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I'm gonna fingerbang-bang you into my life! Girl, you like to fingerbang and it's alright!
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  • Chef’s signature song: "I’m Gonna Make Love To You, Woman". It may be short, but the passionate vocals just SCREAM sex.
  • Timmy and the Lords of the Underworld, proving you can make a kickass metal tune when all you can say is your name.
  • "Loo loo loo, I got some apples..." An adorable song that fits Butters' cheery personality. He also dances to "I've got something in my front pocket for you", which is hilariously dirty.
    Give it a little squeeze and say "how d'ya do?"...
  • "Let's Fighting Love" from "Good Times with Weapons". With its soaring guitar riffs, backed by an overly enthusiastic Japanese vocalistnote , the song could easily be mistaken for a serious anime theme (vulgarities and Gratuitous English aside). Doubles as a Funny Moment if you can actually understand the lyrics.note 
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  • The Cartman cover of "Poker Face". Cartman really sings his soul out here.
  • "Push (Feelin' Good on a Wednesday)" (aka "Ya ya ya, I am Lorde"). Has a catchy beat, sounds like an authentic Lorde song, and the song actually sounds like a call for acceptance of who one is and a defiance of others' disapproval.
  • The Circle of Poo. It sounds like some joke parody of "Circle of Life", but it sounds so fucking glorious. Especially Cornwallis' singing voice near the end.
  • Wendy's naughtier version of the Miss Susie song. This marked the first time they were able to use "shit" and "cunt" uncensored.
  • "Queef Free", where all the males in South Park feel remorse for being disgusted by women queefing yet finding men farting funny, and to show the women their remorse, sing the awesome message that it's OK for women to queef.
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  • "Boogers and Cum" became an instant hit overnight and gained a hashtag on Twitter in mere minutes.
  • "Put It Down" starts off with a great piano piece before seguing into an awesome inspirational ballad encouraging people to stay off their phones if they become President. Even Cartman crashing the performance with his rap is catchy and adds to its awesomeness. The Japanese dub sounds impressively close to the original.
  • From the same episode, "Give Life a Try." A surprisingly catchy rap song in the style of Logic in which Cartman raps about wanting to kill himself because he thinks his girlfriend Heidi is abusive.
  • From "Hummels & Heroin", we have "Locked Up In Here", an aggressive trap/hardcore rap song featuring Atlanta rapper Killer Mike, talking about everyday life in a retirement house and comparing it to a straight-up prison.
  • From "Bike Parade", we have the appropriately named "The Bike Parade", a bluegrass country song that's played to celebrate both the kids finally able to participate in the event and for driving Jeff Bezos out of South Park and freeing everyone from his Amazon Fulfillment takeover plan by getting high on Randy's Tegrity Weed.
  • The Somalian Pirate Song from "Fatbeard" is a joyous and hilarious sea-shanty.
  • The Orchestral Rendition of the theme song is delightfully upbeat, with cheerful vocals fitting their 25th anniversary. There are also orchestral versions of "Chef's Chocolate Salty Balls", "Kyle's Mom", "Sam Diego", and "Gay Fish".
  • "We missed you Randy" perfectly captures the sense of hitting rock bottom and seeking redemption that Randy Marsh desperately needed in that moment.

South Park's 25th Anniversary Concert

  • Matt and Trey were able to get both Primus and Ween to perform with them. And then Rush appears out of nowhere to perform "Closer to the Heart". The performance is 100% genuine with absolutely no crude humor to be made.
  • The opening song is a somber rendition of "Unclefucker" from the movie. During the instrumental accompnaiment, the stage screen shows a montage of all the farts, shits and sharts that appeared on the cartoon over the years.
  • Trey and Matt do several songs in the boys' voices, such as the two versions of the opening theme with Les Claypool, the Butters song, "My Robot Friend" and "Kyle's Mom's a Bitch".
  • And for the encore, they perform "America, Fuck Yeah!" intercut with Neil Diamond's "America" song, with Primus and Ween getting in on it.

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