Reimagining the Artifact

You have an ongoing serial or a Verse of some kind. In the canon of that work is an element that has become an embarrassment or is just plain out of date, one that has been abandoned or is in severe danger of being abandoned. Canon Discontinuity is what happens when that element is written out. Reimagining the Artifact, on the other hand, is what happens when you try to make that element work with the overall tone of the serial.

To qualify, the element must have either been abandoned or been treated purely as The Artifact.

If the problem was with an Artifact Title, this strategy may result in a retroactively-Justified Title.

Related to Reconstruction (when something similar is done for a trope or genre, rather than a character or concept) and Rescued from the Scrappy Heap. Took a Level in Badass is also related. See also Cerebus Retcon, where something similar happens mid-story. May also involve a Replacement Artifact if something thought to be The Artifact was first removed, found not to be, and then replaced with a tweaked version.

Examples:

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     Comic Books 
  • Apache Chief, widely regarded as one of the lamest of the Superfriends, was re-adapted in 2002 by Joe Kelly into a much more interesting character, Manitou Raven.
  • Jughead from Archie Comics wears a beanie on his head. It was an actual fashion in the 1940s amongst young boys to cut up old fedoras. It was meant to signify Jughead being immature for his age, but the style fell out of style and the significance has been lost. Modern readers are more likely to connect it with Burger King crowns than fedoras. The 2015 reboot reintroduced the meaning behind the hat. Jughead was a wealthy boy who wore a fedora however one day his parents lost their money due to being swindled by a scam. Jughead cut up his hat and he gained the nickname "Jughead" due to his parents being scammed by a water bottle company.
  • This is what Brian Michael Bendis has done with Marvel's lesser or dated 1970s characters like Luke Cage and the first Spider-Woman.
  • According to his commentary in an Ultimate Spider-Man collection, Bendis seemed to believe he was doing this with Venom when he was brought into that series. Their treatment of The Clone Saga is a more solid example.
  • Grant Morrison's Batman has a bunch of these, as part of his quest to make everything canon.
    • Morrison's unconventional take on Robin with the character of Damian Wayne deserves special mention. Where many fans have previously taken the very concept of a Kid Sidekick with a grain of salt (see below) because of the obvious dangers of the superhero profession, Damian shook up the classic Batman/Robin dynamic in that he was a scarily competent fighter who was raised as an assassin from an early age, and he could be even more deadly in the field than Dick Grayson, who served as the Batman to his Robin.
    • Morrison also brought back Bat-Mite, who was a thoroughly Silver Age thing that wasn't used beyond that point if not in some kind of Mxyzptlk story or something. Morrison reimagined him as the drug-fueled guide to Batman on his journey in "Batman R.I.P."... but then Mite disappears implying he actually averted this and really was an imp from the fifth dimension. Really, it's up to the reader's interpretation.
    • The Club of Heroes that Batman belonged to is reimagined as a kind of parody of the Legion of Super-Heroes; they were formed by a bored billionaire who wanted a club of heroes of his own, and Batman never even showed up to their first official meeting, and the club disbanded after that.
    • On a more general note, Batman's aversion for alcohol, at least as far as The Silver Age of Comic Books had it, was originally part of his goody-two shoes personality. Now, it is part of his fear of losing his physical and mental edge if he drinks, so he has good reason to prefer milk.
    • Grant Morrison loves doing this: in his JLA run, he brought back such goofy stuff as Aquaman's Silver Age imp sidekick Quisp in a way that fit the tone of the new title. And Seven Soldiers was a project whose entire remit was to take dated or underused old characters and re-imagine them for today. All-Star Superman is similarly almost nothing but Reimagining Artifacts from the 1960s and 1950s stories.
    • The Batcave's giant penny. Despite being the most infamous part of the cave's background, Batman got it from an early, absurdly minor foe of his called the Penny Plunderer. Said villain has never made a comeback, but his penny is too iconic to drop at this point, so most later incarnations starting with Batman: The Animated Series kept it but attributed it to Two-Face instead.
  • Superman had several of these:
    • Bizarro was a silly character; nowadays, the silly character is around, but the idea of "Flawed Superman clone" (the mechanics, whether there's only one or the process to make them is sufficiently known to allow more to be made, and other details vary) called "Bizarro" has been brought back repeatedly in both the comics and adaptions.
    • Krypto the Superdog has been brought back... but to keep down the silly factor, he's sufficiently ill-tempered that he has to be kept in the Fortress of Solitude, and thus serves as a guard dog rather than as an Non-Human Sidekick.
    • Superman did this with the Clark Kent identity Post-Crisis. In the old days, he was just what the TV intro said: Superman, disguised as mild-mannered reporter Clark Kent. He really had no reason to have a human identity, especially after his powers increased to the point that the job at the newspaper in order to find out about dirty deeds was no longer necessary. Post-Crisis, he's now more Clark Kent who dresses up as Superman and not the other way around. It's also been said that he likes having something he's good at for reasons other than his Game Breaker powers; being able to throw a whole island into space won't help you win a Pulitzer.
    • There's also Superman's use of glasses to hide his civilian identity. Today, very few people seriously believe that he can effortlessly disguise his face just by donning a pair of glasses, but a few modern writers have toyed with the idea that he actually uses the glasses to hide his distinctive eye color (a bright shade of robin's egg blue that isn't seen in normal human eyes), which is one of the few visible markers of his Kryptonian heritage. Fittingly, this detail came right about the time that Clark's extraterrestrial roots were starting to get more focus in the series (they were originally just a convenient explanation for his superpowers, but have since become a crucial part of the Superman mythos).
    • Christopher Reeve's performance in the movies also made Clark Kenting make more sense. With his acting ability, the total change in demeanor was enough to make pretty much anyone say "Okay, now I can see it."
  • Don Rosa did tons of this in The Life and Times of Scrooge McDuck.
  • DC brought back widely-hated Fad Super / Captain Ethnic Vibe, who was killed off in the 80s shortly after his debut. They've given him a less-ridiculous costume and removed the more offensive aspects of his back story (he's no longer a Gang Banger who talks like Al Pacino from Scarface (1983)) to make him a more well-rounded character.
  • Earth 2 was meant to do this with a number of Golden Age characters, reimagining them in a modern context. For instance, Wing is now a young Asian-American cameraman rather than the racist Asian Speekee Engrish caricature he was in the 30s. However, Executive Meddling led to the original writer leaving, and the new writer having to throw away all of that writer's work in favour of a Darker and Edgier plot revolving around an evil Superman.
  • Robin:
    • Dick Grayson: As comics get Darker and Edgier, a Kid Sidekick is more and more obviously an unethical endangerment of the poor kid, especially since letting them actually die is nothing new. Why is there still always a Robin? Because the kid is usually going to try avenge the Death by Origin Story victim or otherwise operate on his own anyway, and so Bats takes him under his wing to make sure the kid can actually survive his chosen path, and in some cases, be a proper hero instead of crossing the line for vengeance.
    • Jason Todd: He was a delinquent who Bruce wanted to help, and it's also implied Bruce used him as a Replacement Goldfish for Dick after he quit.
    • Tim Drake: After Jason Todd's death, Batman's borderline-instability could easily turn into a He Who Fights Monsters case if he didn't have someone to keep him down to Earth, and Tim wanted the job for this very reason.
  • Likewise, Bucky Barnes. While Robin's reimaginings tend to keep the Kid Sidekick angle as a basis, Bucky, though remaining a junior partner to Captain America, became a kind of shadow assassin that did the dirty work that an iconic symbol like Cap just couldn't be seen to do. The Kid Sidekick turned into a sniper that used "Kid Sidekick" as a cover. The Ultimate Universe had him as a wartime photographer who was assigned to photograph Cap kicking Nazi ass.
  • Rick Remender has stated he's fond of this practice, as he considers it a challenge to use obscure or hated characters from periods like the 90s. He's since stated that Onslaught, a widely hated 90s villain, will be the Big Bad in his Uncanny Avengers run.
  • In X-Men, the New X-Men series ditched the standard superhero threads, a Silver Age convention seen as Narm by the writer in light of today's Darker and Edgier comic stories, for black and yellow leather outfits. When the spandex returned in Astonishing X-Men, we're given a good reason for it: The people need to feel like they can trust their heroes, especially the hated and feared mutants, so a "Darker and Edgier kill squad" look was wrong for them.
  • Wonder Woman:
    • Wonder Woman had her invisible jet rendered pointless after it was decided she could fly, and it's been a topic of teasing ever since. However, more recently, people have realized that having a stealth vehicle that could transport people or cargo could be pretty damn useful and a lot more effective than simply carrying one person in your arms.
    • Steve Trevor has gone through this lately. Being the poster child (and page image) for Useless Boyfriend, writers can't really find much to do with him, but he hangs on because they all assume that, being the Wonder Woman equivalent of Lois Lane, he should be there. However, the New 52 relaunch has turned him into the liaison between the Justice League and A.R.G.U.S., turning him into the Alternate Company Equivalent of Marvel's Nick Fury and S.H.I.E.L.D.
  • IDW's Transformers works do this frequently, reimagining old gimmicks from the franchises' early years.
    • Combiners are treated as a Fantastic Nuke, with the Autobots having to pull out of Earth when the original combiner is abducted by the Decepticons, who naturally want their own.
    • Micromasters are an attempt by the villains to re-create Cybertron on another world, and aside from being smaller and more energy-efficient they are incredibly manoeuvrable, agile, and numerous, what with there being a whole planet of them.
    • Headmasters are the result of several thousand years worth of tinkering and stealing by their creator, and the final result is much more efficient and deadly than the average Cybertronian.
    • The first Pretender managed to ravage Cybertron, and all the ones after are still portrayed as powerhouses and credible threats, resistant to things that would normally be serious threats to a Transformer.
    • The Dinobots choose their out-of-place alternate modes in order to survive on a prehistoric Earth where the conditions are hazardous to them without protection, and quickly become attached. Their designs are also reimagined to look more like real dinosaurs, complete with scale alterations as needed (meaning the member who turns into a brachiosaurus is now head and shoulders over everyone else).
    • Action Masters, the Transformers that didn't transform at all, are Cybertronians who have renounced transforming for religious reasons, even having the mechanisms needed to transform removed surgically, for which they have faced a lot of prejudice, including at one point being the instant suspects in a terrorism case.
  • In a rather ironic case of Celebrity Paradox, Brainiac's name began to come off as a bit ridiculous after the character had been around for a decade or two, as the term "brainiac" eventually entered the popular American lexicon as a juvenile slang term for "genius", making one wonder why an alien robot would unironically call himself that in-universe. The Post-Crisis comics eventually retroactively decided that his name was an abbreviation of "Brain interactive construct", making it a bit easier to take seriously.
  • The Shadow Hero is a Revival of the little-known 1940s superhero the Green Turtle, and provides in-canon explanations for many of the more peculiar aspects of the character, such as his unnaturally pink skin, Stripperiffic costume, and curious turtle-shaped Living Shadow.
  • In today's political climate, it's next to impossible to unironically portray an American Captain Patriotic character who can be taken seriously, since unquestioning loyalty to the most powerful military superpower in the Western hemisphere is far more likely to be seen as the mark of a soldier than the mark of a superhero. So then why is Captain America still such a popular character? Well, in addition to being the oldest example of such a character still in publication, the modern incarnation of Cap is easy to root for because he fights for American ideals—freedom, democracy, equality and human rights—rather than for America's government. He's actually far more likely to question (or outright challenge) authority figures than many other superheroes, and will gladly disobey any order that goes against his conscience. In his own words: "I am loyal to nothing...except the dream."
  • Gorilla Grodd, one of the Flash's archenemies, was introduced during a period where gorillas were something of a fad in superhero comics. During the last bit of the Silver Age he had essentially become an ignored, one-note threat that only kept appearing because he'd been around so long. Post-Crisis however, he was completely revamped into a Knight of Cerebus villain who launched schemes far more dangerous than turning people into apes or robbing banks. After Geoff Johns seminal Flash run had Grodd nearly destroy Central City singlehandedly, the character may never experience Villain Decay again.

     Film - Animated 
  • In DC Showcase: Green Arrow, this is done with Green Arrow's infamous boxing glove arrows. The arrow's purpose was to strike the opponent with blunt force, but not kill them. However, it was too goofy for some to take seriously. Here, they are replaced with cylinders or segments (about the size of the exploding arrowhead) made out of what appears to be vulcanized rubber or something similar as to be able to impact hard without impairing the arrow's flight or looking goofy. In essence, the arrow equivalent of rubber bullets.

     Film - Live Action 
  • Star Trek: The Original Series:
    • Dr. McCoy's nickname "Bones" comes from the term "Sawbones", which was an old nickname for doctors. Since the term has fallen from the parlance, the 2009 film had Kirk call McCoy "Bones" because, in his introduction, he explains he's joining Starfleet because "The ex-wife took the whole damn planet in the divorce. All I've got left is my bones."
    • Similarly, simply having an African American woman as a major character was revolutionary and progressive in the 1960s, but many more current criticisms would point out the Uhura was "answering the phones" while the white male leads went off on adventures. This criticism wasn't strictly fair, but that didn't stop the reboot from making sure to point out that Uhura's linguistic skills were extremely valuable and elevating her to an Action Girl along with the male leads. When dealing with completely foreign cultures, often for the first time, whoever "answers the phone" better be a gifted speaker for your people.
  • In Iron Man 3, the Mandarin's somewhat politically incorrect "evil foreigner" persona is refitted for the 21st century by having this version of the character ultimately revealed as an actor hired to play up foreign terrorist stereotypes to cover up for the real mastermind, Aldrich Killian.
  • Captain America: The First Avenger takes the comic-book reimagining of Bucky one further and makes him a grown man—the sequel has it that he's actually a year older than Cap. He's also a Chick Magnet who enlists in the army before Steve does. He does look comparatively younger and less intimidating next to post-serum Cap, but that's about it.
  • Doctor Strange: Wong, for decades an infamous example of Ethnic Menial Labor in the comics, is given Adaptational Badass treatment as a fellow sorcerer and one of the mentors of Strange.
  • Although The Star Wars Holiday Special was treated by Lucasfilm as an embarrassment that would never again see the light of day, elements of it still made their way into the canon. Chewbacca's family, named the unfortunate "Malla", "Itchy", and "Lumpy", had their names retconned as nicknames akin to "Chewie", with their full names being "Mallatobuck", "Attichitcuk", and "Lumpawarrump". Likewise, the Wookiee holiday of "Life Day" is mentioned from time to time in Expanded Universe works, and Boba Fett (first introduced in an animated short in the Holiday Special) went on to become a major supporting character with a huge fan following.
  • In Daniel Craig's first two James Bond films, Casino Royale (2006) and Quantum of Solace, the filmmakers made a conscious effort to abandon many of the campier aspects of the Tuxedo and Martini genre, like the flamboyant villains and the advanced gadgets. As such, series mainstay Q was nowhere to be seen. But when Q was reintroduced in Skyfall, Craig's third outing, he got a notable modern update as MI6's tech-savvy Mission Control with a talent for computer hacking, as well as being aged down significantly to contrast him with the more traditionalist Bond. Though he does have the obligatory scene where he supplies Bond with a list of new gadgets, his computer skills are his primary talent. As the film is quick to point out, having a tech-savvy spy is still a huge asset in an age of digital espionage, even if he doesn't build exploding pens.
  • In the comic books, Lex Luthor is traditionally portrayed as an egotistical, no-nonsense businessman who craves power and respect, and is obsessed with appearing respectable at any cost. With that in mind, it can seem a bit odd that he insists on going by the diminutive nickname "Lex", which has long been established as being short for "Alexander". Back in the 1930s, it was a distinctive name with a sinister ring to it. Today, writers only really use it because it's unthinkable to call him anything else. Batman v Superman: Dawn of Justice apparently realized that fact, and reimagined Luthor as a significantly younger science prodigy with an eccentric, manic personality, who commands respect despite being flippant and irreverent to everyone he meets. Though some viewers are understandably divided on how faithful the portrayal is, it's far easier to imagine that version of the character calling himself "Lex".

     Literature 

     Live Action TV 
  • Ryan Howard of The Office eventually lost his role as the newcomer for obvious reasons, and went through an arc that saw him become a Corrupt Corporate Executive and then fall from grace. Despite having no storyline to advance, he stuck around because as he was played by an executive producer on the show. Later seasons remedied this by making the character into a satire of a hipster, thus giving him something unique to do again.
  • Doctor Who:
    • In the 1970s the idea of the Doctor travelling around wildly in space and time had been largely dropped in favour of earthbound stories thanks to the show's ReTool into a Spy Fiction-style show, with the exception of one space jaunt Once a Season. Season 12, which introduced the Fourth Doctor, went noticeably 'retro', harkening back to the Hartnell and Troughton era in terms of tone. Not only do all of the stories (except the first of the season) involve time and space travel, there is a Dalek story written by Hartnell-era writer and Dalek creator Terry Nation and a Cyberman story written by Hartnell/Troughton-era writer and Cyberman creator Gerry Davis, and a Troughtonesque (but Darker and Edgier) "base under siege". The only Pertwee elements are Sarah Jane's continued presence, "Robot" which was deliberately written as a Pertwee style story but with the new Doctor in it to show off by contrast how different his new personality was, and the Sontarans who reappear as the antagonists in a two-episode Bottle Episode to save money on monster costumes.
    • A combination of this and Ascended Fanon lent plausibility to the biggest narrative conceit of Doctor Who: that even when the characters stop off somewhere for totally innocent reasons, they will inevitably encounter not just trouble, but extraterrestrial trouble. Fanon for years has been that the TARDIS, which is a living being, purposely drops the Doctor off in places and times where he is needed. This was heavily implied to be true throughout the revived series, and eventually explicitly made canon in "The Doctor's Wife".
    • The TARDIS' police box design. At first, in The '60s, it wasn't anachronistic, but nowadays, characters ask "What is a 'police public call box?'" and the broken chameleon circuit, though part of the setting from day one to a smaller degreenote , is sometimes a running gag (It's fixed! ...and its new form is not under the Doctor's control, highly inconvenient, and at least you know where to enter the police box version. It's fixed! ...and when it scans the area and decides on an "appropriate" form, it's always a police box. Or Donna can fix it with her new Time Lord knowledge! ...which is about to burn out her brain, and what comes next is not funny.) and the Doctor has at least once admitted that he could probably fix it if he really wanted to, but likes it the way it is.
      • They also introduced (and named) the idea that the TARDIS has a Perception Filter that makes people not notice it even if its apparent form isn't period-appropriate.
    • The Daleks had suffered some extreme Villain Decay by the end of the Classic series, becoming quite easily explodable and harmless even in great numbers, as well as having no agency thanks to the introduction of their leader, Davros. This was not helped by the species being a UK cultural meme for forty years - impressions of their obnoxious, squawky voices and jokes about their use of plungers as weapons and (imagined) inability to climb stairs were something of a hack comedian standard routine. The new series reintroduced the Daleks in the episode "Dalek", in which we find out that the Dalek race was on the brink of annihilating the Doctor's race, and the Doctor had to commit genocide against both species in order to save the universe itself - the Dalek in the episode gets a much less shrill, much scarier and much more expressive voice than the original series Daleks had, is treated realistically as the death machine that it is, and incorporated elements from the very first Dalek serial (such as the idea of Daleks as objects of pity as well as revulsion) in order to make them just as terrifying as they had first been forty years ago.
      • Several other classic-Who races that'd been fairly lame from the moment of introduction, such as the Silurians, Ice Warriors, and Zygons, have likewise been re-vamped into something much more formidable by the revived series, making them scarier in some cases and more tragic or multifaceted in others.
      • The concept behind the Nimon - aliens based on the Minotaur of Classical Mythology - is used again for the central alien in "The God Complex", this time creating something more complex and tragic than the original take.
    • "Cold War" is a whole episode written to explore the stereotype about Doctor Who monsters always being easily outrunnable Mighty Glacier creatures with movement impeded by the actors' unconvincing rubber suits. It reintroduces an Ice Warrior, an old-school monster who fits this description, and reveals that what was assumed to be his body is in fact his armour. The armour impedes his movement just like the monster costumes do in real life, and once he's shed it, he is a lot faster.
    • The Cybermen started out fairly scary for the 60s, with their emotionless desire to convert other beings into more Cybermen. As time went by, less focus was put on the assimilation aspect of their personalities, and they became generic robotic soldiers, often openly displaying emotions as well. When they reappeared in the new series (initially as parallel universe counterparts, but later as Original Recipe), much more focus was placed on the Body Horror and Loss of Identity aspects of their nature, making them scary once more. This includes a direct Internal Homage to their big moment of the Classic series (slowly emerging from tombs) in "Death in Heaven".
  • In Star Trek, the old TOS-era Klingon foreheads were simply dismissed as old budget-level alien makeup effects and style evolution... until the DS9 episode "Trials and Tribble-ations" brought attention to it by juxtaposing Worf (undercover) next to some old-style Klingons. He said "It's a long story" and the Klingons "don't talk about it with outsiders", making the difference an in-universe affair. Come Star Trek: Enterprise, a season 4 episode finally gives an explanation: They are the result of a badly botched attempt to match human augments with Klingon augments of their own, but it went horribly awry and caused a terminal viral disease. The cure involved a blend of human DNA to undo the damage, which had the side effect of loss of cranial ridges for a few generations.

     Professional Wrestling 
  • The Code used to be the rule of law Ring of Honor was built on. Refusal to follow it resulted in penalty, with the more grievous violations making one eligible to dismissal from the promotion. Eventually, the flaws in such a system became apparent and the code was done away with, except fans wanted it back. So the code returned but was less "law" and more a tool to further flesh out wrestlers.

     Tabletop Games 
  • Pathfinder had several bestiaries dedicated to re-imagining various monsters; in particular, "Misfit Monsters Redeemed" is purely this trope, as they chose the stupidest monsters from the Gygax era and attempted to make them work. This was inspired by their revamp of Dungeons & Dragons Goblins, who are generally just treated as fodder, as they lack the 'technical skills' that they have in other works.
  • Dungeons & Dragons took some cues from Pathfinder in its fifth edition, re-imagining many of the same weird old monsters into something a bit more functional.
  • One of the main card types in Yu-Gi-Oh! are Normal Monsters, given that they have their own card frame. There was a time when the bulk of your monsters were normal, and a time slightly more recent when you had a few to serve as muscle, but thanks to power creep that doesn't really happen anymore. Over the years there have been attempts to make them more relevant, such as Heart of the Underdog and the Heiratic archetype. Their success has varied.

     Video Games 
  • The Elder Scrolls has done this several times.
    • Cyrodiil, the setting of The Elder Scrolls IV: Oblivion, was described as an "endless jungle" in earlier games. It was changed to a temperate region for Oblivion. This is explained in obscure texts as Talos terraforming the region because of it being inconvenient to live there. Due to the Cosmic Retcon involved, Cyrodiil effectively never was a jungle. When the developers of The Elder Scrolls Online, which takes place before this happened, dismissed this inconsistency as a "transcription error", Fanon Discontinuity was declared among lore junkies. Others rationalized that Talos' changes to the landscape were retroactive, making it so that Cyrodiil had always been temperate.
    • The Khajiit's appearance changed between The Elder Scrolls: Arena and The Elder Scrolls II: Daggerfall, and again between Daggerfall and The Elder Scrolls III: Morrowind, becoming steadily more cat-like. Lore from after Daggerfall explained this by establishing that there are different "breeds" of Khajiit that are born depending on the phases of the moon. However, no such explanation has been made for the Argonians, who were merely grey-skinned humans in Arena.
  • Mortal Kombat's Palette Swap ninjas were a running joke in the series. They were an artifact of a time when limited sprites were able to fit on the hardware available, and so some needed to be reused. From Mortal Kombat: Deadly Alliance onwards they were all given a complete overhaul and unique looks.
  • The Crystals in Final Fantasy were consistently present, if not always the MacGuffin of the story, from I to V. By Final Fantasy VI they were becoming stale and were removed - however, the system by which the characters learn magic is still crystal-themed, focusing on the use of equipping much smaller crystals called Magicite. Final Fantasy VII did the same trick, allowing the player to give spells and abilities to characters by putting associated Materia crystals in their weapons and armour; VII also featured a subplot near the end where the characters must rescue "Huge Materia" in a save-the-Crystals-like fashion, although it doesn't change the plot of the game if you fail and lose them all. VIII didn't even contain these diminished Crystals, and IX featured them only as part of the 'Classic Final Fantasy' Pastiche. In recent years, the concept of the Crystals has been revived, inspiring the "Fabula Nova Crystallis" franchise ('new tale of the Crystals'), featuring several different universes where Crystals feature in the same ways - a deliberate case of Revisiting the Roots. Various spinoffs such as Dissidia: Final Fantasy, Final Fantasy Explorers, Final Fantasy: Crystal Chronicles, The 4 Heroes Of Light, etc, all feature the original Crystals myth in more modern ways.

     Web Original 
  • SCP-148 of the SCP Foundation was originally a metal alloy which blocked psychic energies without any side effects or downsides, and was used to make some of the Tailor-Made Prisons for other SCPs. Wiki site members decided this was boring and rewrote it so that it has such extreme downsides that no one uses it for anything.

     Western Animation 
  • Similar to the above Apache Chief/Manitou Raven example, the campy characters original to the old Superfriends show were re-imagined as the Ultimen and given a tragic arc in an episode of the DC Animated Universe Justice League series.
  • In yet another example, Young Justice: Invasion did a more serious, respectful take on Apache Chief and several other of the "Affirmative Action" Super Friends. Samurai and El Dorado became Asami "Sam" Koizumi and Eduardo "Ed" Dorado, losing their stereotypical costumes and quirks in the process. Apache Chief's popular for this. The Young Justice version is even named for and voiced by the same guy as his Justice League counterpart. (However, Longshadow is actually his last name, as opposed to Long Shadow as a codename.)
  • Beware the Batman uses the D-list and extremely 80s villain Magpie as a recurring character, but she's been given a 21st century makeover so that she now resembles a flashy, modern pop starlet like Lady Gaga rather than a hair metal groupie.
  • The villains in ThunderCats (2011) are named after each animal they're based on—Lizards, Jackals, etc.—instead of them all being called "Mutants", and often get new names that while still based on their animal, are a bit more imaginative (Vultureman becomes Prefect Vultaire.) Third Earth is populated by many animal races and the Mutants' equivalents are drawn from them.
  • My Little Pony:
  • Teenage Mutant Ninja Turtles (1987), for obvious reasons, couldn't actually show the heroes slice and dicing with their weapons, at least, against foes who were flesh and bone. What to do to compensate for the lack thereof? Simple. Have a number of enemies, like the foot soldiers, turned machine where slicing and dicing is shown freely.note  In the 2012 series, where multiple things from the 1987 series are reimagined to be less silly, the robots are revealed early on to be adaptive, and can challenge the heroes. It's also justified: The heroes keep beating up the Foot so much, they can't recruit any more minions!


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