Follow TV Tropes


Manga / Super Mario Bros. Manga Mania

Go To

Super Mario Bros. Manga Mania (Super Mario-kun) is a long-running manga based off of Super Mario Bros.. It is written by Yukio Sawada, published by Shogakukan, and ran in CoroCoro Comic. In Japan, the manga is also available digitally on a Nintendo 3DS app.

The manga loosely adapts Super Mario Bros. games. It's a Gag Series manga with a focus on Slapstick and Vulgar Humor. Some chapters also feature puzzles to solve.

In 2014 it began localization in France as Super Mario: Manga Adventures and in 2016 it received a Spanish translation as Super Mario Aventuras. For its 25th anniversary, the manga's incarnation of Mario was made available as a downloadable costume in Super Mario Maker. It was the first time the character appeared in most countries.

In March 2020, it was announced that VIZ Media would localize a collection of select stories from the manga into in English, based on the Japanese Greatest Hits volume Super Mario-kun Selection. The collection was released in December 2020.

Super Mario Bros. Manga Mania provides examples of:

  • Adaptational Jerkass: In early chapters Mario was much more of a jerk than his normal Nice Guy version. This is because the manga didn't have much to base him off at the time.
  • Adaptational Wimp: Usually, most characters are made less competent than in the games (up to and including spin-off protagonists like Donkey Kong and Wario) at the expense of having Mario save the day. That being said, even he tends to get beat up a lot before something or someone arrives to help him.
  • Adaptation Deviation: The series is fast and loose in regards to adapting specific games (having Mario show up in Yoshi's Story and in Wario Land: Super Mario Land 3 outside the ending, for instance).
  • Calling Your Attacks: Everyone does this frequently.
  • Decomposite Character: Pauline's two designs are treated as separate characters.
  • Denser and Wackier: It's much goofier than the games.
  • Divergent Character Evolution: Since the baby Yoshis look alike, they each get their own distinct personality here: green is the brave leader, red is spirited, blue is calm and aloof, sky blue is the most intelligent, pink is the overly feminine girl, and yellow is the dumbest one.
  • Early Adaptation Weirdness: Early volumes of Super Mario-kun features a rougher and Adaptational Jerkass version of Mario. This contrasts with his standardized Nice Guy portrayal. The early chapters differentiate heavily from Mario canon due to being created when the series was still relatively young and low on characterization.
  • Jail Bake: Of a sort. Mario gets eaten by a Sumo Bro in chapter 13, so Luigi offers the Sumo Bro a cake, allegedly as a truce, but it actually contains a power-up block for Mario to use to get out.
  • Long Runner: It's been running since 1991.
  • Mondegreen Gag: One of the most used gags in the comic. Usually coming with the misinterpreting character pulling out a Visual Pun and the other one correcting it.
  • Paper-Thin Disguise: Parodied during the Super Paper Mario arc wherein Luigi is brainwashed into being "Mr. L" just like in the game...only for Mario and Bowser to tell who he is straight away and Bowser even mocks Luigi for the poor disguise.
  • Pragmatic Adaptation: The Paper Mario and Paper Mario: The Thousand-Year Door adaptations cut Mario's traveling companions down to Goombario and Kooper, and Goombella and Koops respecitvely; the other partners only appear for their respective chapters.
    • The Super Paper Mario adaptation is even more pragmatic: the only Pixls who appear are Tippi, Thoreau and Barry, most of the side characters are removed and the plot skips straight from Outer Space to The Overthere, with two of the Pure Hearts (the Floro Sapiens and the Sammer Guys) being found offscreen by Peach. Justified by the author himself during the Overthere chapter, where he pops out in a panel to admit that he's rushing the plot to have more space for the Super Mario Galaxy adaptation.
  • Screw This, I'm Outta Here: The standard tactic used when being faced against a formidable foe. It never works for long.
  • Spared by the Adaptation: Bobby, Olivia and King Olly don't die during the events of Paper Mario: The Origami King
  • Surveillance as the Plot Demands: The main villains tend to watch Mario's current actions via a monitor.
  • Very Special Episode: Super Mari-Old, a non-canon entry in the long running manga was only posted in issue 3 of the Coro Coro Aniki magazine and was not placed in any volumes until the English release. There's a reason why; It deals with the author's retrospective on how he had to continue the comic after his father's death, using Mario as a personification of himself to express his thoughts. Dr. Mario also appears as a representation of the author's decision to keep going.

Alternative Title(s): Super Mario Kun