Little Boy: (serving coffee) Cream?Just like European men and (south-)east Asian women can't get enough of each other, and Gentile guys and Jewish chicks go gaga over one another (or Jewish guys and Gentile chicks), so do black men and white women. According to media, anyway. Though it's no big deal in most of the world, there are still some parts - e.g. South Africa, the USA - where black-white ethnic relations are troubled and this trope actually comes into play. In Real Life, black man/white woman couples are pretty common and there are a variety of views on what this kind of relationship should or does entail. White man/black woman pairs don't get as much attention (positive or negative) perhaps because they are less common, at least in America, though the gap appears to be narrowing. South Africa and The USA have had a serious Double Standard when it comes to this gender divide, as a direct consequence of Apartheid and the USA's Jim Crow laws (and slavery before that): many white men had black slave-mistresses, and this practice was generally accepted or at least tolerated. The reverse-gendered version, of a free woman loving a male slave, could result in death for the (African) slave and the public shaming (and possible death) of the free woman. When slavery gave way to Jim Crow and Apartheid, this bias remained - the chief difference being that before Apartheid, a white-woman-black-man couple would be lynched by the authorities whereas during apartheid they would instead be lynched by family/friends/neighbors whom the authorities couldn't be bothered to prosecute for murder. Nobody lynches anyone anymore for interracial sexual relationships, obviously. Yet many of the USA's black women have to contend with the puzzling stereotype that they are all angry, unattractive man-haters - to the point that the news media actually run stories about why unmarried black women are unmarried. Please note that just like this trope's white/Asian counterpart, not every black/white romance falls under this trope. If the lovers just happen to be interracial and nobody makes a big deal out of it, then it is simply a mundane relationship. Only when it is seen as a controversial mixed marriage and/or one of the lovers expresses an extra attraction to their partner's skin tone is the trope in effect. The Trope Namer comes from Blazing Saddles. It's also worth noting that the affection isn't one-sided in the least. There are plenty of white women on the prowl, wondering if what they've heard is true. This trope was commonly nicknamed Jungle Fever, until Spike Lee made a film deconstructing the term. Contrast Like Goes with Like. The gender inverted version of this trope is Black Gal on White Guy Drama. Also, any discussion of this trope is likely to bring up Black Is Bigger in Bed. Also tends to be used in Dating What Daddy Hates.
Little Girl: No thank you, I take it black. Like my men.
Little Girl: No thank you, I take it black. Like my men.
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- Some controversy was aimed at a Cheerios ad that featured the cute daughter of an interracial couple.
- In a series of ads for Arnott's "Tim-Tams" chocolate biscuits, a guy and girl stumble upon a magic lamp, releasing a genie who grants them Three Wishes. When Arnott's brought out Tim-Tams in dark chocolate, the genie took the form of a handsome black man who eyes the girl suggestively after the first two wishes lead to her boyfriend disappearing with a hot blonde. He's rather disappointed when she wishes for a pack of never-ending Tim-Tams instead.
- Played with in Quantum and Woody, with Eric's (who's black) longtime unrequited love for Amy Fishbein. His best friend Woody repeatedly warns him that her white suburban Jewish family would strongly oppose such a relationship.
- In The Boondocks, there's an interracial married couple, Tom and Sarah DuBois, who struggle with this issue. Also see the Western Animation example below.
- Averted in Archie Comics with a dash of Unfortunate Implications; writer Matt Wayne tried to introduce a black love interest for Betty so that she could also have her own love triangle. Since he was portrayed as The Ace, the editor vetoed it and had him changed to be a white character. In another instance, writers got to vote on a new love interest for Cheryl Blossom. The black character won out, but when the "results comic" was finally released, the character had much paler skin than he was originally designed with.
- Played with in The Pulse, when a black nurse gives the white Jessica Jones crap about having a black boyfriend. Luke Cage later gets this from the new Power Man.
- Remember the Titans: When segregation is lifted and the black students arrive at a previously all-white high school, one of the black male characters eyes his new white female classmates and comments that "They sure do have pretty women around here."
- A deleted scene in American History X features an interracial couple being harassed by two of the bad guys. The black guy manages to keep his cool and delivers insults that actually sting the villains.
- The 1967 film Guess Who's Coming to Dinner starring Katharine Hepburn and Sidney Poitier, about a young white woman surprising her family and friends by becoming engaged to a black man. The movie was one of the first films to touch on the subject of interracial marriage seriously. All anti-interracial marriage laws were deemed unconstitutional only six months to the day that this movie came out. In a surprise bit of Values Dissonance, there's another reason to object to the marriage: Poitier's character is at least fifteen years older than Hepburn's daughter, plus they've only met several weeks earlier. The writers intentionally made Poitier's character as perfect as possible so that there would be no reason for anyone to object to the marriage other than the racial difference, as well as the other two mentioned.
- Another Poitier film, A Patch Of Blue, has his character befriending and then falling in love with a blind white teenager.
- Yet another of Poitier's movies, To Sir, with Love, has a biracial student who hates his black father for marrying his white mother, as he considers it the worst thing he could have done to her (The town is shown to be pretty racist, to the point where the class of white students Poitier's character teaches don't want to personally enter the house to deliver a memorial wreath when the mother dies, since a white person going into a black man's house would create immense gossip.). Poitier himself seems to have feelings for a fellow (white) teacher, but the racial aspect of their relationship is downplayed. Subverted with Pamela Dare's attempt to win his affections, as he has no romantic feelings for her, but instead cares for her as a friend and student.
- Spike Lee
- The main couple in Jungle Fever, a black man and a white woman, face discrimination and resentment from almost everyone, especially family members. Unfortunate Implications also come into play, since the man was already married and cheated on his wife.
- Also covered extensively in Malcolm X. Malcolm is required to give up white women as a stipulation of his religion; before his conversion, he'd dated several.
- One of the better chick flicks Save The Last Dance is about a young white girl moving to the inner city and falling in love with a black youth with a bright future. A black female character criticizes her for this and says she hates how white girls always snatch up the good black men, leaving black girls with the black men that are criminals and gang members.
- Dance Flick parodies Save The Lance Dance, including the interracial romance subplot. But, it's also deconstructed and the movie declares this a Discredited Trope. The female lead, Megan White, at one point believes her black boyfriend, Thomas, is cheating on her. Thomas's stereotypically-ghetto sister says that she isn't surprised, because white women are out of style with Black men these days and other ethnicities such as Hispanic, Asian, and Arabian women, have appeared as competition.
- Ordell and Melanie from Jackie Brown. Ordell even admits that this is her main appeal, despite being a pain in the ass. In fact, Quentin Tarantino is probably one of the only mainstream filmmakers that frequently feature interracial couples. For examples of this particular trope:
- Mr. White mentions a previous relationship with a younger black girl.
- Marcellus & Mia Wallace in Pulp Fiction appear to be happily married.
- Jimmy's wife, Bonnie (despite only being seen for a matter of seconds) is black.
- The above-mentioned Ordelle & Melanie.
- What about the aforementioned Jackie Brown and Max (though nothing actually happens) ?
- Inglourious Basterds has Shosanna in a relationship with Marcel.
- Trent in Shock Corridor, the self-proclaimed black Klansman, mentions this twice in his hate speeches.
- This is played for laughs in Undercover Brother. Sistah Girl informs the team that the Undercover Brother has slept with Penelope Snow, AKA White She-Devil, aka Black Man's Kryptonite. Conspiracy Brother asks "Was it everything I dreamed of?" and "She had pink nipples, didn't she?" and Da Chief asks "Carpet match the drapes?" However, having sex with him eventually turns her over to their side, since she rather enjoyed the encounter. Lance (the only white guy there) was doing it, too.
- The Black drug dealer in Requiem for a Dream talks Jennifer Connelly into paying for her drugs with sexual favors, and admits he has a thing for white women. Then again, it is Jennifer Connelly.
- In White Chicks, the main characters are black men disguised as white chicks, and one of them is romantically pursued by another black man. When he finds out the truth, he rants about how he was deceived into dating someone who isn't white, apparently not even caring that he was attracted to another man.
- Unrelated, but one of the characters actually yells, "Where da white women at?" at one point in the film.
- Terry Crews's character is actually attracted to one of them because, as he described "her", it's a "white woman with a black woman's ass".
- Hancock: Hancock and Mary have been together for centuries in a mixed marriage. In fact, Hancock's amnesia is a result of being assaulted by bigots because he was with a white woman in pre-Civil Rights era Florida. Mary notes an even earlier 1800's incident that involved their home being torched, likely for the same reason.
- "O", the 2001 Setting Update of William Shakespeare's Othello, stars Mekhi Pfifer and Julia Stiles who was also in Save The Last Dance. The fact that he ends up raping her would probably push it into Unfortunate Implications territory if it wasn't true to the original Shakespeare and for reasons mostly unrelated to race.
- Surprisingly, one of the many jokes in Blazing Saddles. The Trope Name comes from a line dropped in a shenanigan Sheriff Bart and the Waco Kid pull to get the attention of a kouple of Klan members.
- While not the Ur-Example, one of the earliest trope codifiers for films of this trope is The Birth of a Nation (aka The Clansman), a controversial but influential 1915 film in which the Ku Klux Klan is founded in large part because the white men need to defend the honor of their women, who are being taken away to be raped by Always Chaotic Evil black men. The controversy and influence are due to two different things: the controversy due to the extremely vile racism and the influence due to the style of the movie, which set a few trends in motion.
- The Blind Side: A drug dealer makes sexual comments suggesting he thinks this way about Leigh Anne and Collins, setting off Michael's Berserk Button. Also, Leigh Anne's snobbish salad luncheon friends warn Leigh Anne of this.
- A subplot in the Blair Witch-style film Alien Abduction: Incident in Lake County: a family gets together for Thanksgiving, and Kurt freaks out when his sister brings home her black boyfriend for dinner. Then they all get abducted by aliens.
- Exaggerated in the romantic comedy The Brothers. Bill Bellamy's character only dates white women after a nasty turn with a black ex, since he sees them as timid and docile. It doesn't help that the black women in his subplot (his mother and ex) are both racist, ball-busting harpies. The white girl comes across as ironically sensible; she defends herself against his ex, and calls Bellamy out on his bullshit when he chides her for being "no different" after the two ladies fight.
- In Don't Be a Menace to South Central While Drinking Your Juice in the Hood, one of the characters appears to be making a play at an attractive black woman, who seems receptive to his advances. However it turns out he's actually talking to a white woman behind her, who is... rather unattractive. He defends himself to his friend by implying that it's revenge on white people for centuries of slavery and injustice.
- And then, during the climax of the film, various characters are dodging bullets during a drive-by shooting and one of the protagonists notices that a black woman is directly in the line of fire. He jumps, apparently in an effort to save her - but then we see that he actually jumped to save a blonde white woman who showed up out of nowhere for no other reason than Rule of Funny. He shoves the white girl to the ground, saving her from being shot, after which she gratefully calls him her "chocolate warrior."
- The infamous 1975 Blaxploitation movie Mandingo, which is about a horny slaveowner's wife (named Blanche, FFS) seducing a Scary Black Man on the plantation. It ends with a black baby being born and the white owner murdering both his wife and his slave in revenge.
- The horror film Candyman has the titular villain's origin be that he was murdered by a ruthless mob for his sleeping with a wealthy white man's daughter.
- Mitch Mullany's "The Breaks" includes a scene reminiscent of I'm Gonna Git You Sucka when the main character, Derrick, attends a spoken word performance. After a dreadlocked black man recites an angry Afrocentric poem, the hostess says, "Thank you very much, Stokely Ungawa, and your lovely wife, Betsy..." at which point the camera cuts to the same poet, embracing a very WASPy looking blonde.
- The 1968 British-French film The Girl on a Motorcycle (AKA Naked Under Leather). At the French/German border a smiling black customs officer makes a point of taking the title character aside and patting her down in an intimate fashion. When she has to go through the same customs station later on in the movie she comments, "That black man had better not try touching me up again" only to be disappointed when she sees the customs officer is an elderly white guy.
- An early example is Harry Belafonte and Joan Fontaine in the 1957 film Island in the Sun. Unsurprising for the time, they don't end up together
- Deliberately averted in Hitch. Originally, Cameron Diaz was supposed to play Hitch's love interest. However, when Will Smith got the role, they decided that this trope might come out to play. However, they also didn't want to cast a black actress for fear that the movie would be interpreted as saying that romantic pairings need to be intra-ethnic or that people would assume that it was a black movie. They finally decided on Cuban-American Eva Mendes (who has been cast because of this racial gray-area more than once.)
- Flight, with Denzel Washington and Kelly Reilly.
- Pain and Gain: Adrian marries a fat white nurse, who eventually divorced him.
- In Scary Movie, Cindy tries to gain safety from a serial killer by having people come over to her house that evening. This causes her black friend Shorty to shout out to the entire school cafeteria:
"Party at Cindy's house! Drunk white women for everybody!"
- Purposefully averted in The Deal, where the studio vetoes love scenes between the characters played by Fiona and Bobby because it still makes some people in the audience uncomfortable.
- In Waiting to Exhale, Bernadine's husband's mistress is a white woman and that is part of the reason why Bernadine is so upset with him.
- In National Security, Martin Lawrence's character Earl hits on a white woman not long after telling Hank that he does not approve of interracial relationships (Hank's ex is a black woman who left him after he supposedly assaulted Earl at the start of the film). When Hank calls him out on this, Earl clarifies that he only disapproves of relationships when the man is white.
- Holes. The relationship between Sam, a black man, and Kate, a white woman, causes another man after Kate to kill Sam, provoking Kate into becoming the notorious bandit Kissin' Kate Barlow.
- John Updike's Brazil is about an affair between a rich white girl and poor black man who later run away together. Later they switch colours by mystic means (it's a long story). It does not end well.
- Perry Moore's Hero is about a team of misfit superheroes. Precog and Cool Old Lady Ruth recounts to main character Thom her black boyfriend from her younger days. Her rich father is not pleased with this, and has her boyfriend savagely attacked. However, she had no idea about this and was told he left her. She just so happens to see him again some time later, working as a stock boy, visibly disabled and uncoordinated from the beating he suffered. Ruth was so horrified that she couldn't face him, and said they would talk after his shift. He said he would wait. At that point, she drove away and her rage prompted her decades-long crime spree before she decided to become a superhero to repent her crimes. When she was dying after being attacked by the Big Bad, her last words were, "He did wait for me..." A definite tear-jerker.
- In The Poisonwood Bible, Leah (a white girl who came to the Congo with her missionary family) ends up marrying Anatole (a black citizen of the Congo). There are a lot of awkward moments, to say the least, over Leah's skin color, as she is the minority in the country where she lives, and because her race defines her as a citizen of an imperialist country.
- Older Than Print: The Framing Device of 1001 Arabian Nights includes this with Persian women (Persians were considered white at the time), namely the queens of the brother kings. Said queens are found lying with black slaves. The trope is then repeated multiple times within the tales.
- To Kill a Mockingbird: "White trash" Mayella Ewell comes on to Tom Robinson, a black man, in 1930s Alabama. As he tries to get away, her father comes in, witnesses this, beats the shit out of her, and then forces her to claim Robinson raped her.
- In the short story Spawn of Satan by Charles Birkin, a black man and his white wife move to a town ruled by neo-Nazi street gangs. He is horribly and gruesomely lynched by the gangs in revenge for his wife accidentally killing a white child when she had a heart attack while driving.
- In Model Minority a half-white half-Japanese teenager is beaten by her (white) mother for daring to date an adorkable black guy she met at art class. Mom seems to have fewer problems with her daughter's next black suitor, mainly because he's an associate of her drug dealer.
- Native Son deconstructs this because the prejudice against black men with white women is very high, when he drags Mary into her bedroom after she became drunk, in the stupidest decision in his life, he kisses her because this would probably be the only time in his life he could do this, but accidentally kills her when he smothers her with a pillow when the blind mother walks in because he knows he willed be accused of raping or wanting to rape her regardless of what had happened. When he tells his girlfriend that he burned the body after the police want to arrest him, she points out that they will think he raped her, and since her body is burnt there will be no evidence saying he didn't.
- Played for seriously black humour in Tom Sharpe's farces of South Africa in The Apartheid Era. Riotous Assembly begins with the horror evinced by Kommondant van Heerden of the Piemburg Police Force, when he realises the pillar of respectable white society, Lady Hazelstone, murdered her black cook when he refused to continue having sex with her. It becomes not only a murder case but confronts the unspeakable horror of a white woman actually wanting to have sex with a Zulu. Indecent Exposure sees the lunatic racist Liutnant Verkramp, placed in charge of the police, deciding to use aversion therapy to deter his policemen from raping black women note . Note Verkramp's priority is not the rape, but the fact white policemen are raping black women - a bigger crime in the Apartheid era. The Nazi-refugee Dr von Blimenstein enthusiastically assists with the therapy. In her day job as psychiatrist, she deals with the sexually repressed neuroses and paranoia of white South African women, that one day the blacks will rise and rape every white woman they can, and, well, the blecks are so big, aren't they? She clinically calls this "blackcock fever". She also dealt with a case where a zookeeper with an inferiority complex chose to measure his erection against the length of a poisonous Black Mamba. This did not end well.
- After becoming famous with the TV show Pawn Stars, Gold & Silver Pawn Shop owner Rick Harrison wrote his autobiography, My Life At The Gold And Silver Pawn Shop. The book is full of anecdotes about some of the customers who come into his shop to pawn valuables, including pimps who pawn their bling jewelry. Rick recounts how one black pimp came in with a group of white women in tow. The pimp explained to Rick that many of his black customers couldn't resist the "forbidden fruit" appeal of white women, so they would pay huge sums to make it with his white girls.
- The Savage series of bodice ripper romance novels written by Cassie Edwards, all of which feature a white woman hooking up with a Native American man.
- Weeds manages to use this one and Mighty Whitey and Mellow Yellow with Dean and Celia Hodes - Dean cheats on Celia with an Asian woman, and Celia gets back at him by sleeping with Conrad and bragging to Dean that she slept with a black man. Conrad also has a relationship with Nancy before being Put on a Bus.
- My Name Is Earl: Joy was afraid of her father's reaction to her marrying Darnell, since he'd objected to her dating a black guy in high school. In reality, he knew that the unfortunate youth was actually his illegitimate son.
- Played with in Community in the episode "Early 21st Century Romanticism" where Dirty Old Man (but very white) Leonerd uses the trope almost word for word:
Leonard: "Where are all the white women at?"
Jeff: No Leonard! There are no white women here!"
- Averted in season 4 with Troy and Britta. Although there has been a few subtle jokes about their race, the focus has been more on their actual personalities than race.
- Brazilian historical Soap Opera Xica da Silva, period. And it was Based on a True Story.
- White powerful guy and Black slave girl.
- Since their groundbreaking roles in 1992's soap Por estas Calles, Venezuelan actors Gledys Ibarra and Franklin Virguez tends to end in roles with this kind of relationship, given that they are two of the most prominent black actors in a country where most of the acting pool is fair-skinned (and Ms. Ibarra herself has lighter skin and green eyes). They are helped by the fact that Venezuela is more accepting of interracial couples.
- Dep. Jones on Reno 911! is obsessed with white Dep. Clementine Johnson, even though black Dep. Williams won't stop throwing herself at him. For that matter, Lt. Dangle (white gay man) is obsessed with Dep. Jones as well.
- Oz. Kareem Said's attraction to a white woman gets him ousted as leader of the Muslims. In an earlier episode he briefly encounters his former fiancé, who's also white — a fact that caused a rift with his own sister, who accused Kareem of "trying to be something he's not." (i.e. white)
- In Charles S Dutton's sitcom Roc, a long lost relative gets engaged, and carefully breaks it to Roc's racist black father that his fiancé is white, though forgets to mention that it's a man.
- Everton and Renee on Chef!. The only outside opposition they got (not counting Renee being a bit of a Rich Bitch) was the Chef himself, who didn't think they should date because they were colleagues.
- Will Smith played half of such a couple on a Very Special Episode of Sesame Street dealing with racism.
- Dr. Elizabeth Corday and Dr. Peter Benton on ER, until the actor playing Benton got upset with the situation and the producers broke them up and set him up with a new, black character.
- 704 Hauser, a belated Spin-Off of All in the Family, showed a black family living in the Bunkers' former home. The son was in a relationship with a Jewish girl, which the father tolerated about as much as Archie tolerated Meathead (or perhaps a little less).
- Deliberately averted in The '60s spy series I Spy, at the insistence of Bill Cosby.
- In The 4400, Richard Tyler was abducted from 1951 during the Korean War, where his secret relationship with a white woman had gotten him beaten up by his fellow officers. In the present, his relationship with fellow abductee Lily, the Identical Granddaughter of that woman, is seen as mundane... well, apart from their superpowered Fetus Terrible.
- Subverted and lampshaded on an episode of The Golden Girls in which Sophia strikes up a friendship with an elderly black man named Alvin.
Sophia: There's nothing romantic about it — I've never even thought of him that way. Which is surprising, because I've always wondered about that particular myth.Rose: What myth?Sophia: You know... about black men... in the bedroom?Rose: Oh... is that a Greek myth?
- In one episode, Dorothy's son is engaged to an older black woman (and she's pregnant). Dorothy's notes that she's in her 40s, black, and in her 40s. The woman's mother objects to a white son in law. Then later all the women: Dorothy, Sophia, the woman's mom and aunts, Rose, and Blanche gather for cheesecake. Rose asks about if it's true what they say about black men and the white Southern Blanche blurts out "Yes!" and then "I've wondered too".
- MADtv had a skit called "Inside Looking Out" hosted by a black man and his white (and very racist) wife.
- An episode of Law & Order featured a white girl killing her black boyfriend, and claimed he tried to rape her when she was arrested. It later came out that her father was a racist, and had previously broken her arm for going out with a black guy in high school.
- On an episode of WKRP in Cincinnati black DJ Venus Flytrap dates station manager Andy's younger sister. It causes a brief rift in their friendship but they patch it up just before a bar brawl starts when a redneck objects to Venus and the sister dancing.
- An episode of Promised Land had a white girl and black boy pretending to be a couple to gauge people's reactions. It was for a class project and both were reluctant to participate, due to mutual dislike unrelated to race. Responses from the public ranged from matter-of-fact to disapproval to outright rage from people of both races. Despite this, the two came to genuinely like each other, but the white girl nixes the relationship before it can even begin, fearing the disapproval of her family.
- Played with in The Kids in the Hall - Susan, a white girl (Dave Foley) brings her black boyfriend Tony (Scott Thompson) to meet her parents, warning him about their attitudes. His race isn't an issue to them at all, and in fact they like him immediately - but she reacts to every friendly conversational line of theirs as if it were an indictment against him.
Dad: Gosh, Tony. I've got to tell you... you're a pleasant change from the usual riff-raff Susan usually brings home.Susan: (furiously) Dad! He's not armed!
- Played for Drama in Hell on Wheels. For striking up a relationship with Eva, a white prostitute, Elam is nearly hanged in the highly racist 1860s.
- In the "Racial Draft" sketch on Chappelle's Show, after Tiger Woods — who is a quarter black, a quarter white, and half Asian (specifically a quarter Thai and a quarter Chinese) — has been drafted by the black delegation and is now officially 100% black, the commentator played by Dave says the following:
Commentator: He's been discriminated against in his time, he's had death threats, and he dates a white woman. Sounds like a black guy to me.
- In the British TV and Music segment of the 2012 Olympics opening ceremony a white woman, her black husband, their interracial kidsnote , and various in-laws are presented as an average British family.
- In the Key & Peele skit about Othello, Lashawnio and Martinzion (played by the Key and Peele) are initially excited by the fact that Othello is married to a white woman and no one can do anything about it. Unfortunately, when they see the rest of the play and discover what ultimately happens to Othello, they are not very happy.
Martinzion: Let me tell you something; if a brother killed himself every time he broke up with a white bitch, this world would be bereft of brothers!
- In Agents of S.H.I.E.L.D., the very white and British Agent Simmons either drools over or flirts with the black men she encounters, much to the chagrin of Fitz, her lab partner who harbors a crush on her. While Simmons' thing for black guys is treated as a Running Gag, a few fans legitimately ship her with Tripp.
- Dr. Quinn, Medicine Woman. Most of the townspeople are completely convinced that the Native American men have this attitude:
- When a white woman is rescued after an Army raid on a Native American camp, people speculate that she was probably raped by them, then are disgusted when they learn that she willingly married one of them—"Any decent white woman would have killed herself before she lay down with a redman".
- When Dr. Mike herself is kidnapped by renegade dog soldiers, there is the same speculation and this does in fact nearly happen several times before Sully manages to rescue her.
- White Dorothy strikes up a friendship with Native American Cloud Dancing when she decides to write a book about him, much to the disapproval of the townspeople (several of whom make very nasty comments insinuating that the relationship is sexual) and of his fellow tribesmen.
- There's also the brief, mild flirtation between Colleen and one of the Chinese railroad workers.
- The town's lone black male, Robert E., was surprisingly exempt from this, probably because he was Happily Married to the lone black female, Grace.
- Averted in When I'm Sixty-Four with Caz and Lynval, for whom it appears to be a complete non-issue.
- On The Fresh Prince of Bel-Air when Will and Carlton's prep school goes co-ed, it's implied that Will is excited because of the potential of dating white women:
Will: It's gon' be cute girls everywhere. Cute rich girls, that know the one thing they parents can't stand is for them to be dating a BIG black dude.
- In Empire, this is a point of contention between Andre, who is married to a white woman, and his parents. At first it seems his mother is the only one against it and his father is okay with it. However later in the first season it's revealed that his father views Andre's wife Rhonda as a spoiled rich girl and refuses to give the company to him because he is married to a white woman (that and his untreated bipolar disorder).
- Subverted on Sisters, when youngest sister Charlie's longtime friend and colleague is actually very reluctant to act on their mutual attraction because he doesn't want to be seen as an example of this trope. He gets over it and they embark on a relationship, marrying shortly before the series finale.
- Strong Medicine. Following her divorce, Dr. Andy Campbell begins dating one of her colleagues, who is African-American. His mother is not pleased and it takes her son telling her off for her attitude to improve.
- "KKK Bitch" from Body Count by Ice-T's band Body Count. Also, on the album, a skit before the song states that "the real issue isn't the lyrics on the record, but the risk of the white kid identifying with a black artist, or a white girl, falling in love with a black man".
- Also from the same album, "Momma's Gotta Die Tonight", where the protagonist kills his racist mother after she negatively reacts to his white girlfriend.
- Janis Ian's "Society's Child".
- Kanye West - "Gold Digger"
And they gone keep calling and trying / But you stay right girl / But when you get on he leave your ass for a white girl.
- The video for "Touch the Sky" has a scene in which his black ex-girlfriend yells at him for dating a white girl. When said girlfriend (played by Pamela Anderson) runs out and kisses him, the ex-girlfriend and her friend are seen looking annoyed and shocked.
- In late 2010 Kanye began to embrace this trope.
"Champagne Wishes, thirty white bitches..." from "So Appalled""Had a few white girls..." from "HAM"
- Madness - Embarrassment, which was a real life story about a sister of one of the band. Happily, it ended well.
- Public Enemy's "Pollywanacraka" on "Fear of A Black Planet" delves into this trope.
- Some of Ice Cube's songs from his "AmeriKKKa's Most Wanted" to his "The Predator" albums also reference this trope.
- The song I Believe by Blessid Union Of Souls is about the hope for love in the world and everyone being seen as people, not different colors
I've been seeing Lisa now for a little over a year
She said she's never been so happy, but Lisa lives in fear
That one day daddy's gonna find out she's in love
With a nigger from the streets
Oh, how he would lose it then, but
She's still here with me
- Their video for their song "Let Me Be The One" has every woman who the black band members go gaga over be white.
- Toni Braxton's "How Could an Angel Break My Heart" is about a woman who's lover leaves her for another woman, who is implied to be white (and is white in the music video).
I heard her face was white as rain/Soft as a rose that blooms in May
- Folk duo February Sky's ballad "Child of the Future" has a white student raising her mixed race daughter after a brief affair with a black friend.
Religion and Mythology
- Othello: Italian Desdemona falls for the "moor" Othello. It has been argued that in Shakespeare's time "moor" didn't mean Black necessarily, and through history he was often played as Arabic.
"I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs!"
- The argument that Othello is Semitic rather than African is more political than textual, given that the villain Iago refers to him as "thick lips" and "a black ram", which aren't terribly ambiguous...
- Aaron the Moor in Titus Andronicus has an affair with Tamora, queen of the Goths and empress of Rome, and their child turns out to be black.
- The Merchant of Venice has two examples:
- One of Portia's wealthy suitors is the Prince of Morocco, who begs her to "mislike me not for my complexion". When he loses the Engagement Challenge, she is quite glad: "Let all of his complexion choose me so."
- Later on, Lorenzo mentions that Launcelot had a fling with a black moor and that she is now "with child". It's never mentioned again, but it is used as a setup for an Incredibly Lame Pun on "moor" and "more".
- ''In my ivory tower, life was just a Hostess snack/ But now I've tasted chocolate, and I'm never going back!''
- Interestingly, apart from Penny's psychotic mother, no one seems to mind;
Motormouth Maybelle: Oh, so this is love? Well, love is a gift, a lot of people don't remember that. So, you two better brace yourselves for a whole lotta ugly comin' at you from a neverending parade of stupid.
Penny: Oh, so you met my mom.
- Interestingly, apart from Penny's psychotic mother, no one seems to mind;
- 1960s hippy musical Hair invokes both the Black Man/White Woman and Black Woman/White Man version of this trope with the song "Black Boys/White Boys". The movie adaptation takes it farther, adding a Ho Yay component with the Army induction examiners.
- This makes an appearance in The Magic Flute, where the Moor Monostatos (see above) is irresistibly attracted to Pamina, accompanied by a heapin' helpin' of Unfortunate text.
Und ich soll die Liebe meiden,/weil ein Schwarzer hässlich ist!/[...] Eine Weisse nahm mich ein;/Weiss ist schön, ich muss sie küssen!
Translation: And I must do without love, because a black man is ugly./[...] A white lady has captivated me. White is beautiful; I must kiss her!
- In The Boondocks (which provides the page image), there seems to be a running gag that a lot of black men, especially (but not limited to) those with money or power, really want to score with white women.
- Most notably, there's Tom and Sarah DuBois' marriage.
- Robert has been seen dating both black and white women.
- Uncle Ruckus enjoys white women as well. It's the main reason he tolerates the DuBoises.
- Rollo Goodlove is seen flirting with Ann Coulter (the two were pretending to be enemies earlier).
- In "A Date With The Booty Warrior", a prison gang of Scary Black Men are a little tired of anally raping the other inmates, so they demand that women (white ones especially) should be imported into the jail.
- South Park: Chef really loves the white meat. They do love his chocolate balls too though.
- Family Guy.
- Chris' talking pimple forces him to rub grease on himself to make more pimples. One of them says "Where the white heads at?"
- In "Brian the Bachelor", Cleveland goes on the prowl at a local bar. He asks a potential mate "Hey baby, how'd you like to go black and then make the difficult decision on whether to go back? " she replies "I already went Burnt Sienna and never went back." The Burnt Sienna crayon she is dating starts to threaten Cleveland.
- Peter worries that Jerome will steal Lois from him in "Jerome is the New Black", as they used to date. Jerome says he would never do such a thing but admits that he did have lots of sex with Meg. Peter is not concerned about that.
- Invoked in "Untitled Griffin Family History", when Peter says "Of course, ordinarily black guys aren't attracted to white women, but she was something different." Then played straight.
- Discussed on The Cleveland Show, when Rollo asks Roberta why she's dating Federline instead of a black guy.
Roberta: Do I look white or Asian?
- From The Simpsons, The Simpson kids themselves are 1/64 black—and Homer 1/32—due to their white ancestor Mabel Simpson marrying a black man named Virgil. (She did so in Canada, which was part of the British Empire at the time.)
- Malory on Archer loves black men. Such as when she pulls strings to get Conway Stern into ISIS ("He just appeared... like a foundling, carved out of onyx") and routs any attempt to get a background check pulled on him, or when she gets a chance to "fact check" a Hollywood script and writes herself in as a sexy fifty-something in love with a handsome black agent. Surprising (or not), because Mallory is also very racist.
- On Robot Chicken, a black scientist programs his Afrobot to say this.