For almost a full season, the plucky folks who help those in need
have defeated Monster of the Week
after Monster of the Week
, protected the space-time continuum from invading aliens, stopped an Antimatter
explosion from removing North America from the face of the planet, and saved the President
Now, however, they are vexed by someone who seems to know their strengths, their weaknesses, and everything in between. They're outmaneuvered, outnumbered, and outsmarted. The season ends with the villain gloating over them, saying their most dangerous tasks up to that point have simply been tests he has engineered.
The Arc Welder cometh.
Arc Welding is a retroactive form of Continuity Creep
that occurs when a series which has heretofore been episodic retcons
itself so that it's all linked in a Story Arc
. The most common approach to Arc Welding is probably when one antagonist, hidden up to that point, is responsible for all the major threats the protagonists have faced thus far.
Alternatively, several arcs might be revealed to part of a larger Myth Arc
. This is rarer, possibly because it's harder to do well and shows that would benefit from it might not last long enough to play out the retcon
Arc welding is different from Story Arc
or Myth Arc
because it is always retroactive. Series that start out with a Story Arc
or Myth Arc
already in place generally aren't welded. If something were already part of an arc, it wouldn't need welding.
The creators may be simply putting unrelated crap together for the sake of using up the budget now that they're renewed. It can be also be a stroke of brilliance, the creators now realizing an underlying theme of their work on the series thus far. Lastly, Arc Welding itself can be plotted from the beginning, as The Reveal
. In the absence of the confirmation provided by the Word of God
, Arc Welding is YMMV.
Compare Canon Welding
, which ties together different series, and Innocuously Important Episode
, which retroactively ties a seemingly unrelated event into an existing Story Arc
. See also Meta Origin
, Patchwork Story
Has nothing to do with welding metal using arcing electicity.
For info on that, go here
. For a minigame on that, go to Metroid Prime
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Anime & Manga
- Bleach: Was the plot up to Big Bad Aizen's defeat a self-contained arc unconnected to the Thousand Year Blood War? Hell no! Aizen's deeply involved in many of the events that set up the War, but the Final Arc's Big Bad was secretly involved in many earlier events as well. While the first arc appears to be a protracted chess game between Aizen and Urahara, the final arc answers the question of who had provided the chessboard. The final arc connects events as disparate as the death of Ichigo's mother, Rukia's execution, Ichigo's substitute shinigami badge, Aizen's hollowfication experiments, Ryuuken's hatred of Quincies, and more. Word of God has indicated that the arc welding actually occurred at the end of the Soul Society arc when Tite Kubo realised how to end the story on the basis of what he'd written up until that point. This discredited a fan theory that the length of the Arrancar Arc was a result of Kubo stalling because he hadn't figured out how to end the plotline. Thus far, Re Write RetCons have been avoided, although several events (most particularly Masaki's death) have had to be Revisioned.
- A minor Naruto example: A Filler episode revealed that Mizuki attempted to steal the scroll of kinjutsu on Orochimaru's orders. This revelation occurred around episode 160 or so, and Mizuki stole the scoll in episode 1.
- A major Naruto example: Madara Uchiha is apparently largely responsible for/connected to the origins of Naruto (he unleashed the fox before it was sealed in Naruto), Sasuke (he helped Itachi with the Uchiha massacre), the entire Leaf Village (founder of one of the two clans it started with), and potentially many more elements of the story given his long tenure of Faking the Dead and being The Man Behind the Man
- Not to mention that the Sage of the Six Paths, besides being the first guy with the Rinn'egan as well as creating the whole ninja world as it is (what he is initially mentioned for), also is source of the Senju and the Uchiha clans, the guy who split the almighty ten-tailed beast into the more familiar one to nine-tailed beasts, creating the MOON on the whole process. Busy guy.
- Every subplot in Excel Saga, which were all Played for Laughs, actually got tied together in the surprisingly serious finale.
- In Sailor Moon DiC tried to do this to all the bad guys that appeared during the second season. Then later Naoko Takeuchi did this with the bad guy Chaos at the end of the manga who was supposedly responsible for the appearance of all the previous Big Bads.
- Tenjho Tenge. Every bad thing that ever happened to anyone turned out to be the work of the protagonist's dad. Even the stuff that happened centuries ago.
- Yu-Gi-Oh! GX has this with season four, where it is revealed that the release of the Sacred Beasts, the Light of Destruction, and Yubel's schemes were all used by the final Big Bad Darkness for...something.
- Yu Gi Oh 5 DS, the villains of the first major story arc are Roman Godwin and his brother Rex, who are revealed to be responsible for the Zero Reverse incident that severed Domino City in two The next season revealed Roman's turn to evil was engineered by the Ancient Conspiracy Yliaster as a plot to destroy Domino City with Zero Reverse. After the three leaders of Yliaster were defeated, the founder of the organization, Z-one, appeared as the final antagonist of the series, picking up the trio's plans to destroy Domino.
- Chapter 170 of YuYu Hakusho confirms that everything that happened in the series was a result of King Enma's actions. He created falsified reports of demon crimes in the human realm, let evil demons into the human realm, and even brainwashed innocent demons for his Spirit Detectives to finish off, increasing Enma's reputation within Spirit World, since the Spirit Detectives were under his command. This gave Enma the authority to erect a barrier between the three realms, as supposed demon "crimes" would create the illusion that this was a righteous act, and not totalitarian, since the spirit energy unused by humans was a valuable resource to the Spirit World.
- Pokémon Special tends to do this. Both good guys and bad unexpectedly show up in later arcs with gambits ahoy, but FRLG and Emerald take the cake. FRLG was a result of all the previous arcs while Emerald was a direct consequence of FRLG. For reference, Emerald was the sixth arc, and Pokemon in general rarely bothers with continuing plots across multiple games/series/whatever.
- Volumes 29 (climax of Emerald) and 38 (climax of Diamond and Pearl, beginning of Platinum) brought together and resolved so many plot lines from different arcs to the point that the HSQ was reached.
- Happened quite a lot in Fist of the North Star. A few volumes after Kenshiro's Token Motivational Nemesis Shin was killed off, it is revealed that the reason why he turned on Kenshiro in the first place was because Ken's stepbrother Jagi (a later villain) persuaded him.
- The Tatami Galaxy is built around this trope.
- Pretty Cure All Stars DX 3 did the same thing the manga Sailor Moon did with Black Hole. Though since DX 3 is mostly non-canon to the series they're connected to, it kinda really doesn't count.
- This is pretty much the whole reason the Crossbone Gundam manga exists: without it, Gundam F91 and Mobile Suit Victory Gundam come off as two unconnected stories that just happen to be set in the UC timeline. With it, the stories are tied together into a larger overarching narrative with the Jupiter Empire and its aristocratic oligarchical philosophy as The Man Behind the Man of both the anime series' Big Bads.
- Alan Moore is famous for re-visioning and changing characters to suit his conception, however he always ensures that the stories preceding his work were given a good conclusion with all background details and subplots resolved so that he can get on and do something different, he states that he does this because readers would otherwise feel cheated that the stories they followed had no payoff.
- In Swamp Thing, he famously resolved Alec Holland's quest to become human again by choosing to Take a Third Option, the Swamp Thing was never Alec Holland, the scientist was Dead All Along and his consciousness was absorbed by a swamp creature who believed he was "Alec Holland". This Downer Beginning resolved the Failure Is the Only Option nature of the premise, re-purposed and recycled supporting characters to give them new roles in a Darker and Edgier world and Moore even allowed Alec Holland a Happy Ending reunion with his wife during Swamp Thing and Etrigan's journey to the afterlife.
- In ''Miracleman a Darker and Edgier reboot of the childish British originals, the bizarre and fantastical Mick Anglo 50s stories are retconned into artificial memories via Lotus-Eater Machine by the Big Bad, ensuring that the old stories had a context and important to the modern version.
- Buffy the Vampire Slayer:
- The end of Season 8 sets up the the background of Fray, written 10 years earlier.
- Also, when Whistler shows a vision of the future to come in a world without magic, it's clearly the world of Fray, if you notice the hovercars.
- Cerebus the Aardvark did this a lot. There were very few minor, throwaway characters. Just about anyone who talked to Cerebus at some point is revealed to be important to the plot somehow.
- The comic Transmetropolitan starts its Myth Arc with issue #13 (the Year of the Bastard storyline), but starts Arc Welding sometime around issue #30. Though it takes a while, events from the first issue are eventually revealed to have had an impact all the way to the last.
- One of the highest quality examples of this is Don Rosa's The Life and Times of Scrooge McDuck series, which takes every random reference Carl Barks ever made to Scrooge's past and puts together a comprehensive, sensical and engaging character biography. If the Eisner award is to be believed, it really worked.
- Geoff Johns has been doing this in the Green Lantern books, introducing an "emotional spectrum" that people can draw power from. The Green Lantern Corps fall square in the middle at green willpower; with red rage, orange avarice and yellow fear on one side and blue hope, indigo compassion, and violet love on the other. Not only are existing characters being tied into the spectrum (villainess Star Sapphire tapping into love energy, for example), but Johns has established whole rival corps for each (like yellow ring-wielder Sinestro starting his own Sinestro Corps of fear).
- It all started with his revival of Hal Jordan. The Retcon that explained away Hal's villainy also accounted for the periods of self doubt the character had been through, the graying of his hair, the reason the Spectre chose him as a host, and the reason why Hal was tempted by the power he stole while Kyle wasn't.
- When Marvel finally decided to fully reveal Wolverine's long and complicated origin story, it turns out that just about every bad thing that ever happened to him was orchestrated by a single figure known as Romulus.
- James Robinson's Starman managed to provide a coherent connection between the various characters who had used that name, even though with one or two exceptions, none of them had any relation, or indeed even the same powers.
- In Ultimate Spider-Man, several Batman Cold Opens involving him fighting some villain who attacked "Roxxon Industries" were welded together when the CEO of that company (a person rather lacking in common sense) hired some mercenaries to bring him in for questioning about why he was fighting those people.
- Kurt Busiek's Avengers Forever story indulges in arc welding throughout, revealing that every action ever taken by the villain Immortus was done in the interests of preventing the destruction of humanity by the Time Keepers. A number of seemingly unrelated plotlines turned out to have taken place under the influence of Immortus.
- One storyline of Archie Comics was the result of the events in previous stories: over the past couple of months, Jughead has experienced cranial injury from different objects (box of comic books, flamingo statue, typewriter, football, and a ball of hamburgers). Somehow this causes his body metabolism to go in reverse; wherein usually any food he eats is instantly digested (explaining why he stays so thin), all the foods he eats now turn into fatty tissue, resulting in Jughead gaining a lot of weight overnight.
- Sonic the Hedgehog: During the "Enerjak Reborn" arc, Dr. Finitevus reveals how everything he's done since his introduction has been part of his grand plan to create a new Enerjak. It's also revealed that he was the (at the time) unnamed Echidna scientist who attempted to return Chaos Knuckles to normal by draining his power (the backfire of which is what rendered him albino).
- Issue 233: many of Geoffrey St. John's past actions are shown in a new light, as it's explained that he was working on a master plan to make Ixis Naugus king of Acorn.
- When the Destructix's backstories were revealed, a bit of this was applied to Sergeant Simian and Predator Hawk. They were shown to, in the past, have been members of the Gorilla Guerillas and the Battle Bird Armada (respectively), groups that were introduced after they were, but before the story arc that revealed their past memberships.
- An early story in the first Deathstroke series revealed that a character who had appeared once in a flashback story years earlier had in fact been seeking vengeance on Slade for years and was responsible for the kidnapping and maiming of Slade's younger son Joseph and the recruitment of his older son Grant for an experiment that would kill him.
- In Non Sequitur, Wiley frequently used three separate sets of recurring characters: everyman Joe and his drinking buddy, Bob, Bratty Half-Pint Danae and Sunday-only character, diner-owner "Offshore" Flo and her tall-tale telling patron, Eddie. Eventually, after years of the characters appearing in their own spheres, Wiley brought them all together: Joe and Bob are brothers, Flo is their mother and Danae and her younger sister are Joe's kids. (Eddie's still just "Eddie").
- Pretty much everything in Grant Morrison's run on Batman ties back to either Dr. Hurt and the Black Glove, or Talia's Leviathan organization.
- Another Batman example: the climax of the Black Mirror arc reveals that James Gordon Jr. was involved, one way or another, in pretty much everything villainous that occurred over the course of the arc. He also implies that he was the one who inspired The Joker to cripple Barbara back in The Killing Joke, though it's unclear if that's true or if he's just screwing with her.
- Jonathan Hickman's run of The Avengers reveals that Captain Universe, The New Universe and its remake Newuniversal all share the same origin.
- In the process of doing this, it merges both versions of the New Universe, stating that the original was another form of the reimagined version.
- Since DC Comics rebooted the line with the New 52 in 2011, each September issue has been been part of a themed month, such as the 2012 issues being "Zero issues " exploring the revised origins of DC's heroes. Rather than detail the series, The Flash instead tied the issues into the on-going narrative.
- 2012: Zero issue - The debut of Daniel West, who would be revealed as the New 52's Reverse Flash over the course ofvthe next year.
- 2013: Villain issues - The issue devoted to the Reverse Flash ties directly into the ongoing story arc of the time, whilst issues devoted to Grodd & the Rogues led directly into the Rogues's Forever Evil mini-series.
- 2014: Future's End - The issue ties directly into the Future Flash story arc that had been going on since April.
- Dr. Brainstorm from Calvin and Hobbes: The Series claims to have done this in order to build the Doom Satellite.
- The Harmony's Warriors series of stories does this to tie together the stories based on the X-Men movies and those based on the Marvel Cinematic Universe: Gustav, the Big Bad of X-Questrians: First Class, is revealed in Captain Equestria to have been a member of HYDRA back in the day, serving as Hoity Toity/Red Skull's Dragon.
- In the Pony POV Series Chaos Verse, the Big Bad Nightmare Phobia is revealed to be behind nearly every problem the Mane Six have for most of the show up to "Luna Eclipsed" (excluding Discord) by manipulating their emotions to make them act in self-destructive ways.
- Then in the Pony POV Series proper, a single chapter ("The Connection") manages to tie together EVERY arc, story and alternate universe together into a single story of redemption, salvation, hope and change. Namely, when the alicorn version of Twilight from the Dark World finished saving it, she then created an alternate timeline by blowing herself up (twice!) into four beings — Shining Armor, whose presence would prevent Twilight from creating the Dark World by keeping her own canon from melting down, and the three Interviewers who've been recording this story and guiding the heroes the whole time.
- Reimagined Enterprise puts together many different disconnected references and plot points from Star Trek canon into new stories.
- The Lion King Adventures:
- Death, the Big Bad of Series 3, reveals in Darkness Falls that he was directly responsible for everything that happened to Simba and his friends throughout the series.
- The End reveals that Series 5 Big Bad The Writer is the Ultimate Evil who created every other villain in the series, all for no other reason than his own amusement.
- In the Facing The Future Series, it's revealed in A Family Thing that Vlad was behind Vortex and Nocturne's escape from Observant custody, and their subsequent actions, in Hearts and Minds.
- It's very common in the fandom for Spyro the Dragon to combine The Legend of Spyro continuity with the original series. Oftentimes, it's used to bring characters from the older games into the new ones, especially the other dragons. Other times, it's just used to attempt to bring the two alternate plotlines together.
- The Dear Sweetie Belle Continuity originated as disparate stories (Rarity's letter to Sweetie Belle, Luna and Shining Armor's affair, the romantic setups of Morning Glory) which the author realized fit together well. He also attempted to tie in another of his stories regarding an AU where Luna took over, but that didn't work out so well.
- "Flaihhsam s'Spahkh" does a fair amount of this. Spock's appearance on Romulus in the TNG two-parter "Unification" is referred to, and he has since become the official ambassador to Romulus, foreshadowing his relationship with the Romulans in the '09 Star Trek movie, and spearheads the effort by the Federation to get the cloaking device for the USS Defiant following the clusterfuck with the USS Odyssey in "The Jem'Hadar".
Films — Live-Action
- Sherlock Holmes. It was revealed, in the first of the two stories by Arthur Conan Doyle to directly feature Moriarty, that the master villain had been involved in several of Holmes' cases before, but had simply never been mentioned until then.
- Lemony Snicket: The Unauthorized Autobiography played this for laughs. Most of the book consists of explaining how everything that had happened up to that point in the series was related to the VFD in various ludicrous ways.
- Doctor Who Expanded Universe:
- The Doctor Who Missing Adventures novel Venusian Lullaby takes a lot of the throwaway one-liners the Third Doctor used to make about his adventures on Venus (that the Venusians sing lullabies, play hopscotch, etc.) and makes a coherent alien race out of them (living about a billion years in the past, when Venus might have been habitable). They're radially symmetrical and move by hopping. Oddly, no mention is made of the oft-referenced "Venusian Aikido" (at least by that name), nor how he might have learned it from such odd creatures.
- The Past Doctor Adventures novel Divided Loyalties establishes that the Doctor was part of a clique in the Prydonian Academy on Gallifrey with the other renegades featured in the original series (the Master, the Monk, the War Chief, the Rani and Drax), Vansell (introduced in the Big Finish audio drama The Sirens of Time earlier that year), two new characters (Jelpax and Millenia), and Rallon, who is revealed to have been posessed by the Celestial Toymaker, who used his body in the First Doctor serial by that name.
- The Doctor Who New Adventures novel Original Sin establishes that Tobias Vaughn from "The Invasion" was responsible for various advanced technologies that plagued the Third Doctor, and also created the glitterguns from "Revenge of the Cybermen".
- John Peel's Eighth Doctor novel War of the Daleks does this with the final four Dalek serials of the new series (Destiny, Resurrection, Revelation and Remembrance of the Daleks), creating a single overarching plot which was promptly ignored by every Who writer since.
- Many Star Wars Expanded Universe sources tie in many of Palpatine's and especially Thrawn's actions as being to prepare the galaxy for the Yuuzhan Vong invasion. The degree to which this is accepted by fans varies- it's pretty much considered canon for Thrawn's motivation, but most see Palpatine as just using it as an excuse.
- More recently, Jacen Solo's change of heart in Legacy of the Force is seemingly being tied to new Big Bad Abeloth in Fate of the Jedi.
- Another example is Cade Skywalker's unique abilities in Star Wars: Legacy. His ability to sense vulnerable fractures has been tied to Mace Windu's sense for more metaphorical "shatterpoints", and his ability to heal serious injuries and death using the Dark Side is uncannily close to what Palpatine claimed Darth Plageius could do in Revenge Of The Sith. And considering that other sources hint that Plageius created Anakin, it may be connected to that too... though that was Jossed in the Darth Plageius novel. Anakin was created as a backlash against Plageius's machinations.
- Back to the subject of Abeloth, the final Fate of the Jedi novel reveals that she's connected to the Son, the Daughter, and the Father, the living embodiments of the Force first seen in Star Wars: The Clone Wars.
- This sort of thing is quite common in Star Trek Novel Verse books:
- The Star Trek: The Next Generation novel Q & A has every Q-episode of TNG as being part of a long term plan to prepare Picard for meeting the beings that sit in judgement over the universe, and convince them it's worth saving. Except "Q-Pid". That one he just did for the hell of it. Or possibly for the Foe Yay.
- Similarly, the Star Trek: The Next Generation novel Q-Squared implies that almost all the temporal anomalies encountered by Picard and his crew were also the work of Q - and goes on the add a relationship between Q and one-shot villain Trelane from Star Trek: The Original Series too.
- Peter David is quite fond of this. In Vendetta, the planet-killed from The Doomsday Machine turns out to have been engineered by a long-dead race as their final revenge against the Borg.
- Star Trek: Forged in Fire ties Sulu's captaincy of the Excelsior (as seen in The Undiscovered Country and explored further in Star Trek: The Lost Era) to the Blood Oath plot from the eponymous episode of Star Trek: Deep Space Nine. In other words, Sulu's story arc is now made part of the backstory of Curzon Dax and the Klingon trio of Kor, Kang and Koloth. The novel also ties in the Klingon Forehead arc, from Star Trek: Enterprise and Star Trek: Vanguard.
- The Star Trek: Typhon Pact novel Paths of Disharmony links the Star Trek: Vanguard story arc to those of the Star Trek: Deep Space Nine Relaunch and the post-Star Trek: Destiny line, making it all relevant to the current events of the novel.
- A rather pleasing example in the Star Trek: Voyager Relaunch with the exploits of Kahless, retroactively linking the novel line's Klingon saga to the relaunch in interesting ways. In Star Trek: A Time to..., Kahless had replaced himself with a hologram (equipped with a mobile emitter) and wandered off to Cygnet IV, supposedly to "do whatever (he) felt like". It was also a test, allowing him to give his usual Hurricane Of Aphorisms when the ruse was discovered. In the Star Trek: Voyager Relaunch, though, it's revealed why he was on Cygnet IV specifically. The secret headquarters of the qawHaq'hoch are located there, and he's keeping the plates spinning in the plan to keep Miral (B'Elanna and Tom's daughter) safe from the fanatics trying to kill her. Further, the mobile emitter for his holographic replacement was created by B'Elanna herself.
- Any Christopher L. Bennett novel in the line (Ex Machina, The Buried Age, Watching The Clock) is like this. It sometimes borders on Continuity Lockout, but never crosses the line.
- The Q Continuum trilogy ties together three previously unconnected malevolent energy beings from the original series and movies along with the Galactic Barrier (yes, one of them is "God" from Star Trek V), and as an extension explains why proximity to the barrier resulted in the development of telekinetic powers and personality shift in the original series pilot.
- We also get a bit of patching for one Plot Hole with Star Trek V. The barrier was at the edge of the galaxy in the show, and nigh impossible to get through. In the movie, it was in the middle of the galaxy and they managed to get in easily enough. Well, it turns out there's two barriers. One is keeping something bad in, the other is keeping something much, MUCH worse out.
- After Isaac Asimov's extensive Canon Welding of his Foundation, Empire and Robots series into one, the final volume of the Second Foundation Trilogy, Foundation's Triumph by David Brin was a fantastic example of Arc Welding together almost every single book in the series together even better than Asimov had done.
- All 7 other of the Incarnations of Immortality series, encompassing epic acts by Death, Time, Fate, War, Nature, God and the Devil had this trope. In the latest novel in the series Under A Velvet Cloak, all of these acts are only minor compared to Nox's (the Incarnation of Night/Secrets) actions (whose actions choose which universes live or die).
- Some Warrior Cats books have melded two subplots together to make their story through use of a retcon.
- Crookedstar's Promise introduces the Dark Forest to the past and shows it influencing the events of book as early as Fire and Ice through use of Crookedstar's story.
- Yellowfang's Secret makes it so that SkyClan is directly responsible for the rise of Brokenstar, even though they had died out years before his birth.
- The Larry Niven Known Space stories develop a bad case of this later on, as the hugely successful Ring World degenerated into increasingly complex and incomprehensible attempts to produce a Unified Field Theory Of Everything.
- Also the Arthur C Clarke Rama and related sort-of-sequels to 2001 - A Space Odyssey.
- The first Noob novel did this to some episodes of the original webseries, making it part of the Horizon storyline. When an episode of Season 1 needed to show a character doing Fetch Quest (which happened three or four times out of twenty often stand-alone episodes) the Quest Giver always happened to be In the Hood and dressed in Black Cloak, something that could easily be normal for the game and/or due to No Budget. The first novel, chronologically set after the first season, reveals that the black cloak is actually a trademark for a group that is after the Dismantled MacGuffin central to the first novel; some of the pieces were used as decoration for random objects that they sometimes couldn't go get themselves without attracting attention, hence the fetch quests.
- Awake In The Night Land, which is set in the universe of William Hope Hodgson's The Night Land, linked this book to The House on the Borderland by stating that the titular house is the entrance to the House of Silence of The Night Land, but in the past.
- One of the more explicitly identified examples of Arc Welding comes from Angel's fourth season, where Skip notes that everything that's happened to Angel and company for a very long time — Angel's ensouling, Cordelia's ascension, Fred's being trapped in Pylea, Lorne's banishment from Pylea — were all part of a Gambit Roulette.
- A smaller version then happened in the next and final season: faced with Executive Meddling to be more episodic without any arcs, after finding out the show would be canceled anyway Joss spent the last two episodes revealing that many of the villains over the season were part of a group called the Circle of the Black Thorn, then having the heroes kill them all.
- Star Trek: Deep Space Nine does excellent examples of Story Arcs and also of Arc Welding. Starting in mid-season 2 and possibly earlier, the seeds are planted in an almost offhanded manner for the coming storyline. Then, at the end of season 2, it's all revealed to be part of a big plot that isn't concluded until the final episode of the final season — which itself is the finale of a 9-part arc within the Myth Arc of the show.
- Also, Executive Meddling resulted in the Klingons returning to their Kirk-era level of villainy just as the Dominion was planned to take center stage. The Powers That Be did the best they could, and made it fit at the end by making Changeling manipulation responsible.
- The X-Files did this in later seasons, with dormant alien DNA supposedly accounting for much of the apparently Earthbound paranormal activity Mulder and Scully investigated.
- Arc Patching, if not Arc Welding, was done in Veronica Mars, when the season 2 bus bombing storyline wrapped up. The perpetrator was revealed to also have raped Veronica at Shelly Pomroy's party, a storyline thought to be wrapped up in season 1 as being not rape, but mutually drugged-up semi-consensual sex. This explained Veronica's chlamydia, despite her having only two (or, as The Reveal made plain, actually three) sexual partners and presumably using protection, the existence of which was used to paint Veronica as a slut and therefore untrustworthy in the trial of Aaron Echolls. The blatant illegality of delving into her medical records for some reason not resulting in a mistrial is another debate entirely.
- At the end of the first season of The Sopranos, Big Pussy has vanished. No one knows anything. The writers of the show were just going to let it go at that—people do, indeed, vanish with no explanation, though it's rare. However, when they heard how the fans were wondering what happened to him, they welded Pussy into the story of Jimmy's being The Mole, with him being a second one.
- Doctor Who:
- There was a bit of Arc Welding near the end of its original run, when Ace's involvement with the Doctor between "Dragonfire" and "The Curse of Fenric" (eight multi-part stories over three seasons by that point) was revealed to be part of Fenric's Batman Gambit to trap the Doctor (moral of the story: don't try a Batman Gambit against a Chessmaster). It also provided a bit of disappointment for Classic Who fans when the series returned and "Bad Wolf" turned out not to be a returned Fenric.
- Between the Classic and revival series, the Time War, a cataclysmic war between the Daleks and the Time Lords, annihilated both races for good with the exception of the Doctor. The series eventually connects this event to the Fourth Doctor story "Genesis of the Daleks", where the Doctor attempted a genocide of the species but failed (which has no serious effects on the Classic series's overarching plot save for introducing Davros) - reimagining the event as the Time Lords firing the first shot in the war.
- In NuWho Series 5, the startling lack of historical commentary about a big freaking Cyberking stomping around Victorian London is retconned to have been another casualty of the cracks in time.
- "The Time of the Doctor", the Eleventh Doctor's era Grand Finale, concludes virtually all major ongoing plots (the cracks in time, the explosion of the TARDIS, the First Question, etc.) by tying them into the Ninth and Tenth Doctor Time War Myth Arc.
- In Clara's first appearance in Series 7, "The Bells of Saint John", she offhandedly mentions she got the TARDIS phone number from a woman in a shop who told her it was a help line. Flashforward to the Series 8 premiere, "Deep Breath", where a mysterious ad in a paper reunites Clara and the recently regenerated Twelfth Doctor, after which he brings up the phone incident again, pointing out that someone seems to want them together. Flashforward again to the season finale, "Death in Heaven", where it's revealed that that woman was Missy/ the Master, who brought Clara and the Doctor together as part of her larger overall scheme against the Doctor.
- Stella used one frequent actor to set up an arc for the series.
- Graem Bauer and the "Bluetooth Group" in 24. The cabal of influential businessmen in the fifth season ordering Christopher Henderson et al. to do their dirty jobs was initially planned to be a shadowy group whose true motives were never explained (and they had no connection whatsoever to Jack or his past). In the sixth season, the previously unnamed head of this group was revealed to "Graem Bauer", and it was explained that he was responsible for most of the government's shady activities going all the way back to the fourth season (when Walt Cummings tried to have Jack killed). Graem is then revealed to be The Man Behind the Man, as his (and Jack's) father Philip shows up and murders him in his very first appearance.
- Season 7 does it again, revealing the season's Big Bad, Alan Wilson, to have been behind even the Bauers' involvement, and the ultimate authority over the Season 5 conspiracy, being head of a powerful group that had been manipulating events for some time and remained at large at the end of the season. Then the storyline disappeared without a trace.
- A great many of the episodes of the Revival series of The Outer Limits are retroactively revealed to take place in the same continuity. Unfortunately for continuity, several of those episodes are entirely contradictory.
- Power Rangers had two major examples of this:
- Chuck welded arcs on top of arcs. About midway through the first season everything that happened up to that point was revealed to largely be the result of a CIA splinter group known as FULCRUM attempting to steal the Intersect. By late in Season 2, Chuck has begun to speculate that many one-shot villains earlier in the first season such as Laszlo were actually connected to the Intersect project and FULCRUM. The Season 2 finale reveals that Fulcrum was part of a larger organization called the Ring. The middle of Season 3 reveals that the Ring's direct involvement goes back much further, and that another one-shot villain from Season 2 was actually working for them. When Season 4 rolls around, you learn that yet another one-shot villain from Season 2 was actually working for new series big bad Volkoff Industries, and that the entire history of the Intersect project itself was directly connected to Volkoff himself. Finally in Season 5 you learn that rogue CIA agent Quinn was quite literally behind EVERYTHING—Fulcrum, the Ring, and Volkoff Industries—out of his desire to get revenge on Chuck for "stealing" the Intersect from him.
- Kaizoku Sentai Gokaiger episode 40, which not only turns the Gokaigers' Early-Bird Cameo (a Big Lipped Alligator Moment during the Goseiger/Shinkenger Reunion Show) a canon event, but also ties into the team's quest of Gotta Catch Them All.
- In the old Kamen Rider series, many an evil organization was ruled by a guy called the "[insert this year's evil organization name] Great Leader." Welding comes in with the later seasons having the Great Leader, after an absence, often say "oh, yeah, I was behind those other organizations from the last couple of series I wasn't in too!" With the final enemy of Black RX voiced by the same guy who voiced all the other versions of the Great Leader, it's theorized that every Kamen Rider villain ever is a pawn of the Great Leader. The more recent series have Foundation X playing the same part: Double, OOO and Fourze all had them involved behind the scenes.
- Whitechapel did this in its fourth season. Up until this point, the team had dealt with unrelated cases, but the fourth season not only introduces the existence of the supernatural, but posits that all the grisly crimes in Whitechapel are the work of a "provocateur" who goads all the murderers into committing their crimes.
- Arrow: The first episode of the second season features a group of copycat vigilantes, who among other things kill Starling City's mayor. The midseason finale reveals that they were organized by Brother Blood and Slade, in order to give Blood the opening he needs to run for mayor.
- Each season also finds a way to tie together its Present Day and Island Flashback storylines:
- Season 1 revealed that Malcolm Merlyn was responsible for the shipwreck that stranded Oliver on the island to begin with.
- Season 2's storylines are connected by Mirakuru. It was his search for it that led Dr. Ivo to the island in the flashbacks, it's being used as part of Brother Blood's plans in the present, and it's responsible for Slade's Face-Heel Turn in the flashbacks that leads to him being Big Bad in the present.
- The Blacklist: "Berlin, Part 1" confirms what was implied throughout the series, that the Blacklist is just a cover for a bigger plan on Reddington's part. While some appear to have truly just been chosen randomly, most were either targeted as a means to help Red find information on Berlin, or were actively Berlin's agents.
- Technically, this was never implied in the show - it was it's stated premise. Heck, each episode begins with the Villain of the Week and what number they are on the list.
- As part of the showrunners of Alias' attempts to course-correct after the debacle that was the series' third season, several elements from those episodes, such as Sloane's Omnifam enterprise and seasonal bad guy group The Covenant, were brought back and retconned into being parts of season four Big Bad Elena Derevko's master plan.
- Battlestar Galactica (Reimagined) did this extensively in its second half, due to a bad case of Writing by the Seat of Your Pants which stacked up. Creator Ron D. Moore later admitted that despite the show's initial dependence on meticulously plotted storyarcs, he hadn't actually planned out anything for the show beyond the end of the second season (various ideas like "another Battlestar also survived" or "what if they find a habitable planet that isn't Earth"? had been exhausted). Half of the core writing staff also left at the end of season two (despite the fact that the show had just won a Peabody Award and was at the height of its popularity - leading to theories that they may have become frustrated at the behind-the-scenes lack of planning on Moore's part, and jumped ship while they still could). The network also meddled with the show by upping the episode order to 20 episodes in Season 2, broken into two micro-seasons (which they barely handled and resulted in the disowned episode "Black Market"), and then in Season 3 ordering 20 episodes in a continuous run, not broken into micro-seasons. This resulted in a perfect storm: Moore was out of pre-existing ideas, had insanely high production quotas, and several of his experienced core staff had left. A major point that Ron Moore kept pursuing though...is that he later adamantly insisted that he could tie things together retroactively into functional storyarcs that fit together sensibly. After the series finale (controversial, because it really didn't explain many of the plot developments) Moore sat down at the Paley Center 2009 roundtable to discuss it (the whole thing is free on YouTube, albeit cut up into several clips). At the panel, Moore himself confirmed several points:
- Throughout the series, Moore had insisted that all of the plot twists he added were part of a plan. At the panel, he specified that what he meant was that they were "part of a plan" - he just hadn't thought up what that plan was yet. Trying to be unbiased, but if that isn't using Exact Words, what is? Case in point, there never was a "Cylon Plan" - as the opening credits promised in the first two seasons - this was specifically a marketing gimmick that David Eick came up with to hook fans into watching.
- Moore explained to the panel a rationalization he apparently developed in the bubble of the writers' room: he felt that he was fully capable of retroactively welding together disparate plot clues which he hadn't planned out ahead of time into an overall interconnected storyarc. He calls this "the mosaic" effect: he throws different plot elements out against a wall like paint blotches, with no planning, but eventually they fit together like a mosaic. He also compared it to freestyling "like jazz". He stressed that some shows are planned out from the beginning in full detail and that's not a style he uses, but at the other end of the spectrum, insisted that he wasn't just "making it up as we go along" - even though that's what he described the "mosaic" effect as.
- Increasingly in Seasons 3 and 4, Moore would come up with brainstorming ideas with no thought as to how they fit into the show, and at the panel he insisted that his real skill was in being able to sit down during the series finale and weld them all together with a retroactive explanation. For example, the "mandala" image that led Starbuck to her death and rebirth? In Season 3, Starbuck claims that it's a recurring symbol in her life, and she's been doodling it since she was a child. Out of universe, it was just something the art department painted on her apartment wall in Season 2, with no input from the writers. Moore then went back and rewatched that episode looking for something, anything to pick as some thematic symbol that Starbuck had throughout her life (if the art department had dressed the set with a painting of a rabbit, the "symbol of Starbuck's destiny" would have been a rabbit). Another major one is that Moore admitted he never had any idea why the Hybrid child Hera was important at all - to the point that he thought up "she's mitochondrial Eve" as he was writing the finale itself. It was just an idea he randomly incorporated with no foresight in Season 1, but which didn't tie in with the main storyline - until he painfully tried to weld them together. In Season 1, President Roslin's visions of the ruins on Kobol as a restored grand opera house were apparently just visions of Kobol's glorious past - but in the series finale, Moore wanted to hit it over fans' heads that "See? The Hera subplot was vitally interconnected with all of the others!" by insisting that Roslin's opera house visions were a foreshadowing of a final confrontation over Hera with the Cylon leaders in Galactica's CIC (which is a multi-tiered room that sort of looks like a theater). In the panel video Moore fervently explains that Roslin's visions in Season 1 of this were "retroactive foreshadowing", even though he had no idea at the time that they would tie together. Needless to say, many critics (io9, Aint It Cool, etc.) responded to all of this by saying that Moore simply wrote himself into a corner, didn't pay attention to how his storylines were flying blind, then desperately attempted to arc weld them all together to make it look like he planned out the show much more than he ever did.
- One of the few examples (perhaps the only one, seeing as concept albums are nowhere near as common as normal albums) occurring in Music: Between the Buried and Me do this with their Parallax storyline when it's revealed that Prospect 2 was the adult male that talked too much in "Lost Perfection", and that he was one of the three lovers of the woman in "Prequel to the Sequel".
- Marilyn Manson's Antichrist Superstar and Mechanical Animals were originally thought of as two separate concept albums, as they have different protagonists, plots, and points, plus the entire universe is destroyed at the end of Antichrist Superstar. With Holy Wood however, the Triptych was revealed, and the plot flows in reverse, from Holy Wood to Mechanical Animals to Antichrist Superstar. The protagonist of Holy Wood, Adam Kadmon, the first to rebel against Holy Wood, is the father of The Worm/Antichrist Superstar from, well, guess. Coma (who in the novel, only Chapter 10 of which was ever released, is the daughter of the leader of Holy Wood), is his mother, who after the suicide of Adam Kadmon, falls into rampant drug use and then the aliens Alpha and Omēga fall in love with her. When she herself dies in the song "Coma White", both lose hope, and the song "Irresponsible Hate Anthem", from Antichrist Superstar, is actually performed by Omēga, not The Worm, as proven by the three "live songs". The liner notes for Antichrist Superstar show that "Irresponsible Hate Anthem" was recorded live on Valentine's Day, 1997. However, the album came out in 1996. The liner notes again say this about "I Want To Disappear" off of Mechanical Animals, an album that came out in 1998, and the song was in fact not actually played at the real Valentine's Day, 1997 show. Finally, "Born Again" off of Holy Wood is also said to have been recorded on the same day. This song also was not played live, especially seeing as the album it's from came out in 2000. The albums tell the story of three characters. Holy Wood's Adam Kadmon fights the system, only to get brought into it and ultimately kill himself. Mechanical Animals' Alpha and Omēga are space alien rock stars, who crashed and were captured and enslaved. Alpha sings the emotional songs on the album, Omēga the vapid, drug songs, however turns against the system due to the death of Coma. The Worm, Adam and Coma's son, idolizes Omēga, and leads his own revolution against the system and wins, only to turn against his mindless, obsessive fans who worship him as a god, and in his rage becomes the Antichrist Superstar and destroys the universe, thus ending the Triptych.
- Up until the Invasion block of Magic: The Gathering, the storylines of the sets before were mostly World Building the plane of Dominaria. Then came the story revision, the Weatherlight set, and the Tempest block, which set up an ongoing storyline over the next twelve or so sets that would drastically change the way the game told stories, as well as cobble together all the previous sets into a sort of long-term storyline, which the arc would then deal with. It all came to a head in the Invasion block with the Big Bad and his cronies from the previous stories converging on Dominaria to overlay the artificial plane of Rath (introduced in the Tempest bllock) and give the Phyrexians (introduced back in Antiquities, the second-ever set) a new world to ravage.
- Also, the problems that were dealt with in the Time Spiral block were said to have done things which were major in other blocks, like making the Emperor insane, which convinced him to steal a baby kami, which resulted in the Kami War which made up the Kamigawa block.
- Arc Welding in the "plotted as The Reveal" format is present in the Mirrodin blocks. The first is apparently a weird, completely new world of metal and artifacts. The second block revisits the setting to reveal that Phyrexia, defeated in the Invasion block, has infected the plane and is taking it over.
- The creators of the D&D setting Ravenloft retroactively Arc Welded its first six adventures together into the Grand Conjunction story arc, using a Vistani prophecy as solder.
- Arguably, the D&D settings Planescape and Spelljammer, both of which were specifically created to allow the numerous other settings of D&D to mix with each other.
- Mass Effect 3 had to explain new Reaper motivations after Drew Karpyshyn's "Dark Energy" explanation was abandoned. Each expansion built on it, most notably the "Leviathan" DLC.
- Metal Gear Solid was mostly self-contained, despite being a sequel to the MSX games Metal Gear and Metal Gear 2: Solid Snake. Metal Gear Solid 2: Sons of Liberty introduced The Patriots, whose operatives were largely responsible for the events in the series. Metal Gear Solid 3: Snake Eater's place in the Patriots arc is their origin story (as evident by the password Zero instructs Snake to use when he meets ADAM), but it's missed by many until Metal Gear Solid 4: Guns of the Patriots spells it out because the Patriots as they exist by the time Sons of Liberty takes place are very, very different than the organization used to be.
- In Guild Wars Nightfall, it's revealed that servants of Abaddon were responsible for driving the Charr into human lands in Tyria, leading to all the major background events of the Prophecies campaign; another servant led to the downfall of Shiro Tagachi, the Big Bad of Factions.
- The Chzo Mythos tetralogy of games feature this; 5 Days a Stranger was originally a stand-alone game, as was its distant sequel, but the later titles tie them together to form an encompassing story arc. Appropriately, the major threat of the first two games (and an important story character in the other two) is an insane killer referred to as 'The Welder' because of the mask he wears.
- "Evolution requires sacrifice." Spoken by Lumine of Mega Man X8, and Serpent of Mega Man ZX. This refers to the evolution of the Reploids into something else...Granted, those two are in a future (and a world) that anything's possible with the Reploids (or technology in general). And then, in the Video Game Remake (and possibly Continuity Reboot) Mega Man: Maverick Hunter X, Sigma begins spreading these beliefs himself. If the reboot series wasn't axed, the developers could have elaborated on the concept even more.
- Meanwhile, in Mega Man Zero, unlike the two series that preceded it, there is a different Big Bad for the first two games. Then, that novelty just had to be shot down by Zero 3, wherein that game's Big Bad, Dr. Weil, can be easily marked responsible for the events of the previous two, legibly making him the Big Bad for the entire Zero series.
- Wily claims to have orchestrated Mega Man Battle Network 2 at the end of Battle Network 3, making the first three games one saga about Wily's plots to destroy the Internet (really) culminating with the Alpha plan in 3.
- King's Quest: Dahlia, Hagatha, Mannanan, and Lolotte all appeared to be generic evil wizards and wicked witches. But then, we hear that the Big Bad in King's Quest V is the "brother" of Hagatha and Mannanan and looking for revenge. Then King's Quest VI has a single, damning letter alluding to the "Brotherhood of the Black Cloak," who address one another as "brother" and "sister." The letter implicates at least three of the series villains as members... and could possibly implicate all of them as members. Oh, Crap Fanon, especially the Fan Sequel and Fan Remake games will cheerfully run with this theory.
- Ace Attorney Investigations 1 and 2: The first four seemingly unrelated cases turn out to have all been part of the Big Bad's Batman Gambit. In fact, the main point of the final case is for the player to figure it out. It is, however, subtly foreshadowed from the beginning, and the hints are there if you look for them.
- For almost 20 years, Sonic CD was a Gaiden Game with no set place in the series' timeline (Due to the lack of Tails or Super Sonic and the fact it was meant to be Sonic 2, most fans just assumed it was a prequel). However, as of the new remake for X-Box Live, Playstation Network, and iPhones, features were added suggesting (and Word of God asserted) that it actually occurred sometime before Sonic 4, and it will be specifically tied to Episode II.
- The four Downloadable Content packs of Fallout: New Vegas are part of a bigger storyline which lead to the confrontation of the player-character, The Courier with Ulysses, The Rival.
- In the second Super Robot Wars Original Generation game, the Big Bad reveals that he was the driving force behind everything that happened so far in this continuity, even though the enemies faced so far had been completely separate threats before this point. The fandom quickly made a meme out of having him claim responsibility for just about anything.
- Other games in the series as a whole often do this, drawing on similarities between various different series to weave common bonds.
- Super Robot Wars UX
- By the way, the island covered by the gravity curtain was apparently a research center for gravity engine cores since World War II (a key plot point to The Wings of Rean).
- Linebarrel is connected to Demonbane because the latter is also a "Machina" and the Katou Organization are hunting them down. More specifically, Linebarrel and Demonbane are known as "Deus Ex Machina". Both stories' time loop events are interconnected in UX.
- Tatsumiya Island is a part of ORB.
- Considering the whole Machina idea or rather the meaning behind it is machine god. Linebarrel's Juda seems central to the whole idea of gathering Demonbane, SD Gundam, Machina, Fei-Yen HD and even partially Heroman as a collection of possible Machinas, though obviously not all of them have the idea of a Machina god behind them or rather behind their respective series like Linebarrel and Demonbane do. This would be a reason for Juda and a way to tie in a lot of the story together.
- Scenario 24 is a mash of the starting battle from Sayonara no Tsubassa as well as the titular impact of Trailblazer, by mixing in the fact that the Galaxy refugee ships were at Jupiter. Fighting Vajra ships for the first time is only a tease to the real first appearance of the ELS. This also gives the chance for more interactions between Alto and Setsuna, and the final save coming from Tieria in the Raphael.
- Fei-Yen's plot is tied in with Mazinkaiser SKL, where it is the robot used by the female kingdom. She starts out really reserved, then once you go on SKL/Macross route split she has an encounter with Miku* and gets her KYUNKYUN beam, then during SKL finale she goes super mode* when Kiba shows up, and during Fafner TV finale, she gets her Morale boosting special command. In the Blue Sky and Operation Azure. Sink it for a moment.
- The Tokyo in the interior of the moon, which is from where all the Humanoid Machinas stem from, is also strikingly similar to Shou's Tokyo. Shou and the Dunbine characters are basically from a previous incarnation of the world. Later on we find out Juda's "view of future" are actually about what happened before, so at least part of the cast are also of the same origin.
- Pokemon Mystery Dungeon Explorers had few story arcs in the first place, but near the end of the game, you find out that Darkrai was responsible for both Primal Dialga and Palkia trying to remove you from time and space respectively.
- Star Trek Online has a number of Arc Welding as it takes everything it can from the TV series, movies, and other sources. Among those:
- Miral Paris' role as the Klingon Messiah is tied into how the Klingons regain their ridged foreheads between the original series and Star Trek The Motion Picture.
- Near the end of Star Trek: Deep Space Nine, a group of Dominion ships is threatening to invade the titular DS9 by way of the Bajorian wormhole when suddenly they just disappear! They return in the Featured Episode series "The 2800".
- Probably the biggest one? The game's true Big Bad? The Iconians, a group of not-so-extinct race that had ruled the galaxy thousands of years ago whose technology had been a real thorn in Picard and Sisko's sides when they encountered them in Star Trek: The Next Generation and Star Trek: Deep Space Nine. Even worse, it's them who had helped caused the destruction of Romulus and Remus in the backstory to Star Trek (2009)!
- The Foundry, in turn, has been known to pull this on the canon game, especially with the very episodic and frequently disconnected Federation missions. A prime example is the mission "Divide ut Regnes", which in the process of fixing the much-maligned "Divide et Impera" finds time to retroactively explain two aspects of the mission "Preemptive Strike": why the Romulans are preparing to attack the Federation* , and how Admiral T'nae knew about it* .
- The first four The Elder Scrolls games consist of largely unconnected stories set in the same world. However, the fifth game of the main series, The Elder Scrolls V: Skyrim, reveals that the events of the previous titles were all milestones in a prophecy heralding the return of Alduin.
- Despite Nine Hours, Nine Persons, Nine Doors feeling like a self contained story, it's sequel Virtue's Last Reward manages to very successfully connect it to that games myth arc (and by extension the overall plot of the eventual trilogy) by revealing that Gentarou Hongou, aka Ace, was a member of Free the Soul, and that Cradle Pharmaceutical and his experiments with the morphogenetic field were funded by the cult. The symbol on the robes Snake was forced to wear in 999 is also used as Free the Soul's coat of arms.
- It's Walky!/Roomies/Joyce and Walky. The entire storyline consists of retconning arcs to weld them into bigger arcs reaching further into the past, culminating in a gigantic "conclusion" arc connecting every character that ever apeared in the comic into a huge overarching plot (whose final resolution ends the comic).
- Dominic Deegan: It turns out the King of Callan, who wants humanity/himself to control the source of magic (which is apparently a comet) so badly he tried to destroy an entire country and wipe out its people when it was their "turn" use it was responsible for just about every catastrophe in the comic.
- SCP-2000 double-checks the welding around the SCP Foundation. Officially it's all been linked for several real-life years, but in practice it's a massively disparate collection of collaborative stories on a wiki with an extremely loose version of "canon".
- Interviews with the creative team behind Justice League Unlimited and their remarks in various DVD audio commentaries reveal that they were several episodes into the production of Unlimited before they realized that they were working toward what became the "Cadmus Arc." The majority of the arc expanded upon and revolved around the events of "A Better World," an episode from season two of Justice League which had been written with no thought to an ongoing story. The ultimate reveal of the Big Bad, Brainiac, actually connected back to an episode of Superman: The Animated Series, which had been produced eight years and two TV series before the current series was even conceived. There were also throw-away lines and references that connected to as far back as "On Leather Wings," an episode of Batman: The Animated Series that was the very first entry in the DCAU.
- Parodied in Clone High's final episode, where the Shadowy Board of Directors bring together literally every one-shot guest character or celebrity and address them as collaborators. Of course, this was mostly just so the episode could end with literally every character ever to appear on the show — except Scudworth — frozen inside a meat locker.
- Most of the middle part of season 2 was already an arc, but then, during the two-part episode "The Gathering", where you see Oberon's Children filing into his castle to be recognized by him back on Avalon—and you realize they're familiar to you. Odin, Anansi, Banshee, Coyote, even Anubis are all his subjects. How powerful, then, must Oberon be? This was already a Story Arc of sorts—though Angela's, Goliath's, and Elisa's adventures were episodic, they were already linked by their method of travel—but now you see it was all part of a second arc as well, to set up the Story Arc finale.
- Also, many unrelated aspects of the first half of the series were ultimately revealed as part of the Archmage's far-reaching Batman Gambit for world domination.
- Transformers Animated had Ratchet's war flashbacks; in "Thrill of the Hunt" he flashes back to serving alongside Arcee, and in "A Bridge Too Close" he recalls having served in the war with Omega Supreme, also the Autobots' ship, as an old friend. The third season reveals that Arcee's role as intelligence officer during the war had actually been to carry the activation codes necessary to implement Omega Supreme, an experimental weapon.
- This happens with Codename: Kids Next Door in its first season. It turns out that Father was behind a lot of the episodes.
- Stroker and Hoop finale has them kidnapped along with Double Wide and put inside K.A.R.R over a canyon while being taunted by their kidnapper who gives them three guesses on who he is lest he drops them in the canyon. Through the whole episode the three call back recent episodes and go over suspects. Its eventually revealed to be a no name background character whose appearance changed in each encounter with the duo save for his voice.
- The Futurama episode "The Why of Fry" reveals that Fry coming to the future was part of a wider conspiracy, as his lack of delta brain wave made him the only person who could save the Universe from the Brainspawn. Whilst at least part of this was planned from the beginning of the show, the events of "Roswell That Ends Well" (where Fry becomes his own grandfather) were used as an explanation for the lack of brain wave, which was not part of the original plan.
- The South Park episodes "200" and "201" begin as a follow-up to "Trapped in the Closet" and then tie together the plots in "Mecha-Streisand," "Ginger Kids," "Scott Tenorman Must Die," "The Super Best Friends," "Butt Out," "Fat Butt and Pancake Head," the "Cartoon Wars" two-parter, and "Cartman's Mom Is Still a Dirty Slut," and this does not include the numerous previously one-shot characters who make another appearance in this two-parter.
- Various jokes and gags made in the purely episodic first season of ''Adventure Time either return in later seasons to help reveal new plot information, or are expanded upon to bring more insight into a character. A major example includes the episode "I Remember You", which uses an early throwaway gag of Marceline constantly moving all over the Land of Ooo, and explains the main reason for this being an escape from her now mentally-insane father figure, the Ice King, who took care of her during the nuclear apocalypse.
- Used not in Gravity Falls, but in the show's credits. At the end of each episode, there's a coded message in the credits. Despite their secretive nature, however, the messages are very simple and mostly just are cheap jokes. After Season 1 ends though, Dipper's Guide to the Unexplained comes out, and each short ends with a piece of a secret message that has to be decoded by looking through the season's credits messages. This message was obviously formed after the fact, but allows for the credits' messages to have actual significance among speculating fans.
- The Legend of Korra: "The Stakeout" reveals that Unalaq, the Big Bad of Book 2, was a member of the Red Lotus, the villains of Book 3, and he helped them kidnap Korra. However, he did betray them, and his plan to become a Dark Avatar was not the Red Lotus's plan.
- Many conspiracy theories manage to tie in both world wars, Kennedy's assassination, the black plague, all kinds of natural disasters, the moon landings and... well, just about everything, in one vast mega-story about how shadowy figures control the world behind the scenes.