Get on a train and well be strangers again
What happens when you combine an electronic music project featuring a distinctive future bass sound with an elaborate mixed media art project? Two Dutch creatives gave the idea a go, and the end result: DROELOE, a unique duo making waves within the EDM scene.
Originally appearing out of the blue in 2015 with their viral track zZz on San Holos indie record label Bitbird, the duo was later revealed as producer Vincent Rooijers and digital artist Hein Hamers, whose respective positions within the band played to their strengths much like Damon Albarn and Jamie Hewlett in Gorillaz.
The duos musical output draws on the genre hallmarks of electronic trap music, but with a heavy emphasis on melodic elements and a diverse sound palette. Also, glockenspiels. Lots of glockenspiels. The duos visuals make heavy use of VHS tape filters for a Retraux aesthetic, along with lavishly produced, photorealistic environmental design, a cube of neon lights used for their live shows, and a visual trademark present in almost all of their work: a skull made of solid gold.
The duo made waves with more singles on Bitbird, Lowly Palace and Monstercat before expanding their discography with two EPs: A Moment in Time in August 2017, and The Choices We Face a year later. Details on the duos next project are on the horizon.
Oh, and by the way: its drew-lou, not dro-low.
- A Moment In Time (2017)
- The Choices We Face (2018)
- A Promise Is Made (2019)
A MOMENT IN TROPES.
- Bilingual Bonus: Their name is a slang term for hungover or wasted in Dutch.
- Boléro Effect: Arazu makes use of this through its primary vocal loop.
- Book-Ends: A Moment In Time begins and ends with the same looping synth note.
- Creator Thumbprint: The skull.
- Early Installment Weirdness:
- Some of the earliest songs on their SoundCloud (including Straight Murder and the demo version of Arazu) make heavier use of outside samples and bear a closer resemblance to straight-up electronic trap than their most recognizable work. Elements of their recognizable style are certainly present, but zZz seems to be the point where their most distinctive elements (including the glockenspiel) start to emerge.
- While the golden skull has been around since the very beginning, some of the accompanying elements like the VHS-style video effects and text werent present until the debut of their LIFE. documentaries on YouTube in May 2017, and Lines of the Broken, which dropped the same month.
- Electronic Music: Yep! Specifically, future bass, with electropop and occasional dubstep leanings.
- Fading into the Next Song:
- A Moment in Time uses this at the beginning and end, with Back When (1997) blending into the opening of Sunburn and Homebound transitioning into the beginning bars of Just Now (2017).
- On The Choices We Face, the end of Turn Around blends into the opening bars of Looking Back.
- Friendship Song: Only Be Me.
- Genre Roulette: Their work is easily as much future bass/trap inspired as it is synthpop-influenced, and that doesnt even cover the metallophonic elements.
- I Am the Band: Vincent makes all of the tunes, though Hein joined him on DJing duty on tour dates until late 2019.
- Idiosyncratic Cover Art: To date, only two of their early solo singles (Wake the Warrior and Shibuya) and two collaborative releases dont feature the hallmark golden skull.
- It Is Pronounced Tro Pay: The dro-low pronunciation is enough of a common mistake that theyve made shirts with Pronounced Drew-Lou on them.
- Limited Lyrics Song: A lot of their songs with vocals make use of this trope, though its averted on tracks like Lines of the Broken and Weird Machine.
- zZz: I know, I / Its like a lullaby
- Arazu: Its title. Thats it. (Unless youre listening to the original demo, which also has a Tokyo Ghoul sample for good measure during the bridge.)
- Sunburn: Youre the one til my tan fades away / Get on a train and well be strangers again
- Step by Step: The title line and did I walk too far to turn around, around? make up the bulk of the lyrics.
- Aside from the two repeated verses, most of Backbone consists of various permutations of the lines I dont wanna be like that though / Better grow a fuckin backbone.
- Non-Appearing Title: None of the titles on the A Moment In Time EP appear in the tracks themselves. Also applies to some of their other singles, including zZz, Kintsugi and Moonwalk Mike.
- Precision F-Strike: JUMP is clean for the most part, but featured vocalist Keeley Bumford (of Nevve) drops a whammy at the start of the song:I was thinking that maybe when we get back, you could come with meFuck work, fall in love right now and spend all our money
- Production Posse:
- Theyre one of the longer-running groups within Bitbirds roster and have shown up on all of the labels compilation albums. Some of their contemporaries include San Holo, Taska Black, Sem, Fytch, Flaws and Duskus.
- Additionally, some of their frequent collabs outside of Bitbird include songwriting group Nevve and fellow electropop duo CUT_.
- Remix Album: The Choices We Face got its own remix EP a few months after it released. The band themselves have done remixes for their labels founder San Holo, as well as Selena Gomez, Petit Biscuit, ARIZONA and Charli XCX, among others.
- Self-Backing Vocalist: The vocals on Homebound do this with a pitched-down version of the main singers voice.
- Self Empowerment Anthem: Weird Machine is a fun variant, with the narrator either metaphorically seeing herself as a newly independent robot among humans or outright being one.
But we will turn that switch back on
Were not here to fuck around
The futures our phenomenon