The narrator has always been in the shadow of his older, more successful and well-liked brother. When a mysterious creature begins terrorizing their village and killing its livestock, the two volunteer to venture out into the woods and kill it. The beast is slain, but only the younger brother comes back.
A week later the narrator's brother walks out of the woods. But how can it be his brother, when his brother is dead?
He should know.
He killed his brother.
His Face All Red contains examples of:
- The Ace: The older brother, who is strong, handsome, and easily liked.
- Bitch in Sheep's Clothing: The narrator is a quiet, shy guy who offers to hunt a beast that's been terrorizing the village... and then kills his brother. And no, it wasn't self-defense or a Mercy Kill or anything like that. It was murder, plain and simple. And he never expresses any remorse for this act — he only starts freaking out when the double arrives.
- Cain and Abel: The protagonist is the Cain, admitting on page one that he killed his brother.
- Chekhov's Gun:
- The two brothers pass a huge, dark hole in the woods, which smells of lilac. Guess where the younger brother decides to hide the body?
- After killing his brother, the younger brother brings back a bloody piece of the older brother's coat, claiming that it was all that he could find of his brother's body. When his brother reappears a week later, his coat is not torn.
- Comforting the Widow: It's implied that the younger brother did this with his brother's wife before his brother's sudden reappearance.
- Dirty Coward: The narrator hides from the beast he offered to hunt, but kills his unsuspecting brother when his back is turned.
- Face-Revealing Turn: The older brother's double that comes out of the woods seems to refuse to ever look directly at the younger brother. Eventually the younger brother's conscience drives him to go back to the hole in the woods where he left the older brother's body. He finds the body still there, and still facing away from him... then the comic ends with the brother's body turning its head to look at the protagonist.
- Gainax Ending: What was the other brother digging? Which one was his brother? Was the one that returned from the woods a dybbuk or something similar while the real body was in the hole the whole time with a Ghostly Goal of vengeance?
- Gory Discretion Shot: When the younger brother kills the older one, the focus changes to the body of the slain wolf, and everything turns red for one panel.
- How We Got Here: The story starts the older and younger brother at a party, with the younger brother telling the events of the week up to that point.
- Infinite Canvas: The page grows longer while they're in the woods. Also inverted on a couple of one-panel pages.
- Innocently Insensitive: The older brother has a good laugh at how the monster was just a common wolf... not realizing how resentful his younger brother has become... (Of course, this doesn't justify murder on the younger brother's part.)
- Ironic Echo: "Came from the woods." (most strange things do), first said about the beast, then said about his brother.
- Left Hanging: The protagonist climbs down the hole to see if his brother's body is there. It is, still bloody. It turns to look at him, presumably with hostility. The protagonist's candle gutters out. The end.
- Mind Screw: Why is the "fake" brother digging? What is it? Is the dead brother alive or undead? Was it really a wolf that killed the animals?
- Minimalist Cast: We've got the narrator, his brother, his wife, and a few random townsfolk. Plus the wolf and whatever the hell the "fake" brother is. That's it.
- Monochromatic Eyes: Every character is drawn with normal eyes except the younger brother, whose eyes are soulless and blank.
- Nameless Narrative: The characters, apart from the protagonist, are "my brother" and "his starry-eyed wife."
- Nightmare Face: The older brother's face when the younger brother returns to where he left the body, aided by the stark minimalism of the depiction of his gunshot wound is this.
- No Ending: See Left Hanging for further details.
- Nothing Is Scarier: The first half of the story runs purely on this, light on gore and heavy on tension. The last third, however...
- Not Quite Dead: The older brother is either undead or has somehow pulled this at the end of the story. Possibly. There may be any number of other explanations.
- Red Is Violent: When an act of violence happens, it is depicted by everything going red for one panel.
- Red Oni, Blue Oni: Older brother and younger brother, respectively. The older is an outgoing, brave, physically capable sort who is friends with everybody. The young brother is quiet, shy, and timid.
- The Resenter: The younger brother. Especially when he thinks about how everyone will be grateful to his brother when they return and talk about how the older brother killed the wolf—and then laugh at the younger brother for hiding in fear.
- Sibling Yin-Yang: The younger brother is a poor weakling of a man who's laughed at when he says he'll find the beast wrecking their farms. The elder brother is a rich, handsome man with a beautiful wife, and who is admired by all.
- Spotting the Thread: The younger brother is the only one in the town to notice that his older brother's coat is undamaged, despite the fact that the younger brother brought a bloody scrap of the coat back to "prove" his story. Not that this helps any.
- Through the Eyes of Madness: One possible explanation is that the younger brother has gone insane from guilt, a la The Tell-Tale Heart. Even he lampshades this. But nothing is ever confirmed.
- Title Drop: "I remembered his limp legs... his face all red."
- Unknown Rival: The older brother truly seems to have no idea how much the younger brother resents him.
- Unreliable Narrator: The narrator speculates at one point that he might be going mad. There is one section where the narration and the visuals clearly don't match up. When the brothers find it was just a wolf, the narration says "we laughed," but in the picture, the younger brother clearly isn't laughing.
- Villain Protagonist: We see the entire story through the eyes of the younger brother, who killed his older brother due to jealousy and resentment.
- Wham Line: One to open the story. As the younger brother stands in a bar, watching his older brother joke and drink and laugh with the other men of the village, these are his thoughts:Younger Brother: This man is not my brother. My brother has a cottage with a hawthorne tree and a lilac bush. And a plump wife with starry eyes. My brother has a fine coat, a vest the color of moss, and a way with people that makes them trust him. This man has all those things. (And my brother's face. His handsome face.) But just last week... I killed my brother.
- Wham Shot: A twofer. The younger brother travels to his brother's makeshift burial ground. He finds the body. Which then turns to look at him.
- Youngest Child Wins: The younger brother tries this. The admiration for his brother is transferred to him for supposedly killing the wolf, his brother's wife seeks comfort in his arms, and he sleeps easily. Then his brother comes back.