Film: Groundhog Day
“Then put your little hand in mine…”Groundhog Day is a well-loved 1993 film that massively popularized the time loop trope; with Bill Murray at his deadpan best and a much-lauded script, the film is considered a modern classic.Phil Connors (Murray), an arrogant and smarmy weatherman for a local TV news station in Pittsburgh, his new producer Rita (Andie MacDowell), and cameraman Larry (Chris Elliott) go to Punxsutawney, Pennsylvania to film the annual Groundhog Day festival. Phil loathes the annual celebration and is surly throughout the proceedings, wanting nothing more than to pack up and go home. That proves impossible when a sudden blizzard arrives and closes the roads, forcing Phil and the crew to stay the night.He wakes up the next morning to find it’s still Groundhog Day. Everyone goes on exactly as they did the previous day, with only him aware of it. Though surprised, Phil goes through the motions, still gets stuck in Punxsutawney, and wakes up the next morning … to find it’s still Groundhog Day — again. And again. And so on, with no end to the loop in sight.The movie proceeds to follow Phil as he tries to both adjust to and escape from his bizarre dilemma, with the comedy and drama drawn from the various ways he reacts to it. From irresponsible, self-centered hedonism (after all, if tomorrow never comes, there are no consequences) to suicidal despair (if tomorrow never comes, it’s no use going on) to an insane amount of time-eating hobbies (if tomorrow never comes, you might as well try everything) — no matter what he does, Phil's efforts seem doomed to leave him forever trapped in his own personal Groundhog Day — but with help from the kind-hearted Rita and his own unexpected potential for self-growth and redemption, the possibility arises that tomorrow will come for Phil after all.
Groundhog Day contains examples of the following tropes:
- All Therapists Are Muggles: The psychiatrist Phil visits disbelieves his story and then offers to schedule another appointment for tomorrow. Cue Phil burying his head in a cushion and groaning in frustration.
- Anti-Hero: Phil, before the character development.
- Apocalypse Anarchy: While it doesn’t happen for the world, Phil discusses with a couple of local guys what they would do if there was no tomorrow. Their enthusiastic answer is that they could do whatever they wanted, now with no consequences. Inspired by this, Phil decides to live his "Groundhog Day" Loop in the most outlandish way possible.
- Armor-Piercing Slap: There’s an entire montage of these when Phil tries to refine his technique on Rita (only to get shot down every time).
- Enforced Method Acting: As usual with Bill Murray, every slap is real.
- Artist Disillusionment: In-Universe, Phil doesn’t like his fanbase, but normally keeps it off camera. However, within the loop, at times, he doesn’t bother hiding it, though the loop keeps people from remembering.
- Artistic License – Cars: When Phil drives the truck off the cliff to kill him and the groundhog, it doesn’t have a driveline. Then it explodes.
- Artistic License – Geography: Western Pennsylvania does not experience sunrise on February 2 until around 7:00 AM. In the film, it’s already broad daylight by 6:00 AM. This is an understandable trope to invoke because it saves the crew from repeatedly having to catch and film through twilight, which is a tall order because it’s so brief and wanders in time due to cloudy conditions.
- Artistic License – Music: At the end of the film, shots of the swing band show an upright plucked bass, but the soundtrack has an electric bass.
- As Himself: Scooter, as The Groundhog.
- Ascended Extra: A rare in-universe example. Many of the characters seen in the Punxsutawney crowd scene and the diner become major characters in Phil’s life as he’s forced to become intimately familiar with the town, especially Nancy, Gus, Ralph, and even his piano teacher.
- Bachelor Auction: Occurs at the groundhog party.
- Bedmate Reveal: Phil waking up next to Rita demonstrates that the time loop is finally over.
- Big Eater: Phil’s discovered the greatest diet plan ever.
- Black Comedy: The entire montage of Phil committing suicide over and over again, full stop. It’s easy to feel sorry for him, but the movie still plays up the comedy of the suicides.
- Blah Blah Blah: Phil invokes this during one of his cycles. “Once again, the eyes of the nation have turned here to this … [silly voice] tiny village in Western Pennsylvania, blah, blah, blah, blah, blah…”
- Bread, Eggs, Breaded Eggs: Phil tries in vain to call Pittsburgh for assistance when he gets stuck in the blizzard: “Don’t you have some kind of a line that you keep open for emergencies, or celebrities? I’m both! I’m a celebrity in an emergency!”
- Broken Record: “I’ve Got You Babe.” The same (and worse) could be said for the “Pennsylvania Polka.”
- If you think about it, the time loop itself is a temporal version of this.
- Buffy Speak: “Big blizzard thing.”
- Bungled Suicide: Several of these, all committed by Phil after he decides there’s Nothing Left to Do but Die. Even though each one does result in his death, they all count as bungled by virtue of the fact that none of them kills him for good and Phil always wakes up at 6:00 AM of Groundhog Day all over again the next morning.Phil: [Waking up after his first suicide] …aw, nuts…
- Happily Failed Suicide: What they become, eventually.
- Butt Monkey: Both Larry and Phil, with each other.
- California Doubling: Punxsutawney, Pennsylvania is represented by Woodstock, Illinois. The hotel across from the square where Phil jumps to his death from the tower? That would be the Woodstock Opera House.
- And once you’ve figured that out, you’ll have no difficulty in guessing that the city road that gets closed off and forces the crew to turn around is actually in Chicago (Waukegan, to be exact), not Pittsburgh.
- Casanova Wannabe: Larry the cameraman.
- Character Development: Phil goes from a grade-A Jerkass to a genuine Nice Guy over the course of the movie’s running time — and it’s believable. Of course, ‘running time’ definitely doesn’t equal ‘real time’ in this case.
- Chekhov's Gag: To the question “Will you be checking out today, Mr. Connors?”Phil: [Day one] Chance of departure today: one hundred percent.
Phil: [Day two] Chance of departure today … eighty percent … seventy-five to eighty?
Phil: [Day ????] Phyllis, will you keep my room? I’m gonna stay another day.
- Clock King: Phil initially uses this power for evil (namely, stealing money from an armored car). He later uses it for more benevolent purposes by becoming a sort of guardian angel to everybody.
- Closed Circle: The very premise is an extreme time-based example of this trope, but there is also the blizzard blocking the road to Pittsburgh (and hence forcing Phil to stay in Punxsutawney), which acts as a more conventional spatial one.
- Comedic Sociopathy: Phil eventually realizes that the time loop he’s in allows him to live without consequences or guilt. He uses his situation to steal money from an armored car and weasel his way into sex with an attractive local woman. He also tries to weasel his way into sex with Rita, but his failure there spurs his Character Development.
- See Darker and Edgier below, however, as the worst Phil ever does is deck Ned and kill Punxsutawney Phil in his first suicide attempt.
- Convenient Slow Dance: Although by that point, Phil is Genre Savvy enough to have deliberately arranged it.
- And the best part of this? He wasn’t even really ‘arranging’ it, and certainly not in an attempt to take advantage of Rita. The dance and all that follows is his ‘reward’ for being able to earn genuine admiration and love from Rita and the citizens of Punxsutawney alike under no selfish pretenses.
- CPR (Clean, Pretty, Reliable): Phil attempts CPR in an alley as a last-ditch effort to save a homeless old man, but it doesn’t work. (Nothing does, really. The man dies every time, regardless of what Phil does to save him.)
- Creator Cameo: Harold Ramis plays a doctor. He makes a very good doctor, since most people associate him with Dr. Egon Spengler. (He later cameoed as a doctor again in As Good As It Gets.)
- Cursed with Awesome … or Blessed with Suck, depending on how Phil uses his predicament.
- Darker and Edgier: According to Word of God, they averted this trope by not having Phil go down the really dark path (where he would be utterly cruel to people and even kill them without consequence).
- Deadpan Snarker: Phil, par excellence.Phil: Well, what if there is no tomorrow? [Beat] There wasn’t one today!
- Larry gets his shots in, too.Larry: I don’t know, Phil. Perhaps it’s that giant blizzard we’re not supposed to get.
- Rita shows this off on occasion, especially her way of getting rid of Ned.
- Larry gets his shots in, too.
- Death as Comedy: Albeit more bittersweetly than usual due to Phil’s anguish; see Despair Event Horizon below.
- Death Montage: A montage of Phil's numerous attempted suicides.
- Despair Event Horizon: Phil is eventually driven to the depths of suicidal despair by the endless repetition of February 2. Then, he’s driven into even further depths of suicidal despair by the fact that suicide doesn't work. Interestingly, it’s when he’s at his lowest that he eventually decides simply to tell Rita the truth of what’s happening to him … and things begin to improve from that point on.
- Double Standard: Happens in the same scene as the Convenient Slow Dance entry. After Debbie and Fred Kleiser get the Wrestlemania tickets from Phil, she kisses him on the lips. Fred then kisses Rita on the cheek, provoking an angry glare from Debbie.
- Justified, though, since Phil helped them get married and got them tickets, while Rita didn’t do anything for them.
- Double Standard: Abuse, Female on Male: A montage of Rita slapping Phil across the face is, of course, Played for Laughs.
- Driven to Suicide: Several times. It doesn’t take.Phil: [Sadly] I’ve killed myself so many times, I don’t even exist anymore.
- Dumbass DJ: Say it with us now:“OK, campers, rise and shine, and don’t forget your booties ’cause it’s cooooold out there today!”
“It’s cold out there every day! What is this, Miami Beach?!”
“The National Weather Service is calling for a big blizzard thing.”
- Earn Your Happy Ending: When Phil turns completely into a nice guy, he is finally able to wake up to a brand new day.
- Electrified Bathtub: One of Phil’s suicide attempts involves him filling a tub with water, putting toast in a toaster, and then dropping the activated toaster in the tub.
- Endless Winter: It’s always February 2, in a Northern Hemisphere setting.
- Epiphanic Prison: The time loop can be thought of as this.
- Every Car Is a Pinto: Parodied. When Phil’s stolen truck (with him in it) falls off a cliff, Larry suggests unconvincingly that he could still be alive. The truck then immediately explodes.
- Everything but the Girl: Closer to ‘Everything Before the Girl,’ but it counts.
- Eye Take: Used to full effect by Bill Murray.
- Face Palm: Of the ‘covering my face with a pillow and punching it’ variety.Phil: So, what do I do?
Psychiatrist: I think we should meet again. Can you come back tomorrow?
[Phil covers head with pillow and punches it.]
Psychiatrist: Is that not good?
[Phil punches pillow again.]
- Failure Is the Only Option: Phil will never be able to save the old homeless man. His realizing this is a key part of his decision to use the time loop for good.
- Failure Montage: Several. There’s one for Phil’s failed attempts at wooing Rita (with repeated slaps in the face), another for his attempts to save the old hobo’s life, and a particularly morbid one of him repeatedly committing suicide.
- Fate Worse Than Death: Zig-zagged. At first, Phil indulges in his ability to relive the same day over and over again, by overeating, sleeping with women, stealing money, and committing felonies. But later, his inability to form a bond with Rita slowly wears him down. He becomes depressed and tries to kill himself, but later, he decides to use his time loop for good…
- Flipping the Bird: Phil has an unusual way of doing a countdown with fingers…
- Foil: Ned Ryerson, provoking the same reactions from Phil that Phil causes in others.
- Foreign Remake: Italian director Giulio Manfredonia remade the film in 2004 using Italian and Spanish actors. The plot is extremely similar (the two major differences being that it happens in the Canary Islands and that the protagonist has to film storks) and has many scenes that follow the original exactly, but there are some notable differences (some of which make the Italian version less politically correct).
- Foreshadowing: A very clever one. Before Phil even enters the time loop, he complains about having to do the Groundhog Day Festival every year. During the first ceremony, Phil describes everything that’s going to happen before it does.“They do the same old shtick every year. Guy comes out with a big stick and raps on the door. They pull the little rat out. They talk to him. The rat talks back. And then they tell us what’s going to happen.”
- Sound familiar? He begins doing that later in the film, especially with the armored-car heist.
- At the beginning of the movie, Phil’s co-anchor mentions a story about sex and violence in movies. Both appear later on.
- Five Second Foreshadowing: A perceptive viewer’s first clue that Phil escaped the "Groundhog Day" Loop is that the radio is playing a different part of “I Got You Babe” when it turns on the final time.
- French Maid Outfit: One of the women whom Phil seduces is dressed thus because she thinks she’s going to a costume party.
- Gluttonous Pig: One of Phil’s stages. Done gloriously by Bill Murray.
- A God Am I:Rita: You’re God?
Phil: I’m a god. I’m not the God. …I don't think…
- Good Samaritan: Phil eventually becomes one once he becomes resigned to the loop. He starts doing good deeds, over and over, and adding new ones as he finds new opportunities each day. He saves a boy from falling, saves a man in a restaurant from choking, he buys enough insurance from Ned to help Ned meet his quota (which becomes even more amazing when you realize that this is February 2), et cetera. Eventually, the whole town loves him, but even this alone can’t break the cycle. Only when he becomes such a nice guy that Rita truly falls in love with him does tomorrow come.
- Gosh Dang It to Heck!: Ned: “Don’t you tell me you don’t remember me, because I sure as heck-fire remember you!”
- "Groundhog Day" Loop: This film is the Trope Namer by virtue of its basic premise of the film (Phil keeps looping back to February 2). This film also indirectly named the trope Groundhog Peggy Sue.
- The Hedonist: Phil becomes this in some of the early cycles when he realizes that no tomorrow means no consequence. He takes the opportunity to indulge in unhealthy food, wild behavior, and bedding various women through what amounts to save-scumming.
- Heel-Face Turn: Even if it did take thirty to forty years from his perspective.
- Held Gaze: Several happen between Phil and Rita over the course of the film, mainly when they’re playing in the snow together.
- Heroic BSOD: While on camera:Phil: This is pitiful. A thousand people freezing their butts off waiting to worship a rat. [Raises his voice.] What a hype. Groundhog Day used to mean something in this town. They used to pull the hog out, and they used to eat it. [Turns to the crowd.] You’re hypocrites, all of you!
- A few loops later…Phil: Once again the eyes of the nation have turned here to this … [silly voice] tiny village in Western Pennsylvania, blah, blah, blah, blah, blah… [Seriously:] There is no way that this winter … is ever going to end, as long as this groundhog keeps seeing his shadow. I don’t see any other way out. He’s gotta be stopped. [Beat.] And I have to stop him.
- A few loops later…
- High Concept: Man is forced to relive one day over and over. A simple concept that allows for many scenarios.
- Hope Spot: Invoked by Larry after the results of Phil’s initial Heroic BSOD.Larry: He might be OK.
*Phil’s truck promptly explodes.*
Larry: …well, no, probably not now.
- The day in which Phil tells Rita about the time loop and convinces her it’s real makes you think it’ll be the final loop. When he wakes up afterward, the audience is more disappointed than Phil that the Reset Button has hit again.
- Humans Are Morons: To opening-act Phil (“People like blood sausage: people are morons”).
- Ignored Confession: During the loop where Phil demonstrates his intimate knowledge of Punxsutawney’s residents to Rita and she stays in his room with him, he confesses his love for her and kisses her on the cheek, but she doesn’t hear any of it due to drifting off towards sleep. His awakening the next day marks his decision to use the loop to better himself.
- What really makes him use the loop for good and not ill is the realization that, even if he will never be able to save the homeless man, he can still help others.
- I'm Thinking It Over!:Cop: Now you can either go back to Punxsutawney, or you can go ahead and freeze to death. It’s your choice. So what’s it gonna be?
Phil: I’m thinking…
- Incessant Music Madness: THEN PUT YOUR LI’L HAND IN MINE… ♫
- Inherently Funny Word: Gobbler’s Knob, site of the groundhog ceremony. It’s a real place in Punxsutawney, Pennsylvania, too. It just doesn’t look like it does in the movie because it wasn’t filmed in the real Punxsutawney. Punxsutawney … that’s a funny word, too!Rita: [On the perfect man] He’ll change poopy diapers.
Phil: Does he have to use the word ‘poopy’?
- Instant Expert: Not to the audience, since Phil puts plenty of hours in, but he certainly appears this way to other characters.Piano Teacher: And you’ve never played before?
Phil: Not before today.
- Ironic Echo: The DJ chatter, twice by Phil. The first time, he repeats it joyously when he escapes jail via the loop; the second time, it’s a Dark Reprise when he's reached his Despair Event Horizon and about to kill himself.
- Is It Something You Eat?:Phil: [To the breakfast lady] Do you ever have déjà vu, Mrs. Lancaster?
Mrs. Lancaster: I don’t think so, but I could check with the kitchen.
- It's All About Me: Phil has this in spades at the beginning.
- It Will Never Catch On: Meta-example. In his 1993 review of the film, Washington Post film critic Desson Howe recommended it but tempered his praise by stating that it would “never be designated a national film treasure by the Library of Congress”; in 2006 the movie was designated a national film treasure by the Library of Congress.
- Jeopardy! Intelligence Test: Played with. After a few days, the other guests at the B&B start to think Phil’s a genius because he answers every question on that day’s edition of Jeopardy! correctly, but, of course, we know he only knows all the answers because he’s seen that particular episode over and over again.
- Jerkass: Phil most obviously, Ned somewhat less intentionally. It’s also made pretty clear that Larry’s a bit of a jerk as well. Phil later evolves into a pretty nice guy thanks to his Character Development.
- Karma Houdini: Phil initially exploits the time loop to do whatever he wants to whomever he wants at any time he wants and avoid the consequences; he ends up repeatedly robbing, seducing, attacking, cheating, and manipulating the townsfolk seemingly without punishment. Over the course of the movie, however, it becomes clear that the time loop is his punishment — not only for his actions in the movie, but for his whole Jerkass nature before the day began. (And since all his misdeeds are undone at the end of every day, it hardly matters in the end.) A deleted idea that the loop was the result of a curse from a jilted ex-lover underscores this point.
- Kick the Dog: Phil towards the beginning of the movie.
- Larry, too. At first, he just comes off as a guy who won’t put up with Phil's crap, but the scene where he steals back his tip money is supposed to indicate that he’s not a very nice person (if you missed it, then his later comeuppance seems to come literally out of nowhere).
- Left the Background Music On: During one of Phil’s later time loops, Mozart’s Piano Sonata in C plays. It turns out to be a little girl playing it for her piano teacher (before she’s kicked out when Phil lays down $1000 for a single piano lesson).
- Love Redeems: This is how Phil escapes the time loop.
- Magic Realism: The setting is extremely mundane, with the time loop the only supernatural element.
- Manipulative Bastard: Phil becomes one when initially trying to seduce Rita (see Save Scumming).
- Meaningful Name: Phil having the same name as the groundhog. It could be construed that Phil is in the time loop until he can no longer see his own ‘shadow’ as well.
- Men Don't Cry: After Rita says that her ideal man wouldn’t be afraid of crying, Phil responds with, “This is a man we’re talking about, right?” And he himself subverts this belief later when he finally learns how precious life is through his futile attempts to save a homeless old man from dying of old age.
- He also cries on the morning of February 3 — after 6:00 AM.
- Mental Time Travel: One of the possible explanations for the time loop.
- Mistaken for Gay: Phil pulls one on Ned one day just to scare him off.
- Mistaken for Quake: The old ladies with the flat tire think there’s one when Phil jacks their car.
- Montage: Used effectively a couple of times.
- Mood Whiplash: Phil’s protracted series of suicides and the montage in which he tries to save the old man are a bit jarring.
- Motor Mouth: Ned. Phil doesn’t have a chance to say anything (until he gives Ned the advice to Talk to the Fist).
- Never Heard That One Before: Yes, his name is Phil. Like the groundhog that actually lives in Punxsutawney.
- Nice Guy: What Phil finally becomes when he grows to love all of humanity, Rita included.
- No Antagonist: Here is a heavily flawed man who is trapped in a time loop, and goes through the same day all over again indefinitely, until he learns to become a better person. The film has no villain, since Phil is at worst a Jerkass Anti-Hero, and the time loop is simply an unexplained event.
- No Endor Holocaust: The movie glosses over the immense psychological strain that would be placed on Phil getting used to surprises again after living a few lifetimes worth of the same day.
- Harold Ramis stated that Phil lived the equivalent of 10,000 years. So, whatever psychological state Phil was in, he passed it. Maybe he committed suicide for a few hundred years? Towards the end of the DVD Commentary, Ramis suggests that, based on how well Phil can play the piano now, he was probably learning for ten years. The time frame is open to interpretation.
- It takes a good five years, minimum, to learn a language to fluency. He must have spent months in the library to be able to speak French THAT well.
- Actually, his first French quotation comes from a song, mentioned in the ending credits, “La Bourrée du Célibataire,” from Jacques Brel. He says: “La fille que j’aimera / Sera comme bon vin / Qui se bonifiera / Un peu chaque matin.”note It would not take more than a few minutes of rehearsing to say it the way Phil does, and he mispronounced ‘que’. He also says “Baudelaire (Other Wiki), c’est fantastique.”
- It is implied in a later scene that he learned both Italian and Spanish, so that’s another ten years right there.
- Noodle Incident:
- Phil mentions he “stabbed, shot, poisoned, frozen, hung, electrocuted and burned” himself, but we only get to see the electrocution.
- Ned Ryerson mentions a few in short succession:Ned: Ned … Ryerson. “Needlenose Ned”? “Ned the Head”? C’mon, buddy. Case Western High. Ned Ryerson: I did the whistling-belly-button trick at the high-school talent show? Bing! Ned Ryerson: got the shingles real bad senior year, almost didn’t graduate? Bing, again. Ned Ryerson: I dated your sister Mary Pat a couple times until you told me not to anymore? Well?
- Nothing Left to Do but Die: An extremely bored and depressed Phil kills himself multiple times. Then, in a subsequent scene, he lists each one to Rita calmly as a shocked waitress looks on. Hilarity Ensues.
- Not So Different: Phil complains to Those Two Guys that in his time loop, he does the same thing over and over, and nothing he ever does matters. One of them mumbles, “That about sums it up for me.”
- Off the Rails: Phil tries this by kidnapping the groundhog, going on a car chase, and getting both of them killed. It doesn’t work.
- Oh Crap!: The first time it loops, Phil reacts to the radio “Put your little hand in mine” by simply saying “Nice going, boys, you’re playing yesterday’s tape,” but then they talk about the Groundhog Day celebration. When he looks out the window, he sees there’s no snow from the blizzard. That's his first Oh Crap! moment, but it’s certainly not the last.
- Larry mouths “Oh, shit!” when he sees who bought him at the bachelor auction for twenty-five cents.
- Pet the Dog: When Phil and the crew arrive in town, he loudly complains how much he hates the hotel where they’re staying, when Rita informs him she knew he didn’t like it and got him a reservation at a quaint bed and breakfast. After hearing this, Phil seems surprised at the act of kindness and sincerely (if smugly) thanks her for it. It doesn’t sound like much, but it’s the only decent thing Phil does prior to character development.
- The Power of Love: Only by winning Rita’s heart does Phil break the time loop.
- Punch Spin Gape: Phil decking Ned in the street. Andie MacDowell jokes in a featurette about what a ham Stephen Tobolowsky is.
- Railroad Tracks of Doom: On his night of lawbreaking, Phil actually drives on the tracks towards an oncoming train.
- Raised Catholic: Rita invokes this to tell Phil he isn’t a god.
- Reset Button: The clock turning six starts the day over.
- Ridiculously Cute Critter: Punxsutawney Phil. (The movie, in fact, put the town and its tradition on the map, even though the movie was filmed in Woodstock, Illinois.)
- Ring... Ring... CRUNCH: Phil ends up doing this to his clock radio that won’t stop playing “I Got You Babe” every morning at six.
- When he’s finally out of the loop, the song starts at a totally different part with the alarm, and the radio show host says, “Oh no. Not again.”
- Rousseau Was Right: The film’s message: There is love, kindness and decency in everyone; you just need time to bring it out.
- Sanity Slippage: Lampshaded by Larry.Larry: He’s out of his gourd!
- Save Scumming: An unusual non-video-game example of this trope.Phil: Want some white chocolate?
Rita: Yecch, makes me sick.
Phil: [to self] No white chocolate.
- Set Right What Once Went Wrong: The many errands Phil runs as he spends longer and longer in the loop.
- Subverted with some Fridge Horror that some of his errands have no lasting effect beyond February 2. For example, the young couple whom Phil sends to see Wrestlemania may still be a failed marriage, since Debbie was having second thoughts for a reason. Phil has no idea what the long-lasting implications are because, well, there weren’t any in the time loop.
- And subverted with the homeless man, since no matter what Phil does, he dies in the loop.
- Shout-Out: Very subtle, but Phil stuffing his face with the cake in the Tip Top gluttony scene, his guzzling from a bottle of Jack Daniels as he watches Jeopardy (for the nth time), and his music act at the end with the Ray-Bans all echo great moments from Bill Murray’s fellow Saturday Night Live alumnus, John Belushi.
- Slipstream: There is no in-universe explanation for the time loop. It just … happens to someone. An early draft of the screenplay had the time loop caused by a curse put upon Phil by his ex-girlfriend, but that was dropped.
- Small Name, Big Ego: Phil before the loop. He invariably responded to greetings with “Hi, thanks for watching.”Larry: [Practically giggling] Did he actually call himself “the talent”?
- Snow Means Love: Several times. Alternately, exactly once. Time travel.
- Suspiciously Apropos Music: At first, Sonny and Cher’s “I Got You Babe” may seem like a random pop song on Phil’s radio, but as the film goes along, it gets a sinister edge to it.“I got you, babe. I got you, babe.”
- During Phil’s unsuccessful attempts to seduce Rita in the snow, Ray Charles’ “You Don’t Know Me” starts playing.
- Switching P.O.V.: Phil is the center of the attention for almost the entire movie. There are short scenes where he is not involved, but will be or just was in the scene. The only glaring difference in point-of-view is one scene where Rita and Larry identify Phil’s corpse at the morgue. Although his body is still technically in the scene, so the film arguably just follows his corpse’s point-of-view instead.
- Talk About the Weather: Mrs. Lancaster tries to make small talk with Phil by talking about the weather — unfortunately, he’s a weather forecaster in a bad mood.Mrs. Lancaster: There’s talk of a blizzard.
Phil: We may catch a break and that blizzard’s gonna blow right by us. All of this moisture coming up out of the south by midday is probably gonna push on to the east of us and at high altitudes it’s gonna crystallize and probably give us what we call snow. Probably will be some accumulation but here in Punxsutawney our high is gonna get up to about thirty today, teens tonight. Chance of precipitation about twenty percent today, twenty percent tomorrow. Did you want to talk about the weather or were you just making chit-chat?
- Talk to the Fist: See Motor Mouth above.
- Technically a Smile: During the second ceremony, Phil makes an awkward, nervous fake smile at the end of his intro.
- Title Drop: Time and again.
- Took a Level in Kindness: Phil.
- Ungrateful Bastard: Throughout the loop he saves one same kid from falling from a tree. He snarks at the little brat for never thanking him once.Phil: You ungrateful brat, you have never thanked me. I’ll see you tomorrow, maybe!
- Viewers Are Goldfish: Subverted by this film and many others that use "Groundhog Day" Loop plot devices, as each repetition has variations.
- Whammy Bid: “Three hundred thirty-nine dollars and eighty-eight cents!”
- When the Clock Strikes Twelve: It’s six AM in this case. True, Phil relives Groundhog Day proper every day, but it's from 6:00 AM February 2 to 5:59 AM February 3. Lampshaded once when Rita says she expected him to “turn into a pumpkin or something” at midnight.
- A World Half Full: Invoked by Gus, when he comments Phil has a “glass-half-empty” mindset.
- You Can't Fight Fate:
“Then put your little hand in mine…”