Two interesting short subjects made during the late years of The Golden Age of Animation (or the beginning years of The Dark Age of Animation, depending on one's point of view), the Adventures In Music duology — Melody and Toot Whistle Plunk and Boom — are two popular 1953 shorts in the Classic Disney Shorts lineup. While they feature none of the standard Disney cast, they are noteworthy for three reasons:
- Melody was the very first cartoon to take advantage of 3D glasses.
- Toot Whistle Plunk and Boom was the very first cartoon short subject to take advantage of the then-new widescreen CinemaScope process (Disney's first feature film to use it was Lady and the Tramp, however).
- Both have very stylized animation, obviously riding off the sharp, flat UPA fashion of the 1950s.
Both shorts are well remembered for their catchy music and their striking layout and character design. However, Walt Disney himself disliked the animation of the shorts. Allegedly, they were both made by Ward Kimball while Disney himself was off in Europe. After Disney won an Oscar for Toot Whistle Plunk and Boom, he went up to Kimball and told him, "No more of this UPA crap." (Note that Walt was suspicious of artsy people like the UPA, many of whose artists had been involved in a 1941 strike at his studio.)
Both shorts are included on the Fantasia 2000 DVD, as well as the Walt Disney Treasures: Disney Rarities DVD set. And of course, they had a second life providing shell material for the long-running Disney Sing-Along Songs videos.
These cartoons provide examples of:
- Anthropomorphic Animal: The primary cast are anthropomorphic birds, dressed in human clothes and just as capable of using their wings as arms as they are of using them to fly.
- Berserk Button: Do not interrupt Professor Owl's lessons.
- Big "NO!":Professor Owl: Today we're gonna study about...
Comics bird: Ancient history?
Suzy Sparrow: Love and mystery?
Penelope Pinfeather: Mathematics?
Sporty birds: Acrobatics?
Boy bird: Reading?
Girl bird: Spelling?
Bertie Birdbrain: Storytelling?
Professor Owl: NO! NO! NO!
- Big "SHUT UP!": In Melody, Professor Owl yells at the chatty housewives to be quiet.
- Disney Acid Sequence: The ending of Melody.
- Dunce Cap: Bertie Birdbrain wears one of these. Professor Owl knocks it over his head in both of the shorts.
- Fat and Skinny: The "Plunk" caveman is accompanied by a short fat one who plays with a bow after his original bow is transformed into a hybrid of a harp and a violin.
- Limited Animation: In both shorts, most character motion is achieved by only having their limbs move but keeping their bodies rigid, even if they are flipping upside-down.
- Never Say "Die": The eventual death of a human being at the end of the "Steps of Life" sequence in Melody is referred to as "[going] to our great reward".
- Offscreen Crash: Happens to a Roman charioteer with a ridiculously long trumpet in the "Toot" segment, leading to the discovery that the shape of the trumpet doesn't affect its sound.
- The Owl-Knowing One: If your cartoon features a classroom of anthropomorphic birds, what other bird would you have as the wisdom-dispensing teacher but an owl?
- Running Gag: The strings breaking during the "Plunk" section of Toot Whistle Plunk and Boom, usually destroying the musicians' headwear in the process.
- The Runt at the End: The last character to sit down in Melody is smaller than the rest.
- Simpleton Voice: Bertie Birdbrain, the dunce bird.
- Talking Animal: The primary cast of the shorts comprises talking birds.
- Vocal Dissonance: The Runt at the End in Melody is a bass, whereas the rest are sopranos and tenors.