The Departed is a 2006 American crime-thriller film and remake of the 2002 Hong Kong crime thriller Infernal Affairs.The Departed was directed by Martin Scorsese, written by William Monahan, produced by Graham King, Brad Pitt, and Brad Grey, and stars Leonardo DiCaprio, Matt Damon, Jack Nicholson, and Mark Wahlberg. The film was nominated for five Academy Awards at the 79th Academy Awards of which it won four; Best Picture for Graham King, Best Director for Martin Scorsese, Best Adapted Screenplay for William Monahan and Best Film Editing for Thelma Schoonmaker. It was the first Best Director win for Scorsese. Mark Wahlberg was also nominated for Best Supporting Actor (he lost to Alan Arkin for Little Miss Sunshine)This film takes place in Boston, Massachusetts, where notorious Irish Mob boss Francis "Frank" Costello plants Colin Sullivan as an informant within the Massachusetts State Police. Simultaneously, the police assign undercover cop Billy Costigan, Jr. to infiltrate Costello's crew. When both sides of the law realize the situation, each man attempts to discover the other's true identity before being found out.
This Movie Contains Examples Of:
Academy Award: It was nominated for five Academy Awards: Best Picture, Best Director, Best Supporting Actor, Best Adapted Screenplay and Best Film Editing. It won four of them, only losing for Best Supporting Actor.
The police's view on Miles Kennefik, killed by Costello. 'We're not here to solve the case of the missing scumbag."
Frank Costello himself gets killed by Colin Sullivan. And Fitzy and the rest of Costello's men. Subverted with Delahunt in that he doesn't count because it is revealed that he kept Costigan's identity as a spy a secret because he himself is also an undercover cop.
And at the end, Barrigan and finally, Sullivan himself.
Battle of Wits: Sullivan vs. Costigan - find out who the other guy is without giving away your own identity: Begin.
Being Good Sucks: Costigan remains loyal to the police throughout the whole movie. He spends time in prison and gets a criminal record to gain street cred so he can infiltrate Costello's organization, is roundly abused by his allies (especially Dignam), and is finally murdered ignominiously for his trouble.
Bilingual Bonus: Anyone who can understand Cantonese will get what the Chinese were ranting about, though their accents are off.
Chinese Mob Boss: What is wrong with you?! I've been waiting and waiting. This guy's from the government, man! If he gets caught he'll have to kill himself.
Costello's Translator: The boss doesn't think it's wise to bring automatic weapons. Are you crazy? Put your weapons away! Quick! Come on!
Chinese Mob Boss: Put the guns down.... I'm ordering you, check the goods.
Blast Out: At one point a squad of cops follow Costello's men, with Sullivan ordering them to stay back and watch. Eventually they get fed up with this, ignore Sullivan's orders and charge in with guns blazing. The result is multiple casualties on both sides.
Book Ends: Bags of groceries containing two quarts of milk and two loaves of bread figures prominently both at the beginning of the film and the end.
Blood from the Mouth: Costello following his gut wound. He literally gushes blood once Sullivan double-taps him.
In most scenes ... Scorsese wanted to shoot in Boston, but there were issues, and New York offered a tax credit, so they only shot in Boston for a week to use scenery that was identifiably Boston.
However, due to the success of the film, a 25% tax credit was created for filmmaking in the Commowealth of Massachusetts. Subsequent films that take place in Boston have been made on location, and several films that are set elsewhere have been made in Massachusetts.
Canon Foreigner: Dignam has no equivalent character in the original Infernal Affairs film, where the police captain is the only person who knows the police mole's identity. This makes Dignam's reappearance at the end more predictable for people who have seen the original.
Dignam arguably, who walks out of the film 40 minutes before the end seemingly for good, letting Costigan and Sullivan face off uninterrupted, before coming back in at the very end to wrap up the plot.
Oliver Queenan: Do you know what we do here? My section?
Billy Costigan: Sir, yes, sir. I have an idea...
Dignam: [interrupting] Whoa, whoa, whoa. Let's say you have no idea and leave it at that, okay? No idea. Zip. None. If you had an idea of what we do, we would not be good at what we do, now would we? We would be cunts. Are you calling us cunts?
Oliver Queenan: Staff Sergeant Dignam has a style of his own. I'm afraid we all have to get used to it.
Cruel Mercy: Once he sees the jig is up, Sullivan begs Costigan to kill him. Response: "I am killing you."
Death by Adaptation: In Infernal Affairs, the character equivalent to Sullivan is a Karma Houdini who walks away scot-free by the end of the movie. In The Departed, he is killed by Dignam, a character who has no counterpart in the original, and who's added to the adaptation for pretty much this purpose alone.
Downer Ending: And what a downer it is, not that anyone expected it to end well. Almost everybody dies. Sullivan kills Frank after finding out Frank was informing on the FBI and fearing he'd rat him out. (If he had to he probably would have, given the tapes he made of their conversations.) Costigan after outing Sullivan is killed by the other mole Barrigan who Sullivan was unaware of was working for Frank too; Sullivan kills him to cover his tracks since the department is unaware there is more than one mole and Dingnam kills Sullivan after Costigan has the evidence incriminating Sullivan sent to him.
Billy: You're seventy fucking years old. One of these guys is going to pop you. As for running drugs, what the fuck. You don't need the pain in the ass, and they're going to catch you. And you don't need the money.
Costello: I haven't "needed the money" since I took Archie's milk money in the third grade. Tell you the truth, I don't need pussy any more either... but I like it.
Also, several times earlier in the film there are closeups of people pushing buttons in elevators, and the floor indicators ... foreshadowing the climactic scene in the building under construction where Brown, Costigan and Harrigan all die.
Good People Have Good Sex: Costigan is a love machine. Sullivan, meanwhile, seems to have issues with erectile dysfunction. Guess which one is the hero. Averted by Costello, however, who has an active sex life (even at his old age) despite being a far from exemplary individual.
Leonardo DiCaprio is explained within the story that he faked his accent based on the social situation.
On a point of interest, Mark Wahlberg and Matt Damon don't have this problem, because they're actually from the Boston area. Wahlberg specifically is even from a working class background who had a few run-ins with the cops as a teenager... making this Truth in Television.
Politically Incorrect Villain: Costello mentions a distaste for "niggers" in his opening monologue. While it is shown to have historical significance this racism fails to show up in any significant way within the plot - it is only used to establish, mere seconds into the movie, that this guy is not a good man.
He's also pretty equal-opportunity non-PC. He throws around "ginny" all the time (a derogatory term for Italians) and calls his Chinese contacts "Chinamen" and "chinks".
Pretty Little Head Shots: Averted as most people in this movie die from getting shot in the head, and it's never pretty. It's also defied in the opening montage at the academy, as the instructor details for his cadets the effects that their hollow point ammunition would have on a human skull.
Prison Rape: Amusingly subverted. Madolyn asks Billy about his time in prison, leading to this exchange:
Billy: Oh, what, you wanna hear about the showers, is that it?
Redemption Quest: Early in the film, Queenan and Dignam press Costigan on why he's trying to be a police officer and go over the numerous members of his family who were criminals. Costigan suggests that he is trying to improve the family name/history.
Smug Snake: Sullivan grows increasingly more loathsome throughout the film, climaxing in his confrontation with Costigan on the roof and subsequent elevator ride. Weeping, he begs a clearly disgusted Costigan to shoot him to give him an easy way out. Costigan refuses.
Ungrateful Bastard: So how does Sullivan thank the guy who saved him from his captor? By shooting his rescuer in the face, of course.
Unperson: With no one from the undercover unit left to vouch for Costigan, Sullivan deletes his service records.
Very Loosely Based on a True Story: While the film is a remake of Infernal Affairs, Costello was also partially based on real life Irish Mob boss James "Whitey" Bulger who was also working for (and protected by) the FBI. He eventually became one of the FBI's Ten Most Wanted and was finally arrested in June 2011. Strangely enough, Bulger was rumored to have seen the movie when it came out, and apparently liked it.
Sullivan's character is also based loosely on John Connolly, who Bulger used to treat to ice cream as a kid, and grew up to become the FBI agent who regularly tipped Bulger off that that the police were on to him in return for info that brought in lesser criminals who often coincidentally happened to be Bulger's rivals.
Vigilante Execution: Sorta. Sullivan manages to kill the only people who've discovered that he's Costello's mole and appears set to get away with it without even being charged with a crime, much less convicted, but Sgt. Dignam has other ideas.
Villainous BSOD: Played with when Sullivan discovers that Costello is an informant he leads the police to the gang's location and ultimately kills Costello himself, actions that are undoubtedly "moral", yet he only does these things to close the door on his criminal life and to save his own skin.