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The Ghost Writer is a 2004 psychological horror novel created by Australian poet and novelist John Harwood. The novel has won literary awards in Australia and major International Horror award.

Gerard Freeman is a lonely, awkward child growing up in the little town of Mawson, Australia. With a distant father and an almost Friendless Background, Gerard finds solace in the stories his neurotic mother, Phyllis Hatherley, tells him of her childhood an English country estate called Staplefield. One day, however, Gerard discovers a photograph of a beautiful, unknown woman and the manuscript of a ghost story written by his maternal great-grandmother, Viola Hatherley, who lived and died at Staplefield. Although Gerard is desperate for more information on Viola and Staplefield, his mother chooses to stop talking about them. This, of course, pretty much guarantees that Gerard himself will some day journey to England in search of his mother’s childhood home.

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Gerard’s boring life seems to brighten a little when he, by chance, obtains a penfriend from England named Alice Jessell, a mysterious Ill Girl. Injured in the accident that killed both of her parents and confined her to a wheelchair, Alice refuses to either meet Gerard or send him a photo until she’s cured and walking again — something that she admits will require a miracle. How she looks is left to Gerard’s rich imagination, and he conjures images of a pre-Raphaelite beauty with milky skin and cascades of coppery hair. As Gerard grows into adulthood, his friendship with Alice is a growing constant in his life as is his obsession with Viola and Staplefield. When his mother dies, Gerard sets off for England in search of Staplefield and Alice, with whom he now fancies himself deeply in love.

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This book is mostly written in first person narrative from Gerard's point of view, with the exception for letters from Alice and various stories within the story. These stories are the ghost stories written by the long-deceased Viola. They often turn up at the most improbable times and quite by chance. The ghost stories make up approximately one-half of this novel, and each is written in a distinctive style and voice that is quite different from Gerard’s first person narrative. The stories are both elegant and admittedly creepy.note 

Not related with the film, which is actually movie adaptation of another novel The Ghost. Also, not to be confused with 1979 American novel of the same name.


Tropes

  • Affectionate Nickname: Phyllis' sister Anne referred her as "Filly."
  • Amoral Attorney: Averted with Harry Beauchamp in "The Ghost" story. He is very kind to his client.
  • Bit Character / Flat Character: Gerard's "father", Graham, has very little appearance and importance in the story and it's unbelievably easy to miss when he died. He died sometime in Gerard's mid or late teens. Unsurprisingly, it's later revealed that Gerard's biological father is somebody else.
  • Bald of Evil: Alice's true form.
  • Burn Baby Burn: The ultimate fate for Phyllis' childhood home.
  • Child by Rape: Inverted with Gerard. See Double Standard: Rape, Female on Male.
  • Consummate Liar: In one of her letters, Alice claims there isn't any kind of scar or wound on her face. Suuurreee....
  • Cool Big Sis: From "The Ghost" story, Cordelia attempted to be this for her cold little sister, Beatrice. It doesn't quite work much because for no reason, Beatrice blames her sister for their parents' death. Also, Anne to Phyllis... initially.
  • Dark and Troubled Past: It's complicated with Phyllis. One of plot points in the story is Gerard's attempts to discover her past right from her childhood.
  • Domestic Abuse: From "The Ghost" story, Cordelia de Vere's paternal grandfather, Ruthven de Vere, was responsible for the Facial Horror that his wife, Imogen, suffered. Ironically, one of the main reasons for this is because he's convinced his wife was cheating on him with his friend, Henry St. Clair. She's not, but he doesn't want to listen.
  • Double Standard: Rape, Female on Male: It's actually rather hard to decide whether Gerard's conception was consensual or not. What's known is that Phyllis aggressively seduced her sister's fiancee, Hugh Montfort, leading to their affair and Gerard's conception. When Anne discovered this, Phyllis was naked and "on his top, riding on him". Yet, Hugh is mostly to blame instead of Phyllis, who seduced him. He tried to apologize, Anne doesn't want to forgive him, and it's ambiguous whether Anne or Phyllis caused his death.
  • Facial Horror: From "The Ghost", Cordelia's paternal grandmother also suffers similar fate and she has to cover most of her face with veil. Also, when Gerard meets Alice, her face is horribly deformed.
  • Foreshadowing: Quite a few from Alice's correspondence. For starter, she states in her very first letter to Gerard that she lives not too far from, or perhaps around the same place as, Phyllis' childhood home. She also asks Gerard to give her his and his parents' photograph, but refuses to give her own photo to him.
  • Friendless Background: Gerard has had very few, if any, friends since his childhood.
  • The Ghost: Alice never appears in the story until the climax, and she only interacts with Gerard via letters before then. There's also Abigail Hamish, an old lady who claims she knows about Phyllis' childhood.
  • Happily Adopted: From "The Ghost", Cordelia and Beatrice's parents are already dead and they live with their paternal grand-uncle, Theodore, and his sister, Una.
  • Haunted House: Phyllis' childhood home. This is where the story's climax takes place.
  • Heartwarming Orphan: From one of the letters, Alice's nurse claims Alice is this. From "The Ghost", Cordelia is also very kindhearted to her great-uncle / Parental Substitute.
  • I Was Quite a Looker: Phyllis, of Younger than She Looks variety.
  • Ice Queen: Beatrice from "The Ghost" story is extremely cold, especially to her older sister. Also Phyllis, although she has a few defrosting moments to Gerard.
  • Ill Girl: Alice Jessell.
  • Kissing Cousins: From "The Ghost" story, Cordelia's paternal grandmother, Imogen, and grand-uncle, Theodore, was romantically involved. Their relationship was broken up by her father, Horace Ward (Cordelia's great-grandfather), who strongly opposes it.
  • Long-Distance Relationship: Gerard and Alice. Not only they only interact via letters, but also they never even see each other until the climax of the story.
  • Mistaken for Cheating: From "The Ghost" story, and Played for Drama: Imogen de Vere is mistaken for cheating with her husband's friend, Henry.
  • My Beloved Smother: Phyllis is fiercely overprotective and possessive on her son. She is the most responsible for her son's Friendless Background.
  • Mysterious Woman: Phyllis fits this trope to a T, to the point that she hides away her past and dark secret. Even Gerard is afraid of her at times because of her mysteriousness.
  • Nocturnal Emission: Sometime after he starts the pen-friendship romance with Alice, Gerard has an Erotic Dream where he has sex with her. When he wakes up, he found his blankets and pajamas wet. He then tells Alice about this in his letter. In her reply, Alice claims that she had a similar dream at roughly the same time.
  • Our Ghosts Are Different: Anne is Type 1 (motivated by her desire to avenge her death).
  • Parental Abandonment:
    • Alice claims her parents are killed in an accident which also caused her legs' disability.
    • From "The Ghost" story, Cordelia's parents are dead and she and her sister are adopted by their paternal family.
    • Gerard's "father" died a rather very early in the story. His mother, Phyllis, also died right before the start of the novel's second-half.
  • Posthumous Character: Viola Hatherley has been long dead, but her ghost stories are somehow connected with Gerard and Phyllis. Also, Phyllis, for the second-half of the novel. Gerard is motivated to find out about her childhood background after her death. Also, Phyllis' sister Anne... until the novel's climax.
  • Revenge: Anne Hatherley's entire motivation.
  • Rich Suitor, Poor Suitor: From "The Ghost" story, Theodore is the poor suitor to his cousin and lover, Imogen Ward. Ruthven de Vere is the rich suitor, and he won her thanks to her father.
  • Shipping Torpedo: Downplayed. Phyllis isn't supportive on Gerard's pen-relationship with Alice, but she doesn't actively try to wane their love, either.
  • Sins of Our Fathers: Cordelia's reaction when she learns that Ruthven de Vere, her paternal grandfather, is responsible for her grandmother's Facial Horror. There's also the sin of Gerard's mother, Phyllis, to Anne, for cheating with Anne's fiancee.
  • Star-Crossed Lovers: Theodore and Imogen's relationship from "The Ghost" story are broken up by Imogen's father who strongly opposes their relationship.
  • Story Within a Story: Lots. As mentioned above, about half of the book is filled with them. However, only one of them is the mostly connected with Gerard and Phyllis, the story that simply titled as "The Ghost".
  • Through the Eyes of Madness: One of Viola's ghost stories involves this trope as said story's major plot point.
  • Walking Spoiler: Anne Hatherley, Phyllis' long-dead older sister. Talking too much about her here will spoil the majority of the plot and her motivation throughout the story.
  • Widow Woman: Phyllis. Her husband Graham John Freeman died a rather very early in the story.
  • Woman Scorned: Anne, when she found out that Hugh was cheating on her with Phyllis. One interpretation implies it was involving Death by Woman Scorned, too.
  • Younger than She Looks: Gerard states that his mother looks older than her actual age.
  • Your Cheating Heart: The major plot points of the story that will spoil everything if it's discussed further here. In short, this happens in both main story and "The Ghost" story.

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