- In the later portion of "Look Again", Lily Rush boldly faces one of the suspects, an abusive spouse. When he tries to shake her down for information on where his wife and family has gone off to, Lily refuses to tell. She instead goes into a Reason Why You Suck Speech with a side dish of her Establishing Character Moment.
Lily Rush: Is this how you handle women you can't control? You're supposed to scare me?Todd: It's supposed to make you think.Lily Rush: I'm not like the girls you're used to, Todd. You can't try to charm me, then when that doesn't work, talk down to me. Then when that doesn't work, get aggressive. I'm not Jill, or Melany. I'm the police Headquarters, you moron.
- Near the ending of "Gleen", When Lily and Vera confront the killer. Instead of letting him listen in on his daughter's conversation with his would-be fiancée, he's forced to stay out. It's barely even thirty seconds before he's stewing in frustration, revealing his weakness as a Control Freak. Lily and Vera imply a Reason Why You Suck Speech about how the killer controls his wives instead of letting them lead their own lives. Just when he's a split second from "teaching a lesson" to Lily, she calmly drops an Armor-Piercing Question about how his wife's flasher was a convenient scapegoat. This leaves the killer speechless, unable to deny what an overall weak person he is.
- During the Medley Exit of "Fly Away", we see Lily going into a interview room and passing by a long line of young girls. Once inside, a little girl tearfully fingers the arrogant, pedophilic social worker who molested her, who sits on the other side of the mirror and knows that his karma is finally coming. Judging by both the evidence and Lily's expression (who at this point is pissed), you know that bastard's going down.
- In "Revenge," one of the two cases closed in the episode is that of a pedophile who had raped both his own son and the episode's other victim. As Vera files away his box, he smacks it.
- Rose's *Click* Hello to her psychotic brother (at the moment trying to strangle her girlfriend) in "Best Friends."
- What sells it is her cool-as-a-cucumber declaration that he is no family of hers and her direction to her girlfriend to get into the truck so they can leave. It's an especially awesome moment when you consider that Rose is a) afraid of her controlling brother and b) by far the softer and more feminine of the two women.
- The female victim's Famous Last Words in "Who's Your Daddy?" to the creepy construction foreman who had just shot her husband and tried to force her to orally service him: "You. Don't. Exist."
- Even better is that she actually says it in a dismissive, annoyed manner. This creep has tried to rape her, shot her husband, and is about to kill her, and she's irritated instead of skilled.
- Before that, the foreman only got the wife to submit to servicing him because he had her husband at gunpoint. Even though she's still a princess in her mind, she nonetheless surrenders her pride and dignity to save her beloved husband. She barely begins when the husband makes up his mind to fight the gun out of the foreman's hand. It doesn't end well. Still, he was willing to sacrifice his own life to protect the woman who's always been a princess to him. He may have married into royalty, but the husband has the heart and soul of a brave prince.
- Daryl Booker. His Character Development from a gruff former crackhead to Kara's father figure and Protector to nearly becoming her parent's avenger.
- The ending montage of "Discretions", when the two real killers of a college girl are caught in a stake-out. If they had any doubts they'd ever be arrested, those doubts practically evaporate the second those cops show up.
- At the end of "The Sleepover," a Sympathetic Murderer, with Scotty's supervision, has a tearful reunion with his sister in the mental hospital to which he has been committed. When their Abusive Parents (who had, among other things, forced the brother to waterboard the sister when she disobeyed them) show up, Scotty slams the door to the brother's room in their faces.
- The scene in The Woods, where Lilly rips apart George's god complex and tells him that for all his bravado and posturing that he's god, he's still just the same frightened little boy who'se mommy abandoned him to be raped by a pedophile and never loved him. While George was angry once before, this is the only time where his mask completely cracks, reducing him to a screaming lunatic begging her to shut up.
- Miller has Scotty to talk to a guy who has been hanging around a local playground. Scotty talks to the guy and realizes he's a pedophile. After warning him never to come back to the playground, Scott returns to find out that not only has the man returned to the playground, he's now talking to one of the kids he noticed him eyeballing earlier. Without saying a word, Scotty merely gestures to the kid, who instantly knows to get out of there. The next thing we see is Scotty beating the crap out of the guy.
- The father in "Family".
- Det. Jeffries in "Death Penalty: Final Appeal". First, midway through the episode, he delivers a Shut Up, Hannibal! Talk to the Fist reaction to the smug, Jerk Ass lawyer who railroaded an innocent man just to win the case who then is later fired from the D.A.'s office and has a ruined reputation. Also, once we see the real killer arrested by the end of the episode, he is seen roughly handling him in handcuffs. Considering that this is Jeffries we're talking about, it's so shocking, and well-deserved.
- In "Honor", Stillman shames Ken for having impersonated Carl's identity as a Vietnam War veteran, especially when the latter had actually been suffering in a prison camp for years. Stillman spares him no harsh words about how wrong it is to lie about being a P.O.W.
- Stand Up and Holler:
Becca: You don't know how lucky you are! Do you know how many girls would die to shake your pompoms?Rainey (smiling calmly): Let them.
- Also, how they arrest the Alpha Bitch who had a bunch of Jerk Jocks rape the Woobie, Destroyer of Worlds killer: they grab her right out of her ten-year high school reunion.
- We also get this:
- It's no wonder we get this bit: "My daughter is my hero."
- When Becca gives a poor "presentation" in class, Rainy voices how inadequate the presentation was. Bonus points for being a moment of character development. Earlier, Rainey backed down when Becca told her being smart was "stupid". Here, we see Rainey stand her ground and tell her how school is supposed to be a place for learning, not earning popularity points.
- Scotty taking down the Big Bad in "Stalker".
- Scotty pulling an in-universe version of Shown Their Work in Saving Sammy to make a connection with the previously-unreachable Brent Harris and solve his parents' murder.
- In the same episode, the Head of the special needs school, who extorted Brent's parents for their money, getting arrested in the ending montage (probably for doing the same thing to other families).
- Pretty much everything about the victim in "Fireflies," especially the fact that she's one of the only two main victims to survive the attempt on her life, and the only one of the two to do so under her own power. Also, she's in grade school..
- Also, this same little girl was bullied earlier by a young man to hit her own best friend, and instead responds by hitting him in the nose with her lunchbox.
- The ballet dancing Training Montage in Shuffle, Ball Change. The fact that it's done to "Heaven Helps the Man" makes it all the more amazing.
- The end of "Sandhogs." They track down the killer, a bitter old man, in his favorite bar, where he spends his days drinking, smoking, and pining away for his youth in the '40s. The detectives strike up a friendly conversation with him about said glory days, and then Lilly drops this on him; cue Oh, Crap!:
"Well, nothing lasts forever... except the statute of limitations on murder."
- In "8:03", Madison's killer, a Smug Snake who dealt drugs in his youth, continues acting cool as a cucumber when Lily and Scotty confront him. Evidence points to him, especially since he identified the gun he purchased from Skill. But the true crowning moment of awesome comes when Scotty only threatens the killer, and the killer turns coward and promises to spill his guts.
- In "Justice", as Vera puts away the Asshole Victim box (he was a serial date rapist finally gunned down by the younger brother of one of his victims), he sees the victim's ghost staring at him in disbelief (the cops had convinced the now grown man to claim that he acted in self-defense, thus making it a justifiable homicide, meaning that he wouldn't spend a day in jail). Vera simply sneers at him and walks off.
- Maybe it was the wrong thing to do and it was probably traumatizing for him but I can't be the only one who broke into a smile in "Justice" when the young boy shot and killed the bastard who raped his sister (and several others).
- Even before that, the sister in question had her rapist at her mercy when she holds a gun to him. All his other victims are egging her on to pull the trigger. She has every right to kill somebody who should've been jailed a long time ago. But she doesn't. Why? Because she doesn't want to be the monster he is.
- It's satisfying poetic justice that since the victim got away with rape in life, his killer gets away with his murder.
- Scotty and Vera give the murderer in "Slipping" - a vile piece of work who not only tried to drive his wife to madness to steal her work (recruiting the gullible and lovelorn housekeeper into helping him) and murdered her when she confronted him, but also allowed her daughter to spend 45 years thinking that she had driven her Mom over the edge and that she might go crazy too before wrongfully claiming the Nobel laurate that her work earned - a Massive "Reason You Suck" Speech outlining just how much of pathetic bag of garbage he really is before arresting the bastard in front of a crowd of people.
Daniel: You still don't get it, do you?Scotty: Get what?Daniel: How good Nancy was.
- What ultimately gets the murderer caught? His own step-daughter's drawing, which turns out to be the evidence to how he stole his wife's work.
- In the end, even the killer can't help but bitterly admit he may have been a good writer, but his wife (the victim) was better.
- The father in "Bad Reputation".
- In "Ghost of my Child", We have Priscilla Chapin, a former drug addict who, against all odds, stayed clean for her son, even in the span of the five years she thought he was dead.
- Another, smaller one: In the flashback, when baby Max's abductors read what's sown on the pajamas his real mother made him: "MY MOMMY LOVES ME" It's as though this innocent baby were defiantly telling his abductors "Just you wait, one day, my real Mommy will find me!" And years later, she does.
- The end of "The Road." Lilly refuses to take the bait when the exceedingly loathsome doer attempts to provoke her into killing him, as had happened with George Marks three years prior, and instead makes the arrest by the book. The last we see of him, he's being shoved into a tiny, cramped cell - and he just happens to be claustrophobic. For bonus points, it's discovered his most recent victim is actually still alive, and she is rescued and reunited with her fiancé, who had never stopped loving her even with the rest of the world believing she was dead.
- Nadia Kosolov, the victim in "Triple Threat," is standing on a street corner singing Tom Petty's "Free Falling" when her father shows up. When she sees him she transitions flawlessly into "Va Pensiero" from Verdi's Nabucco, a song about freedom and homesickness, then switches back to "Free Falling". Doubles as a Crowning Music of Awesome.
- In "Into The Blue," Lilly figures out the case in a hallucination. Mind Screw it may be, but it's also a serious testament to her deductive skill.
- The kids beating up the bullies in "One Small Step" especially since they were completely insane.
- Later jumping in to save his killer.
- Vera and Miller's tag team operation to sneak the deputy commissioner's gun out of his desk in "Shattered".
- Lilly and Scotty pull some awesome Rules Lawyering in "Dead Heat" to arrest the evil racetrack owner who had thought he'd beaten the rap for insurance fraud for thirty years.
- Several victims get pretty awesome Final Stands against their killers. Examples include "Family 8108," "Devil Music," and "Strange Fruit."
- The victim of the week often gets one of these in the trailer, or at some point in the episode, just before they turn up dead. Sadly, this is sometimes the very reason they end up dead. (ex: the victim in "Blood On The Tracks" who wanted to confess to a crime committed years ago, but was murdered to ensure his silence, the reporter in "Breaking News" who was about to blow the lid off a scandal, etc.)
- The victims in "Witness Protection," "Cargo," and "Chinatown" all get posthumous CMOAs for essentially the same reason, in that although they're killed in the process they manage to leave behind clues that ultimately lead to the arrests of seemingly-untouchable crime kingpins.