • War Is Hell: The subject of "Sorrow".
    The sweet smell of a great sorrow lies over the land
    Plumes of smoke rise and merge into the leaden sky
    A man lies and dreams of green fields and rivers
    But awakes to a morning with no reason for waking
  • Who Wants to Live Forever?: Seems to be the subject of both parts of "A New Machine".

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