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Series: Sharpe

Here's forty shillings on the drum
To those who volunteer to come,
To 'list and fight the foe today
Over the Hills and far away.

Bernard Cornwell's chronicle of Sharpe's adventures have been adapted into a series of television movies starring Sean Bean as Richard Sharpe, Daragh O'Malley as Patrick Harper and a slew of British talent in supporting roles (see Trivia), running regularly between 1993 and 1997, and with two additional Miniseries in 2006 and 2008. The series was well-received and proved a breakout role for Bean, who went on to star in GoldenEye, The Lord of the Rings and Game of Thrones. Much of the plot and backstory from the novels was compressed, modified or jettisoned, and several new stories were invented for the screen.

Tropes exemplified in TV movies:

  • Adaptational Badass: Lt. Berry from Sharpe's Eagle is a fat blubbering henchman in the novel. In the TV version he's played by Daniel Craig and a considerably more dangerous villain.
  • Adaptation Decay:
    • The films lack the scale of the battle scenes as described in the books due to budget limitations.
    • Sharpe's Challenge is an adaptation of prequel books in which Sgt. Obadiah Hakeswill is the main villain, but is set after most of the episodes including the one where Hakeswill finally dies, so Sharpe is given a Hakeswill expy villain who isn't particularly convincing.
  • Adaptation Distillation: In the novels, Sharpe saves Wellington's life in India in 1803. This is moved to 1809 Spain for the film of Sharpe's Rifles.
  • Arch-Enemy: Obadiah Hakeswill is somewhat downplayed in this role in the series, appearing only in Sharpe's Company and Sharpe's Enemy. However, the effect he has on Sharpe still lasts throughout the series.
    • Major Pierre Ducos does a decent job of picking up the baton.
  • Aristocrats Are Evil: Played Straight and Subverted. On screen at least pretty much ever other officer Sharpe meets is an aristocrat, and while many turn out to be antagonists or incompetents, others are honorable characters and become allies of Sharpe. The Duke of Wellington is portrayed in a generally favorable light, and the Prince of Wales, while being portrayed as a total lunatic, becomes a patron of Sharpe's. The trope is further subverted in Sharpe's Justice in which the villain is not an aristocrat, but a monied commoner who compares himself directly to Sharpe as a man from humble beginnings who rose to prominence on his own merit.
  • Artistic License - History: The TV series uses the term "Chosen Men" a lot more than the novels, where it's just the equivalent of "Lance Corporal" instead of a term for all Rifles.
  • Autobots, Rock Out!: The series' opening theme tune is played on the electric guitar. Sean Bean's credit in the opening titles is announced by a distinctive single chord, and during the closing credits, John Tams' rendition of 'Over the Hills and Far Away' morphs into a full blown guitar solo.
  • Badass Longcoat: Greatcoats were pretty common for soldiers in that period, but Sean Bean made them look awesome.
  • Battle Couple: Sharpe and Teresa, particularly in some of the TV movies.
  • The Book Cipher: A book cipher plays an important role in the TV version of Sharpe's Sword. The key text is Voltaire's Candide.
  • Call Back: In the first television special, Dan Hagman advises Sharpe to treat an old wound with brown paper and paraffin oil. eight specials later, when Sharpe has just recovered from being shot Dan Hagman gives Sharpe a gift of best brown paper and paraffin oil.
  • Demoted to Extra: Because the TV version of Sharpe's Rifles introduces Teresa early, Major Blas Vivar's role is downplayed in her favor. In the books, Teresa debuts in Sharpe's Gold.
  • Downer Ending: The TV version of what was to be the last episode, Sharpe's Waterloo, included two of Sharpe's best men and close friends, who had appeared in every previous episode, being killed due to incompetence by the Prince of Orange. And then the recent revival Sharpe's Challenge made matters worse by killing off Sharpe's wife soon after they were married, whereas in the books they live Happily Ever After.
  • Edible Ammunition: In Sharpe's Honour, Major Richard Sharpe goes to a convent to rescue/retrieve a woman who was set up to accuse him of murder and is actually a French spy. She's held in the kitchen, cooking, and when Sharpe makes his appearance, the nuns attack him with food like chicken and vegetables. Sharpe grabs the chicken himself and uses the classic move of turning around. That's how you fight wicked nuns.
  • Enemy Mine: Sharpe and General Calvet in the TV episode Sharpe's Revenge.
  • Even Bad Men Love Their Mamas: Obadiah Hakeswill. Although it's more of an insane fixation. Sharpe, conversely, doesn't seem to care about who his mother was (she's never even named). In the books. The TV adaptation did name her, as Lily, and we learn that Gene Hunt is Sharpe's brother. Which explains a lot, really, coz if they aren't a Badass Family, who is?
  • Fire-Forged Friends: In the TV series, Sir Henry Simmerson is one of the longest-running Sharpe antagonists, appearing intermittedly ever since the first episode. However, it's only in the latest episode, Sharpe's Peril, that Sharpe and Simmerson find themselves actually fighting the bad guys as part of the same unit, and after the battle, Simmerson is a good deal friendlier to Sharpe than ever before, actually shaking his hand and calling him "Richard".
    Harper: Now I've seen everything.
  • Five-Man Band: The TV version of Sharpe and the Chosen Men. Sharpe is The Hero, Harper is The Lancer, Harris is The Smart Guy (he's a former schoolteacher), Hagman is The Big Guy (not in the traditional sense, but he's the best sharpshooter in a team of Riflemen), and Perkins is The Chick (the youngest and least experienced). Teresa, a partisan, acts as The Sixth Ranger until her death. Afterwards, Captain Frederickson fills the role.
  • Food Slap: Wine tossed into face, courtesy of Richard Sharpe to two jerk officers in Sharpe's Eagle.
  • Good Scars, Evil Scars: Sharpe periodically removes his shirt with his back to the camera, thus reminding viewers that he still carries scars from a long-ago (and nearly lethal) flogging. In Sharpe's Eagle he does so before a group of soldiers, making sure they know he too was once one of them.
    "The South Essex. Sir Henry aside, Sharpe, what do you make of them, man for man?"
    "They're flogged soldiers, sir. And flogging teaches a man only one lesson."
    "What's that, Richard?"
    "How to turn his back."
  • In Name Only: The TV version of Sharpe's Gold, which involves Aztec human sacrifice in Spain.
  • Ironic Nursery Tune: Almost an inversion - "Over the Hills and Far Away" is frequently used this way, but justified by its being an old folk song about the military.
  • Jerk with a Heart of Gold: The TV version of Sharpe.
    Marie-Angelique: You are a good man, Richard, whatever you would have the world think.
  • Mr. Fanservice: Just look at how often Sean Bean shows up on that page. Shirtless Scenes in spades.
  • Schmuck Bait: In the TV version of Sharpe's Rifles, Sharpe gets Harris to make a sign reading "Keep Out" in French, and puts it at the entrance of a booby-trapped building. Sure enough, the next French cavalrymen to pass fall for it.
  • The Squad: Sharpe and the Chosen Men. More prominent in the TV series, where there's only five Chosen Men besides Sharpe and they get a lot of character development, compared to the books where there's a dozen or two Riflemen who are only named and mentioned specifically when needed.
  • Shout-Out: George Wickham, a military officer and antagonist of Sharpe's Justice, shares a name with a character from Pride and Prejudice, who is also a military officer and an antagonist.
  • Standard Snippet: "The Girl I Left Behind Me" is one of the regular leitmotifs.
  • Suspiciously Similar Substitute: The intelligence officers who replace Major Hogan in later episodes of the TV show.
  • Suspiciously Small Army: In the TV series, the units involved in the battles tend to be rather small, no doubt because of budget constraints. Often works fine when depicting small-unit actions in Spain, breaks down miserably when trying to depict the battle of Waterloo. In Sharpe's Eagle the entire Light Company is thus missing except for the Riflemen, who were supposed to only be attached to that company - which makes Wellesley's praise for the Light Company unintentionally hilarious.
  • Threw My Bike on the Roof: The series has both a hero and a villain destroying each other's stuff.
    • In "Sharpe's Enemy", Sharpe gets heartbroken, and in utter frustration, he destroys a French spy's glasses. Said spy came to demand that the British surrender. The spy was a jerk ass and had it coming. Nothing to gain from it, except it was a good way of showing the French Jerk who the alpha dog is.
    • In "Sharpe's Honour", the jerkass spy plans an elaborate revenge because Sharpe's chosen men and the British army defeated the French in a battle that he thought was an easy French victory. After series of misfortunes, Sharpe ends up caught by the French. The spy smashes Sharpe's telescope that he received from Wellington himself. Nice try doing your revenge and trying to break Sharpe, jerk spy, but it was a bad idea. Sharpe used one broken piece as a weapon and it helped him to escape.
  • Token Enemy Minority: Major Leroy, an American Loyalist officer in the British regular army at a time when England was still occasionally in direct conflict with the United States like The War of 1812.
  • Warrior Poet: Rifleman Harris, created for the TV series, is the closest thing the series has to this trope. In one of the movies, Sharpe's Sword, he's involved in a lengthy sub-plot were he must find a copy of Voltaire's Candide in order to find a French spy. Besides that, he's one of the few literate members of The Squad, and Sharpe often gets a lot of esoteric information from him, whether he wants it or not.

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