A bunch of related short stories written by Tim O'Brien that, for the most part, revolve around the experiences of his fictional narrator and the 17 (at first) other men that make up his platoon in The Vietnam War. It includes the short story of the same name.
By the way, that fictional narrator happens to be named Tim O'Brien. He has a whole bunch of other things in common with the book's author as well, though certainly not everything—unlike the narrator, the real Tim O' Brien does not have children (at the time of writing) and cannot say with certainty that he ever killed a man. In fact, everything in this book should be taken with a grain of salt with regard to its "truthfulness"; many stories seemingly presented as factual are altered or made up, as the author tries to make an emotional atmosphere that is "truer than true."The book has a disclaimer that it's a work of fiction even on the title page: "The Things They Carried / A work of Fiction by Tim O'Brien."
The book also makes comments about the act of writing itself, and, in particular, devotes an entire chapter (source of page quote) to talking about what makes a true war story.
Required high school reading in some places. "Sweetheart of the Song Tra Bong" was made into a movie, "A Soldiers Sweetheart" starring Skeet Ulrich, Georgina Cates, and Kiefer Sutherland.
Provides examples Of:
- Action Girl: Mary Anne. She learns how to field strip an M-16, fights alongside Green Berets in night attacks, and goes native in the Vietnamese jungle.
- Author Avatar: The narrator or Mitchell Sanders, depending on the situation.
- Black Comedy: Several instances. Most notably, the Green Berets in "Sweetheart of the Song Tra Bong" have a collection of human bones in their barracks, with a sign reading "Build your own gook! Free assembly kit". There's also Norman Bowker singing "Lemon Tree" to himself while cleaning Curt Lemon's guts off of a tree branch.
- Blow Up The Dog:
- Azar, Ted Lavender's puppy. He laughs about it and wonders why the others think it's such a big deal.
- When Rat Kiley mutilates the baby water buffalo.
- Bread, Eggs, Milk, Squick: At the end of "Sweetheart of the Song Tra Bong," Mary Anne is described as wearing "her culottes, her pink sweater, and a necklace of human tongues."
- Communications Officer: Mitchell Sanders. He is also this while also being The Storyteller.
- Corrupt the Cutie: O'Brien, Lt. Cross. Many of the soldiers, really. Azar subverts this, using it as a justification for blowing up a puppy.
- Crucified Hero Shot: Lieutenant Cross floating on his back in the shit field while they're still searching for Kiowa.
- Cruel and Unusual Death: Kiowa ends up drowning in human shit after the platoon takes mortar fire in the shit field.
- Dance of Despair: Implied in chapter "Style". The platoon comes across a girl whose entire family had died in the war. This girl did nothing but dance, and was dancing when they found her, for reasons they can't understand, but figure it's a cultural thing. One rude soldier is even told off when he tries to mock her dancing.
- Draft Dodging: Attempted, but not followed through with. The narrator was to afraid of being shamed. Or, as the author puts it, too afraid to be a coward.
- Dude, Not Funny!: Azar poking fun at Kiowa's death, making comments about "eating shit" and the like, although after he sees the horrible state the body is in, he personally apologizes to the rest of the platoon.
- Dying for Symbolism: A few instances. Some die during the story, some are already dead. The most notable are probably Ted Lavender, Norman Bowker, Kiowa and the Dainty Young Man.
- The Friend Nobody Likes: Azar fills this role, as every single interaction he is shown to have with the other members of the crew suggests they can't stand being around him. It might have something to do with him blowing up Ted Lavender's puppy for shits and giggles.Tim O'Brian: "Nobody cared for him, including myself."
- Hero's Muse: Deconstructed to hell and back. Numerous characters that play this role to several of the soldiers end up causing a considerable amount of the conflict of the plot, such as Martha, Henry Dobbins' girlfriend, and the ex-girlfriend of the guy who got Kiowa killed. The men cling to the idealized versions of these women in their heads since they find the notion that innocence and purity still exist somewhere outside of the war to be comforting in a situation that has deprived them of it themselves. Believing in this causes Lt. Cross to fall into even deeper despair after Ted Lavender is killed while he's day dreaming of Martha, and Mary Anne going native and joining the war effectively deconstructs the entire notion of women's innocence.
- Jumping on a Grenade: Deconstructed. "Story of my life man."
- Kill the Cutie: Kiowa, Ted Lavender
- Meaningful Name: Several. Norman ("Normal") Bowker, Ted Lavender, Lt. Jimmy Cross (initials J.C.), Kiowa (name of a famous American attack helicopter), the list goes on.
- Meta Guy: Mitchell Sanders. Of all the characters in the platoon, he's the one who seems most aware of the symbolic significance of the events the platoon goes through. He tries to point it out to the other soldiers."You want my opinion, there's a definite moral here.""Moral?""You know. Moral."
- My God, What Have I Done?:
- "The Man I Killed" is all about O'Brien staring down in shock at the corpse of a Viet Cong soldier he killed with a grenade, describing his body in extreme detail as he imagines what the man's life before he died must have been like.
- There's also the young soldier who turned on his flashlight to show Kiowa a picture of his girlfriend, thus attracting mortar fire and inadvertently getting Kiowa killed. In the morning, all he can do is vainly search for the picture of his girlfriend that he lost in the mud while crying.
- Pet the Dog: Azar, when he gives the boy his chocolate bar and laments the kid's missing leg.
- Shell-Shocked Veteran: What Norman Bowker eventually becomes. He tells O'Brien that he thinks he really died in the shit field, and eventually hangs himself without even leaving a note. Or that could just be O'Brien's fabrication. It doesn't matter either way.
- Shout-Out: Mitchell Sanders' story in the chapter Spin about a guy who hooks up with a Red Cross nurse in Danang sounds an awful alot like the plot to A Farewell to Arms. The ending to Sanders version is the big difference though.
- Sociopathic Soldier: Azar's entire role as a character. Until he sees Kiowa's body after they pull it out of the shit field, after which it's revealed his cruelty is all just a facade that helps him deal with the war. Possibly one of the few idealistic moments of the book.
- Surprisingly Sudden Death: Ted Lavender, who gets shot in the head by a sniper while taking a piss, and Curt Lemon, who steps on a rigged 105 round while the platoon is on break and gets blown into Ludicrous Gibs.
- Surrealism: The entire work is a prime example of a modern Surrealist piece of literature, and is essentially what the entire "truer than the truth" concept boils down to.
- The Storyteller: Mitchell Sanders, again.
- Unreliable Narrator:
- Midway through the book the narrator admits that the entire section of book detailing Curt Lemon's death was entirely made up. He was never playing catch with Rat Kiley using smoke grenades, he didn't step on a rigged 105 round in the sunlight, and Rat Kiley never reacted that way to his death. The real Curt Lemon was killed by a sniper in a swamp some place. The narrator then notes that just because it's untrue doesn't make it any less real to the guys who saw it. Which is why it's a love story, not a war story.
- The real kicker is when you realize the story of him dying in the swamp is untrue as well. The real Curt Lemon didn't die on the Batangan Peninsula. He was never real, the book is a work of fiction. And the narrator knows it.
- The Ending Changes Everything: The book is written in such a way that many of the events that happen in the book don't fully make sense until the nature of the characters involved is also revealed. Because most of the chapters dedicated to exploring the characters are in the latter half of the book, it makes you look at the events in the first half of the book in a different light when you reread it.
- World of Symbolism: It honestly wouldn't be to ridiculous to call this one of the most heavily symbolic books ever written. The book is written in this way since O'Brien felt that a civilian could never properly understand the real experience of being a soldier without being one himself, so he instead attempted to capture the essence of the experience instead, in a way that a civilian would be able to understand. This is the reasoning behind the "truer than the truth" quote at the top of the page, and the reason it's given such a heavy focus throughout the book.