These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
Acceptable Targets: If an episode even features a Black person, it will involve racism, drugs or basketball, if not a combination of two or more of these elements. Played up to eleven with Det Jeffries regarding racism, especially from suspects. Poor Will can't even get a break from minority suspects, who frequently accuse him of "selling out" by becoming a cop; if anything, this actually cheeses him off more than outright racism.
Christians as well, surprisingly, as some episodes portray them rather poorly (Churchgoing People, Running Away, That Woman, etc.)
Alternate Character Interpretation: The killer in "The Hen House" can be seen as either an attempted Atoner tragically pushed back into doing evil again, or simply a murdering, identity-stealing, Nazi scuzzball through-and-through.
Anvilicious: In "That Woman", we learn the important lesson that suggesting a group of teenagers exercise self-control will turn them all into heartless killers.
Josh Freely from season 1's "Fly Away" was the first and worst in what would become a long line of secondary villains more despicable than the actual killer. A social worker working with emotionally-ustable parents, he is in reality a brutal pedophile who uses his position to find new victims. Freely piles emotional abuse onto the parents, making them feel as though they're worthless, so they surrender their kids to him, and if that doesn't work he's more than happy to fudge his own records so his superiors order the children removed. His abuse eventually reaches the point that one such mother murders her daughter rather than let Freely take her.
The season 1 finale, "Lovers' Lane," brings us Jim Larkin, a slovenly glutton and serial rapist. Too lazy to even abduct victims himself, he instead badgers his abused and weak-willed son to do so for him, usually unattractive teenage girls he pretends to befriend. His assaults are absolutely brutal, reaching the point at which he murders one of his victims simply for calling him "disgusting." Oh, and he allowed an innocent man to rot in jail for 18 years because of his crime.
Roger Mulvaney, of season 3's "A Perfect Day," is without question the worst Domestic Abuser in the series. A Dirty Cop who ruthlessly beats his wife and two daughters, he eventually, once she decides to leave him for another man, resolves that if he can't have them, nobody could, kidnapping the three of them and making his wife watch as he throws one of the girls from a tall bridge.
Rayanne Leland from season 5's "Spiders" is a sugary-sweet stay-at-home mom who also happens to run a Neo-Nazi coven out of her basement. When her son Truitt murders a Hispanic woman, Truitt's girlfriend, Tamyra, turns to Rayanne for help, only to find to her horror that Rayanne wholeheartedly supports her son's actions, and calmly tells Tamyra that all Hispanics should be exterminated, her warm, loving smile never leaving her face. When Tamyra threatens to go to the police, Rayanne emotionally manipulates the most insecure and sympathetic member of the coven, Elliot, into beating her to death with a hammer.
John Smith from season 5's "The Road" is the most horrific Serial Killer seen on the show. Disturbed since childhood, he described the sight of watching a woman drown while doing nothing to save her as the most beautiful thing he'd ever seen, and dedicated his adult life to replicating that "beauty." Abducting women who were perfectly happy with their lives, Smith brought them to special cellars where he sealed them off, watching as they went insane from isolation before finally leaving them there to starve.
Daniel Patterson from season 5's "Slipping" is the ultimate gaslighter. Insanely jealous of his wife's skill at poetry, he hatched a plan to both steal her work for his own and get rid of her. With the aid of his slavishly-devoted (and not very intelligent) housekeeper, he did everything in his power to drive his wife insane and ultimately to suicide, maintaining his facade of a caring husband all the while. When she learned the truth and confronted him, he murdered her himself. To prevent his stepdaughter from knowing the truth he sent her to a notoriously harsh boarding school, believing his story that her mother committed suicide for 45 years. In doing so he not only made her fear that she would go crazy as well, but also that SHE was the one who had driven her mom over the edge. When Scotty and Vera call him out on it, he simply says "I was so desperate. People expected so much from me, I had NO CHOICE!!!!"
Designated Hero: Audrey Metz in "World's End," who is portrayed as a liberated woman ahead of her time for... cheating on her husband.
Harsher in Hindsight: "Late Returns" was based on the real-life murder of Chandra Levy, an intern to a Congressman whom she was also sleeping with. The public opinion of the time, as well as the episode, pointed the blame at the Congressman, and the scandal ruined his career. Several years after the episode aired, the Congressman was found to be completely innocent.
In "The Plan", the closing montage shows that the military academy's swim teacher is now a woman. Presumably she was hired because it's been revealed that the last teacher, a man, was a pedophile, but the recent rash of teacher/student sex cases means it isn't really any less likely that she isn't one herself.
Hollywood Homely: The main victim, Martha, in "Lonely Hearts." We're repeatedly told that she's extremely unattractive and has no chance with men, and even the detectives, in a surprising display of insensitivity, comment that her traditionally-handsome boyfriend "must've had some kind of fetish." In reality, while she's somewhat overweight and by no means supermodel-gorgeous, she comes across as an adorable Manic Pixie Dream Girl type apart from being an accomplice to a Serial Killer, that is and in the scene she first meets her lover she has a flower in her hair and is fairly pretty.
Also the victim's daughter and murderer in "Blackout," who is continually put down as "plain" by her drop-dead-gorgeous mother.
Brown hair and drab clothes are apparently enough to make the killer in "The Crossing" the dowdy, matronly alternative to the glamorous, willowy, red-headed victim, even though they're about the same age.
The (innocent) frenemy of the victim in "Factory Girls", depicted as pitifully jealous of her popularity at their workplace, as well as her happy marriage, to the point where she blatantly tries to interfere in the relationship by making herself look like the better option. All because she's considered an Old Maid at only 22 (by the standards of when the episode is set) and regarded as a Plain Jane when she is clearly no less attractive than any of the other women seen throughout the episode.
Hot Guy, Ugly Wife: The handsome lothario in "Lonely Hearts" liked to court unattractive women, mostly because he knew they were so desperate they'd put up with his crap and therefore be easy to scam. But when his latest victim calls him out and instead of turning him in, suggests working with him and ratcheting up their schemes to include murder,he seems downright turned on. When she herself is killed (not by him, ironically), he's so despondent that he never takes up with another partner and years later finally kills himself while watching a videotape that she made, implying that in his own bizarre way, he genuinely fell for her.
Ho Yay: The show has many acknowledged gay couples but "One Night" has an ambiguous relationship between Justin (who was almost a victim) and his friend Valentino that is often interpreted as this.
In "Jurisprudence," Doherty having Kat transferred, simply as Revenge by Proxy to spite Stillman.
Narm: In Andy in C Minor the tension between deaf and hearing people is about as bad as 1960s racial tension, complete with everyone trying to pull apart two lovers because they belong to different worlds, and the victim having been killed because he wanted to get a cochlear implant.
It's hard to take the end montage of "Dead Heat" seriously when some of the people would flash back to them wearing those ridiculous jockey uniforms.
Narrowed It Down to the Guy I Recognize: In "The Sleepover" Daveigh Chase did it, in "World's End" Ralph Waite did it, in "The Hen House" Peter Graves did it., in "Red Glare" Orson Bean did it, in "Free Love" Dale Dye did it, and in "Creatures of the Night" it's not even a spoiler that Barry Bostwick did it.
The most Crowning Music Of Awesome episodes are the ones where they feature a single artist. The episode featuring Bruce Springsteen's songs from each decade is the most awesome one.
Recycled Premise: Though the majority of the premises are different, many viewers online noted that the episodes Family and Almost Paradise have strikingly similar endings because both involve a faculty member or teacher asking a favor from a student during a late 1980's high school senior party, both have the student refusing to comply, and both have student killed by faculty member running him or her over with a automobile.
Glory Days and Forensics also end rather similarly, with a student being murdered by a teacher after confronting them with both their own wrongdoing and the fact that their glory days at school were in reality anything but.
The victims in both the The Plan and Blackout are both killed in the same manner and for mostly the same reason, both get drowned in a swimming pool for being a pedophile.
Static and November 22nd are about money-broke men getting shot by a sentimentally-involved woman because they wanted to spend more time with their estranged daughters.
"Daniela" and "Boy Crazy" both end with a boy coming too late to save the girl they love.
The victims of "Shuffle, Ball Change" and "Wunderkind" are both killed by their brothers who they tried to help chase their dream.
"Fly Away" and "Baby Blues" are both about mothers who try to kill themselves and their child, and were only half successful.
The victims of "Red Glare", "A Dollar, A Dream" and "The Dealer" were all thought to have abandoned their children.
The victims of "That Woman" and "Wings" were killed because they got the men their killers loved fired. The killers were also both redheads.
The victims of "Beautiful Little Fool" and "Street Money" were killed because they refused to blackmail a public figure.
Retroactive Recognition: A pre-fame Summer Glau and Mae Whitman among others have showed up as oneshot victims; Jennifer Lawrence appears as the present-day version of a teenage girl in another episode. Shailene Woodley makes an appearance in a Season 5 episode as a sister of a Amish murder victim.
"Jackals" features a pre-Mike Ehrmantraut Jonathan Banks as John Clark, leader of a brutal biker gang. Yeah, he did it, one of the few episodes where the prime suspect was in fact the culprit.
Rewatch Bonus: This happens frequently as new evidence puts previous flashbacks in a new light.
In the opening sequence of Forever Blue, this is said about the Cowboy Cop victim:
"Isn't is about time he got married?"
"You gotta go on a second date for that."
In that context, it makes him sound like a womanizer. However, once you realize that he's gay, you realize that he never went on a second date, not because he couldn't be satisfied by only one woman but because he couldn't be satisfied by any woman. To make matters worse, he was also secretly in love with his partner who he saw all the time. He probably thought that if he kept going out with women, he could suppress his feelings.
There's also the fact that his partner's wife is very cold to him. One thinks it's because he's late, then that it's because that they've been having an affair and she's angry about his sleeping around. Another flashback reveals it's because she walked in on him and her husband kissing.
Seasonal Rot: Debatable. However, most long-time viewers agree that Season 7 was the point at which the series went downhill.
It did not help that both Lilly and Scotty went out of character and turned rogue against Moe Kitchner and Hector Cruz respectively over several episodes causing Arc Fatigue or that some episodes were merely retellings of older episodes.
Some also point to Season 6 with the Scotty-Frankie storyline as another point of decline.
Squick: Most of the scenes showing the victims' bodies come off as this.
Strawman Has a Point: When Moe Kitchener fills a complaint for harassment against Lilly for stalking him. When you think about it, she has no evidence but a Dying Dream to prove he was the one person that tried to kill her in "Into the Blue"
When Patrick Doherty points out that Stillman's repetitive actions to protect his team when they keep Jumping Off the Slippery Slope are more counterproductive than anything.
Patrick Bubley is portrayed as unreasonable for wanting to perpetuate the Cycle of Revenge against the Latino Gang Bangers that killed his brothers; while this is true, the fact is that the cycle only began in the first place because the cops assumed his brothers were Gang Bangers themselves and put little effort into their cases, and this aspect of the plot goes strangely unaddressed in the episode.
The victim's boyfriend in "Our Boy Is Back". We're supposed to feel sorry for him for having to put up with Vera's harassment regarding his refusal to take a DNA test to determine if he's responsible, especially when Vera obtains his DNA anyway and it proves what the man has been saying all along—that he's innocent. Only for Lily to realize that the lack of his DNA at the crime scene means that he wasn't sleeping with the girl at all. So basically, all because he couldn't bear the humiliation of having the cops realize that he had yet to have sex with his girlfriend, this man basically let her killer get away with murder for several years and essentially invited the very harassment that he was complaining about.
The Untwist: "8: 03 AM." The cases are reopened because it was discovered that the murders took place at exactly the same time on the same day, and Kat hoped that a connection could be discovered. Turns out there was none; it was a total coincidence, although the victims did know each other, something that wasn't apparent in the original investigation.
Also occurs in "Debut" and "Hubris", in which the killer turned out to be... exactly who everyone thought was the killer. The only reason the cases become as long and involved as they do is due to the villains' attempts to deflect suspicion off themselves.
Used interestingly in "Creatures of the Night." They know who did it from the beginning; the real challenge is proving it before the guy walks due to a ridiculous deal he took when he confessed to prior crimes.
Wangst: Many of the doers' confessions and rationale for the stupidity of their actions come off as this. Special mention though goes to Dale Wilson in Fireflies and Gibby Hanes's tearful admission in 8:03 A.M..
The killing couple in "Love Conquers Al," who apparently believed their high school romance to be one of the all-time greatest love stories in history.
What an Idiot: The revelation of who the doer was in "Time to Crime" was heartbreaking, to say the least, that doesn't really change the fact that he was a complete and utter moron. Dude buys a gun that he intends to use to kill someone from the same person he intends to kill, then instead of, say, shooting him right there, he waits until the guy is in the middle of a crowded park, then fires randomly into said crowded park, and not only misses his target, but hits his own sister by accident.
Perhaps he knew that shooting the guy right then and there would immediately focus suspicion on him, whereas shooting at him via a drive-by might leave the case unsolved? (the guy was well known as a local criminal and there would have been no shortage of suspects). Maybe he had second thoughts about killing the guy and only the realization that he was going to continue to be a problem for him spurred the killing?
The victim and killer's mother is the even bigger idiot. First, she has an affair with this illegal arms-dealing, philandering, scumbag loser because she was "lonely" due to her hard-working husband's long hours as a cab driver trying to provide for his family, then she feels heartbroken due to knowing that their dimwitted affair is over (and actually sees him with another girl at her son's birthday party), THEN she brings the victim to the park at night because they were too hot inside the house (which begs the question, "why not just stand outside your house, where it's cool AND safe?") and because she wanted to try and reconcile with the boyfriend. And if that wasn't bad enough, she leaves her son, the killer all alone in the house with the spare keys, allowing him to commit the murder in the first place. Aside from the victim, you really have to feel bad for the father, having been left surrounded by idiots.