Godzilla vs. Mothra: The Battle for Earth, referred to in Japan as Godzilla vs. Mothra is the 1992 sequel to Godzilla vs. King Ghidorah, the nineteenth Godzilla film and the fourth in the Heisei series. It is directed by Takao Okawara and written by Kazuki Omori.
After the success of the previous film, Toho decided to bring back another familiar monster. While there are similarities to Mothra vs. Godzilla, such as greedy businessmen and kidnapped fairies, the film is its own animal. The film sold well and became the most popular entry in the Heisei series.
A meteor hits the ocean, causing many natural disasters. Repenting tomb raider Takuya Fujito (Tetsuya Bessho), his ex-wife Masako Tezuka (Satomi Kobayashi), and Marutomo secretary Kenji Ando (Takehiro Murata) are sent to investigate the effects on Infant Island. There, they find a giant egg and the Cosmos (Keiko Imamura and Sayaka Osawa), a pair of tiny twin girls whose role is to watch over the balance of nature and who are the Last of Their Kind.
They tell of an ancient civilization that angered the Earth so much with a weather machine made to control the world's climate that the Earth created and unleashed a creature called Battra. Unfortunately, Battra proved to be so bloodthirsty that his path of destruction also brought harm to the Earth, which created Mothra to counteract him. Battra and Mothra clashed fiercely, the civilization being lost in the battle, and the two eventually sealed themselves in eggs, with Mothra's being the one the team has uncovered.
The Cosmos agree to go to Japan with the giant egg, but Godzilla intercepts them. Mothra hatches and gets saved from Godzilla (Kenpachiro Satsuma) when a revived Battra clashes with the King of the Monsters. They are sucked into the earth by a underwater eruption and Mothra leaves.
The Cosmos are kidnapped by the company secretary, whose CEO plans to exploit them for all they are worth. But Mothra won't stand for this and is heading for Tokyo. Can our heroes rescue the Cosmos before Mothra does too much damage? And how would they deal with Godzilla and Battra, who have survived being swallowed by lava and are converging on the area?
The film also stars Megumi Odaka as Miki Saegusa, Shiori Yonezawa as Midori Tezuka, Makoto Otake as Takeshi Tomokane, Akiji Kobayashi as Ryuzo Dobashi, Koichi Ueda as Minoru Omae, Shinya Owada as a ship captain, Saburo Shinoda as Shigeki Fukazawa and Akira Takarada as Joji Minamino.
The film is followed by Godzilla vs. Mechagodzilla II.
This film contains examples of
- '90s Anti-Hero: Battra is sworn to protect the Earth, and that includes saving it from its own inhabitants. Also lots and lots of spikes!.
- Action Girl: Mothra, once she obtains her more mature form.
- Asshole Victim: Takeshi Tomokane in the manga adaptation. Yeah, you should've looked where you were driving. At Godzilla's foot.
- Big Bad: Godzilla shows up in the movie to do the usual Godzilla thing, forcing Mothra and Battra to team up to stop him.
- Big Bad Duumvirate: Two villains for the price of one. The Marutomo CEO, and Godzilla.
- Dark Is Not Evil: Battra isn't an evil or malicious monster, but his role as protector of Earth itself can put him against its inhabitants, who are under Mothra's protection.
- Death by Adaptation: Masaeko (Masako) dies from her wounds in the manga adaptation. Takeshi crashes into Godzilla's foot.
- Determinator: Even after he's been fatally wounded by Godzilla, Battra nontheless helps Mothra carry The Big G out to the sea to get rid of him.
- Enemy Mine: Mothra and Battra ultimately team up in order to stop Godzilla and throw him back to the sea. Once Battra gets fatally wounded by the Big G and is ultimately Killed Off for Real, Mothra decides to take his place as a more benevolent protector of the Earth and flies away to space at the end of the film to destroy an asteroid that is on a collision course with Earth.
- Evil Counterpart/Spear Counterpart: Battra to Mothra, though he's more of an Anti-Heroic Conterpart as far as the Earth is concerned. He's dedicated to defending the Earth, but is far less concerned with intelligent inhabitants.
- Evil vs. Evil: Battra may be an antagonistic force himself, but he also opposses Godzilla as well, perceiving him to be the embodiment of mankind's disregard and callousness toward nature.
- Eye Beams: Battra in his adult form.
- Fallen Hero: Battra.
- Flying Firepower: Battra and Mothra can both fire blasts of energy from their antennae while flying.
- Gaia's Vengeance:
- The weather machine of the Cosmos civilization angered the Earth, producing Battra.
- The series of events that happen to Takeshi Tomokane due to natural disasters are outright said to be the Earth getting its revenge on his company for their reckless destruction of it.
- Expy: The Marutomo CEO is Mr. Tako meets Torahata.
- Foregone Conclusion: As the previous film shows the state of the future, Mothra was successful on her mission.
- Good Is Not Nice: Just because Battra is technically a good guy, doesn't mean he gives a damn about humanity.
- Green Aesop: All over the place.
- HeelFace Turn: Battra, as well as the Marutomo Company secretary, Kenji Andoh.
- Heroic Sacrifice: Battra in dropping Godzilla into the ocean.
- Killed Off for Real: Battra ultimately succumbs to the injuries he obtained while helping Mothra get rid of Godzilla.
- Knight Templar: Battra's ultimate goal is to protect the Earth.... even if that means annihilating most of humanity.
- Large Ham: Mr. Tomokane's breakdown at the end proves even hammier with Rik Thomas' voice in the dub.*voice becomes progressively higher* The Earth wants its revenge, does it? Fine with me! I don't care! I don't care... I don't caaaaaare!!!
- Laser-Guided Karma: Takeshi Tomokane has 2 (negatively): In the film, all of his accomplishments and project are utterly destroyed ever since he kidnapped the Cosmos. In the manga adaptation, killing Masaeko, crash into Godzilla's foot.
- Lethally Stupid: Takeshi Tomokane, the Marutomo CEO is clearly a danger to himself as well as everyone else. First, he has the bright idea to kidnap and exploit the Cosmos, and if that wasn't bad enough, he insists on killing Mothra when she inevitably comes to rescue them. Incompetence doesn't even begin to describe it.
- Lighter and Softer: Battle For Earth is definitely lighter among the Heisei series. With its overall themes of evironmentalism and Black-and-White Morality. Mothra is also the central protagonist in the film.
- Mama Bear: Mothra is pretty damn determined to save the fairies.
- Once the song to summon Mothra is sung, you know you've screwed up monumentally somehow.
- Market-Based Title:
- The film's original and international title was Godzilla vs. Mothra, but when Tristar picked it up, it was retitled Godzilla and Mothra: The Battle for Earth to avoid confusion with the then-current home video title of the 1964 version.
- The last German Godzilla release to change the title. Was released as Godzilla - Kampf der Sauriermutanten.
- Was also released on video in Argentina as Godzilla - El Dinosaurio Mutante.
- The Taiwanese Mandarin dubbed theatrical version is entitled "蝶龍魔斯拉", or Butterfly Dragon Mothra.
- Monumental Damage: The Diet Building, where Japan holds parliament, becomes the location where Mothra creates her cocoon.
- Nigh-Invulnerability: Godzilla and Battra come out of being swallowed by magma pretty well.
- Outside-Context Problem: In this story about environmental degradation and ancient magical forces involved with Mothra and Battra, the giant radioactive dinosaur who's in the title just kinda walks into the plot.
- Redemption Equals Death: Battra ultimately teams up with Mothra to help her defeat Godzilla, but he's fatally wounded by the King of the Monsters and perishes.
- Space Whale Aesop: Don't screw up the environment or else a giant bug monster with laser vision will rise from the ocean to blow up everything and fight a fire-breathing radioactive dinosaur.
- Spikes of Villainy: Battra sports these, moreso in his larva form.
- Take Up My Sword: Mothra takes Battra's place in stopping the meteor that would destroy Earth in 1999.
- Temple of Doom: We are introduced to Fujito int he process of escaping a bog-standard Collapsing Lair.
- Too Dumb to Live: Does it have to be repeated what was stated 3 times already?
- Took a Level in Jerkass: Godzilla is considerably more villainous in this movie than in other films. He doesn't attack because of a grudge against humanity or even neutral. He attacks the completely helpless Mothra Egg more or less because he can.
- Theme Music Power-Up: The Cosmos don't waste their singing talents in powering up Mothra. They even do a little healing of Battra.
- Villain Ball: The Marutomo CEO. Yes, please by all means exploit the Cosmos for your business. Yes, by all means refuse to give them up when the giant indestructable Moth creature comes to rescue them. It certainly won't turn out badly for you.
- Vocal Evolution: Godzilla goes back to his higher-pitched screeches from the Showa era in this film, combined with a few new moans and growls which would later be used as well for his Millenium incarnations. If one listes closely, however, Goji briefly utters one of his 84-91 roars in the climatic battle just as Battra is about to slam the ferris wheel onto the mutant dinosaur.