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RichardAK
topic
02:14:40 PM Mar 17th 2010
In the Fables example, the fact that Fabletown law forbids revealing Fable secrets to Mundys by does permit killing them has nothing to do with this trope. First of all, there's no dissonance: the Fables never propound any ideal that they would be violating by these laws. Also, Fabletown laws exist to protect the Fabletown community, not to serve some higher justice; they don't claim their laws are moral, only necessary. So I'm removing that example.
peppermintsheep
topic
04:10:33 PM Mar 18th 2010
Does anyone else think "Dennis the Menace" should be here? The protagonist is a child who constantly trespasses in an elderly neighbor's house, annoys the ever-loving shit out of said elderly neighbor, and even subjects elderly neighbor to physical harm/abuse, and we are supposed to side with Dennis, instead of Mr Wilson!
Earnest
05:55:41 PM Mar 18th 2010
edited by Earnest
I'm not sure it counts for this. For the mistreatment to count as Moral Dissonance, Dennis has to object to receiving the same treatment, while seeing nothing wrong with applying it to others. I've never read the strip, has this happened?

If Mr. Wilson (and others) refrain from returning the favor in kind to Dennis because of his own ethics, age difference, and Dennis not being mean spirited, then it's just a comedic set up like Comedic Sociopathy. It doesn't make Dennis any less wrong for doing what he does (or even malicious), just that those around him can't retaliate in kind. Why they put up with him is another question entirely.

On a side note, I remember in the movie that, after all the horrible things Dennis did to Mr. Wilson culminated in everybody missing the ten second(?) blooming flower, Wilson just said something stern. And somehow, we were expected to side with Dennis as the hurt party because "he didn't know better". Even as a kid, I felt more sympathy for Mr. Wilson than Dennis.

On another tangent, I think it was in a 90's issue of Mad Magazine that there was a parody of presently (for then) popular comic strips. One had "Mr. Wilson pushed too far", with Wilson dosing some milk and cookies with poison.

ading
01:12:25 PM Mar 9th 2011
You're thinking of Designated Hero. Moral Dissonance is about heroes with a Double Standard that noone notices.
TheTamborineMan
topic
07:59:04 PM Apr 16th 2010
Should we even have this page? It seems like an excuse to complain about things the heroes did that people didn't like. I move to have the examples cut.
SomeNewGuy
08:11:47 PM Apr 16th 2010
No Just No. It's a valid trope.
TheTropeEater
05:59:01 PM Jul 1st 2010
I'm in agreement with Some New Guy it is a valid and common trope, and also a sign of bad writing.
207.7.178.47
03:43:22 PM Oct 30th 2010
Is it really bad writing though if the dissonance is intentional? Like for instant if it's to show that even the heroes aren't above being dicks?
ading
01:13:23 PM Mar 9th 2011
No, it has nothing to do with things you didn't like, it's about heroes with a Double Standard noone notices.
Statalyzer
01:23:53 PM Dec 31st 2011
It's a valid trope but a lot of the examples are wrong.
MagBas
topic
10:59:06 AM Apr 29th 2010

    Advertising 

Said characters pretended have any morality? I am moving this to Designated Hero.

  • Among the themes in Howls Moving Castle is What A Senseless Waste Of Human Life on the part of Howl, contrasted by his technically being soulless; for this and his pacifist neutrality on the massive war he is considered a threat by his mentor the witch Madame Suliman. She is prosecuting the war on her side by having lesser wizards transformed into War Magicians, flying monsters who will be forever trapped in the toad-like forms, and stripping the powers of those witches or wizards who refuse. (Though admittedly, the Witch Calamity had it coming). Despite this she's a Karma Houdini by the movie's end, happily calling off the war once the missing prince is found.
    • You totally missed the point right there. She wasn't particularly happy—it was obvious that the war was basically a game to her, for whatever reason. Damn, those Howl-clones scare the hell out of This Troper still...
      • ...wasn't it the King who was gleefully pursuing the war and making use of one-way transforming wizards? Madame Sullivan was using his summons as a convenient way to snare and remove dangerous wizards from society. When the missing Prince is discovered, she has to go around the King's back to the Prime Minister to actually end the war, which she calls "foolish."

Where the Moral Dissonance?
  • Godzilla is contractually obliged to destroy at least one city per movie. However, past the first few movies the people of Earth seem to regard Godzilla as a giant guardian/friend and ignore the damage he does even when he's not trying to stop an even larger threat.
    • When Godzilla 1985 gave the series a Continuity Reboot, the whole Black And Grey Morality thing was intentionally cranked, with awesome results.
      • In the intentionally campy dub of Godzilla 2000, the annoying girl asks her scientist father why Godzilla saves them when all humans do is try to kill him. As she says this, Godzilla spins around 360 degrees, burning everything around him with his atomic breath.
        • It could be taken to mean that Godzilla considers this his world to destroy, and he simply won't tolerate other monsters stepping in on his territory.
          • Wait...what? Godzilla is destroying the city due to his hatred of humanity. He knows its human-made atomic bombs that mutated him into a radioactive abomination and so he wants revenge. It's more along the lines of a "Nobody destroys humanity except for me." when it comes to fighting other monsters. In Movie-Japan's eyes, Godzilla is the LESSER of two evils since they already know what he's capable of especially when compared to any unknown evil alien forces (IE: Ghidorah, Orga, Hedorah, etc.).
            • Likewise, in several Godzilla films (Particularly the Heisei era and a few Millennium films) in which Godzilla is more along the lines of an Anti Hero or Neutral Evil, the citizens of Japan are torn between whether they should let Godzilla live and study him (Since he "saves" them from more dangerous monsters) or outright destroy him (He does tend to smash their cities after all...and kill countless millions in the process). In the later Showa Era, in which he's regarded more as a "hero", his battles against other monsters no longer take place in major cities...but on small uninhabited islands, or in the wilderness far away from civilization.

This sounds more as Easily Forgiven.
  • In The Matrix there's the massive disregard for life in general Neo shows in the second film. Not only does he at least consider choosing Trinity's life over the life of everyone else in the world (and they tried to paint it as a selfless act of love), but that massive wave he causes in his ridiculously elaborate rush to catch her must have killed or maimed hundreds of people.
    • This is entirely in keeping with the morals and values already established by the Resistance, though. "Until they are unplugged, they are the enemy." While the heroic nature of this is debatable, it's also specifically spelled out that Neo is different from the previous Chosen Ones specifically because he's willing to make that choice.

"This is entirely in keeping with the morals and values already established by the Resistence".

  • In First Knight, Lancelot rescues Guinevere by suggesting to the nameless evil dude who's holding her that they can both rape her. "I'll hold her for you, you hold her for me." He gets the guy to turn Guinevere around to look at her, so she can stab him. Cool. Then, as they're riding away, he calls her pretty; she's offended, so he grabs and kisses her to prove that that was nothing. Then he follows her around for a while hitting on her, saying he can tell when a woman wants him, etc. This is all treated as fine, of course, because secretly she does want him back, just as his spidey senses are telling him even as she vehemently denies it. Moral of the story: If you're a "good guy" and you're horny, treat her however you want. You're entitled. It's only that other kind of guy who would ever sexually assault someone, so what you're doing must be romantic instead of totally wrong and creepy.
    • So hitting on someone excessive is morally equivalent to kidnapping her?
    • Not totally equivalent, but it's still the same mentality that you're entitled to a woman no matter how much she says she's not interested.
      • I'm surprised no-one has mentioned the kicker of this part yet; she was scheduled to be married to King Arthur (who she apparently did have some feelings for, as well as Lancelot).

  • Due to Values Dissonance, some stories of The Bible will seem like this to certain kind of modern readers, but the discussions are best left to the Bible's Apologists and Critics.
    • One story, however, does deserve mention on that (and this troper is a believer), Sodom and Gomorrah. The townsfolk of Sodom demand to have sexual relations (in essence they want to rape) two male travellers with Lot (who were previously revealed to be angels), one of the events that finally forces God's hand into destroying the town over Lot's pleas to save the citizens for the presence of a few good people within. The problem is, that Lot's response is: "I beg you, my brothers, do not do this wicked thing. I have two daughters who have never had intercourse with men. Let me bring them out to you, and you may do to them as you please." In essence he says "Don't rape these two men -- here are my virgin daughters, you can rape THEM if you leave the men alone."
      • That was after the point where the deity was going to blam Sodom; the angels were visiting specifically to warn Lot to head for the hills, and fast. Given what his virgin daughters do later, there's more than enough Values Dissonance to go around, though.
      • The same thing happens in Judges (19:22-30). In that case the man throws his concubine to the mob of Benjaminites after denying them men. They gang-rape her to death. In the morning (because apparently rapists can only rape at night) the man finds her body at his doorstep where she's obviously been clawing at the door to get back in. He cuts it into twelve pieces and sends the pieces all over Israel.
      • Don't forget that after he does so, the rest of Israel exterminate almost all of the tribe of Benjamin-then they lament the fact that there is now a missing tribe in Israel. So they kill all the men of a nearby village because they hadn't sent anyone to help with the massacre and force their wives to marry the Benjaminite survivors so that they can reproduce.
      • To be fair to the original text, this is the book of Judges; it ends the whole book with the observation that 'in those days, everyone did what was right in his eyes.' The point of the book is that Humans Are Bastards.

As noted, Values Dissonance.

  • L. E. Modesitt's Spellsong Cycle has a double example. The magic system of Erda differentiates between "Clearsong" (which lets you control inorganic matter, and can be used as a formidable weapon) and "Darksong" (which lets you control organic matter, and allows you to control human minds) - you can use the former all day long without any averse effect other than eventual fatigue, but using the latter causes the universe to slap you down. Anna, the protagonist, considers Erda to be suffering from Moral Dissonance in that punishes her for using Darksong to turn bad people into good people, but it has no objections to letting her use Clearsong to turn living people into dead people. The reader, in turn, might find some Moral Dissonance in the fact that Anna hates killing her enemies but apparently sees nothing wrong with Mind Raping them into submission...

"Kill is wrong" not conttradicts "Mind Control is okay"

71.75.238.54
11:24:31 PM Aug 21st 2010
I don't understand something. Why is Moral Dissonance considered bad writing? What if the protagonist is an Anti-Hero or a Villain Protagonist who is purposefully portrayed as being a hypocrite?
Iaculus
04:52:02 AM Aug 22nd 2010
Moral Dissonance is when the story itself portrays the protagonists' questionable actions as heroic. Any intentional examples fall squarely into They Plotted A Perfectly Good Waste.
ading
01:17:58 PM Mar 9th 2011
No, Moral Dissonance is when noone notices that the hero is a hypocrite.
MrDeath
01:43:59 PM Mar 9th 2011
You do realize you're responding to conversations that happened several months ago, right? You know, before the trope was redefined?
MagBas
topic
05:43:24 PM Apr 29th 2010

    Myth and Legend 

Ok, the gods are jerkasses. Where the Moral Dissonance?

  • Chrono Cross. At the beginning of the game you have to get three Komodo Dragon scales to make a necklace for your girlfriend. You obtain these scales by slaughtering baby Komodo Dragons (who actually do everything they can to get away from you when you try and approach them), and then their mother when she comes in to intervene. No one says anything about this.

The hero is a Silent Protagonist. How you know his morality?
  • One star in Super Mario Galaxy is received by stealing a golden shell from a swimming penguin to pass a swim test. In the words of a GameFAQs writer: "Great moral values, Nintendo!"
    • If I recall correctly, it was an item that the penguins were seeking to get an A on their swim test, so it was open competition. Then again, the penguin instructor notes that Mario isn't supposed to be taking the test anyway.
    • Not to mention another bit of Moral Dissonance, on behalf of the penguin instructor. Why has he got a power star to give away as a test reward in the first place, when those were stolen by Bowser's forces from the Comet Observatory, and why not just give it to Mario to let him... you know, save the universe?
    • Shortpacked! has something to say about that.
    • It gets worse in Super Mario Sunshine when a guy opens a Shine Sprite shop in Delfino Plaza, selling 24 Shine Sprites for 10 blue coins each, during a national crisis due to the disapparition of said Shine Sprites, source of Delfino Island's warmth and light. It is specially absurd because there are police officers around the city.
    • Even worse from Galaxy - the Good Egg Galaxy and the Melty Molten Galaxy, specifically the Dino Piranha fights. Mario cracks open a creature's egg and causes it to be born prematurely, and then beats it to death with its own tail. This troper's played through the game multiple times and still feels all sorts of wrong during that fight.

Please, when Mario complained about cheating and when said guys show any morality?

  • In Sonic Adventure 2, Sonic is supposed to be the hero, right? Then how come he breaks open a military helicopter door, uses it as a skateboard, causes an oversized truck to crash, destroys one of the military's robots, lets his "girlfriend" bail him out of jail, then escapes from jail, all the while destroying even more of the military's Mecha Mooks?
    • Because they're fascist assholes who, at one point, murdered a little girl and her grandfather just because he wouldn't build weapons of death for them? A better question is why the hell are GUN presented as HEROES in later games when they're clearly fascist scum?
    • To be fair with the truck's spectacular driving skills (running over cars and Big), I'd say that its karmic death was well deserved.
    • Besides G.U.N.'s dark side, Sonic had a rather imminent world-threatening crisis to deal with, and they weren't doing much to stop it. To count the number of precedents for this would be a page unto itself.
      • The newest games seem to handwave that GUN from SA 2 onwards had cleaned up a fair bit (The Commander probably hated Sonic because of his background with Shadow) and that it was totally fixed by the President at the true end of Shadow the Hedgehog. Whether it's an organisational heel-face turn or an ass pull is up to the player.

Please, when Sonic CARED to law or authority.
MagBas
topic
04:01:58 AM Apr 30th 2010
  • This is Cyrus we're talking about. They didn't do anything because it was exactly what he deserved.

This not changes this is Moral Dissonance.

  • Nearly deconstructed (if you can deconstruct a writing flaw) in Fate Stay Night when Archer and Shirou constantly fight about right, wrong and results. Shirou calls out Archer for being wiling to let hundreds of people fall into a coma so that they can feed an enemy... to which Archer tells him to shut up, because Caster can beat enemies they can't, and they can always take out Caster. If the war goes on for too long, the world could be destroyed. Basically, you can't save everyone, get over it.

a.He was called on this. b. This sounds as hero and anti-hero bickering, not Moral Dissonance.

  • The whole Pokemon-series is all about meeting wild animals, beating them near unconsciousness, capturing them in a small ball, then throwing them into fights with other animals. The fights consist of the animals beating, biting, scratching, burning or doing anything to make the other animal unable to fight. Wait... no, sleeping doesn't count, it has to actually be beaten to the point it doesn't stand up anymore and needs medical treatment. Oh, of course the series doesn't get tired of saying how important the owner's love for their animals is.
  • And this here is a perfect example of what people see when they don't realize that the pokemon world is vastly different from the real world. See, this entire argument that pokemon is a cruel world falls apart when you note that (and this is all Word Of God).
    • Pokemon battles are in fact a test of strength; if you can catch the wild pokemon, they will respect your ability and fight for you.
    • Inside pokeballs are habitats perfectly suited for the pokemon inside (it's flat out stated in the trophy descriptions of Super Smash Brothers, so don't even try to contest this).
    • Pokemon are made of far tougher stuff then real life animals. Burns, poisoning, and paralysis are equivalent to bloody noses and black eyes.
    • When a pokemon "faints" they only can't battle anymore, as pokemon battles require quite a bit of energy. You'll note they can still do HM moves (which involve swimming up waterfalls, pushing boulders, flying long distance, and other strenuous activities) even at 0 Hp. This is shown in the anime; when a pokemon faints, they get back up again pretty quickly. They can move and eat, but they don't have the energy to have a battle.
  • Or, they faint and quickly revive themselves, like the protagonist sometimes does when you lose a battle.
  • The questionable morality of Pokemon training was parodied in Galactic Civilizations II. One of the random events was a new craze sweeping one of your planets - a blood sport involving caging the native animals in tiny balls and then forcing them to fight. Only you can stop the cruelty! Or cynically encourage it for political gain, if you swing that way...
    • The morality of Pokemon battles is not questionable at all. Pokemon choose to battle, they don't need to be forced into it. They fight on their own in the wild as real-world animals do, and when captured, they battle purely out of respect for the trainer, who they look up to. And as stated before, Pokemon are NEVER seriously injured or pushed to near-death, contrary to what haters and overly concerned parent groups claim. They are not slaves to the trainers, and battles are most certainly not the equivalent of dog/cockfights. All Word Of God, so, again, don't even try to dispute this.
    • Word Of God doesn't automatically right broken aesops, or forbid anyone from disputing them. Just saying.
    • The thing is, Pokemon's Word Of God and the actual games themselves go out of their way to show pokemon battling as benevolent as a sport as possible. There is literally nothing in it that could qualify pokemon as being abused. And yet an insane amount of people look at this, and promptly proclaim it to be cockfighting and a horrible example for kids, with dozens upon dozens of SUPERUBERDARK fanfics being written every month. It really can tick off people who have actually played the games and read the script.
      • It's a little difficult to believe that every single non-human organism in the Pokemon world enjoys being attacked and captured by a random person and then spend the rest/most of its life fighting other Pokemon. But that excuse is probably the best if you're trying to keep Pokemon as far away from cockfighting as possible.
    • Also, these are the same Pokemon with the ability to breathe fire, summon lightning, cause earthquakes, and even more. One would think that they would easily be able to escape from a ten-year old if they really wanted to.
  • The trouble is that this is feel Hand Wave afterthought compare to what's on screen i.e. cock fights.

As noted, "the actual games themselves go out of their way to show pokemon as benevolent as a sport possible."
MagBas
topic
01:58:01 PM Apr 30th 2010
  • Mild example in Final Fantasy VI: Because he couldn't cope with his girlfriend's death, Locke has had her body perfectly preserved by the creepiest embalmer in video game history, keeps it hidden in a basement, and has been visiting it for years while looking for a way to revive her. The game presents this little fact positively and Locke as a noble, tragic, romantic hero. A very large proportion of gamers are left astonished that Locke isn't shunned by the rest of the party and wishing that dead people could take out a restraining order.

Where the Moral Dissonance?

  • Likewise, in the final episode/move special, Vlad (after blaming Jack for turning him accidentally into a half-ghost and his love/lust for Maddie to the point where he's willing to kill Jack to get her) is unable to stop the asteroid (It's made of anti-ghost matter... do the math) and begs Jack to let him back onto the ship. Jack then refuses, and leaves Vlad to die alone in space. Uh, Jack, you're supposed to be the good guy, remember? Yes, Vlad is a crazed villain, but what you did to him was essentially MURDER!

Sounds perfectaly fine by Jack moral rethoric.
Keredis
topic
06:33:33 AM May 6th 2010
There's a fair bit of natter in the part about the Mouth of Sauron. I'm thinking we should cut some (read: all) of it, in part because as long as it's there I'm really tempted to respond to it, which would just be more natter.
MagBas
topic
03:35:26 PM Jun 2nd 2010
  • Another Pokemon example: In the Gamecube games, you play a trainer who goes around stealing Pokemon from the villains in order to free them from a Hate Plague. Most of these Pokemmon were stolen to begin with. Problem? YOU NEVER GIVE THEM BACK! While you do manage to rescue the pokemon from a life of abuse and bloodlust, you never really finish the job. It's still theft, even if you steal from a thief! The sequel tries to lighten this up by having the villains steal from a ship rather than from countless individual trainers. Though, considering the canon of the series, this poses it's own problems...
    • This is made blatant in Gale of Darkness, where in Gateon you can find a regular guy who asks if you want to battle and is one of the few optional battles in the game when looking for Shadow Pokemon. When you capture his Pokemon, he thinks it's a magic trick that made it look like you stole his Pokemon. If you talk to him later, he's depressed as he's been spending his time looking for the Ledyba you captured, as it was a gift from a friend. At no point in the game are you allowed to give back his Ledyba or at least tell him it was a Shadow Pokemon that needed to be purified. Way to go, PLAYERNAME.
    • XD corrects the first game (but not its self) by having recurring trainers use purified versions of their Shadow Pokemon from the first game.
    • Somewhat justified in most cases, seeing as most of the Trainers are either mebmers of Cipher/Team Snagem, or Mooks that received them from Cipher. The point? You don't know who the original Trainer was! Even the Ledyba example could count, if his friend was a member of Cipher!

The Pokemon Colosseum hero IS a thief. He was a member of Team Snagem before discover said Hate Plague.
144.132.133.242
topic
08:04:18 AM Jun 29th 2010
edited by 144.132.133.242
""Princess is a Danish animated film about a missionary who goes on a Punisher-style rampage after his famous porn-star sister dies and her studio continues to exploit her image. Aside from the obvious dissonance of the premise, much of the story focuses on him tenderly caring for his sister's young daughter, Mia, who has suffered emotional and mental damage because of her exposure to the porn industry. When he finds out that one reason Mia is so damaged is because her mother's manager molested her, he takes her to the man's house, has her watch as he beats him to a bloody pulp, and then hands her a crowbar which she takes first to the man's crotch, then to his head. Did I mention that she's about five? Way to fix her psychological issues, guy.""

Not seeing the dissonance here, the man has all ready gone on a murder spree. Forcing a child to take bloody revenge would be a heroic not traumatizing in his world view.
KSonik
topic
10:24:47 AM Aug 1st 2010
edited by KSonik
A lot of the examples that i deleted don't fit this trope. This is supposed to be about a hero doing something that goes against what she/he believes in, not just about a protagonist doing something evil and is not called out for it. It says so on the main page.

"Moral Dissonance is the result of having a hero who has a double standard and no one notices. It can include pretty much any unintentional Double Standard on the hero's part that becomes obvious to the viewer during a walk to the fridge. It's important to point out the hero isn't acting the Jerkass, Anti Hero, or morally myopic villain, and may in fact be likable and decent, but their actions simply don't line up with their rhetoric and no one calls them on it."
SomeGuy
04:55:34 PM Aug 1st 2010
You were too nice. I nuked everything in here with a Justifying Edit.
SomeNewGuy
05:59:58 PM Aug 1st 2010
Wow. You eviscerated a trope that is, by its very nature, subjective, and the only justification you give is that they had justifying edits? Real nice...
SomeNewGuy
08:45:21 AM Aug 6th 2010
You know what, fuck it. I'm undoing the damage. Justifying Edit is NOT a valid excuse to eviscerate a page.
KSonik
02:18:08 PM Aug 6th 2010
edited by KSonik
And i once again removed some entries that didn't fit the trope. The page description clearly states that this trope is about a hero commiting a double standard and no one noticing
k9feline3
03:01:35 PM Aug 6th 2010
I'm restoring my entry on Doctor Who and Harriet Jones. Because even by kSonik's strict, rigid, narrow, ultra-inflexible definition of this trope, my entry still managed to fit into it exactly. The Doctor deposes Harriet Jones because she committed mass murder against a hostile alien species, then the Doctor goes around committing mass murder against hostile alien species. The Doctor has stated time and again that we can't alter major historical events, and then here alters a major historical event, cutting short what was supposed to be a long successful priemership, and the Earth is much worse off because of it. That's 2 Double Standards and he's never been called out on it. I see no good reason why this was deleted in the first place.
NolanJBurke
07:13:53 AM Aug 19th 2010
Good Christ, what is happening to TV Tropes?

Okay, so basically, this trope covers the same base as Double Standard, only it's even more narrow? There's no sort of trope for "a protagonist doing something evil and is not called out for it"? Despite the fact that there are NUMEROUS examples of this in fiction? Oh, super. Super. Goodbye, TV Tropes.
joeyjojo
07:12:29 PM Sep 9th 2010
edited by joeyjojo
keep in mind that jones wiped out aliens that were surrendered and were retreating which the doctor doesn't do. while she makes an extremely sensible augment for her actions she had there is a difference with her actions to those of the doctor.

ading
01:29:22 PM Mar 9th 2011
"strict, narrow, rigid, ultra-inflexible definition"? It's the definition on the page.
ading
06:43:24 AM Mar 10th 2011
edited by ading
Nolan J Burke, if you want there to be a trope we don't have, then take it to YKTTW, don't just complain about how we don't have it and how another trope should be that trope.
KilgoreTrout
topic
08:37:28 PM Aug 11th 2010
edited by KilgoreTrout
EDIT: I originally wrote a whole thing here asking whether this trope could apply to villains and giving an example, and then looked at the earlier discussion and saw somebody had already specified that it was about when HEROES act this way.

Is there a similar trope for villains?
Peteman
08:49:43 PM Aug 11th 2010
edited by Peteman
Moral Dissonance is about a character who is supposed to be perceived as being a good or at least relatively moral character doing something that you would think such a high minded character wouldn't do. A complete bastard is kind of exempt from this trope if only because his morality is so far off the deep end that it wouldn't be surprising that hypocrisy is one of his sins.

In other words, Moral Dissonance is about audience perceived hypocrisy, which does not apply because he already is a hypocrite.

Edit: damn, edit ninja'd
ading
01:30:29 PM Mar 9th 2011
edited by ading
NO, Moral Dissonance is when the hero has a Double Standard which noone notices.

Edit: what does edit ninja'd mean?
ading
04:32:17 AM Aug 7th 2011
joeyjojo
topic
06:37:18 PM Sep 9th 2010
edited by joeyjojo
In the Star Trek: Deep Space Nine episode "A Man Alone" it is explictly stated that killing a clone, including one's own, is treated like any other murder. Contrast this with the Star Trek The Next Generation episode "Up the Long Ladder" (intended as An Aesop about abortion) in which Riker apparently feels perfectly justified in killing two clones of himself and Doctor Pulaski.

to extend the (possibly unintended) abortion metaphor, they nothing to suggest that the clones that Riker killed was activated or 'out of the womb', while the clone on "A Man Alone" was walking, talking and clearly had 'personhood'. while YMMY clearly applies with this, there is a difference between the two
KSonik
topic
04:11:26 AM Oct 8th 2010
edited by KSonik
Removed the following
  • How much of the Sword Of Truth series' protagonists engage in this is open to debate, but one instance even most fans will agree on is the climax of Naked Empire. Richard and his recruited army are ready to attack the Imperial Order troops. Except said troops are being guarded by ridiculously pacifistic villagers, who consider all violence to be wrong and see Richard as simply warmongering. Richard's solution, as he's under something of a time restraint, is to charge through the villagers. Rather than justify it as a regrettable but necessary action, the narration portrays it as absolutely right and moral.

Unless they are committing a double standard (the hero, not the narrator), it is not this trope.
Iaculus
04:17:54 AM Oct 8th 2010
I think the dealio was that the villains were primarily characterised as doing deeply nasty things to noncombatants for very flimsy reasons, which is a good chunk of what makes them evil. That's where the Double Standard starts to kick in.

Example is valid, but probably needs rewording from someone with a greater knowledge of the series than I.
KSonik
06:24:54 AM Oct 8th 2010
But it has to be an double standard on the hero's part. Sure if he condemns the kind of acts he would do it would be Moral Dissonance.
Iaculus
07:23:05 PM Oct 8th 2010
That was what I was attempting to convey. From his perspective, The Empire slaughtering civvies is evil. Him mowing down pacifist protesters isn't.
75.21.145.78
topic
01:13:43 AM Nov 6th 2010
Shouldn't the Twilight example be removed? If the example given was true to the books, it would indeed be Moral Dissonance... but whomever wrote it seems to have forgotten that the only people-eating vampires were the main villains, not "friends from out of town"—unless you consider the guy who goes on a murderous quest across the country in order to eat your girlfriend a "friend."
Vasha
topic
12:10:38 AM Nov 13th 2010
Man, there sure is a lot of disagreement as to what belongs on this page. Seems to me that it's necessarily subjective because it's a trope about a writing fault — it's about a writer intending one moral standard but not applying it equally to all characters, or not thinking through the implications of their plot; so in order to say that the writer didn't consistently follow their own intentions, you have to figure out what those intentions were. Besides the difficulty of this mind-reading, there could legitimately be disagreement over how badly the writer messed up.

So this should perhaps go in the category of Subjective Tropes.
KSonik
03:56:20 PM Nov 13th 2010
No no no.. the point of the trope isn't about the author being an hypocrite but it's about an hero commiting an double standard and no one is calling him out for it.
Dagobitus
05:13:06 AM Nov 26th 2010
It is so the Author being a hypocrite. If the author wants us to admire the Hero's good acts and despise his evil acts, or even accept that his evil acts were necessary but regretable, then the author writes it that way.

This trope is when the Hero does evil and the writer wants the Audience to admire the Hero for doing evil because it is not evil when the hero does it.
KSonik
05:59:46 AM Nov 26th 2010
You haven't read the trope description as it doesn't say anything about that. It specifically defines moral dissonance as when an Hero commits an Double Standard and nobody notices
Jerrik
11:17:24 AM Nov 26th 2010
Indeed. Moral Dissonance can be boiled down to three criteria.

1. A character holds a moral belief (for example, that slavery is wrong).

2. The character does something that goes against the moral belief (for example, uses slaves).

3. No one notices that the character has gone against the moral belief (No one says What The Hell Hero, there is no I Did What I Had To Do moment, it's simply not acknowledged).

The common mistake lots of people seem to make with the trope is that they ignore the first criteria. Instead, they'll think "If a character does anything that I think is wrong, that's Moral Dissonance." That is why the trope keeps gathering bad examples. The page isn't subjective, it's just a victim of Trope Decay.
Iaculus
01:20:36 PM Nov 26th 2010
The subjectivity, though, can turn up in differing interpretations of whether they crossed the line they set up for themselves, and how badly.
Vasha
07:51:01 PM Nov 26th 2010
Jerrik's explanation makes a lot of sense. But noticing that kind of thing takes an alert and thoughtful reader/viewer. No wonder bad examples accumulate; subtlety tends to be in short supply among internet commenters.
Jerrik
08:23:32 PM Nov 26th 2010
^ Indeed. The page probably needs someone to look after it.

^^ I suppose there could be some subjectivity about whether or not a character's actions crossed the line. But my point was that we don't really need to try and guess what the author's intentions were, or try and evaluate how 'good' or 'evil' something is, because that isn't what the trope is about. All we need to do is see how well a character's actions line up with their beliefs, which is much easier to judge just by looking at evidence from the work in question.
SomeNewGuy
topic
01:44:29 PM Dec 13th 2010
Hey, remember when this page had a lot of perfectly valid examples and wasn't lobotomized by Stop Having Fun Guys?
KSonik
02:55:53 AM Dec 14th 2010
edited by KSonik
I suppose they must have been removed due to them not fitting the definition.
joeyjojo
topic
02:52:33 AM Jan 3rd 2011
Boiler Room. In the end, Seth convinces Chris to do "do one thing right" and sign a ticket sale making one schmuck client good by stealing from another anonymous buyer on the market.

If I remember rightly didn't he just refund his money? I don't remember him having to screw over anyone else to do it
Vasha
topic
04:25:47 AM Jan 30th 2011
The Star Wars example doesn't seem to fit because it's an example of inconsistent values of an entire group — though no doubt many of the individual characters also suffer from moral dissonance, it doesn't say so. Plus, many Jedi are aware of the inconsistency. Delete?
MrDeath
topic
08:27:04 AM Mar 19th 2011
From the edit reasons
As before, Three criteria for the trope are: 1. A character holds a moral belief (for example, using Bloodbending is a despicable and vile thing to do, no matter what, ever). 2. The character does something that goes against the moral belief (for example, Katara uses Bloodbending because she's mad). 3. No one notices that the character has gone against the moral belief (No one says What The Hell Hero, there is no I Did What I Had To Do moment, it's simply not acknowledged). You insist that it isn't an example, but it meets the three discussed whatchacallems perfectly. Maybe Katara learned a lesson about vengeance,. Good for her. But she still used Bloodbending which diud not cease to be evil and bad and not nice for the purposes of her wanting revenge. The ends do not justify the means. I don;t know why you're so set on Katara not being guilty of but you've got no ground to stand on. Criteria match, a lack of acknowledgement of fault, a very poor attempt to justify it that just leads to Fridge Logic that further enhances guilt. There's no possible way it could be MORE blatantly Moral Dissonance.

I think the issue here is you're seeing Bloodbending as an entirely separate issue from her revenge, while we're looking at it as just part of her revenge. The revenge itself is the larger issue, and the Bloodbending is a tool of that. This addresses the first two points, in that she's clearly only using Bloodbending not just "because she's mad," but because she's in a murderous rage, which is way beyond "she's mad." She's already willing to kill someone in cold blood, which I think trumps her using Bloodbending itself. That was the whole point of the episode: Her mother's murder affected her so much that she's willing to kill over it when she previously wasn't. Bloodbending is just a subset of that.

On the third point, only one person actually saw her use Bloodbending in the episode, and that was Zuko. The others weren't there, and I doubt she told them she used it. Zuko wasn't around when she learned it, so he doesn't know about how she felt about it when Hama taught it to her, so he can't comment. The only reaction we do see is him going wide-eyed, probably in the sense of "Holy shit, that's what she meant three episodes ago when she said she'd kill me."

Another crucial point that the entry as it stands seems to ignore: She didn't kill the guy. The second she realized it wasn't the guy she was looking for, she immediately stopped Bloodbending and left. Saying "Hama's life was more important than the nameless mook's" completely ignores that she didn't kill him.
Anaheyla
09:58:58 AM Mar 19th 2011
edited by Anaheyla
So what you're saying is, Katara used Bloodbending, wasn't called on it, never acknowledged it in any way and the attempts to justify it just lead to Fridge Logic that enforces guilt thus making it a clear case of Moral Dissonance and you admit to being wrong in your attempts to prove otherwise.

You're trying to claim that the fact that Katara didn't kill the leader of the Southern Raiders, who I shall henceforth refer to as Bob, automatically absolves her of any guilt.

You think that acknowledging that she shouldn't take revenge(which she actually didn't, all she did was question whether she was weak or strong for not doing so) suddenly makes bloodbending totally okay to use. You think that because she didn't kill anyone, it's okay that she used bloodbending which was Ultimate Evil and anyone who uses it is a Complete Monster unless your name is Katara in which case, you're just a woobie and totally misunderstood and how dare anyone critisize you, who is the definition of perfection in the Avatar universe that the laws of morality magically cease to exist when you're angry.

When Katara used bloodbending on Hama she broke down in tears because of how horrible the experience was.

When Katara use bloodbending on Steve the Mook she was disappointed that he wasn't Bob.

But of course, Katara was angry. Not just angry, but REALLY angry, so that totally makes it okay. I'm angry that you're trying to defend Katara when she's plainly guilty (honestly, you're as bad as the Sasuke fans trying to argue that he isn't a Complete Monster). If I were to go outside and kill someone right now, would you speak up in my defense and claim it was okay for me to kill someone because I was angry? All right, the situation doesn't match, because Katara didn't kill anyone. So let's say I physically restrain that random person and torture him nearly to death(not completely to death, just nearly to death), that would be totally justified because hey, I'm angry. Right? Right? Of course not.

As you've so helpfully pointed out, we have seperate issues here. Katara being willing to kill someone. That's one. Katara using bloodbending. That's two. Katara wanting revenge. That's three.

Let's hypothesize on some fictional alternate universe where Katara did admit that she was wrong to seek revenge. That still leaves attempted murder and bloodbending. Let's say for shits and giggles that the attempted murder doesn't necessarily conflict with Katara's moral code, because she threatened to kill Zuko over a far more trivial offense and I'm sure she's contributed to the deaths of many a Fire Nation mook with nary a tear shed.

What do you know, that still leaves the matter of bloodbending. Imagine that.

So what do we have here. We have bloodbending set up as the worst evil imaginable circa 2007. Season 3, episode 8. That's 1.

We have Katara doing something explicitly against her moral code because she was REALLY angry at Bob a mere eight episodes later, my how time flies. That's 2.

We also have Katara not in any way, shape or form acknowledging that she did so. That's 3.

I've consulted a panel of peers who I know from experience aren't blithering idiots.

Survey says? DINGDINGDINGDINGDING. Moral Dissonance. My oh my, what an astounding coincidence. I'm positively shocked that this conclusion could possibly have been reached. Never in a million years could I EVER have imagined that this might be viewed as Moral Dissonance. Alas, our dreams of a Katara who is viewed as the perfect image of perfection that she so plainly is have been shattered like so much glass. (incidentally, I've gone on record as saying that sarcasm works best when it's less heavy handed, but some situations just beg for a bit of over-the-top-ness)

I don't know why you've got such a hardon for trying to prove Katara innocent, but your Chewbacca Defense holds no water.

P.S. I will concede that the bit about Hama and the Fire Nation soldier's lives, because that implies that death was involved. Hence, I have made the necessary adjustment to the enry.
SomeNewGuy
10:58:26 AM Mar 19th 2011
You know, you don't have to be so rude about this. :/
MrDeath
05:38:49 PM Mar 19th 2011
As Some New Guy said, try not being a dick about how you're arguing. I brought it to the Discussion page so that we could have a discussion about it, not so you could be a condescending douchebag about it.

Now, that said, you're exaggerating the importance of Bloodbending in this issue, and trivializing Katara's feelings so you can imply she's using it for trivial reasons when that's clearly not what the episode is telling us.

I'm not saying Bloodbending was okay just because she didn't kill, nor am I saying that she's "absolved of any guilt" because she didn't kill the guy. What I'm saying is that Bloodbending is included as part of the revenge thing. "Katara being willing to kill," "Katara using Bloodbending" and "Katara going for revenge" are not three separate issues, they're all the same issue driven by her revenge, specifically they're the methods she employs in that revenge.

Calling it "the worst evil imaginable" is a gross exaggeration. Yes, it's a bad thing, but even within the context of the series, it's not the "worst evil imaginable." Nightmare Fuel definitely, but you're trying to stack the deck for your argument.

"REALLY angry" doesn't cover her feelings. Yon Rha (He has a name, even if you weren't paying enough attention to see it) didn't cut her off in traffic. He brutally murdered the girl's mother with fire. You're trying to make it sound like she decided to use Bloodbending for trivial reasons, when she's using it to confront the person she thinks murdered her mother in cold blood. I don't think you can downplay how enraged that can make a person. Katara was acting out of character: That was the point of the episode, that Revenge was turning her into something she wasn't.

It may not include someone saying, "You know, Katara, Bloodbending was wrong." "You're right, Sokka, I didn't realize it before!" because Avatar is, generally speaking, much more subtle about that sort of thing. It was covered in the theme of the episode, and the show respects its audience enough that it doesn't have to beat everything into its head. She spends the episode's denouement dealing with her revenge and how that made her feel; just because she doesn't specifically mention, "Oh, and I bloodbended, and I feel bad about that :(" doesn't mean it's not included.

Bloodbending is part of that, not a separate issue. She is called out for the revenge, by Aang and Sokka. The Revenge is the driving motivation, and the trying to kill and bloodbend is included in that.

And she didn't threaten to kill Zuko for "a far more trivial offense," unless you're trying to say that she considers killing the guy she loves who also happens to be the one hope to save the world a "trivial offense."

So, in conclusion, yes, Bloodbending bad. But, it's not ignored because it's part of the revenge plot of the episode.

Now, please, if you're going to reply, please don't do it as an arrogant dick.
Anaheyla
12:04:37 PM Mar 29th 2011
edited by Anaheyla
Bloodbending isn't so much a part of the revenge thing as a result of it. She wanted revenge and because she was really angry that Bob kidnapped/murdered her mother, (I don't remember him killing her, but I can't find the episode online to check, so I assume you're right on this point) she used Bloodbending. You can admit fault for the cause while still being guilty of the effect. Katara didn't even do that, all she did was wonder whether she was weak or strong for not killing Bob. Also "brutally murdered" seems like an exaggeration to me. It brings to mind Ludicrous Gibs and such-like.

There's subtle and then there's not admitting fault. Avatar may not be South Park where at the end of every episode someone says "I've learned something today." but if that's the former and not the latter, I'm Mary Queen of Scots. Revenge and Bloodbending are tied together, but they're still two issues.

I'm not saying that Katara's feelings are trivial, but it was definitely no crime of passion. She had like ten years or whatever to think about it and plenty of time to plan what she was going to do and Katara is still guilty of using bloodbending which, while it may not be OMGZORZWTFEEEVIIIL!!!! is still a terrible crime and still went totally unaccounted for.

As for whether Zuko's attempts to kill Aang were minor or not, that doesn't really matter, because it's not a matter of scale, it's just an establishment of Katara being willing to kill when she feels it necessary(though I suspect that Katara's definition of "necessary" is fairly deviant).

So in conclusion, the lesson we can take away is, revenge is always bad, but Bloodbending is only bad when Katara, the series' center of morality, isn't the one using it.

But of course, in keeping with your remarkable similarity to Team Sasuke, you'll never admit that Katara is actually applicable to the given trope and I'll eventually give up out of sheer frustration, proving once again that the truth is meaningless when your opponent is more stubborn and/or more numerous than you.

P.S. This is totally unrelated, but I'm freezing my ass off. It shouldn't be so cold in the middle of Spring. I choose to blame Katara for this as well. Another count of Moral Dissonance on her part!!!
MrDeath
01:17:16 PM May 12th 2011
Sorry it took so long for me to get back to this, I kinda sorta forgot about it.

Anyway...Part of the revenge, result of the revenge, either way, it's subordinate to the revenge. The revenge takes precedence over the tool used for the revenge, so the revenge itself is what she angsts over, and what the episode focuses on. The series has already dealt with how she feels about Bloodbending, and here it's used to illustrate just how much she's acting out of character.

Saying "it's only bad when Katara isn't the one using it" completely ignores the context. You're acting like she used it offhandedly for some trivial thing when the context of the episode makes it clear that this is something she's only doing because she's letting her drive for revenge, to kill in cold blood, get the better of her.

Consider this: When Appa's missing, and one of the vulture bees grabs Momo, Aang, a dedicated, professed pacifist, attacks it in anger (possibly killing it—it happens in the distance and it's not followed up on, so we can't tell one way or the other). This is after he's saved Momo, and while the vulturebee is running away—there's no motive aside from revenge and his own anger.

Does the episode stop and have Aang go over how it was wrong to strike a fleeing animal in anger? Do the rest of the Gaang chew him out over it? No, and no, because there, exactly as here, the totally out of character action is used to show, not tell the audience the extent of the character's anger.

That's what I mean by subtlety. The show presents the characters doing something out of character, against their expressed moral attitudes, to illustrate how far off the reservation they've gone. There's no need for the episode to halt itself to tell you that what she did is wrong because it's implicit and the show trusts its audience enough to get that. The characters know it's wrong, the audience knows it's wrong, so there's no need to stand around talking about it.

Lastly, I don't even know what Team Sasuke is, so please don't try to shoehorn me with some fanatical fan group just because I disagree with you on this trope. Let's stick to the discussion at hand and keep from name calling, because with the sarcasm and dislike I'm getting from your posts, I could easily just dismiss you as some rabid anti-Katara person.
Peteman
topic
01:49:10 PM Apr 1st 2011
Re: clones of Riker and Pulaski:

As I recall, the clones were to early in their development to have any mental activity. It's, in a sense, an abortion debate.
azul120
topic
11:20:29 PM Apr 22nd 2011
Could this trope be considered a sub trope of Hypocrite?
ading
04:37:50 AM Aug 7th 2011
I don't see why not.
Statalyzer
topic
01:24:29 PM Dec 31st 2011
Should we remove the Star Wars clones example from under "Films"? It seems very dependent on a bunch of stuff that never appears in the films.
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