- The Lost Boys, good lord, the Lost Boys! Our first introduction to the boys is them reminiscing about their mothers (a subject Peter forbids them from talking about in his presence), when they actually find a mother in Wendy, the first thing they do is try and kill her
Tootles: I did it, When ladies used to come to me in dreams, I said, ‘Pretty mother, pretty mother.’ But at last she really came, and I shot her.
Then, once they realise Wendy is alive, Peter tells Slightly, one of the other boys, to ‘fetch a doctor’, meaning make believe to be one. Slightly struggles with this, because when the boys fail to make believe, Peter hits their knuckles. It’s not helped by the next line, where we’re told that Slightly has chapped knuckles
- After being in Neverland for a while, Wendy makes John and Michael take exam papers. Not to teach them anything, but to make sure they remember life at home. John fails to answer almost every question.
- When Hook is asking the children to join his pirate crew. Wendy has one final message for them. Doubles as a Moment Of Awesome when the boys begin shouting that they’ll do what their mother wanted.
Wendy: These are my last words, dear boys, I feel that I have a message to you from your real mothers, and it is this: ‘We hope our sons will die like English gentlemen.’
- When Wendy Grew Up is rather sad: The kids grow up to have ordinary lives and it is implied that with the sole exception of Wendy, they have completely forgotten about Neverland. Mrs Darling is mentioned to be "dead and forgotten". Nana has died of old age, and when Peter finally meets Wendy again, he seems horrified and heartbroken to discover she is an adult now, believing that she has "betrayed" him. And that's not counting the fact Tinkerbell has died merely one year after the events of the book, due the faries having very short lifespans. Even worse, Peter Pan has completely forgotten about her. No wonder why most of the film adaptations tend to omit this epilogue.
- Wendy's whole adventure in Never Land can amount to Yank the Dog's Chain; her whole life she loved tales of Peter Pan and always wanted to go to Never Land. However from her first moment, she was shot at by Hook and his crew (though they were shooting at Peter), then is shot at once more by the Lost Boys via orders from Tinker Bell. This nearly gets her killed, and she's guilty when Peter banishes Tinker Bell for it. Afterward, she finally gets to meet mermaids, a species she was so excited to meet since the beginning and they basically attack and attempt to drown her, all the while Peter is laughing. Then when she stands up for herself, everyone treats her like she's in the wrong. Next, after saving Tiger Lily the whole gang goes to the “Injuns” camp where she is trying to have fun, only to be put to work. No wonder she was ready to go home after all that and willing to grow up. Mr. Darling may be a jerk sometimes, but even he didn't treat her that badly.
- Wendy's "Your Mother and Mine" song number. Especially when Smee looks at his "Mother" tattoo and starts sobbing (as seen on the page image). You just wanna hug him.
- Smee may not be the only one who misses his mom. While Hook contently listens to Wendy singing, the other pirates are in low spirits.
- By the end of the song, John is crying, and Michael wants to see his mother again.
- Wendy's reaction when Hook explains that he planted a bomb in the hideout, decorated as a gift from her, and it's powerful enough to blast Peter out of Neverland. She gives a Big "NO!" and she's horrified as Hook counts down the seconds. When it goes off, she's staring in horror at the smoke.
- After Tink saves Peter from the bomb, the hideout is in ruins and Peter begs her to hang on, telling her she means more to him than anyone else.
- The ending has Mr. Darling, previously a Fantasy-Forbidding Father, looking out the window in awe and how he saw the same ship a long time ago when he was very young.
- Tinker Bell definitely deserves it, but it's heartbreaking when Peter tosses her away and tells her to Get Out! after she confesses gleefully to setting the Lost Boys on Wendy. Hook notices her staring at Peter and Wendy's dance sadly, and commiserates with her about it. Then he uses her to capture Wendy.
Hook: He has found himself a... Wendy? And Hook is all alone.
- The fact that Wendy and Peter's relationship is more serious here than it is in the animated movie, and their ship is sunk when Wendy decides to return home with her brothers. Where Wendy's crush in the Disney animated film came across as one-sided, here Peter does seem to have romantic feelings for her but denies them. He protects her from the mermaids while seeking their help to find her brothers, and tries to keep her out of the fight with Hook.
- Wendy and Peter's dance with the fairies gets a severe case of Mood Whiplash when Peter abruptly says "it's only make believe" (meaning he's trying to say they're only pretending to be a couple and not really in love). Wendy tries to cover up by saying "of course" but she's clearly devastated.
- The following part with their argument is just as sad. Peter won't accept and admit his romantic feelings towards her, and she likewise won't put up with his attempts to deny they even existed.
Peter: Go away and grow up! And take your feelings with you!
- Tinker Bell's Disney Death. Everyone knows she'll be alright but that doesn't make Jeremy Sumpter's anguished "Tink!" any less sad.
- When the Darlings return home, Mary wakes up and simply walks out of the room. The narration explains that she had so many dreams about the children returning, that she initially thought this was just another one of them. It shows how utterly heartbroken she is over the children disappearing.
- The inherent Fridge Horror of the effect the children running off to Neverland in the story is definitely not glossed over in this film. It's quite clear how devastated George and Mary are, implying that Mary is constantly waiting at the window hoping for them to return.
- And when Peter closes the window, she frantically wakes up and tries to open it. She's terrified of the children returning, finding the window closed and thinking she and George have forgotten them.
- If you know the book, that's exactly what happened to Peter himself. It probably stings him to know that the Darlings desperately don't want to forget their children - when his own mother eventually moved on.
- Hook's way of breaking Peter? Telling him a story about Wendy growing up and marrying someone else, keeping the window locked and never thinking of him again. Peter's desperate "I'll call out her name!" is heart breaking. It's also quite reminiscent of what actually does happen in the future, but Wendy does ensure that no one forgets Peter anyway.
- The movie's alternate ending shows that Wendy is telling the story to her daughter Jane, who goes to Neverland herself... which drags Peter and Wendy's relationship issues out into the open.
- From Peter's perspective: finding out that Wendy did indeed move on from her love with him and married another would've felt like the moment when he came home and found that his mother had replaced him with another child all over again; moreover it would've been a severe blow to realize that, in a way, Hook had been right about his predictions for Wendy. It also would've felt like she'd forgotten about him, and being forgotten is Peter's single most prominent fear. The book takes this moment a step further by mentioning that the moment Wendy began to reach for the light was the single most terrifying moment in Peter's life and mentions that he begs her not to do it.
- From Wendy's perspective: Jane asks her mother is she ever minded the fact that she didn't see Peter again, and Wendy replies with "No." This is despite the fact that Wendy continued to wear Peter's 'kiss' around her throat her whole life, as it's pretty clear that the movie was trying to establish the fact that the love between Wendy and Peter was a doomed case of True Love.
- And then Peter's utterly empty expression while he's lying on the deck of the ship after being thrown down by Hook is so hard to look at. The boy looks like he's just had every last hope stolen from him.
- As much as he deserved it, Hook's death is surprisingly sad. He slowly sinks to his doom while the children chant "Old! Alone! Done for!" He struggles to escape the crocodile, but eventually gives up and resigns himself to his fate.
- "You die alone and unloved. Just like me."
- At the end with Aunt Millicent. "Then I... am your mother".
- Mr. Darling trying to contain his immense relief that his children are okay in the end and tries to act formal, only shaking John's hand... which backfires in them hugging each other in tears.
- Peter watching this, hidden, from the window.
Narrator: Peter Pan had countless joys that other children can never know, but he was looking at the one joy from which he must be forever barred.
- This exchange between Peter and Wendy, which really sells that Peter is quite the tragic figure.
Peter: I want always to be a boy, and have fun.
Wendy: You say so. But I think it is your biggest pretend.
- The preceding conversation where Peter asks about what life in London would be like. He first asks if he'd be sent to school (a reasonable fear, given what schools could be like in those days), and then to an office (possibly thinking of a Soul-Crushing Desk Job). Wendy can only reply yes to both, and her face says she knows that it can sound like she's making him give up his freedom.