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For the Funnyz

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This is a situation where a character is so overcome with the desire to make a funny joke (funny to them at least), that they will make it, regardless of whether it's even remotely appropriate for the current circumstances. While antics motivated this way are often quite funny to the audience, other characters will regard this behavior as a source of serious frustration and an obstacle needing to be overcome.

This is such an ingrained part of a character's personality that even if they try to repress it, the joke will only become more inappropriate or offensive when they inevitably cut loose. It can then become a Cold Turkeys Are Everywhere moment for the character as straight-lines pop up all over the place.

Operates on the same basic principle as For the Evulz and It Amused Me. This is the in-universe invocation of Rule of Funny. Compare Worth It.


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     Anime & Manga  

  • In one episode of Azumanga Daioh, while visiting Chiyo's summer home, right when they're about to enter the house, Chiyo announces apropos of nothing that they won't be able to get in the house if she loses the keys. Tomo promptly grabs the keys of out Chiyo's hands and tosses them into some tall grass, proclaiming it a hilarious joke. When they later locate the keys, Tomo is restrained to keep her from doing it again.
    • In a later episode, Chiyo is as excited as can be about the upcoming class trip to Okinawa, and is equally crushed when Yukari announces it's been canceled. Yukari almost immediately admits she was joking, and just wanted to mess with Chiyo's head.
  • In an early Sgt. Frog episode, Keroro tries to warn the Hinatas about the traps Giroro has set, but can't resist stepping on a Banana Peel thrown by Giroro.
  • In Nichijou, a lot of the antics of the eight year old Professor fall into this. Examples include constantly modifying her robot Nano with things like hidden dessert compartments and over the top reactions.


  • Child of the Storm provides the canonical example of Harry Dresden, as well as, to a lesser extent, Tony Stark. There's also Doctor Strange, whose phasers are pretty much constantly set to snark, and who is more or less unfazed by anything and everything, including the imminent possible end of the universe, and seems not to take anything seriously. This makes people underestimate him, which is usually a lethally bad idea. However, one thing he consistently takes seriously/treats with respect is the death of a child, and when something does make him stop snarking, it is invariably extremely serious.
    • Harry Potter (later, Thorson), develops this habit, partly as a coping mechanism, partly for his own amusement, and like his namesake, mouths off to anyone and anything he can.


  • In Who Framed Roger Rabbit toons in general (and Roger in particular) appear to be compelled by biology into making jokes. Roger, as an example, can't resist completing "Shave And A Haircut," even when he's hiding from the very person who is setting him up. Although on the bright side, he can also escape from handcuffs... if it's the punchline to a joke.
  • Dr. Alan Grant in Jurassic Park, not exactly the funniest or nicest guy in the movie, nevertheless gets one in on the kids when he grabs the (inactive) perimeter fence and screams like he's being electrocuted. Alexis was not amused, but Tim thought it was funny.
  • Almost anything the Marx Brothers did or said on screen was probably attributable to this, whether scripted or not.
  • Joe Dirt has Joe talk about sleeping with Jill, a hot woman he thought was his sister. When he fesses up to it, she informs him that she was an only child, so they can't be siblings, and promptly proposes they go for round two... and Joe can't rise to the occasion, and Jill suggests they go back to pretending she's his sister. The successful round two squicks out the listeners before Joe admits that he made that part up for a laugh.


  • Harry Dresden in The Dresden Files has a near-pathological need to wisecrack about things, provided his Berserk Button has yet to be pushed. He will snark at villains and heroes and would-be allies alike, and one of his defining character traits according to the RPG is "Epic Wiseass" (which, by the rules, means the GM can reward his player if he ends making trouble for himself by up cracking jokes at and pissing off someone he really shouldn't have). It should be noted that when Harry gets sufficiently riled or frightened, he stops, and it's usually an indicator that things are really serious.
  • In A Song of Ice and Fire, this trait nearly gets each of the Lannister brothers killed on at least half a dozen occasions. They were pretty much born without the gene that allows you to KEEP YOUR BIG MOUTH SHUT, no matter the consequences. Jaime even lampshades this at one point, when he offers Vargo Hoat incentive for a huge ransom in sapphires (which no one has). When asked what possessed him to make such a stupid claim, he says that he honestly just wanted to hear Hoat, who has a comically slobbery lisp, say "thapphierth."

     Live-Action Television  

  • The Office (US): No matter the consequences, no matter the situation, Michael Scott will say "That's what she said!" He once said it within minutes of being reprimanded for saying it.
  • Scott's predecessor in The Office (UK), David Brent, had a similar problem; his jokes were less predictable, but equally unfunny. These two may be the patron saints of this trope.
  • In the Doctor Who episode "Tooth and Claw", Rose attempts to get Queen Victoria to say, "We are not amused", with increasing desperation.
    • Eventually Victoria snaps at her and demands to know why she's being such a twit (not exact words, but the same feeling).
    • Most Doctors and even their companions get this as one of their character traits. They just can't help it with the snarking. On the whole, it's probably because being terrified for your life thing gets old after the fifth adventure, but partly due to Obfuscating Stupidity on the Doctor's part.
  • Buffy the Vampire Slayer's Xander has a tendency to do this.
  • Chandler on Friends to the point that his friends made him make a New Year's Resolution to stop.
  • Shawn is usually like this is Psych. Subverted in "An Evening with Mr. Yang" when Shawn asks Gus to keep the mood light while they track down Yang. Shawn and the audience find Gus's antics amusing, the other characters... not so much.


  • "One Week" by the Barenaked Ladies: "I'm the kind of guy who laughs at a funeral / Can't understand what I mean? You soon will".

     Web Comic  

     Web Original  

  • The Annoying Orange, moreso later on. He even says in the Cartoon Network series that it's a medical condition known as "gigglechuckleitis".
  • At one point in The Cartoon Man, Valerie manages to detach one of Roy's cartoon hands. When they get it back on, he instinctively laughs and says "Thanks for giving me a hand!" because it feels like the right thing to do, even though he himself admits it's not at all funny.

     Western Animation  

  • Freakazoid! had this as his biggest weakness. When fighting That Guy, Freakazoid insists on saying his name even as the captives beg him not to. When asked why he said the name, knowing what would happen, Freakazoid explains that he was attempting to invoke a Gilligan Cut.
  • South Park:
    • One episode had Kyle paying Cartman not to make jokes at the expense of his sterotypically-jewish (Woody Allen-esque) visiting relative. Less than five minutes pass and Cartman makes a pun about the Holocaust.
    • "The Milk Carton" has Cartman go too far with a joke (of Kenny putting his butt where his face should be for a school picture) by sending it in to be placed on milk cartons for Missing Children. After a couple who legitimately look like Kenny's photo show up hoping to find their son, he continually wants to make a joke, but the situation "broke his funny-bone".
  • The Simpsons had Bart caught up in this trope when performing for the Olympic committee. Bart's stand-up comedy act consists almost entirely of him making jokes directly insulting the committee member's nationalities. When Chalmers demands to know what could have possibly made Skinner think putting this act on was a good idea, all a chuckling Skinner can say is "it really did seem funny in rehearsal". He quickly catches on, though, when Bart asks Chalmers where he grew up and Chalmers responds with a string of ludicrously obvious set-ups to punch lines.