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5th Feb: Echo Chamber Season 1 blooper reel on Youtube here
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Tom: Well, I guess Peyton did prove guys are better than girls. At least when it comes to playing Chaotic. Kaz: Yeah, except Peyton used girl creatures, and Crystella used guy creatures. Sarah: Which proves that... girls are better than guys? Everyone: Hmm...
This is when a show sets up a moral dilemma, then finds a way to resolve the plot without actually answering the question it set up. Used mostly to avoid giving an Anvilicious answer to a moral question that is not particularly clear-cut, to avoid alienating the part of the audience that might think you picked the wrong answer, or just to make a happy ending out of what was a morally-complex story. Expect this in works invoking ethnicity and/or gender tropes in ways that might otherwise be blatantly liable to charges of Unfortunate Implications, e.g. relating to Mars and Venus Gender Contrast. Usually, a Debate and Switch is pulled in one of the following ways:
- The antagonist is originally set up as doing something that falls in the moral (and legal) gray area, then jumps off the slippery slope or is revealed to be a Straw Hypocrite.
- The evidence points to the antagonist having committed a crime over the issue under discussion, then new evidence is uncovered that shows that the motive was actually more clear-cut.
- The protagonists are put into the morally gray situation, then Take a Third Option.
- The protagonists are put into the morally gray situation, then another consideration makes it much more black-and-white. The decision is made on that consideration, with the original considerations becoming moot. No Third Option necessary, just a Second Question.
Examples:
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Anime and Manga
- In InuYasha, one of the driving points of the narrative is whether or not the eponymous character would use the Shikon no Tama to turn into a full human (or a full yokai.) The point is moot since Kagome destroys the Jewel at the end of the manga. Any wish would be 'wrong'..
- Then again, quite a bit of emphasis is put on the fact that Kagome loves him just as who he is, making it ultimately a "Be Yourself" aesop.
- Death Note poses the question: does utopia justify the means if you plan on ending all crime by killing all criminals? Said question is rendered moot by the fact that the perpetrator, Magnificent Bastard Light Yagami, develops from an arrogant sore loser into a Villain Protagonist with a god complex who kills all who oppose him. L, though, is only slightly better, opposing "Kira" not out of a sense of duty or justice, but because he's an arrogant sore loser as well, and finds fighting crime and solving complex mysteries a hobby. This was arguably for the better; who cares about morality debates when you've got Xanatos Roulettes piling up like no other?
- In the manga L did act out of a sense of justice. The episode when he promises to himself to not let Kira get away with the murder of FBI operatives is the clearest illustration, but it was cut out from TV series. Also, Death Note was never really about whether Utopia Justifies the Means, but about the corruption by power, although the point was somewhat muddled in adaptations.
- This is also present in the way someone responds to Light trying to justify his actions.
- A lot of the morality debate is cut from the manga, and the final debate between Light and Near is cut down to its bare minimum, including Light expressing his belief that he's not only getting rid of the criminals, but creating a society where people are free to do good. Near similarly believes Kira's forcing his own views onto others under threat of death, "neither peaceful nor just," and asks everyone else what they think about it, to which they respond with tacit approval. While there is considerably more examination of the ramifications of Kira's new world order in the manga, the authors ultimately leave it up to the reader to decide, but note that Light was corrupted by having the power to kill at will.
- One episode of The Daughter Of 20 Faces deals with how the protagonists are supposed to be sympathetic when they're major thieves. The main character befriends a lonely little girl, who happens to be the daughter of the head of security for a museum holding the object the protagonists want to steal. In doing so, she learns how to sneak past the security guards and that Gasp stealing a priceless object from the museum could cause big trouble for the kindly security chief and his innocent daughter. Chiko's huge betrayal of her new friend is softened by the revelation that the little girl was actually evil at the end of the episode, and everything she said about her father was probably a lie.
- Done in Mahou Sensei Negima!, of course. Is it right to stop Chao Lingshen, who is obviously not a bad person and seems to have a good motive? Negi spends so much time worrying about it that his students basically just tell him to shut up after awhile, because if it was so important she ought to just tell him. Eventually, they decide it doesn't matter what they're doing is right or wrong, they just don't want to be turned into ermines and Chao hasn't convinced them otherwise. Some fans think it was intentional in order to set Negi up for Fate, who also seems to have a good goal and bad methods. He notably worries much less about it, anyway. Which may have been why Chao set up the moral dilemma in the first place.
- Well, that isn't exactly a very good example, after all, the morality of whether or not to stop Chao Lingshen's plot is resolved. They decide that since the plan would require the suffering of completely innocent people for it to happen. A much better example would be Fate's Everyone Is Jesus in Purgatory plot, which Negi already has plan that will postpone the annihilation of the magic world
- Monster does this, although it must be noted that the moral ambiguities it toys with have been debated for centuries and probably will continue to be debated for centuries after: Is all life equal? Do some people deserve to die? Is it right to kill a killer? Is evil irredeemable?
- Fushigi Boshi No Futago Hime: Fine and Rein find out that Mirlo is in an Arranged Marriage with a rather undesirable dimwit, and are out to break it up. Reviewer Al1701 pointed out
that this action seems short-sighted, since the deal for the marriage is in exchange for dimwit's father repairing the Waterdrop Kingdom's cloudmaker. That is, until the whole Arranged Marriage turns out to be a big ruse by the Moon Kingdom chancellor. Doesn't stop this from being one of the best eps of the whole series.
- In a Trigun flashback, we see Vash trying to find a way to rescue a fly from a spider's web. His brother Knives solves the problem by crushing the spider. When Vash protests, he claims it was just practical and that if Vash wanted to rescue all flies, the spider would just starve to death, which is a valid point. Vash and their caretaker just say it's wrong though, and moments later Knives turns into an Axe Crazy Omnicidal Maniac. It's a shame, because the series manages to turn Vash's goody-two-shoes character archetype into a well rounded and interesting Deconstruction. His opponent, not so much.
- This isn't so much the case in the manga where it's revealed that Vash and Knives are Plants that humans use for power in this context Knives sees the conflict between the spiders and butterfly as inevitable and synonymous to his own.
- While his motivations become understandable in the manga, his actions are no saner, especially after his early failure backfires so drastically as a consequence of the conditions he's forced humanity into. Later in the manga we encounter a fleet from the evidently-surviving Earth, which incorporates Plants into the regular crew and officers, implying that entire moral debate is now resolvable; they get there just after Knives finishes his descent into Omnicidal Maniac territory and can no longer be talked to.
- In Bakuman。, several older and less successful mangakas start submitting works for jump, prompting a debate between Takagi and Mashiro over whether they should be given a chance for a comeback; Takagi doesn't think so, while Mashiro, whose uncle kept trying to get a series even after his contract was canceled, strongly disagrees, and Nizuma believes that writers should not be treated as disposable. It turns out that Nanamine is using these mangakas as his way to try a second time with an improved version of his "system".
Comic Books
- In The Walking Dead, after the misogynistic Thomas murders two of Hershel's daughters, Rick decides to implement a "You Kill, You Die" law and declares that Thomas should be hung. This decision is debated by others, but it comes to an end when Patricia lets him out believing that he's mentally ill and not responsible for his actions. Thomas proceeds to strangle her and is shot by another of Hershel's daughters.
Film
- In the first X-Men movie, Magneto isn't trying to Kill All Humans; he wants to turn the leaders of various nations into mutants. Now that's still ethically highly questionable, but... oh, never mind, the process is fatal, and he won't believe this. And just to make sure Magneto has a firm grip on the villain ball, his "process" is powered by an unwilling Rogue.
- Magneto's entire philosophy can be considered an example: In the first film, he wants to shift humanity's prejudices by converting the world's leaders into mutants. By the 2nd film, he wants to hijack the bad guy's plan and use Dark Cerebro to Kill All Humans; a definite Moral Event Horizon but one that doesn't diminish his commitment to mutantkind. The 3rd film shows just how far throwing one's lot in with Magneto will get his recruits when many of them are hit with cure darts and Magneto's reaction is to casually dismiss them as expendable "pawns" to be sacrificed in favor of the larger goal.
- State of Play, so much so the main plot is made moot by the last 10 minutes of the film. And because of this the Big Bad for the most part goes unharmed. Cal McAffrey clearly didn't know how to sort out the Sorting Algorithm of Evil, or prioritize the Sliding Scale of Villain Threat.
- In the 2009 Star Trek movie, Kirk offers assistance to the about-to-be-crushed-by-a-black-hole Romulan ship, whose crew committed genocide by destroying Vulcan. Spock objects to this. Before any actual debate could happen, Nero, the ship's captain, tells Kirk to go screw himself, thus giving Kirk all the moral cover he needs to hasten their inevitable destruction. Kirk even says to Spock that offering them a chance for survival is the logical choice. *
Which it is, because it means they capture the criminals and get their hands on the Narada's juicy and powerful future-technology.
- The Contender: So, will Laine win the Vice Presidency despite the furore of controversy surrounding her? Will she prove to the world that the bending of the truth and exposure of someone's shady moral history should never be used for political gain and need not necessarily ruin your chances of a high-powered career? never mind, the girl in the photos wasn't actually her after all. Oh, and her main rival's a backstabbing liar. Crisis averted.
- In Machete, the villainous politician seemed to be concerned about illegal immigration and wants to protect the US border by building a giant wall, even if it lead him to associate with racists and killed illegal immigrants, setting up the character as a Well-Intentioned Extremist. But then it was revealed that he was a Corrupt Politician who was in cahoots with a drug cartel and that building the wall will result in the drug cartel having an exclusive access to the US border, which would make the US border more dangerous if he had succeeded.
Literature
- My Sister's Keeper by Jodi Picoult. The book asks the interesting question of whether or not it is wrong to have a child(Anna) solely to provide blood/tissue/organs for a sicker child(Kate), then gets out of answering by killing Anna in a car accident and having her kidneys donated to Kate anyway. In the movie, however, this does not happen; after Anna wins, Kate dies.
- Another Jodi Picoult example: Handle With Care asks if it is okay to sue your doctor for not telling you about a disability, and if it is okay to abort a disabled child. Claire wins the case anyway, and the child dies after they win.
- This happens in Mercy. The whole thing is about the ethical issues of euthanasia and mercy killing, and it turns out that...oh, wait, it doesn't. Not only do we not get an overall view on euthanasia, we don't even get to find out the views of 90% of the characters. It's the kind of 'debate' where people stand around chatting and occasionally eat a biscuit.
- Winds of the Forelands has at its center a smoldering racial conflict, and the Big Bad is a leader of the oppressed race who claims he will liberate it. He's also a Hitler-esque tyrant who would make everyone's lives worse if he actually won, so it's up to the heroes to stop him and let oppression continue. Apparently, the only reason it even comes up is so the villain's followers can be portrayed as misguided rather than evil.
- In Twenty Years After, d'Artagnan wants to kill Mordaunt, but not out of a sense of justice—he is blinded by a desire for vengeance on the sins of Mordaunt's mother, twenty years ago. Athos, on the other hand, is tired of violence and wants to let Mordaunt go, in spite of his own terrible crimes. The dilemma is made moot when Athos kills Mordaunt in self-defense after trying to save him.
Live Action TV
Video Games
- In Castlevania: Order of Ecclesia It turns out Albus had interfered with Shanoa sealing Dracula because the ritual would kill her, which Barlowe had hidden from her. Whether stopping Dracula justified a human sacrifice could have been explored, but it turns out Barlowe is crazy and was doing the whole thing to break the seal on Dracula.
- Rather similarly, the first plot of Tales of Symphonia is that the Chosen must sacrifice herself in order to save the world. The rest of the cast decide that sacrificing their friend and saving everyone else is the right thing to do, but then they learn that it would actually only save their world for some time - and that it's going to make another world suffer in the way they've been suffering up until now. Now the debate is whether to save one world at the cost of the other. Then they decide to find a way to save both worlds without sacrificing anyone.
- A near perfect example of the debate and switch can be found early on in Dragon Age. After the hero and his/her party defeat the legions of undead in the village of Redcliffe, they storm the castle to find that the son of the local noble has been possessed by a demon. The hero is told that there are only two ways of dealing with the magically powerful and demon-possessed child: kill the child and end the horror, or kill the child's mother in a ritual of evil dark magic that will allow you to permanently remove the demon with no harm to the boy. Upon being told this, the hero can ask "is there no other way?" to which the people who just told you that you have to kill someone reply "well, I suppose you can take a little side trip across the lake to the tower of wizards where you can find someone who can help you remove the demon without killing mother or child with no strings attached," thereby rendering the previous choices completely pointless This is only an example to the player, as the third option carries a significant risk of making things much worse, but if it did end badly, the game would be Unwinnable. It also depends on the mages surviving their own quest line.
- Averted hard in the sequel - no matter what stance you take in the overarching Mage vs Templar plot points, even a neutral Hawke has to pick a side once Anders blows up the Chantry, who whilst governing both sides contains one of the few reasonable and neutral leaders in the game. There is absolutely no way to avoid this.
Western Animation
- In the third season finale of Avatar: The Last Airbender, Aang spends a considerable amount of time agonizing over whether he can bring himself to kill Ozai in order to save the world. However, he avoids the whole thing by using a technique that was never hinted at previously to make him unable to firebend anymore and makes it a non-issue. Of course, the whole thing would be a Fantastic Aesop, even if that hadn't happened: He would have to kill him because what made him so powerful couldn't be removed, but things aren't like that in real life.
- Also applies to the Lost Aesop in "The Waterbending Master", in which Katara's necklace allows her to join Master Paku's class.
- Though that one's only an in-story debate and switch; from the audience's perspective, the eponymous master is clearly being a Jerk Ass from the start.
- The existence of Jet and the Freedom Fighters could have raised an interesting question about vigilantes and tough decisions in a wartime setting, when Jet attacked an old fire nation man. However, he soon jumps off the slippery slope by nearly flooding an entire village with allies still inside it.
- The second season of Justice League Unlimited raised some serious questions about how much power a league of superheroes should be allowed to have, and whether or not the U.S. government was justified in trying to restrain them, but those questions were more or less pushed aside when it turned out that Lex Luthor was secretly provoking the conflict with sinister intentions... and Brainiac was manipulating Lex the entire time. Word Of God admits that this was due to not wanting to come off as too much of an Author Tract... considering Civil War, it's hard not to say they may have had a point. At the least, they had Green Arrow try to provide an 'answer'..
- The last season of the series shows the League has been given military garrison and regularly has checks from members of the US Government now, and the members of the group agreed they need limitations (like the not keeping a super-zappo-laser on the Watchtower). So yeah, the show didn't skirt the issue and found a reasonable solution - at least for the Americans.
- South Park is pretty fond of its Spoof Aesops and its Straw Hypocrites. The episode can be 20 minutes of straight up Flame Bait, but once Stan's given his "I've learned something today..." speech, the story pretty much succumbs to the Rule of Funny.
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