Series / Murder, She Wrote

Murder, She Wrote is a popular, long-running television mystery series created by Peter S. Fischer and the team of Levinson and Link, starring Angela Lansbury as mystery writer and amateur detective Jessica Fletcher. The series aired for 12 seasons, from 1984 to 1996.

Ruthlessly formulaic, most of its episodes follow a standard format: a murder is discovered, Jessica starts snooping around, the police tell her to let professionals handle things, she ignores them, deduces the murderer's identity in a Eureka Moment, and then engineers a public confession, frequently by tricking the murderer into a Just Between You and Me. And then everybody laughs. Later seasons did mess with the formula a bit, changing the mysteries from Christie-style whodunnits to Columbo-style howcatchums. All three of the show's creators were tied to Columbo.

The series was followed by a series of four made-for-TV films, aired from 1997 to 2003, and also led to a short-lived Spin-Off, The Law and Harry McGraw. Angela Lansbury has said she'd like to take one more swing at Jessica Fletcher, but no one else has shown interest. Additionally, rumors began in late 2013 that a possible reboot was in the works, with Oscar-winner Octavia Spencer as a "hospital administrator and amateur sleuth who self-publishes her first mystery novel." After a lukewarm reception from fans and Lansbury herself, the idea was shelved.

An amusing interpretation, lampshaded in the show, no less, is that there is no better explanation for the sheer number of murders the lead character encounters throughout the long run of the series than her involvement in all of them. Indeed, if Cabot Cove alone were really to have suffered that many murders, it would top the FBI national crime statistics by several orders of magnitude (as mentioned below, Cabot Cove has an estimated murder rate eighty-six times that of the most murderous city in the real world.) Also, if you're Jessica Fletcher's friend in any capacity but not an episode regular, you're pretty much doomed either to kill someone or be killed, or be wrongly arrested for being a killer.

In an interesting cross-media spin-off, Donald Bain wrote several mystery novels inspired by the series, all of which credited Lansbury's character Jessica Fletcher as a co-writer.


This series provides examples of:

  • 10-Minute Retirement: Sheriff Tupper attempts this in one episode, but reclaims his job after his successor Harry Pierce (played by John Astin) proves to be utterly incompetent. The fact that Pierce turns out to be the Killer of the Week didn't help.
  • All Just a Dream: "The Petrified Florist"
  • Always Murder: Enforced by the show's format, with three notable exceptions:
    • "Just Another Fish Story": Self-defense.
    • "To The Last Will I Grapple With Thee": Suicide made to look like murder to implicate someone else.
    • "The Christmas Mystery": Attempted murder; the victim survives.
    • Inverted in one episode where the victim's death is thought to be the result of medical malpractice and her doctor is about to be either sued for this or arrested for manslaughter/negligent homicide. Further investigation, however, determines that she was poisoned, meaning it is a murder after all.
    • "Jessica Behind Bars" subverts this and then plays it straight. The first victim was a Guilt Ridden Accomplice who actually committed suicide, but the second victim was in fact killed because she was a loose thread that may have led to the reveal behind why the first victim took her life.
  • Amateur Sleuth: Jessica has no formal law enforcement or investigation training, and never acquires any throughout the series; her skills are chiefly based on her career as an English teacher who has a deep understanding of the mystery genre, and applies her understanding of it to Real Life. Once, though, when a witness is unwilling to be questioned with Jessica present, the sheriff says he'll deputize her if necessary.
  • Anti-Villain:
    • One murder victim turns out to have been blackmailing the more prominent men of her small town, but then it's implied she was using the money to anonymously support charities for orphans and widows.
    • The killer in the first episode is being blackmailed over a crime for which he was framed originally, and he kills his blackmailer.
  • Asshole Victim: The vast majority of the murder victims, with a few exceptions. Rarely is the murderer some brutal and heartless killer; he or she is almost always someone who the victim has wronged in some way, even if the killer themselves turns out to be a jerk. At least one noteworthy exception is an episode about a woman being poisoned to death by her husband, who wants to collect her insurance money and run off with his mistress. At no time is she ever made out to be someone who got what was coming to her, nor is he made out to be sympathetic.
    • Played with, then averted: special mention probably goes out to Marge in 'Who Killed JB Fletcher?' The initial scenes portray her as a bumbling burglar and identity thief (and who causes some major grief for poor Jessica). She quickly turns out to be an aspiring Amateur Sleuth herself who's taking her Jessica Fletcher fandom a trifle too seriously (and her son's a politician, who doesn't need headlines about his criminal mom!). She thinks she's getting proof of a major (by small-town Texas) scandal; instead, she accidentally catches a pair of killers in the middle of disposing of the body. Instantly He Knows Too Much.
    • Actually subverted at least once. The assumption for much of 'Dead Letter' is that Bud, the victim and also a neglectful, if not abusive, husband, was killed in self defense by his wife's lover when he attacked them out of jealousy and then the building he was in set on fire to cover it up. As it turns out he was really murdered because he witnessed the arsonist burning the building. He, an off-duty volunteer fireman, had broken in to put out the flames and make sure there was no one trapped inside, and in the process stumbled on his killer.
  • Bluffing the Murderer: Jessica typically finds some way to bluff the murderer into seeking her out, thinking her to be alone and thus defenseless.
  • Burn the Witch!: The killing of a woman for witchcraft in the 17th century sets up some of the plot in "Fire Burn, Cauldron Bubble," as Seth sees her "ghost." In the present day, there's a Witch Hunter priest who of course is the first suspect when one of the witch's descendants, Irene Terhume, ends up dead. He didn't do it.
  • Busman's Holiday: Jessica takes a lot of vacations, and death always follows her. It's entirely possible they started having her travel because Cabot Cove would have eventually run out of people.
  • By-the-Book Cop:
    • Cabot Cove's first sheriff is Amos Tupper, an honest cop and a close friend of Jessica. He retires after the fourth season.
    • Tupper is replaced by Sheriff Mort Metzger, a former NYPD detective who takes the job in the mistaken belief that the town is a peaceful place.
  • California Doubling: The exterior shots of Cabot Cove were filmed in the town of Mendocino (about halfway between San Francisco and the Oregon border).
    • "Witness for the Defense" is supposedly set in Quebec, but some interior scenes are shown to have green-lettered exit signs (the norm in California). Virtually all Canadian exit signs in that style are red.
  • Catch Phrase: Jessica has one just prior to getting neck deep in the current investigation:
    Jessica: [to current investigating officer] I know it's none of my business, but... [Insert recommendation of next investigative move].
    • She also has a variation of her Once per Episode disagreement when the current officer in charge makes the first accusation:
      Jessica: *shakes head* I'm not so sure, [officer name]...
    • Also upon having her Eureka Moment she has a variation of the same basic quote:
      Jessica: [Eureka Moment] I believe I know what happened. Excuse me... [cut to catching the culprit and getting a confession]
  • The Charmer: Michael Hagarty, Jessica's friend in MI6, often invokes this as part of his undercover operations or other crime-fighting activities. Jessica is more often seen to be exasperated by it than anything, since he frequently uses it on her to hide his true motives for doing something.
  • Chekhov's Gun: Inevitably, at some point in an episode, the camera focuses just a little longer than necessary on something utterly random and mundane that turns out to be significant regarding the identity of the killer. Occasionally, this happens even before the actual murder does.
  • Chromosome Casting: The second season episode "Jessica Behind Bars" took place in a prison on lockdown, and everybody from the prisoners to the staff to the warden, even the lieutenant governor they speak to on the phone, were all played by women.
  • Chuck Cunningham Syndrome: Ethan Cragg (Claude Akins), who appears often enough in the first season to be considered a recurring character, disappears without explanation at the start of season two. His role as Cabot Cove's resident lovable curmudgeon is filled by Dr. Seth Hazlitt for the rest of the series.
  • Clear My Name: Naturally, this happens in a lot of episodes, where an innocent man is the prime suspect of the murder (although it's usually not an intentional Frame-Up on the real killer's part) making Jessica's task twice as hard.
  • Contrived Coincidence: One episode revolved around Jessica getting sued when the plot of her latest novel is staggeringly similar to a real life murder case. Jessica is shocked when she reads the reports from the actual case and realizes it is similar, even though she's never heard of it. In fact, the book is so similar that the guy who is suing her uses it to discover who actually murdered his wife and subsequently gets killed by the same culprit: his former secretary/second wife.
  • Creator Breakdown: Reversed, in-universe. The reason Jessica started writing her mysteries in the first place was to give herself an outlet to work through her grief over her husband's death. In a later episode, Seth expresses concern that she's investing too much of her time in her books and missing out on life.
  • Crossover: With Magnum, P.I.. The crossover episode is a two-parter, with the first part on Magnum, P.I. and the second part on the subsequent episode of Murder, She Wrote. Luckily, the appropriate crossover episodes are included on the corresponding season DVDs.
    • It should be noted, however, that this series' season three DVD set has the syndicated version of the Magnum episode rather than the original network version that continued in "Magnum on Ice".
  • Dead Man Writing: "Truck Stop"
  • Deadpan Snarker: A couple, although regularly occurring ones in Cabot Cove are Seth Hazlett and, later in the series, Sheriff Metzger.
  • Death in the Clouds: "The Corpse Flew First Class"
  • Defrosting Ice King: Harry McGraw was incredibly cold towards Jessica when they first met. Ever since his first episode, he's more willing to help her whenever she needs it.
  • Dirty Cop: A few episodes have them as the culprit.
  • Dolled-Up Installment: "The Grand Old Lady" was revised from unproduced Ellery Queen script, with Ellery replaced by expy Christy McGinn.
  • Doom Magnet: Is Jessica Fletcher visiting your town or home? One of three things is going to happen. You'll either be killed, accused of killing, or be revealed as a killer. Being accused is your best bet, as Jessica will invariably prove you innocent when she reveals the real killer.
    • Lampshaded more than once.
  • Dude Magnet: Jessica gets a lot of attention from older gentlemen, and in one episode a college-age Cake Eater flat-out propositions her.
    • this was at least partly because of a direct request by Lansbury. She felt very strongly that Jessica should be a realistic middle-aged woman, rather than a 'dried-up old biddy' stereotype. (But she still never hooked up with anyone! This was possibly due to a mix of Network Standards and fan opinions, who never liked any of Jessica's potential love interests... at least those who made it to the end of their introductory episode without being killed or revealed as the killer.)
  • Eagle-Eye Detection: Jessica's ability to pay attention to minute details is usually what reveals the killer. In one example, Jessica notices that one character has been hiding his hand in his pocket since the murder because a dog bit him after he committed it.
  • Electrified Bathtub: "Sticks and Stones" and "Unauthorized Obituary"
  • Engineered Public Confession: The standard format has Jessica Bluffing the Murderer into confessing in the mistaken belief that it is Just Between You and Me, when she's arranged for a police officer or other responsible person to be in the next room.
  • Eureka Moment: Once per Episode with some minor detail that ties all the other evidence together, and leads into the confession scene. Seth and Mort lampshade it in later seasons with exasperation as they see her staring off into space, realizing she's figured it all out. Subverted in one episode when she does this... and then announces she's worked out the ending to her latest book.
  • Everybody Laughs Ending: The show rolls the end credits on Jessica's laugh in roughly 99% of the episodes. The few which don't end with her laughing (such as the pilot) end instead with a freeze shot of her astonished face as she realizes something important or is taken by surprise in some way.
  • Fair Play Whodunnit: Had quite a few, given that the killers usually revealed themselves by saying something only the killer would know or assume.
  • Fictional Document: Jessica's novels; several of the titles are named in the series, such as her first book, The Corpse Danced at Midnight. Some of the actual crimes are also solved with these providing key evidence.
  • Friend on the Force: Jessica acquires a large number of friendly detectives as the seasons go on, not to mention her friendships with the Cabot Cove sheriffs.
  • Fully Absorbed Finale: The "bookend episode" The Grand Old Lady was actually an unfilmed series finale script from a previously-produced and cut short Ellery Queen series, albeit with the characters slightly changed to dance around rights issues. Both series were produced by Levinson and Link, and they apparently decided not to let a good script go to waste.
  • Gender Flip: Ellery Queen as a middle-aged female.
  • Genre Blindness: There's no other possible explanation for why people continue to want to be Jessica's friends and neighbors.
  • Happily Adopted: Grady, Frank and Jessica's nephew, was orphaned young and raised by his loving childless aunt and uncle. Grady is absolutely devoted to Jessica.
  • Headless Horseman: Relocated to a prep school, and tied it in with the required murder.
  • Hero of Another Story: A good chunk of episodes follow someone other than Jessica, solving murders their own way, but still keeping in with the show's formula. They range from characters seen in previous episodes to someone totally different who's never been seen before. Sometimes they're even the characters from Jessica's books.
  • He Who Must Not Be Seen/Dead to Begin With: Frank Fletcher, Jessica's late husband, who passed away prior to the series. Throughout the series, Jessica interacts with her multiple nieces and nephews, some which belong to Frank's side of the family. At one point, she even reunites with her brother-in-law and other relatives connected to the family. The only thing the viewers have as far as a description on Frank is that he and his brother looked alike and they brought in an actor to provide his voice.
  • Hidden Wire: Jessica does this several times as part of her Engineered Public Confessions.
  • Identical Cousin: Jessica has a British cousin named Emma, also played by Angela Lansbury. In the episode "Runs in the Family", only Emma was featured, with Jessica not appearing at all, and Emma proved to be a rather good sleuth herself.
    • in the telemovie 'The Last Free Man' she also had an Identical Ancestor with similar talents - a Southern Matron in Civil War times with modern views on emancipation for slaves.
  • I Never Said It Was Poison: Frequently used by Jessica and other characters.
  • Instrument of Murder: "Death to a Jazz Beat" offered an inversion; a jazz clarinetist, who was planning on firing his back-up band before signing a huge recording contract was murdered by a poisoned clarinet reed. In another episode, a ballerina was murdered by touching a poisoned prop.
  • It's Personal: In one episode, Metzger found the man who was responsible for his partner and his wife's deaths. For years, he's wanted to put his partner's murderer behind bars and he managed to find him. Unfortunately, since he has a very good reason behind "killing" the victim, he's a primary suspect in the murder case.
  • Just Between You and Me: Some of the not-so-nice killers always confess to Jessica or someone else in the belief that they are alone, just before trying to kill them.
  • Knight Templar Parent: A couple of murderers kill their victims because their victim had something to do with their child's death.
  • Law of Inverse Fertility: Jessica and her husband Frank were childless; in a first-season episode, when speaking to a new acquaintance (who later turns out to be the murder victim), she explains that they "were never blessed that way," suggesting that they wanted children but couldn't have them for whatever reason.
  • Leaning on the Fourth Wall: in the seventh season finale, 'The Skinny according to Nick Culhane', the final line is by Jerry Orbach as Harry McGraw, saying "That's all she wrote." Cue Harry, Sherriff Metzger, and Jessica all looking directly into the camera and smiling/smirking for the final shot. In the seventh season box set extra 'The Price of Success', this was explained as a deliberate choice. Lansbury's contract was up, and she was seriously considering not renewing it, because of the grueling schedule (also the reason for the Poorly Disguised Pilot s; it was the only way of giving her a break). At the time of shooting, there was a good chance this would be the series finale as well, so the writers wanted something a little special. Luckily for the network, in the end Lansbury loved Jessica too much to quit.
  • Little Old Lady Investigates: If Agatha Christie's Miss Marple is the most famous example of this trope, Jessica Fletcher is arguably the second most famous, as well as the most famous TV variation.
  • Love Makes You Crazy: Many of the murders are done for loved ones, but there are a few where the affections made the culprit quite loopy.
  • Magazine Decay: In-Universe example: a publishing magnate buys up a literary magazine called Literary Lines and adds Maxim-esque pictorals of bikini-clad ladies. This doesn't sit well with Jessica, who is under contract to have her first short story published in the magazine.
  • Make It Look Like an Accident: A good chunk of the murders are played out like this. They either make it look like a tragic accident or suicide even.
  • Mystery Magnet: People drop dead around Jessica everywhere she goes. Everywhere. It's creepy.
    • It's been calculated that Cabot Cove has a murder rate of 86 per 1000; by comparison, the most murderous city in the world, Caracas, has a murder rate of 1.1 per 1000. That's not counting the murders that happen outside Cabot Cove...
    • In some years, more people were murdered in Cabot Cove on the show than were murdered in the entire state of Maine in Real Life.
    • Lampshaded in one episode when another character tells Jessica, "If murder were a disease, you'd be contagious."
    • Lampshaded again by Sheriff Metzger, a former New York cop who, after a year as the sheriff of Cabot Cove, asks Jessica, "Just what the hell's wrong with this town?"
  • Mystery Writer Detective: Jessica Fletcher, of course.
  • Nephewism: Jessica had no children, but many nieces and nephews. Grady Fletcher was the main repeater among them. As noted above, it's explained in a few episodes that Grady was orphaned as a little boy and was raised by Jessica and Frank; as their surrogate son, he had good reason to be a repeater.
    • Jessica's other repeating relatives were a niece and nephew-in-law, played by Genie Francis and Jeff Conaway, who had a continuing thread about him wanting to be in the entertainment business.
  • New Neighbours as the Plot Demands: Complete with one of the new characters dying in the episode they are introduced. Seems like Cabot Cove is the murder capital of the east coast.
    • They poked at the edges of the trope; there were a number of recurring Cabet Covers beyond Jess, Doc Hazlett and the sheriff, and even two episodes where one of these recurrers was the murderer, which the Genre Savvy know isn't supposed to happen.
  • Obfuscating Stupidity: Jessica doesn't hesitate to play up her "little old lady" image to get information out of people. In a few instances she even plays a drunken floozy with surprising skill, which may be justified since Jessica has a history of theater in her background.
  • Oireland: "The Celtic Riddle", "Nan's Ghost", "A Killing in Cork", "Another Killing in Cork", "To the Last Will I Grapple With Thee" (set in New York but involving an Irish blood feud)...
  • Other Me Annoys Me: Referenced in an episode where fictionalized characters closely resemble real people but with negative characterization. Anger ensues.
  • Pac Man Fever: Surprisingly averted for a show focused on murders and generally populated by adults who are focused on anything but video games (save one episode where the murder occurred at a virtual reality game developer). In one early episode, Jessica's friend Ethan is playing a Spy Hunter arcade game. When footage of the game is shown it is perfectly accurate, complete with the player's hands making movements and the vehicle on screen matching them.
  • Platonic Life Partners: Jessica and Seth have this dynamic. They obviously care about each other, but there's little to no indication of anything romantic between them.
  • Playing Drunk: Jessica, in a few episodes, as noted above.
  • Police Are Useless: Often, but not always. Generally, if a police officer/federal agent/other law official is willing to listen to Jessica, they're portrayed as sensible and helpful. The useless ones are those who tell her to stay out of their way.
  • Poorly Disguised Pilot: In everything but intent. When Angela Lansbury started to tire of the pace of a weekly network show, a strategy was devised that would allow the network to do a full season without Lansbury having to do a full season. Slightly more than half of the episodes of the season would be full adventures of Jessica Fletcher. The remainder would be Poorly Disguised Pilots, for which Lansbury, as Fletcher, would film bookend sequences, explaining the new character we'd be seeing for the next hour. Sometimes these were Jessica's own fictional characters, but other times they were friends or relations of Jessica's, such as Dennis Stanton. They weren't really intended to spin-off any of the characters - although if any were exceptionally successful, why not?
  • Pretty in Mink: Some furs show up.
  • Put on a Bus: Sheriff Amos Tupper retired when Tom Bosley left to star in Father Dowling Mysteries.
  • Red Herring: Usually Once per Episode there will be someone who seems all too obviously the killer. They hated the victim, they are likely angry individuals, they have a shady record, they certainly have means and motive, they made some kind of threat to the victim, and/or they're likely the first one implicated by evidence (which incidentally is almost a guarantee for Jessica to prove their innocence, or have them end up murdered by the true culprit).
    • Played with once with Kate Mulgrew in her third appearance. The killer actually speaks during the murders and sounds like a disguised version of Kate's distinct breathy voice. Kate played the killer in two previous episodes, so it seemed likely that she'd be it again.
  • Reasonable Authority Figure: Most of the sheriffs/chiefs tend to be this. While they can be gruff and impatient towards Jessica, they do want to do their job and catch the killer.
  • Right Behind Me
  • Retool: The eighth season began with Jessica moving to New York City to take up a teaching position. J. Michael Straczynski had taken over as head writer for the series alongside a new producer so the decision was made to move away from Cabot Cove as a way to refresh the series. Episodes set in Cabot Cove were still produced but not to the same extent as the first seven seasons.
  • Scoundrel Code: Dennis Stanton was a Gentleman Thief who, after going straight, became a recurring character. During his burgling years, he maintained his own strict code of conduct: never steal anything his victims couldn't afford to lose, never steal anything of sentimental value to the victim, and only steal items insured by a specific insurance company. The last one is for personal revenge, as the company in question refused to pay for a treatment that could have saved his wife's life.
  • Script Swap: Done in one episode with an aging actor whose memory is so bad he has to rely on the teleprompter. While this looks like an Engineered Public Confession, it is actually a ploy on Jessica's part to trick the real killer into exposing themselves.
  • Sherlock Holmes: In the pilot, a man dressed as the Great Detective is the murder victim.
  • Shout-Out:
    • In "Tough Guys Don't Die", the victim is a P.I. named Archie Miles.
    • "Prediction: Murder" has a housekeeper character named Greta Olsson.
  • Spanner in the Works: Defied in "Murder Through The Looking Glass." Jessica hears the dying words of a professional hitman, which leads her to accidentally butt in on a DSS witness protection operation. Realizing she's not going to let things go, the government lets her in on what's going on specifically to prevent her becoming this.
  • Strictly Formula: Mostly played straight, though it should be noted that this was subverted from time to time. Earlier seasons, strangely enough, played with the formula more than later ones.
  • Swiss Army Weapon: Dennis Stanton's umbrella. It has, among other things, a dart launcher in the tip, and the handle seems to have both a blade attachment and a lock pick. That's not including Stanton's own expertise with it as a weapon on its own.
  • Sympathetic Murderer:
    • Frequently killing the Asshole Victim. Sometimes it's self-defense or accidental. A few notable examples:
      • In "Murder Takes The Bus" the victim was a convicted bank robber freshly released from prison. During the robbery he had killed a teenage girl, and when her father confronted him he insulted her, driving the father to strangle him to death. Jessica admits she feels bad for the killer, but suggests that he could make a good case for temporary insanity.
      • In "A Very Good Year For Murder", the victim was a professional hitman. Jessica's friend had actually invited the hitman to his house as part of an admittedly foolish Thanatos Gambit, but then the hitman's sloppy attempt at murder badly injures the man's son instead, prompting the old man to off the hitman himself, confess everything to Jessica, and then attempt suicide. Especially notable in that Jessica herself said that she was going to refuse to testify about his confession, as she saw no need for him to go to jail.
    • Occasionally subverted, also, when the murderer loses the audience's sympathy by trying to frame someone else or trying to kill Jessica. A notable example happens in the very first episode, when the killer murdered his blackmailer. Jessica admits she might have felt sympathy for him except that he then killed a second, completely innocent person, just to throw her off his trail.
  • Take That:
    • One of the show's final episodes, "Murder Among Friends," features a murder taking place among the cast and crew of a show, titled Buds, about six young people trying to make it in the big city. Sound familiar? The show got slotted against Friends as part of a plan to kill it off.
    • The final episode, "Death by Demographics", similarly knocks on the reason for the show being death-slotted: its lack of appeal to the 18-39 demographic. The episode itself is about a radio station manager who fires every employee over a certain age and changes the station's classical music format to more contemporary hard rock.
  • Thanatos Gambit: Attempted in "A Very Good Year For Murder." A friend of Jessica's wanted to pass on his vineyard to his kids, but none of them cared much about it at all. After learning that a crime syndicate who wanted his land had put out a hit on him he deliberately invited their contract killer to his house in hopes that if he was murdered it would inspire his kids to work together and protect the vineyard. The plan didn't go exactly right, and the old man ended up not even dying, but the mere attempt ended up accomplishing his goal anyway.
  • Trans Atlantic Equivalent: More than a few people have mentioned that Jessica Fletcher could be considered an American Miss Marple. This is especially hilarious because Angela Lansbury has played both. In fact, the opening of "The Murder of Sherlock Holmes" is practically a direct lift from the opening of The Mirror Crack'd, the film in which Lansbury played Miss Marple.
  • Unfortunate Implications: Invoked by the high rate at which murders happen around Jessica.
  • Ungrateful Bastard: The two part season finale Mirror Mirror on the Wall focused on Eudora Mc Veigh, a rival mystery author who tried to be friends with Jessica so she could steal from her latest manuscript, and the murder investigation that springs up around her, her husband, and her stepson. Jessica clears Eudora's name, but she continues to act coldly towards her before leaving Cabot Cove. Just before the end credits, Eudora shows up at Jessica's doorstep and makes a heartfelt apology over everything that happened and how she treated Jessica. After everything that happened, Eudora has finally decided to divorce her second husband, take a break from her writing, and spend some time with her sister and her children.
  • Villainous Breakdown: Some of the murderers suffer from this. Preston in "Death Stalks the Big Top" is possibly the most notable example.
  • What the Hell, Hero?: All of the Nice Guy characters got moments like this. In particular, Seth inexplicably takes an instant dislike to a new doctor at the hospital for seemingly no other reason than that the guy is much younger than him, frequently and unfairly accusing him of not caring about his patients and holding him responsible for the death of one of his former patients, who appears to have died due to an error the young doctor made. Jessica, who suspects foul play, gently, but firmly basically tells Seth that he's being a jerk and that if the woman was in fact murdered, the other doctor certainly doesn't deserve to have his career and reputation ruined over someone else's misdeed.
  • Who Murdered the Asshole?: Naturally, as with many Murder Mystery stories, the victims in various episodes are quite often universally despised and shown abusing multiple characters before their death, to provide more possibilities for who might have done the deed.
  • Who Would Want to Watch Us?: In one episode, after solving a mystery that occurred at a mystery series production studio, the producer trails after Jessica and suggests making a weekly mystery series written by her, about her exploits. Jessica says it's the worst idea she's ever heard.
  • Wrong Genre Savvy: Sheriff Metzger. He's a perfectly competent lawman from New York who follows the general procedure that the most likely suspect is the one who did it (a process that in real life often holds true). Unfortunately, he's in a murder mystery series where it's always the least likely suspect that committed the crime.
  • Yandere: A few murderers either murder the object of their obsession or people they assume are in the way to their "love".
  • You Just Told Me: Another way Jessica would identify the killer is the fact that they would accidentally let slip some minor detail only the killer would know. Such as the second episode, "Deadly Lady," when four sisters are accused of murdering their father. One sister's shoes are found at the scene. After she's cleared, suspicion turns to the others, one of whom says it couldn't be her because the two wore different sizes and she didn't wear pink. Jessica never mentioned that the shoes were pink. The sister actually lampshades where she slips.

Alternative Title(s): Murder She Wrote