Series: Columbo

"Oh uh, just one more thing..."

Leslie Williams: You know, Columbo, you're almost likable in a shabby sort of way. Maybe it's the way you come slouching in here with your shopworn bag of tricks.
Lt. Columbo: Me? Tricks?
Leslie Williams: The humility, the seeming absent-mindedness, the homey anecdotes about the family, the wife, you know?
Lt. Columbo: Really?
Leslie Williams: Yeah, Lieutenant Columbo, fumbling and stumbling along. But it's always the jugular that he's after. And I imagine that, more often than not, he's successful.
Columbo, "Ransom for a Dead Man" (1971)

Columbo is a long-running Mystery of the Week series starring Oscar Nominee Peter Falk as Lieutenant Columbo, a blue-collar beat-down L.A. homicide detective whose clownish antics and cheap cigars hide an exceptionally sharp wit. The series is composed of 69 TV-movies, beginning with every third episode of the '70s The NBC Mystery Movie and running through a '90s solo revival.

According to Word of Goda.k.a. prolific TV production partnership Levinson and Link — the film Les Diaboliques (1955) and its shabby inspector, Alfred Fichet, was the major initial inspiration for the character. Also Petrovich, the Russian inspector from Crime and Punishment by Fyodor Dostoyevsky and G. K. Chesterton's Father Brown. Lieutenant Columbo first failed to appear in the short story "May I Come In": The story ends with the detective knocking at the door. "May I Come In" was adapted as an episode of the TV anthology series The Chevy Mystery Show entitled "Enough Rope" (with Bert Freed playing Columbo) and then into the play Prescription Murder, with the detective character evolving into a more significant supporting character each time. Eventually the play would in turn be adapted into the Columbo pilot.

Columbo is the first and most famous Reverse Whodunnit (better known as the "open mystery"): For as much as the first quarter of each episode, the audience sees the motive set up and then actually watches as each guest villain tries to execute the perfect murder via an intricate — and often high-tech — endgame. Columbo himself then appears in the second act, as the first police presence on the scene... And (with very rare exceptions) the audience is left wondering not "whodunnit" but "howzhegonnagetim" (or, as the show's creators dubbed it, "howcatchum").

Viewers who missed the first fifteen minutes could pick out the murderer pretty quickly anyway; it was usually either Robert Culp, Jack Cassidy or Patrick McGoohan (a close friend of Falk's, who also directed an episode). Barring that, it was the wealthy and/or brilliant character being the most smug about it. Notable one-offs included Richard Kiley, Robert Conrad, Ruth Gordon, Janet Leigh and Leonard Nimoy... Oh, and the first Mystery Movie episode ("Murder by the Book") was directed by some random wunderkind named Spielberg.

Albeit deliberately structured more on the formal "drawing-room mystery" (think Agatha Christie) than anything like a realistic police procedural, the show was generally an exception to Conviction by Contradiction: While an Encyclopedia Brown-style clue may first trigger Columbo's suspicions, the real chase is his attempts to get enough evidence for an arrest, often by exasperating/panicking the perp themselves into saying or doing something incriminating.

Columbo was the master of Perp Sweating (i.e. shredding the Constitution, albeit totally under the Rule of Cool at all times). Though he generally settles on his horse from the outset, he never lets on, instead worming his way into their confidence via fawning adulation, begging their assistance as he "solves" the case. Usually he forces them to weave a huge web of lies until he can finally Pull the Thread — justified because he's always right. (Interestingly, while the Lieutenant is clearly over-the-top, he's arguably using a more true-to-life interview technique than the angry, confrontational interviews common in straight police dramas; flattery and interest in the other person's concerns are a more effective way of obtaining information.)

A Throw It In accident during the filming of Prescription: Murder led to the show's most signature mannerism: after each interview with the suspect, Columbo begins to leave, the perp begins to relax — and then the Lieutenant returns to ask a significant and leading question, prefaced by a sheepish "Just one more thing, sir..."

Columbo's other trademarks are his weatherbeaten raincoat, a cheap cigar, his broken-down car, his refusal to carry a gun (fortunately, perps always surrender gracefully when the jig is up), and constant references to The Ghost, his never-seen wife, Mrs. Columbo. Later, in an interesting subversion of Executive Meddling, the network tried to force a permanent sidekick on him. He got one: A shiftless, droopy Basset Hound that is most often seen being instructed to stay in the car.

Another mild running gag was Columbo's first name, never revealed (everyone calls him "Lieutenant" instead). An early episode has him showing an ID badge with the name "Frank", a fact only visible with video technology not available when the episode first aired. Word of God confirmed that the name on the badge was not intended to be the character's canon name. (In the 1970's, famously, a trivia book author invented the first name "Philip" as a copyright trap. When the answer appeared in the game Trivial Pursuit, he sued for plagiarism. He lost the case, as the defense argued that they had merely been doing research.)

Given all this, Columbo can be easily read as an expression of class struggle within the justice system. The perps are almost always powerful, privileged, and well-educated, while Columbo is, to put it mildly, not. Then again, the series creators have said that they weren't trying to send any message, just felt that Columbo would be more interesting as a fish out of water.

Columbo's prop-laden buffoonishness is usually considered an act, but if so, it is an act he never admits to. Villains routinely accuse Columbo of putting up a false front, which he promptly disavows even more humbly. In Prescription: Murder, a murderous psychologist provides a (seemingly) perfect analysis of the Lieutenant: He believes he can't get by on his looks or charm, so he has turned his disadvantages into advantages. In "The Bye-Bye Sky-High I.Q. Murder Case", Columbo remarks that he knows he isn't the smartest guy around and attributes his success to merely working harder, thinking longer, and looking closer than anyone else would.

Columbo has solved every case put before him onscreen (he sometimes claims that he only solves about a third total, but this could well be part of the humility act) and hasn't gotten his man only once — in which case the perp was dying anyway. In true classic mystery fashion, each episode wraps up with the Lieutenant confronting his prey with his train of deduction, culminating in the vital clue; the perp may not confess, but they know, and the viewer knows, they have been beaten. To show the subsequent arrest and trial might be interesting in a lot of cases, but would be entirely superfluous in all of them.

Columbo's last appearance was in the 2003 TV movie Columbo Loves the Nightlife. A "finale" TV movie was planned and written, but ABC refused to insure it due to Falk's age and subsequent declining mental health, and Falk died in 2011 with the last script still in limbo.

In England, Dirk Benedict had done the case of Prescription: Murder in a small run of theater, as the title detective.

Columbo was also the primary inspiration for the British Locked Room Mystery series Jonathan Creek.

The entire series has been out on DVD for many years, and a large Blu-Ray box set in a deluxe wooden cigar box type package was released - in Japan. The classic NBC seasons are available on Netflix.

Columbo provides examples of the following tropes:

  • Absence of Evidence: The episode called "The Most Crucial Game" has Paul Hanlon get caught when Columbo found that the phone call the killer claimed to have made at 2:29 pm in his stadium box (and recorded by a bug on the line) lacked the sound of the half-hour chime of the anniversary clock in the box.
  • Adam Westing:
    • Actually rather rare for the celebrity killers, but Johnny Cash, Janet Leigh and William Shatner all did this with their characters.
    • Peter Falk was also quite prone to doing this himself- despite being typecast in the role he was never unable to get other work, but he loved playing the character so much that he would do appearances in-character frequently, the most famous being the roast of Dean Martin and the promo for the TV series ''Alias''.
  • Adaptation Distillation: Both "87th Precinct" adaptations suffer from this- both feature the same basic plot as the books but that's more or less it. Aside from the normal time compression of adapting a book to screen, practically all of the social and racial commentary is stripped out. Many detectives are dropped with Columbo filling their roles. Arthur Brown is an "in name only" version of the original detective, as all the 70s era racial content comcerning the character was done away with in part because of the decade difference(the novels being set in the 70s, the Columbo episodes in the 90s) and because Columbo wasn't a series that focused on such things. Rudy Strasse is more or less the same although a good chunk of his dialog and personality had to be cut for time.
  • Adaptational Villainy: In the original stage version of Prescription: Murder, Dr. Flemming, while still a murderer, was considerably more sympathetic, being genuinely in love with his mistress and offering a confession to Columbo due to guilt over his role in her her fake suicide. In the TV movie, he is a stone-cold sociopath who was simply using his mistress as a means to an end, and implies he would have been more than willing to kill her too if she got in his way if she hadn't killed herself, thereby compelling her to turn him in.
  • Affably Evil: A few of these killers were.
    • Paul Gerard from "Murder Under Glass" is quite a charming person to be around. Too bad he was extorting from restaurants and killed Vittorio Rossi to keep this quiet, and was more than willing to kill Columbo.
    • Joe Devlin, from "The Conspirators" is a poet who is quite social and pleasant in nature... Too bad he was an IRA terrorist using all this as a cover to raise money to buy weapons. Columbo even went out drinking with him two separate times.
    • Rudy Strasse, from "No Time to Die" is close. Unfortunately, he's already quite unhinged and beyond that point, but does show signs.
  • The Alleged Car: An ancient silver Peugeot. Asked about it, Columbo affects great pride in owning "a classic car. Yeah, my car's a French car."
    Columbo: My wife's got a car, too, but that's nothing special. Just transportation.
    • His wife's car finally makes an appearance in "Columbo Goes To College" when he sets it up for bait for the killers to plant evidence.
  • Aluminum Christmas Trees: Cigarrette machines and cigarettes costing 60 cents a pack in "A Case of Identity".
  • Always Gets His Man: In the final Patrick McGoohan episode, Columbo tells him that yes, he does always get his man.
    • Well, almost always. In "Forgotten Lady" he let Grace Wheeler go (she was dying of a brain disease, and had actually forgotten she had committed the murder), and in "It's All in the Game", he accepted Lauren Staton's confession on the condition that her accomplice (her daughter) would not be arrested.
    • Rudy Strasse in "No Time to Die" wasn't technically caught either, as he was shot dead by police officers.
    • In "A Deadly State of Mind", Dr. Mark Collier (George Hamilton in his first Columbo appearance) actually gets away with Nadia Donner's murder, having used hypnosis to trick her into diving off a balcony to her death, and in the denouement Columbo, for the only time, admits defeat. Sort of...
    Columbo: I can't prove you killed Mrs. Donner. note  But I can prove you killed Mr. Donner. note 
    • The episode "A Bird in the Hand" technically has two murders go unpunished. The first murder he had strong evidence for but nothing clinching, while the culprit in the second murder note  was the victim of the third murder.
  • And Another Thing: The entire show lives off this trope; it's Columbo's specialty, but many other characters end up doing it once or twice in their episode as well.
  • And the Adventure Continues: Subverted with the final words in the last NBC episode which in universe was a phrase used by the big bad to control his whiskey intake, and out of universe described the series as a whole. (At least as far as anyone knew in 1978.)
    Columbo: We'll go this far... And no farther.
  • The Anticipator: This is practically the M.O. of Columbo. Frequently he will depend on a crook returning to where they hid a key piece of evidence, wait for them, and then arrest them there.
  • Armor-Piercing Question: A variation: Practically every scene Columbo has with the murderer in a given episode involves him patiently and politely nodding along with whatever story the murderer is confidently trying to feed him, only to suddenly stop and ask a very pertinent question about something they hadn't considered and which they don't have a very good answer for, usually leaving them with a very worried expression on their face. Usually prefaced by Columbo making as if to leave, suddenly stopping and turning around, and saying "Oh, just one more thing..."
  • Artistic License – Biology: Perhaps the oddest, most out-of-place moment in the entire series is in "Columbo Goes to the Guillotine", where Columbo gets close to a plant, and the plant begins SCREAMING and shaking in fear because his lit cigar is too close. Despite the institute centering its tests around mental abilities and ESP, and a tour guide stating they were running tests on plants, come on... This was just a bit cartoonish.
  • Artistic License – Gun Safety: "Fade in to Murder" involves an actor who steals various goods from the studio prop department to commit his crime — jacket, stocking mask, and a gun with bullets. Rather odd that a studio — which films TV shows, mostly — would have real guns and live ammunition on hand, instead of prop guns designed to chamber blanks which wouldn't likely even take actual ammunition, let alone fire it.
  • Artistic License – Law: Considering Columbo's methods and the fact that many of his cases lack much in the way of physical evidence, several of those Columbo has arrested would likely have been found not guilty if they had a good lawyer. A fan joke states that this is the precise reason why Columbo hasn't received a promotion in decades. That said, many suspects have a habit of confessing when they are arrested and several others would have their reputations ruined even if they are, in the legal sense of the term, innocent. There's also the fact he is the rank of Lieutenant yet is out doing the same grunt work that a basic detective might be doing, without even a partner for backup. One has to wonder why he isn't commanding the Homicide squad instead?
  • Artistic License – Medicine:
    • "Murder Under Glass" features blowfish poison used as the murder weapon, which kills the victim in about a minute. In reality, it'd have taken the man hours, possibly even a full day to die, and that's IF he died considering that proper medical treatment would probably have saved his life. He wouldn't have collapsed and died that fast.
    • A rather major one involving hospitals in "The Most Dangerous Match". Why did the hospital ask for Tomlin Dudek's own medications brought in from outside? Beyond being a convenient plot coupon for Emmett Clayton to swap the medications and kill Dudek, it makes no sense for a hospital to have outside drugs brought in when they likely have stock on hand.
    • Subverted in "Caution: Murder Can Be Hazardous to Your Health". The fatal dose of nicotine sulfate, administered by Wade Anders to Budd Clarke by inserting a few drops into one of his Victory King cigarettes, probably would kill a man as fast as was shown in the episode. Obviously, Wade may have added a little more poison than necessary in order to guarantee that it would work.
  • Asshole Victim: A trademark. Subverted with a notable few, though.
  • Awesome but Impractical: The ways in which Columbo can "prove" his targets' guilt are usually very subtle and, for the most part, wouldn't carry much weight in court — the way someone tied their shoelaces, a clean lightbulb, a bottle of cider, a lighter stone, a match... A skilled lawyer would probably got all of Columbo's targets off, but that doesn't matter — what matters is the awesomeness of his reasoning, the way he puts the puzzle together with all the neatness and order his clothes lack.

    On the flip side, while lawyers greatly prefer physical evidence, there is no legal requirement for it in order to bring a conviction. A skilled prosecutor could convince a jury that circumstantial evidence like those examples cited prove beyond a reasonable doubt that the defendant is guilty.

    Columbo himself frequently acknowledges that a lot of the evidence he finds is not conclusive by itself — but throughout any given episode, he's constantly picking up on similarly "inconclusive" pieces of evidence that nevertheless work to puncture holes in the murderer's alibi or link him/her to the murder. It doesn't matter how small the pieces are, if you put enough of them together you'll get a good sense of what the puzzle overall looks like. It helps that murderers in his verse feel obliged to confess or pull out a gun when they've been figured out.
  • Batman Gambit: If he couldn't find that one piece of evidence that proves the murderer's guilt, Columbo would pull one of these to get the murderer to incriminate himself.
    • Some of these were extremely daring, especially in "Columbo Goes to the Guillotine", in which Columbo hatches a Batman Gambit that requires Elliott Blake to try to kill him. There are in fact several episodes where Columbo pulls this trick, but this one was uncommonly gutsy, because if Columbo had been wrong, and Blake had not tried to kill him, he would in fact have died. By beheading.
    • Worse than that, in "A Matter Of Honor" his plan to reveal Luis Montoya as a coward involved trapping him in a ring with a very angry bull, risking either Montoya, a ranch hand or a bystander getting killed if the bull ran wild.
    • Brimmer in "Death Lends a Hand" tries this by offering Columbo a six-figure salary working for his private security firm in exchange for quitting the police department. It backfires and probably makes Columbo even more suspicious, especially since he'd suspected this guy from the start!
  • Berserk Button:
    • Showing any callous disregard for human life — especially if it was the murderer acting pompous and indifferent — would set off the usually friendly Columbo into a rage that often led to him telling off the suspect (such as in "A Stitch in Time" and to a lesser extent in "An Exercise in Fatality" when the victim's wife tries to kill herself). Messing with Columbo's family is also a terrible idea, as "Rest in Peace, Mrs. Columbo" and "No Time to Die" showed us.
    • On the flip side, Columbo had a habit of pressing the berserk button of others around him. Sometimes, he'd do this on purpose to the suspect, other times, his mere, persistent presence would do this to innocent people. He also had a habit of doing this to his superiors.
  • Bloodless Carnage: Probably due in part to censorship limitations of the time but many of the '70s Columbo films either feature gunshot wounds that either only have a small red spot or no blood or bullet wound at all. "Lady in Waiting" is probably the worst example of this: The victim is shot in the chest and dragged — face down — across about 20 feet of carpet but leaves no blood whatsoever, which if it had would've blown Beth Chadwick's story open in 2 seconds. This was eventually subverted in the much later films where more blood was allowed, perhaps best seen in "Columbo Goes to College" where not only does blood spray as the victim is shot, but when Columbo and the students find the body in the parking garage, blood has pooled quite heavily.
  • Bluffing the Murderer: How Columbo proves the murderer guilty in "Negative Reaction". Columbo enlarges the photograph of the victim that was taken supposedly taken by Alvin Deschler (which was all a lie) and flips it, so the clock in the background says it's ten o'clock when it's really two o'clock and claims it proves Paul Galesko was the culprit. Galesko, himself a photographer, points out that this is completely false and the original photograph would prove this, but Columbo says it was accidentally destroyed. Galesko then says they should use the original negative and picks out the camera that took the photograph — but he shouldn't know which camera it was or that the negative was still inside.
  • Bullying a Dragon: Trying to shake down or blackmail someone that you know for a fact is a cold-blooded murderer seems to be one of the leading causes of death in the Los Angeles metropolitan area. This happens in, among other episodes, "Dagger of the Mind", "Short Fuse", and "Lovely But Lethal". "Columbo and the Murder of a Rock Star" subverts this with Trish Fairbanks, the associate Hugh Creighton uses to supply his alibi while he's out to murder Marcy Edwards. She's smart enough to form a contingency plan in case of her sudden death, and tells Creighton as much, so that he'll not be able to back out of her blackmailing him. She survives the episode.
  • Bunny-Ears Lawyer:
    • Columbo applies his quirkiness, politeness, absentmindedness, humility and curiosity to off balance the suspect. This seems at first glance to be an act but if you observe how he interacts with people he knows well, it turns out he's actually like that all the time. Columbo's abilities as a detective are never questioned by his superiors, only by the suspects and that's usually because he's getting too close to catching them.
    • This was lampshaded in Prescription: Murder, when Columbo says that his superiors are well aware that a suspect is sweating when they call to complain about him. Any attempt to get him off the case, even by calling in favors, never seems to work well.
    • The biggest example was "Columbo Cries Wolf". The case had already drawn massive media attention, and Columbo wants to dig up a significant portion of a large estate to look for a body that may or may not have been buried there, and likely is not as Sean Brantley has dared him to dig up the land. Columbo's reasonings for this are also rather thin (sound, maybe, but thin). Plus the massive expense of digging up that much land (which he apparently forgot about from such an endeavor in the first season's "Blueprint for Murder"). The mayor of Los Angeles decides to approve of this anyway, even based on thin evidence, just because it's Columbo who wants it done.
  • Bury Your Gays: Thankfully subverted. While the series did have one gay victim in "Butterfly in Shades of Gray"(the second William Shatner episode), he was murdered because he was going to help Fielding Chase's adopted daughter become a published author and move out from under Chase's domineering wing. Although the attempted frame job at least tried to play this straight Chase attempts to frame a gay actor that the victim had recently broken up with but is quickly found to be a ruse.
  • Busman's Holiday: In common with many detective series of the period once their creators got bored with the standard milieu. Wherever Columbo goes to relax, somebody else will die. "Troubled Waters" and "A Matter of Honor" are examples.
  • California Doubling: Generally subverted as the show took place in Los Angeles. "Dagger of the Mind" did have certain scenes (mainly exterior shots) filmed in London, though much was filmed in Hollywood (in fact, one of the British actors had to remain in the US, as he was wanted for tax evasion in the UK).
  • Call Back:
    • "Double Exposure" overlaps with the events of the prior episode, "Candidate for Crime". As Columbo arrives at the crime scene he mentions working on the Nelson Hayward case.
    • "Candidate for Crime" is referenced again at the end of "Publish or Perish".
    • The events of "Troubled Waters" made the newspapers in Mexico, which is why the Mexican police knew who he was in "A Matter of Honor" about a year later.
    • Columbo's cruise from "Troubled Water" is referenced again in "Try and Catch Me".
    • In "Columbo Goes to College", Columbo's lecture includes mentioning events about incriminating Oscar Finch in "Agenda for Murder".
    • "Sex and the Married Detective" features a Sgt. Burke, a young man on the force who seem to be Columbo's assigned underling. Could he have been the son of the Sgt. Burke who showed up throughout seasons 4 through 7?
    • Chief Superintendent Durk of New Scotland Yard, Columbo's liaison in "Dagger of the Mind", was mentioned by name many seasons (and one Channel Hopinvoked) later in "Columbo Cries Wolf".
  • Calling the Cops on the FBI: In "Murder, Smoke and Shadows", when eating in movie shooting area cafeteria, Columbo witnesses a pair of actresses discussing what seems to be vital evidence to push forward his investigation of murder. The discussion is later revealed to have been staged by the murderer in order to actually derail the investigation. Later, because a security guard stops Columbo on accusation of stalking actresses, effectively preventing him from following the pair and verifying things immediately.
  • The Cameo: Robbie the Robot makes a cameo in one episode, as does Robbie's co-star Leslie Nielsen.
  • Canon Discontinuity: Let us all just be very clear on this: Mrs. Columbo was not the Mrs. Columbo that Lt. Columbo talks about all the time.
  • Catch Phrase: "Just one more thing..." before he asks the question that gives the offender away.
  • Character Tics: Columbo's habit of squinting his left eye, which was actually because Peter Falk's right eye was in fact a Glass Eye.
  • Cloudcuckoolander: Columbo can easily become one of these when he's not around a suspect(and possibly even when he is, since it can be difficult to tell when he is merely Obfuscating Stupidity), especially when he's on his own and offered a chance to play around with some new gadget or look at books.
  • Conviction by Contradiction
  • Cool Old Guy: Columbo in the ABC run. Particularly in the final episodes where he's completely silver-haired.
  • Cool Uncle: Columbo is this to Andy, his nephew from "No Time to Die".
  • Correction Bait: In-Universe example: in "The Bye-Bye Sky High IQ Murder Case", this is how Columbo tricks the killer into revealing themselves.
  • Corrupt Corporate Executive:
    • "The Conspirators"... oh, dear... first we have famous poet Joe Devlin, who is working with the heads of O'Connell Industries - the president, her son and a few others. They are all IRA terrorists raising money to buy weapons, under the guise of a peaceful group trying to fight IRA violence in Ireland. For all we know the entire company was in on it - at the very least, the captain of the freight liner and the O'Connell employees on the tug boat were involved. Even Devlin's own son was a willing participant, and all of this is just what was operating in Los Angeles, it's safe to say more members of the company and even Devlin's wife were in on it, too. The top was corrupt and it trickled downward.
    • Milo Janus was willingly overcharging his franchise owners for equipment that cost him nothing to produce so he could filter the money into offshore bank accounts. He commits murder when one owner threatens to expose him to the IRS. The worst part, however, is that the murder was totally unnecessary- it seems what Janus was doing was totally within the law so no amount of digging by Gene Stafford would have harmed him whatsoever.
  • Deadpan Snarker: Columbo could be one from time to time.
    • For example, in "The Bye-Bye Sky High IQ Murder Case", when asking witnesses about the killer's build, one said he was heavy, another claimed he seemed average, and a third claimed he was light and possibly even a woman. Columbo's reaction to this was a deadpan, "Well that clears that up."
    • Another example:
      Murderer's sister: I'll have you disbarred for this — whatever that word is.
      Columbo: Yes, ma'am. "Fired", I think, is the word you want.
  • Death by Sex: In "Sex and the Married Detective", Dr. Joan Allenby shoots David Kincaid in a therapy bedroom at her clinic, then stages the scene to make it look like this trope happened.
  • Deceased Fall-Guy Gambit:
    • This is the trope that Paul Galesko (Dick Van Dyke) pulls this off brilliantly in "Negative Reaction" to murder his dominating wife Frances. First, he takes Frances out to a country ranch house rented by Alvin Deschler, an ex-con and former extortionist whom Galesko has roped into helping him. Once in the house, Galesko ties his wife to a chair, then he puts a clock up on the fireplace mantle, sets the time to 2:00 PM so that he will have an alibi for himself. He then takes photos of her with the clock in the picture, then he shoots her with a P38 pistol. The next day, Galesko breaks into Deschler's motel room to plant evidence that frames him for the murder/kidnapping, then meets with Deschler at a junkyard. There, Galesko shoots and kills the unwitting Deschler with a revolver, places the pistol he used to shoot Frances in Deschler's hand, then shoots himself in the leg with that gun to make it look like self-defence.
    • In "Strange Bedfellows": Graham McVeigh, a thoroughbred horse raiser, is tired of the fact that his brother Teddy is a gambler who is in serious debt with local bookie Bruno Romano, who owns a local restaurant. First, Graham makes Teddy lose a lot of money at the race track by drugging his own horse so that it loses. Then, disguised, Graham goes to Romano's restaurant, where he sets mice in the bathroom. While Romano is distracted getting rid of the mice, Graham calls Teddy from his back office phone so that it will look like Teddy was setting up a meeting with Romano. Graham and Teddy then drive out to a spot on a secluded back road, with Teddy driving. Under the pretence of getting fresh air, Graham gets out, walks around the car, steps up to Teddy's window and shoots him at point-blank range, then rides away on a folding bike stashed in the trunk. The next day, he calls Romano to come out to the ranch, ostensibly to pay Teddy's debt. When Romano looks at the briefcase containing the money, Graham shoots him, switches Romano's pistol for the identical murder weapon, and makes it look like self-defense.
  • Defeating the Undefeatable:
    • Luis Montoya (Ricardo Montalban) from "A Matter of Honor" most certainly counts. He was one of the top celebrities and most influential people in Mexico, so the local police were practically afraid to investigate the crime once it became suspected, and Columbo was in a foreign country. While Columbo has challenged a few big time people over his career, his job could have ended and he'd have been in severe trouble if not for showing everyone that Montoya was not a great man, was in fact a coward and had killed Hector Rangel to try and hide that fact, causing Montoya to surrender.
    • This came very close in "A Case of Immunity" where Hassan Salah was a foreign national with diplomatic immunity, and could have had Columbo fired. Columbo didn't have to take any big risks to catch the guy... after all, Columbo was on good terms with the king of that particular foreign nation and merely got the guy to spill a confession while the king listened. In this case, the suspect wasn't undefeatable, just hard to touch.
    • Borders between this and Did You Just Punch Out Cthulhu? in "A Friend in Deed" when Columbo busts Deputy Police Commissioner Mark Halperin for murdering his wife and assisted Hugh Caldwell in helping cover up the murder of Caldwell's wife. He took down his own corrupt boss, of all people!
  • Detective Drama: Although typically the drama is on the perp's side.
  • Dick Dastardly Stops to Cheat: In many cases the murderers would have gotten away with their crimes because there was not enough evidence against them, but they just must go out of their way to create a fake alibi or frame the murder on someone else, making enough mistakes in the process to be caught.
  • Dirty Cop: Dpty. Police Commissioner Mark Halperin in "A Friend in Deed". He first helps cover up the murder of his neighbor Hugh Caldwell's wife, then personally murders his own wife to access her money and uses Caldwell to set up an alibi for himself.
  • A Dog Named Dog: Columbo's Dog.
  • Doesn't Like Guns: And is a notoriously bad shot. He appears to get other cops to take his shooting qualifications ("Forgotten Lady"). He'll carry a gun when the situation absolutely calls for it, but even then... He probably doesn't have great depth-perception anyway. He seems to have no problem brandishing one on Mo Weinberg in "Undercover" though, but Weinberg does try to shoot him.
  • Downer Ending: "Forgotten Lady" is one of the very few episodes in which the killer isn't caught, because it turns out that Grace Wheeler has a weakened artery in her brain which not only causes her severe issues with recent memory but will kill her shortly. She has two months to live at most, and could very well die at any time. She doesn't even remember shooting her husband, and to make matters worse, when her former dancer partner, Ned Diamond confesses to the killing in her place, she now has to watch an old friend taken away for what she had firmly believed to be a suicide the entire time. Her only solitude left is to watch an old movie that means a lot to her. It doesn't help much that the episode is full of small downer moments leading up to this but the major plot twist came right out of nowhere and hit quite hard.
  • Early Installment Weirdness:
    • Prescription: Murder, being the first film, hadn't yet set the formula. It opens with a trippy animated ink blot title sequence, features music not heard elsewhere in the series, and Peter Falk has a much shorter haircut than we were familiar with. Columbo himself isn't even seen until 33 minutes into the episode. Seeing him harangue the murderer's mistress to the extent of actually shouting is also pretty startling.
    • "Death Lends A Hand" features a still shot of Robert Culp's face with his cleanup of the crime scene reflected in his glasses.
    • "Etude in Black" features a zoom-in view of the flower on the floor in the killer's sunglasses.
    • Some of the early episodes of the ABC revival featured surrealistic touches at the end such as Columbo appearing for a moment as a Circus Ringmaster or a figure of Columbo leading a charge of military figures which played a part in the storyline.
    • While not canon to the main Falk series, the original "Enough Rope" adaptation featured older and stockier actor Bert Freed in the role, without the familiar raincoat or mannerisms and even less focus on Columbo's role, as he was more of a minor character compared to Dr. Fleming at that point.
  • Even Evil Has Loved Ones: For as manipulative, deceitful and plain evil as Fielding Chase in "Butterfly With Shades of Gray" was, especially to anyone who didn't share his political views, he did genuinely love his adoptive daughter and he did seem to genuinely believe that all of his political and business rivals would make life for her miserable should she try to go off on her own.
  • Even Evil Has Standards:
    • In "A Friend in Deed", the real cat burglar is appalled at the idea of being framed up for double murder.
    • In "Publish or Perish", Riley Greenleaf has no qualms about killing two people, but is visibly disconcerted at the second victim's description of a limb-tearing mine as "beautiful" and the fact he drinks champagne from lab equipment.
    • Joe Devlin, secret IRA fundraiser and gun runner in "The Conspirators", does a lot of bad deeds like supply guns to the IRA, but he believes in honor and murders his gun supplier when the supplier tries to cheat him.
  • Everyone Calls Him Barkeep: Everyone calls him Lieutenant. He once joked in "Undercover" to Geraldine Ferguson that his first name was "Lieutenant".
  • Everyone Can See It: In "Undercover", both Geraldine Ferguson and Mo Weinberg are convinced that Columbo is a cop despite Columbo's attempt to pose as a lowlife named Arthur Stokes. This despite the fact that Columbo was often mistaken for either a tramp or a homeless man several times over the years while wearing his normal police clothes. Perhaps his bosses should have just let him wear his usual clothes after all... considering that another character later in "Undercover" mistook him for a bum after he resumed wearing his usual clothing!
  • Evil Cannot Comprehend Good: This is what brings down Leslie Williams in "Ransom for a Dead Man". Being The Sociopath herself, it doesn't occur to her to question whether a man's daughter would actually be willing to forget about his murder in exchange for a payoff.
  • Evil Twin: Dexter Paris in the episode "Double Shock" has a history of lying, petty crime and sponging off of others, but it is unclear if he or his twin brother, the serious and stoical but principled banker Norman, is responsible. It was Dexter, but Norman was in on it.
  • Exasperated Perp: One of the great pleasures of the format is watching a smug perp kindly encouraging Columbo.
  • Executive Meddling: Done In-Universe in "Make Me a Perfect Murder". Kay Freestone, a network assistant executive with high goals, dictates and practically directs a film that the network wants and guarantees it will be a success. When she is told she can't have her boyfriend Mark McAndrews's job after his promotion to New York (as he doesn't feel she's qualified), she shoots and kills McAndrews in his office to get the job. Afterwards, her plans to bring Valerie Kirk, an old friend and former star who also happens to be a pill junkie, out of retirement for a TV special falls apart, and the film the network ordered is a massive bomb when it finally airs (because she desperately put the film up to replace the cancelled special, thus running it suddenly with no advertising beforehand). As the head of the network told her, she "doesn't make decisions", she "makes guesses". Getting arrested by Columbo for murder doesn't really help either, but her career is really over well before that.
  • Expy:
    • Abigail Mitchell, the murder mystery writer, to Agatha Christie — who was mentioned by name in the episode in question.
    • Sir Harry Matthews, the wealthy British businessman from "Columbo Cries Wolf", to real-life British media mogul Rupert Murdoch.
    • Alex Bradey is heavily based on Steven Spielberg. He even looks like a young Spielberg.
    • Max Dyson, psychic debunker is based heavily on The Amazing Randi.
  • Eye Scream: The magnificent stare of Columbo, where one of his eyes constantly looks into the opposite direction, has yet to be forgotten. Yeah, Peter Falk's really got a false eye, though...
  • Faux Affably Evil: Most of the murderers who aren't actually Affably Evil (or the occasional Sympathetic Murderer) are this. These ones tend to start off quite smarmy and condescendingly pleasant to Columbo, only to gradually get more frazzled as he keeps poking holes in their perfect crimes until, by the end, their true and rather nasty colours are exposed.
  • Fictional Country: Suari, the Middle Eastern nation from "A Case of Immunity".
  • Fresh Clue: Invoked in both "Suitable for Framing" and "It's All In The Game", where the culprit puts an electric blanket over the body in an alibi trick, so that the body would still be warm when the police arrived.
  • Freudian Excuse: Rudy Strasse of "No Time To Die" had this in a bad way- noteworthy as he was the only killer of all 69 episodes to have this.
  • Genius Slob: Columbo has had his appearance likened to an "unmade bed" and has been confused for being homeless at least once, carries among other things hard boiled eggs in his pocket, smokes cheap green cigars, happily munches his way through any free food and wears the same raincoat everyday (despite working in L.A.) but still solves crimes commited by certified genius.
  • Genre Savvy: Ward Fowler, the killer from 'Fade in to Murder', plays a detective in a mystery show on TV. During the episode he offers 'help' to Columbo in cracking the case, often commenting on mystery show conventions while working out details of the case. In the end, when confronted with damning evidence against him, he grudgingly accepts his fate, commenting on the fact that in a mystery story the killer's mistake is always exposed "by the end of the third act".
  • Gilligan Cut: A variation: in one episode Columbo is talking to the murderer and muses that he can't think of a motive for the crime... at which point the murdered man's (very attractive) wife shows up and begins crying into the murderer's arms.
  • The Ghost: Mrs. Columbo. We know she exists, but his descriptions of her vary immensely. He's always describing her to the perp though, so it's unlikely he'd give them an actual description.
  • Go-Karting with Bowser: Even when Columbo knows who committed the murder, or at least is highly suspicious of them, he still makes small talk with them about things like their job and interests. Often this is to pay attention to subtle things they say or noticeable tells that can unintentionally incriminate them. In some episodes, however, Columbo seems to genuinely like some of his suspects, and regrets having some of them arrested before he reminds himself that it was the right thing to do. The best example? Perhaps in "The Conspirators", where he goes drinking, not once, but twice, with Joe Devlin, a secret IRA terrorist. He only stumbled on key evidence by pure accident when he noted that Devlin's favorite whiskey was the same brand as seen at the crime scene, and that Devlin also notched the bottles the same as the one found at the scene.
  • Gosh Dang It to Heck!: Throughout the majority of Columbo films, "hell" and "damn" are the extent of the swearing. Later films of the '80s and '90s eventually saw occasional use of the word "bitch" here and there. But the only real subversions are likely "Undercover" and "A Trace of Murder" where characters say the word "bullshit". "Undercover" is uncensored on the DVD release, though "A Trace of Murder" has the censoring in place. Though cleverly, the censorship in "A Trace of Murder" occurs when Clifford Calvert slams shut a cigar box as he says "shit", the clasp of the lid acting as the censor.
  • GPS Evidence: There are quite a number of cases of this.
    • In "Caution: Murder Can Be Hazardous to Your Health", Columbo's car is scratched by Budd Clarke's dog when he arrives at the scene for the first time. He proves Wade Anders is lying when he says he has never been to the house upon discovering identical claw marks on Anders' car.
    • In "Columbo and the Murder of a Rock Star", the clue comes in the form of berries from a tree that only grows in a certain area.
    • The earliest being "Lovely But Lethal" - both the killer and Columbo contracted poison ivy from the crime scene. That strain of poison ivy didn't grow in Los Angeles, but was present at the crime scene because the victim was doing scientific research on plants. A sample had been on the microscope slide when it was shattered. This, coupled with the eyebrow pencil scribbles was enough solid proof that the killer had been at the scene at the time of the murder.
  • Graceful Loser: Usually. Columbo has the good sense to plan ahead for when this doesn't seem likely. In "Etude in Black", after his wife contradicts the murderer's alibi, the killer takes a quick moment to apologize to his wife before confessing to Columbo so he isn't too humiliated by being caught.
  • Heroic BSOD: While Columbo never went as far as a total breakdown... and while he's usually not too easy to anger, it's still not a very good idea to piss Columbo off, which has happened.
    • Prescription: Murder — After figuring out Joan Hudson's role in the killing, Columbo threatens to have her followed and stalked until he finally breaks the case. This also serves to set up the fake suicide surprise for the audience.
    • "A Stitch in Crime" — The famous scene where Columbo picks up a heavy desk ornament and slams it down hard in front of Dr. Mayfield, giving it to him straight that he believed Dr. Mayfield killed Sharon Martin and was trying to kill Dr. Hidemann as well.
    • "An Exercise in Fatality" — In the hospital waiting room when Gene Stafford's wife is admitted after her suicide attempt, Columbo practically tears Milo Janus a new one concerning the case in front of several people.
    • "Columbo Goes to the Guillotine" — An elaborate set-up at the end, tricking Elliott Blake into revealing himself as the killer leads into Columbo pulling a gun and saying he has to play judge, jury AND executioner. Though the gun was just a "bang" flag pistol, it probably scared the killer, though the audience either knew it was a ruse (Columbo hates guns and refuses to carry or fire them unless absolutely necessary) or had been momentarily tricked into thinking he'd lost his mind.
  • He Who Must Not Be Seen: Columbo's wife. Just like Jessica with Frank, Columbo talks on and on about his wife. He even gives a physical description about her, but not once does she show up on camera. They don't even give her a name since she's an off-camera character.
  • Hoist by His Own Petard: Quite a lot of murderers are exposed when they try to outwit Columbo, usually concocting some clever plan to "clinch" the case and exonerate themselves. Most of the time, if they'd sat tight, they would go free. Some murderers are defeated in an especially ironic way, including:
    • Dr. Bart Keppel, expert in the field of Subliminal Advertising, is tricked into revealing the location of the device he used to change the caliber of his gun when Columbo plants subliminal pictures of himself finding it in "Double Exposure".
    • Ken Franklin stages the murder of his writing partner using the only good idea for a murder he ever had as a mystery novelist, which is not enough to fool Columbo.
    • Stage Magician the "Great Santini" exposes himself when, as a stage trick, he demonstrates his ability to pick complicated locks. (Both these characters were played by Jack Cassidy.)
    • Sometimes a murderer ends up being blackmailed by the person who provides him with an alibi, which means he now finds himself in a situation just as bad or even worse (from his point of view) than the one he tried to resolve by committing the murder in the first place. Thus confirmed bachelor Adrian Carsini in "Any Old Port in a Storm" is blackmailed by his secretary, who wants to marry him, and is almost relieved that Columbo convicts him before that can happen. A rather similar thing happens to Dabney Coleman's character in "Columbo an the Murderer of a Rock Star".
  • Hollywood Silencer: If a gun is the murder weapon, there's about a 50% chance it'll have a silencer attached which will make no noise... and if a silencer is attached, it's probably a revolver. Played with in "The Conspirators": the murder weapon Joe Devlin uses to shoot Vincent Pauley is a special pistol with a built-in silencer.
  • How We Got Here: "Rest in Peace, Mrs. Columbo" starts with Mrs. Columbo's funeral. Vivian Dmitri's murder of her boss's partner Charlie Chambers, and the investigation scenes leading up to this funeral, are then told as lengthy flashbacks.
  • Hyper Awareness: Has a knack for noticing small inconsistencies in a case.
  • Hypocrite:
    • "Any Old Port In A Storm" has an elder brother (who's a wine connoisseur) murdering the younger one (a millionaire playboy) over their shared inheritance. In the argument leading up to it the connoisseur accuses his brother of wasting their money on fast cars and foolish women, but the playboy points out that his brother spends large sums of money on bottles of wine so old and expensive he'd rather have them sit in a cellar instead of drinking them ("At least I know how to have fun with our money!"). Proving him right, after committing the deed the connoisseur buys a high-priced bottle at auction in spite of his secretary advising him against it and he himself stating he couldn't bring himself to drink it.
    • Hassan Salah, the killer from "A Case Of Immunity", has bashed a man's skull in, clubbed another and ran his car off the road, stolen $600,000, tried to frame protestors for a terrorist attack and may have been involved in a plot to overthrow his king. His response when realizing he's about to be extradited to his come country for execution?
      "This isn't justice, this is BARBARISM!"
  • Idiot Ball:
    • The opening sequence of "Make Me a Perfect Murder" has Columbo driving while singing, ignoring his police radio, and remaining completely oblivious to the police sirens around him while he fiddles with his rear view mirror. The mirror piece comes off, and he attempts to reattach it while driving, without once pulling over and swerving all over the road. This entire time, his police radio is reporting the chatter of the car following him. This ends with him slamming on his brakes to avoid hitting one police car, while the one behind his car hits him, giving Columbo whiplash. Even for a character known for Obfuscating Stupidity the scene plays out to the point of making the character look incompetent.
    • He seems to be holding the idiot ball in both "Try and Catch Me" and "Undercover". In both cases he reaches his finger into a light bulb socket to remove a piece of evidence. This might be fine if he'd either unplugged the lamp (in the latter case) or had the circuit breaker shut off (in the former — it was a ceiling fixture). Instead, he simply reaches in with his finger without so much as making sure their power sources were off.
    • That's ignoring his repeated annoyance of the housekeeper in "Double Shock"... much of which could be written off as Columbo being Columbo, though while he normally annoyed the suspect, he seemed to be more annoying to her with his mannerisms. But that's nothing compared to how he tested his theory of the electrocution — which he does so by dropping an electric device into a bathtub, then running to change the fuse. This not only burns out all the electricity in the house, but also ruins the housekeeper's TV set. Then he does it again! Even someone like Columbo could have thought to test his theory out without blowing out the fuse since all he really needs to verify is how long it would take to run from the upstairs bathroom to the basement fuse box.
  • Inspector Lestrade: Subverted; Columbo is very much a competent officer, but plays up this trope masterfully for all it's worth.
  • Just for the Heli of It: In the episode "A Friend in Deed", deputy police commissioner Mark Halperin who covers for his friend Hugh Caldwell's accidental killing of his wife and then demands Caldwell's help to cover up his own wife's murder. Halperin then tries to make it seem as if an unknown burglar-cum-killer is besetting his posh neighbourhood, and at one point he rides along in a helicopter in hopes of catching this person. It turns out the chopper ride was part of the construction of his alibi so that Caldwell can be "seen" disposing of Halperin's wife in their swimming pool, plus it made it seem the LAPD was putting a high priority on catching this non-existent crook, and Halperin used it in part because he had the power to do so. Before the flight, Columbo actually asks him if the helicopter was really necessary.
  • Karma Houdini: The unnamed weapons dealer (played by L.Q. Jones) from "The Conspirators". He seems like a normal man who runs an RV dealership but runs guns. He sells the guns to Joe Devlin, takes the cash... and while Joe and his IRA cell are caught, the gun dealer is never busted. It is never mentioned if Devlin ratted him out after the fact hoping for some leniency.
  • Kensington Gore:
    • Played straight in "Columbo Goes to College" with the massive pool of blood.
    • Subverted in the earlier episodes where blood was usually just bright red paint, if it was shown at all.
    • Subverted in "A Stitch in Crime" where an IV bottle of blood during the surgery is clearly just water with red food coloring.
  • Later Installment Weirdness: In Columbo cries Wolf, in contradiction with the series' usual modus operandi, the viewer never watches the actual moment of the murder, but the identity of the murderer is still well established. Justified since the murder didn't happen in the beginning of the movie, but at the end. The beginning scene was a set up meant to trick Columbo into believing a murder took place in order for the culprit to use the investigation as publicity for his magazine.
  • Laughing Mad: Roger Stanford in "Short Fuse" and Nicholas Frame in "Dagger of the Mind" during their respective Villainous Breakdowns.
  • Limited Wardrobe: Columbo wore the exact same coat in every episode, with the same hopeless suit below it.
    • Lampshaded in "Now You See Him", when he appears in a new coat that he can't avoid, since the Mrs. bought it for his birthday. He (intentionally) keeps forgetting it, and by the end has traded it in for his old one, albeit a newly-bought copy.
    • In another episode he appears without his trademark raincoat for the first time... naturally it was pouring with rain.
  • Let's Get Dangerous:
    • A minor example, since the Lieutenant rarely gets physical. However, watch most of Columbo's interactions with the murderer throughout the episode carefully. In the early scenes, he's his usual amiable, bumbling, harmless-seeming self. In the last scene however, where he confronts the murderer with how they committed the crime, while he's usually still polite there's often an edge of determination, confidence and steel that wasn't there previously.
    • Played straight in "Undercover" when he's forced to kick open a door and pull a gun on Mo Weinberg.
  • Military Moonshiner: In "By Dawn's Early Light", Colonel Lyle Rumford incriminates himself in William Haynes's murder by going on a crusade to track down the boys who are making alcoholic apple cider (hanging the bottle outside in the wee hours of the morning to help it ferment). Columbo is able to show that the only way he could have been aware of it was if he was standing by the academy cannon while rigging it to explode.
  • Murder by Cremation: In "Ashes to Ashes", mortician Eric Prince gets rid of gossip reporter Verity Chandler in this way. He bludgeons her, then puts her corpse in a coffin, switching it with a different man's body scheduled for cremation, then Chandler is cremated and her ashes are scattered by helicopter over the hills.
  • Never Suicide: Justified, since Columbo usually rules suicide out for good psychological reasons.
    • An especially good take on the trope is made in "Étude in Black", where Columbo is prepared to believe Jennifer Welles did commit suicide (there was evidence of an unhappy love life), until he discovered that her death also killed her beloved pet, and that didn't fit in.
    • In "Forgotten Lady", the victim was an old man in very poor health — but then it is discovered that not only did he borrow several humorous books from a library, he also carefully marked his place in the one he'd been reading before he died.
  • No Celebrities Were Harmed: The killer is sometimes a thinly-veiled version of a real-life celebrity.
    • Milo Janus, exercise guru in "An Exercise in Fatality", for example, is clearly Jack LaLanne.
    • Johnny Cash is Adam Westing as an evil version of himself known as Tommy Brown in "Swan Song".
    • Likewise, Janet Leigh did the same — one of her character Grace Wheeler's favorite starring roles was an old Janet Leigh picture.
    • Wade Anders from "Caution: Murder Can Be Hazardous to Your Health" may be played by George Hamilton, but his personality is like Rex Kramer.
    • Alex Bradey in "Murder, Smoke and Shadows" is a rather mean-spirited caricature of Steven Spielberg.
    • Findlay Crawford in "Murder with Too Many Notes" is very Hans Zimmer-esque, being as he is an Oscar-winning film composer who's the mentor to a younger tunesmith, Gabriel McEnery, who's worked on some of his scores (the title also harks back to "Too Many Notes, Not Enough Rests", from Zimmer's Drop Zone) and played by Michael Kamen-lookalike Billy Connolly to boot (Kamen was also inclined to support young talent).
    • Sex therapist Dr. Joan Allenby from "Sex and the Married Detective" is a MUCH younger take on Dr. Ruth.
  • No Name Given:
    • Not strictly true — as per above, when asked directly, he jokingly claims his first name is Lieutenant. Then there's the badge shot mentioned in the intro, but again, Word of God claims it's not canon.
    • Chief Superintendent Durk of New Scotland Yard is never given a first name, either.
  • No Seat Belts: Columbo's '53 Peugeot doesn't have them, being made before they were a standard addition to cars. He gets chewed out by a very jittery driving instructor for this in "Negative Reaction". By the time of "Undercover" he's apparently had them installed as one can be seen caught in the door in the ending scene.
  • No Warrant No Problem: Columbo is a perfect example of this: He continuously pesters the suspects by appearing anywhere they are (work, home, middle of the street, wherever) and claiming he is just going to "ask some questions"-that start as random nit-picking and become Perp Sweating by annoyance as the episode continues. He has also grabbed evidence and kept it to himself (disregarding the chain of evidence completely) to confront a suspect with it later on. At least in one episode he explicitly said that the suspect's hostile response to this modus operandi was leading him on the right path, because he "struck a nerve".
  • Not a Morning Person: Columbo becomes, ah, even more so before he's had his coffee.
  • Not So Stoic: Every suspect that meets Columbo at first keeps their calm, but whenever he hints the slightest that he is on to him/her, they freak out as soon as he leaves. One example, in "Lady in Waiting", Beth Chadwick tosses a light bulb (the same one she uses when she shoots and kills her brother) across the board room when she realizes that Columbo is getting closer to finding out.
  • Obfuscating Stupidity:
    • Columbo, and how! Just see the page quote for a start.
    • This was also true of Susie Endicott, the material witness in the episode "Undercover", Irving Krutch's ditzy, giggling girlfriend who was his alibi for the shootings of Mo Weinberg and Geraldine Ferguson. When Columbo reveals that he has evidence that proves she's lying (thus making her liable as an accomplice to murder), Susie's previously dopey eyes turn ice cold and she turns Krutch in without remorse.
    • Roger Stanford in "Short Fuse" was stated by his girlfriend to "Play the fool" to his uncle, but was very intelligent, otherwise, having earned his PH.D in chemistry by the time he was 20 and earned several other degrees.
  • Oh Crap!: Happens roughly Once per Episode when Columbo finally catches the perp. Depending on the actor, they range from sheer rage to looking as if they've hang-glided over the walls of Hell.
    • A good example occurs in "Any Old Port in a Storm" when Columbo makes Adrian Carsini realise that his chosen method of murder made him inadvertently irreparably spoil his collection of extremely expensive vintage wines.
    • Best example would be Hassan Salah in the ending of "A Case Of Immunity" when, after spilling the entire story to Columbo- whom he believed couldn't do a damn thing because of diplomatic immunity anyway- the king of Suari walks out from behind the curtains. His plane trip home had been staged, the king having returned to the legation immediately after merely to fool Salah. Salah realizes that he's just confessed to the king of his country and will be executed if he's returned home, and promptly renounces his immunity and signs a confession so that Columbo may arrest him.
  • Ooh, Me Accent's Slipping: Peter Falk is of Polish descent and Jewish faith, while Columbo is Italian of possibly Roman Catholic faith. In a lot of the later seasons, Falk's voice was noticeably different and a Yiddish accent tended to slip through on occasion.
  • Out-Gambitted: Eventually all of the culprits' plots turn out to be this.
  • Out-of-Genre Experience:
    • While the previous example was a minor one, "No Time to Die" completely went against grain of the series. It abandoned the usual murder plot and told a story of a kidnapping that played like a psychological thriller. Columbo's nephew, Andy, is married to a model. Immediately after the ceremony, Andy's new wife is kidnapped. Columbo has to work with much of the LAPD police force to find Andy's wife before an insane medical student can rape and kill her. The story takes place over the course of a single night.
    • "Undercover" plays with this a bit by mixing in the usual Columbo murder mystery with a hunt for pieces of a photograph leading to the location of money stolen from a bank heist years before. Both this and "No Time to Die" were based on 87th Precinct novels.
    • "Mind Over Mayhem" takes a brief detour into Science Fiction, with a Teen Genius who has invented a robot (played by Robbie the Robot of Forbidden Planet fame) so sophisticated that it seems to have artifical intelligence (not only does it play chess, but it gets angry when it loses).
  • The Perfect Crime: The murderers believe they've managed this. One of the joys of the series is watching Columbo Pull the Thread and prove them wrong.
  • Perp Sweating: This was usually done in a psychological manner by Columbo. While it was rare to see a normal interrogation, they did occasionally show them, the most notable example being "Murder of a Rock Star".
  • Personal Arcade: The episode "The Conspirators" has Columbo and a suspect talking over games of pinball in the suspect's home.
  • Pet's Homage Name: The victim of one episode was a talented musician who had named her bird Chopin.
  • Photographic Memory: Emmett Clayton has one in "The Most Dangerous Match".
  • Pilot Movie: Prescription: Murder (1968) and Ransom for a Dead Man (1971) both preceded the series proper.
  • Police Procedural
  • Precious Puppies: Dog is a sly subversion.
  • Product Placement: A subtle one- Barney's Beanery, seen in the early seasons, is a real restaurant. This averts Aluminum Christmas Trees as the restaurant is still in business.
  • Psychopathic Manchild: Alex Bradey is a manchild running around Hollywood making brilliant movies, but when confronted with evidence that he'd been responsible for the death of a woman many years ago, he gleefully sets up a way to murder the man who can expose him, seems to enjoy the act of murder and likes to playfully manipulate those around him into doing whatever he wants. Ultimately backfires when his boss gets fed up with him and Columbo manages to manipulate his own scenario to catch the guy.
  • Puffer Fish: Puffer fish poison was the murder weapon in "Murder Under Glass".
  • Pull the Thread: Columbo's ability to see through cover stories forces the killers to usually come up with an even more complicated web of lies in an attempt to cover their involvement.
  • Pun-Based Title: Most episode names are a pun related to the murder committed. For example, in "An Exercise in Fatality" (an exercise in futility) Milo Janus strangles Gene Stafford and makes it look like an exercise mishap. In "Caution: Murder (Cigarette smoking) Can Be Hazardous to Your Health", Wade Anders kills Budd Clarke with poisoned cigarette.
  • Qurac: Semi-zigzagged with Suari, from "A Case of Immunity". America is trying to improve relations with the country, which complicates the case. The new king of the nation is considered progressive and more liberal than his father. The Suarian legation guards do carry rifles but are treated as basic security guards and nothing more. However, the protestors seem to imply that things are not all that great back home, and the ending does suggest that execution is a common criminal punishment for murder and/or treason. They were a straight example but are moving a bit away from that, it seems.
  • Real Song Theme Tune:
    • "This Old Man" was initially an ad lib by Peter Falk but quickly became the theme for the character, even moreso in the ABC years when it would be used as the closing theme in many episodes.
    • "Columbo Cries Wolf" opens with "She Drives Me Crazy" by Fine Young Cannibals as the theme song.
  • "The Reason You Suck" Speech: Some particularly smug villains like to give this to Columbo when they've reached their limit.
  • Refuge in Audacity: One of the licensed tie-in novels has Columbo investigating the assassination of John F. Kennedy and the conspiracy behind it. The whole thing is so outlandish and goofy in its execution, mixed with lots of cursing, and is too hard to take seriously.
  • Rewind, Replay, Repeat: Done several times in order to prove that the tape being used for an alibi was faked somehow.
    • In "Caution: Murder Can Be Hazardous to Your Health", the inconsistency Columbo points out is the hedges behind the door in the tape Wade Anders has set up for his alibi.
    • In "A Bird in the Hand", Columbo replays the news footage of Harold McCain's gardener blowing up to show Dolores (Tyne Daly) that Harold flinched in anticipation of the pipe bomb exploding.
    • "Playback" features Harold Van Wick using a very expensive, very elaborate in-home security system (which for the 1970s, was NOT all that common) to record him shooting his mother-in-law (from out of frame) and play it back while at a party so that the security guard at the gatehouse will see it. Columbo discovers the ruse when spotting the party invitation on the desk in the footage of the shooting, which vanishes seconds later and was presented at the party itself.
  • Roommate Com: The episode "Death Hits the Jackpot" has the murder victim living in an apartment where he has an endless supply of wacky neighbors who keep dropping in after his murder and a pet monkey.
  • Running Gag: When Columbo enters the crime scene or meets someone for the first time, he is mistaken as a sightseer or a hobo. A nun in "Negative Reaction" first thinks he's a hobo and then when he says he's a cop, she's convinced that he is an undercover cop in disguise.
  • Series Continuity Error:
    • In "Columbo and the Murder of a Rock Star", Columbo takes down the top of his Peugot convertible and says it's the first time he's had the top down since buying the car. Except it was down in "Last Salute to the Commodore", and possibly other episodes. He was definitely driving around with the top down in "The Most Dangerous Match". Well, it was a long time, so he may have forgotten those past occasions.
    • Happens again in "Murder with Too Many Notes", as Columbo asks one of the musicians to teach him how to play "This Old Man" on the piano at the end of the episode. Except he played the song perfectly on piano in "Try and Catch Me". Both examples could be hand-waved as Columbo lying as part of his Obfuscating Stupidity act.
    • This happens within the episode "Forgotten Lady". Dr. Willis' bedroom was supposed to be on the other end of the house from the film room. However, when Columbo tries climbing down the tree outside the bedroom window, it's suddenly directly above the film room as Grace wheeler sees him through the film-room window.
    • So what is Sgt. Wilson's first name, anyway? Is it John J. or Fredrick? Both appearances gave him different names.
  • Shout-Out:
    • More than one fan of Patrick McGoohan's '60s spy show chuckled when McGoohan slipped a "Be seeing you." into his "A Case of Identity" appearance. And right after he says "Be seeing you" to his assistant, we cut to him walking in an amusement park while wearing a dark colored light jacket with white piping which seems to echo Number 6's Village 'uniform'.
    • A brief clip of Johnny Carson giving a monologue (and interviewing Pearl Bailey) can be seen in "Forgotten Lady" as well as references to the show being 90 minutes long, as it was at the time.
    • "Forgotten Lady" also features Janet Leigh's character, Grace Wheeler, watching the old film Walking My Baby Back Home, in which Leigh starred.
    • Prior to Janet Leigh's appearance, Vera Miles, who played Lila Crane alongside her in "Psycho" played the killer in "Lovely But Lethal". At one point she indicates she couldn't be the killer because she "wouldn't hurt a fly"- which was the same thing that "mother" said about herself at the end of "Psycho".
    • Psycho again gets a mention in "Murder With Too Many Notes" along with Jaws when samples of their scores are played by the orchestra. Jaws was also mentioned in "Fade in to Murder" when Columbo sees a prop shark at the TV studio lot and asks if it was the shark from the film.
    • The news reel that Luis Montoya is watching in "A Matter of Honor"? It's actually an older film that Ricardo Montalbon starred in, playing a bull fighter.
    • "How To Dial A Murder" is built on this as the murderer is a film buff collector. He owns both the large gate and the sled from Citizen Kane as well as the famous pool table and curved pool cue once used by by W.C. Fields.
  • Showy Invincible Hero: Does the bad guy have a chance? No way. The fun is seeing Columbo make them squirm.
  • Significant Reference Date: In 1990's Uneasy Lies the Crown Columbo says he's been on the police force for 22 years. And indeed it was 22 years since the first Columbo TV movie, 1968's Prescription: Murder.
  • Smart People Play Chess: The subject of one episode, where a Smug Snake Grandmaster murders his rival before a long-awaited match upon realizing he can't possibly win. But subverted by Columbo himself; the Lieutenant prefers checkers.
  • Smug Snake: Many of the killers. Roddy McDowell was a good example. Another, played by Leonard Nimoy, was so smug that Columbo has one of his few moments of anger with him.
  • The Sociopath: Quite a few of the killers over the years, but Dr. Fleming in Prescription: Murder and Leslie Williams in "Ransom for a Dead Man" particularly stand out because their utter lack of conscience and capacity for normal human empathy becomes crucial to Columbo's Batman Gambits against them.
  • Spanner in the Works: In a number of cases, Columbo's put on the right trail by picking up on a minor detail in the crime that the killer didn't (and often couldn't) have predicted or accounted for.
  • Split Personality:
    • Ward Fowler, the killer from "Fade in to Murder" seems to be suffering from this. He keeps slipping into the persona of Detective Lucerne, his TV role, to help Columbo, and practically hands Columbo evidence to hang himself.
    • "Sex and the Married Detective" starts with Dr. Joan Allenby putting on a disguise to murder a cheating lover. This second "Lisa" personality does eventually manifest itself, however, leading to an eerie scene where Dr. Allenby is arguing with herself in a mirror with "Lisa", followed by "Lisa" visiting various nightclubs and having bartenders call Columbo with various messages. By the end, Dr. Allenby is so scared of this that she's practically relieved when she's arrested.
  • Squick: In-universe, Columbo finds the sight of an operation and most autopsies to be unbearable to watch... though his mood will fluctuate on this depending on the situation. Most attempts to show him such things freak him out quite bad at even the suggestion he witness, though at the end of "A Stitch in Crime", his nerves harden up and he watches the surgery intensely.
  • Status Quo Is God: During an interview with WABC's Mark Simone, Falk was asked after all those years of solving all those high profile cases, why was Columbo still a Lieutenant? Falk chuckled and said "I guess he probably turned down a promotion here and there so he could keep on doing the work he loved."
  • Stopped Clock:
    • "Candidate for Crime" involves Nelson Hayward killing Harry Stone and then the time of death being established by a broken watch. Columbo figures the watch must have been planted on the victim's body with the time pre-set, because he was a tough sportsman who wouldn't have wanted to be seen dead wearing such a wimpy, fragile timepiece.
    • This happens again in "Death Hits the Jackpot", when Leon Lamarr (Rip Torn) sets his nephew Fredy Brower's watch and breaks it to try to establish the time of death so that it will look like he was at his Halloween party when Fredy drowned. However, this fails to work when Columbo notices that this supposedly expensive watch is a counterfeit knockoff of a name brand watch... which Lamaar didn't know, as he'd bought Fredy the real deal as a gift some time before, and didn't know that Fredy had sold it and bought a knockoff. This was a major plot point as the knockoff was not waterproof, unlike the real watch — so, if Fredy had really been bathing, he would have taken his watch off.
  • Subliminal Advertising: Dr. Bart Keppel is an expert in this technique in "Double Exposure". He uses it to lure Vic Norris to the spot he's picked out for the murder. Later, Columbo uses it against him to push him into revealing the location of the key evidence against him.
  • Sympathetic Murderer: Some of the best episodes have the audience actively hoping the Lieutenant won't catch the perp.
    • An interesting case in "Lady in Waiting" that plays with this trope. Beth Chadwick kills her controlling brother because he's trying to end the relationship between her and Peter, who works for him, by threatening to fire him. After his death she starts becoming as controlling and inconsiderate of other viewpoints as her brother — she even almost decides to shoot Columbo when he catches her! She only stops because he says she's "too classy" to do such a thing. There were also several officers with him just outside the room... although she was already being arrested for murder so it probably wouldn't have made much difference.
    • In "Try and Catch Me", he gives a tale to an audience of crime writing fans and says that his favourite part of his job is meeting nice people, even killers, because although what they have done is horrible, that doesn't mean they aren't genuinelly nice people and he often understands their motives and sympathises with them. This was a bit manipulative since the killer of that story is Abigail Mitchell, who was in said audience and it was doubtless for her ears too (she was more or less sympathetic, for the record), but based on the evidence, there is little reason to believe that he wasn't being truthful. Also, her motivation for murdering her son-in-law in the first place was that he had murdered her daughter years earlier.
    • In "Swan Song", the episode featuring Johnny Cash, we know that we are supposed to be sympathetic to Tommy Brown (Cash) once we realize that he is tired of being controlled by his religiously fanatic, blackmailing wife. Tommy even expresses relief that he's been caught, and admits that he would eventually have given himself up. In a rather touching moment, Columbo reassures Tommy that there is still some good in him.
    • The widow of a Columbo killer (never given an episode) who tries to hurt Columbo's wife due to her desire for Revenge.
    • Adrian Carsini in "Any Old Port in a Storm": despite being rather arrogant, he has a genuine passion for fine wines and in an offhand comment it is mentioned that he pays the highest wages of any vineyard in that part of California. Columbo likes him so much that, after arresting him, he pulls over to the side of the road so they can share one last bottle of wine before he hauls him off to be booked.
  • Take That: Alex Bradey, the film director from "Murder, Smoke and Shadows" is a rather less-than-kind expy of Steven Spielberg. Bradey is an up-and-coming film director with a lot of ideas, but by the end of the episode he's shown to be little more than a Man Child who thinks he's above everything else, only for not only Columbo to catch him, but his studio boss to fire him for being such a jerk. Perhaps even harsher considering that Spielberg directed one of the first-season Columbo films.
  • Third Act Stupidity: Plays around with it.
  • This Bear Was Framed:
    • The episode "A Matter of Honor" has one of these, where Columbo is stuck on a Busman's Holiday in Mexico. The perp is a bullfighter (played by Ricardo Montalban) who kills his victim by trapping him in the arena with a notoriously vicious bull.
    • "How To Dial A Murder" involves a psychologist who trains his pet dogs to kill a man upon command and uses a phone call as an excuse to say the command to make it look as if the dogs merely became vicious for no reason.
  • Title Drop:
    • This happens a few times, notably "Make Me A Perfect Murder".
    • Sort of with "Undercover" - it would be hard not to use the word "undercover" in dialog as Columbo going undercover is a major plot point, though "jigsaw" is slipped in as well as a reference to the original book title that the episode was based on.
  • Too Clever by Half: This is actually pretty common. A lot of these killers would have gotten away free if they'd just kept things simple, but many had to take it an extra step further by trying to set up a scene or frame someone, which caused them to make mistakes.
    • If Alex Benedict in "Étude in Black" didn't come back for his flower pin, or just not wear it at all after retrieving it from the crime scene, he probably would never have been caught.
    • "A Stitch in Crime" is a perfect example: if Dr. Mayfield had simply killed Sharon Martin in the parking lot, no doubt he'd have been free, but the plot to make it look like a killing over drugs complicated the situation, caused far too many problems and led to his capture.
    • "A Deadly State of Mind" has a great example: Dr. Collier knows Columbo's game at the end is a ruse and that the man couldn't have seen him for an identification because he's blind. However, aside from the glasses, there was no indication at all the man Columbo had in the room was blind. Dr. Collier practically gave away too much information for his own good.
    • In "An Exercise in Fatality", Milo Janus successfully makes the murder look like an accident without leaving any evidence conclusively proving that it wasn't. But then he goes and tries to construct a perfect alibi (which he didn't really need, since the murder looked like an accident), which leads to Conviction by Contradiction when Columbo finishes ripping it apart. If he'd just not bothered with an alibi at all, he might have looked suspicious, but there would have been no evidence of any sort against him.
    • Played with in "Murder By The Book", where the key is that the first murder Ken Franklin commits is intricate, well-thought out and almost flawless, but his second is sloppy and rushed. This gives Columbo the idea that the murderer, the less-talented half a murder-mystery writing team, actually stole the idea for the first murder from one of the ideas his partner Jim Ferris came up for their books, but the second was all his own. Ironically, the first murder was his idea, the only one that he ever came up with for them, but it was never used.
  • Too Dumb to Live: Whenever the victim isn't an Asshole Victim, they're usually this. Though occasionally the two are combined. Blackmailing without some sort of "if-I-die-the-truth-will-come-out" mechanism is common in the stories -even when the blackmailer knows the blackmailee has murdered before.
  • Trademark Favorite Food: A bowl of chili with crushed saltines on top, especially if it's from Barney's Beanery.
  • Trope Codifier: Of the Reverse Whodunnit, Trope Maker being R. Austin Freeman's Dr. Thorndyke.
  • Uncomfortable Elevator Moment: One happens in "Sex and the Married Detective", when Dr. Joan Allenby arrives at her clinic the morning after she kills David Kincaid there. She gets in the elevator to go up, and then Columbo jumps on. The entire scene is done in awkward silence, with Columbo looking down and noticing the tag on Joan's new coat and him then noticing the no-smoking sign when he is reaching for his cigar.
  • Unwitting Pawn: Murderers on the show usually don't have accomplices, but when they do, the accomplice may be killed as part of a larger plan.
    • For example, in "Old-Fashioned Murder", Ruth Lytton hires a just fired ex-con security guard, Milton Shaeffer, to break in and steal artifacts, claiming it's so she can get the insurance money. Her actual plan is to shoot him when he breaks in as part of a Deceased Fall-Guy Gambit so she can shoot her brother and frame him.
    • In "Negative Reaction", Paul Galesko also uses the Deceased Fall-Guy Gambit variation to cover up the shooting of his wife.
    • In "A Case of Immunity", Rachman Habib is Hassan Salah's accomplice in killing the head of security at the Suari Legation headquarters. He goes into hiding, though Hassan kills him after the fact and plants money and papers on him to frame him as the sole culprit.
  • Vacation Episode: At least twice: "A Matter of Honor" and "Troubled Waters".
  • Villainous Breakdown: Some of the killers suffer these when the noose finally tightens:
    • In "Suitable for Framing", Dale Kingston starts shrieking at the top of his lungs that Columbo planted his own fingerprints on the stolen paintings, only to be struck completely dumb when Columbo reveals that he's wearing gloves.
    • In "Short Fuse", Roger Stanford goes Laughing Mad when he realizes that there is no bomb and he's just exposed his M.O. in front of witnesses.
    • In "Dagger of the Mind", Nicholas Frame starts giggling to himself and babbling a monologue from Macbeth when he realizes (or, to be perfectly accurate, is tricked into believing) that Columbo has found a key piece of evidence against him.
  • Villainous BSOD: Harold Van Wick in "Playback" goes insane when he realizes that his wife just saw the evidence tape showing the art gallery invitation on the desk during the murder.
    • Alex Bradey of "Murder, Smoke & Shadows" briefly sees Columbo dressed as a ringmaster at the end- while potentially staged by the show for comedic effect, it's rather likely that the sudden stress of being arrested caused him to hallucinate.
  • Woman in Black: In "Sex and the Married Detective", Dr. Joan Allenby disguises herself as one to kill her lover David Kincaid after she catches him cheating on her with her assistant Cindy Galt. She accomplishes this with a wig, lots of dark black and sexy clothing, and a man's fedora hat. This leads to a bit of a split personality, however- Joan even argues with "Lisa" at one point.
  • Woobie, Destroyer of Worlds: It's hard to feel total hatred for Rudy Strasse, the villain of "No Time To Die". When he was a child his father, a famous surgeon, was an abusive monster at home. One night he took the abuse too far and sliced Rudy's mother's neck open, killing her while Rudy watched. Realizing what he's done, the man kills himself in grief, again while Rudy watches. Yes, Rudy may be insane, yes he may have kidnapped a woman, yes he may even be planning to rape and kill her and himself... but he's got some serious and perfectly valid reasons to be as messed up as he is.
  • Worthy Opponent: "The Bye-Bye Sky-High IQ Murder Case" is set at a Mensa-style club, with the killer, Oliver Brandt, being an Insufferable Genius who considers the victim, Bertie Hastings, and the other members of the club, to be inferior to his own intellect. When dealing with Columbo, he occasionally gets glimpses through Columbo's façade, and by the time of his arrest, is relieved to have been caught by someone now considered a peer, intellectually — since Columbo solved the intellectual puzzle Brandt suggested to him with a very logical solution.
  • You Keep Using That Word: Suspects would often claim Columbo was "harassing" them when he was just politely asking them questions.
  • You Look Familiar:
    • In addition to the stars who appeared as killers more than once, Character Actor Vitto Scotti appeared in a number of supporting roles, Bruce Kirby appeared nine times (usually as Sergeant Kramer), William Shatner and George Hamilton appeared as murderers on both NBC and ABC episodes (Shatner was Ward Fowler and Fielding Chase, Hamilton was both Dr. Mark Collier and Wade Anders), and Leslie Nielsen appeared twice — once as a murder victim and once as the boyfriend of the episode's murderess. This is also especially true of Shera Danese, Falk's real-life wife, who was in several of the films and had major roles in some of them. She appears in six episodes. In fact, Shera Danese and Peter Falk first met while filming "Fade in to Murder". She only has one small scene in that episode but quickly got bigger roles in later episodes of the series.
    • In the original 70's MAD parody "Clodumbo", the Big Bad is drawn to resemble frequent Columbo villian Robert Culp.