"Every other Mario game has used pretty much the same roadmap: grasslands, desert, forest, jungle, ice world, fire world, boss."Mainly a video game trope, this describes the odd phenomenon in which the landscape the characters travel through gets steadily scarier and more esoteric as they get closer to the end of their quest. The quest is likely to start off in a sleepy village nestled within a landscape of green meadows and idyllic woodland. After that, the adventurers tend to enter the wilderness areas: huge forests and mighty mountains. Toward the end of the quest, icy glaciers and searing deserts are common, whilst the climax usually takes place in a burning wasteland, creepy Monster-Shaped Mountain, intimidating giant machine, or outright Eldritch Location. This can be justified if the lands they visit are steadily more influenced by the Big Bad. Often, however, this isn't the case, and the landscape just happens to look more threatening as the story goes on, even if it means placing the treacherous ice level next to the slightly-more-treacherous volcano level. Another possible reason is that the land's steadily rising outlandishness is to signify that the characters are getting farther and farther away from familiar territory: things like their hometown and other villages or landmarks they visit regularly in their daily life. Any place tends to feel a little bit scarier during the first visit, and having the environment get more and more imposing as the journey continues helps convey the feeling that the heroes are in uncharted waters, at least for them. Remember, this is about the appearance of the area, not its actual threat level. Characters might travel through the creepy Lost Woods completely unscathed, whereas the pleasant-looking plains could be the site of a climactic battle in which hundreds die. If the plains come after the lost woods, it is not this trope. See also Video Game Settings.
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- In The Lord of the Rings, Frodo and Sam travel from the peaceful Shire, to harsh wilderness, to well... Mordor. Justified with the homework Tolkien had done creating his universe. Frodo and Sam's path got progressively worse because they came at Mordor from the northwest, which was the path that Sauron fled Mirkwood between The Hobbit and Lord of the Rings and his influence was persisting. The rest of the group only really had Moria, which was also a direct result of Sauron's actions.
- This also happens in The Hobbit. The adventure starts out in Hobbiton and proceeds through hobbit lands, then into the semi-wilderness Lone-lands where they meet the trolls. The party enters the Misty Mountains, passes through the darkness of Mirkwood and eventually reaches the Desolation of the Dragon - the "bleak and barren" land around the Lonely Mountain.
- The Eye of the World also does this. It starts off in the sleepy farming country of the Two Rivers, progressing to various grand cities, then we go to the harsh, icy pine forests of Shienar and then to the plagued jungle that is The Blight.
- In Pat O'Shea's fantasy novel The Hounds of the Morrigan, two children living in modern Galway are drawn into the other Ireland of myth and legend. As their quest progresses, the mythological landscape is at first funny, absurd, Disney-Oirish, even, with hints of something deeper beneath. It gradually becomes darker, bleaker, more sinister, as the life-or-death nature of their quest asserts itself, and the final showdown with the forces of Not-Good takes place in a Mordor-like bleak and barren place. It's like going from a leprachaun Hobbiton to a Mordor ruled by the Morrigan.
- Played with in Murderess. The notorious Myles Mountains are about halfway through Luís journey, followed by the pleasant Myles forest; Doubly Subverted, as it turns out Luís prolonged stay in the forest could make her stay a Moondaughter permanently and unable to finish her quest. The road from the forest to the Refugee Camp is fairly calm and beautiful (and brief), while the Refugee Camp itself is where Lu has to get a Training from Hell.
- The Wonderful Wizard of Oz: The journey through Oz begins in idyllic, rural Munchkin Country, and there are pleasant-looking spots along the way ... but the journey also progresses through (in this order) a deep forest, a field of poisonous plants, a country controlled by a wicked witch, a bizarre wilderness populated by fighting trees and creatures with heads on springs, and then, to top it all off, a city full of unfriendly people who are made of porcelain. Steadily more esoteric indeed.
Mythology and Religion
- The popularity of the Green Hill Zone trope is based off this. Game creators ease players into the game by having a level that is less inherently threatening.
- The Sonic the Hedgehog series, having codified the Green Hill Zone, frequently follows this trope, beginning with the aforementioned environment and ending with Dr. Eggman's latest base. This even carries over to Sonic 3 & Knuckles, a game built in two halves: the Sonic 3 half begins in the jungles of Angel Island and proceeds through moderately threatening levels, whereas the Sonic & Knuckles half is mostly compromised of levels building up to the climax.
- World of Warcraft plays with this with each expansion. Classic WoW generally plays this straight: Virtually all the starting zones are very friendly looking, whilst the high level plaguelands most certainly aren't.
- The Burning Crusade plays with this. The demon-infested Hellfire Peninsula fits this trope as it continues on from the classic zones, however after that are the pleasant looking zones of Zangarmarsh, Nagrand and Terrokar Forest. However the highest level zones, Shadowmoon Valley and Netherstorm fit this trope to a T.
- Wrath of the Lich King plays this completely straight, going from harshly beautiful fjords and tundra, to the zombified Icecrown Glacier.
- Cataclysm averts it. The high level zones are all very esoteric and threatening, except for the highest level zone Twilight Highlands, which is mostly verdant hills and woodland.
- DungeonSiege opens up with a Green Hill Zone set in Ehb's farmlands. Once the player encounters his/her first Krug enemies, it could be considered Ghibli Hills. After the last farmhouse, it transitions into The Lost Woods, and then a crypt full of recently reanimated undead. It's nice and green again shortly after, albeit with much more Krug. The player then progresses to the Doomed Hometown. A kilometer of Ghibli Hills later ends at the entrance to a spider-and-undead-infested dungeon. After killing its Giant Spider boss, yet more Ghibli Hills are traversed. The player and party encounter a Door to Before, and shortly after enter a mineshaft. TO BE CONTINUED: UNDER CONSTRUCTION
- Minecraft has the Overworld, then the Underground caves, then the Nether, and finally the aptly titled End.
- Portal also falls into this, with you starting in the clean, pristine test labs, progressing to more and more damaged/deadly labs and finally into the off-limits zones and GLaDOS's chamber.
- Portal 2 initially looks like an inversion, where you start in the broken labs and move up into nicer and nicer ones. Then you end up in even more broken labs.
- Super Mario Bros.:
- Starting with Super Mario Bros. 3, most 2D games in the Super Mario Bros. series start in Green Hill Zone and end in Lethal Lava Land.note Shifting Sand Land is usually world 2, Under the Sea or another aquatic level is typically World 3. An ice world and a jungle world are also common somewhere in the middle. A notable exception is Super Mario World, which starts with two grassland worlds and continue with different settings (a whole world of Underground Levels, Bubbly Clouds, The Lost Woods, Death Mountain and another underground world). This pattern is almost always also the standard for fan games and ROM hacks based on the series.
- The 3D games are no slouch in this department either. Super Mario 64, for example, features a Green Hill Zone with shades of a Remilitarized Zone as its first level, whereas the final ones include examples of Death Mountain, Eternal Engine and Bubbly Clouds that are filled with Bottomless Pits.
- Donkey Kong
- The first Donkey Kong Country 1 game follows a very similar logic to the Super Mario Bros. series, starting with Jungle Japes, then it's the Underground Level world, followed by The Lost Woods, Slippy-Slidey Ice World, Eternal Engine, a second Underground Level world and finishing on (the literal) Gangplank Galleon.
- The second game ups the danger level a bit by having the following sequence: Gangplank Galleon, Lethal Lava Land, Bubblegloop Swamp, Amusement Park of Doom, Big Boo's Haunt mixed with The Lost Woods, Big Fancy Castle and finishing on the The Hedge of Thorns (and a secret Jungle Japes world. Unlike the one from the first game, this one is more Hungry Jungle-flavored, with traps and skulls everywhere). This particularly aggressive lineup is justified as it happens on the homeland of the Big Bad and its followers.
- The third game dials down to a more conventional lineup, but still features an escalatingly dangerous geography, featuring Palmtree Panic, The Lost Woods, Under the Sea + Palmtree Panic again, Eternal Engine, Slippy-Slidey Ice World, Death Mountain and, ironically enough, Jungle Japes (with an ominous Big Fancy Castle).
- Donkey Kong 64 does it again, having Jungle Japes and Shifting Sand Land as the first levels, with Underground Level + Slippy-Slidey Ice World and Big Boo's Haunt + Big Fancy Castle as the last ones before the location of K. Rool, Hideout Helm.
- Donkey Kong Country Returns has Jungle Japes and Palmtree Panic at the start, with Eternal Engine and Lethal Lava Land at the end.
- In the case of Donkey Kong Country: Tropical Freeze, it's done in a different way: The first five main islands all start peacefully, but their following levels move onto the more dangerous areas or sections (for example, Autumn Heights start with ground-based levels, continues with cavern and mining levels at the middle of the mountain, and culminates with threatening levels at the top in the sky; once the boss is defeated, the Kongs arrive to Bright Savannah, whose first level is a lively carnival with few hazards, but once again is followed up by progressively harsher locations). The sixth island, due to being the last without counting the bonus world, is threatening from the get-go.
- In Morrowind, you start on an ordinary-looking seashore, and travel to your first city through unthreatening countryside. During the course of your adventure, you visit deserts of volcanic ash, jagged rocky shores, labyrinthine lava scathes and reach the climax of the story in flat our Mordor.
- In Skyrim you're first given free reign in the warm, wooded areas of the game, as opposed to the completely frozen parts you'll run into later.
- Most games in The Legend of Zelda start with a forest-themed dungeon as it's traditionally the least hazardous, and continue with fire, water and (in fewer games) ice dungeons which are more devious (a notable exception is The Legend of Zelda: The Wind Waker, which starts with the dungeon of the Big Bad and continues with a fire-themed dungeon. The forest one is the third). Special mention goes to the games with multiple worlds.
- Touhou games typically start somewhere comparatively hospitable to humans, ending up somewhere else that is not. PCB starts on a snowy village, going up through storm clouds and end up in an Elysian afterlife. SA starts in a cave and end up in Hell.
- Dust: An Elysian Tail starts in a glade where deer run by you peacefully and stays in forests, hills and plains at first. The middle part of the game is spent in a cave, cemetery and snowy mountain (complete with ice spikes and avalanches), and it finally ends in a volcanic area.
- This trope is inverted in Final Fantasy XIII; the game starts in a ruined city and the party travels through many industrialized areas, but most of the endgame takes place in Green Hill Zone.
- Guild Wars plays this straight in Nightfall (Start in the settled mixed terrain of Istan, than the deserts of Kourna and Vabbi, than the poisonous and empty Desolation, finally the dark hell like Realm of Torment), and somewhat straight in Prophecies (Pre-searing is Green Hills, and the game ends in the volcanic Ring of Fire), but with some mix-ups on the journey. Factions and Eye of the North largely avoid this.
- Epic Battle Fantasy III plays this pretty straight, going from Green Hill Zone to Palmtree Panic to Slippy-Slidey Ice World to Shifting Sand Land with Ruins for Ruins' Sake to Lethal Lava Land in Mordor to Space Zone. Gaiden Games Bullet Heaven and Adventure Story are pretty good about this as well, with the former going from Green Hill Zone to Palmtree Panic to Shifting Sand Land to Lethal Lava Land and the latter from Green Hill Zone to Shifting Sand Land to Slippy-Slidey Ice World to Lethal Lava Land. Now the next game, on the other hand, subverts it pretty much all the way. The First Town is in the same setting as the previous games' opening stage, and the rest of the forest, the actual first level in this game, is full of fire and brimstone. The crystal caves are beautiful, but deadly. Then you find another town in this game, this one taking up the ice world. West is a really small, optional Big Boo's Haunt leading back home, but east is a great big Eternal Engine with a toxic sewer midway through and an ice bit right near the end. After beating that level, you can go to the Jungle Japes fourth level and find old friends from early in the last game (that are no easier than the guys from last level). After that's taken care of come the third and last town (in Shifting Sand Land with a bit of Palmtree Panic) and the last dungeon, a much more involved Temple of Doom leading up into Bubbly Clouds.
- Diablo also plays this straight:
- Diablo 2: The player starts with rainy grasslands for Act 1, moves onto desert for Act 2, jungle for Act 3 and then Hell itself for Act 4. The expansion moves into a frozen waste followed by a Volcano Lair afterwards.
- Diablo 3: This one follows roughly the same order. The first Act is set in the same area as act 1, to the point they share a level, the second Act is set closeby Diablo 2's Act 2, in the same desert, then Act 3 moves to the frozen waste and volcano of Diablo 2's expansion, after which you go to the now corrupted High Heavens. The expansion sends you back to an average, normal world, but with all people being made into reapers, giving the areas a very ghost-like and deserted appearance.
- Ori And The Blind Forest begins its first act with the relatively easy Sunken Glades and Hollow Grove, progressing to Thornfelt Swamp, the underground Moon Grotto, and the jungle-like Ginso Tree, then the second act goes to the Valley of the Wind, Misty Woods and the icy Forlorn Ruins, then the final act ascends to Sorrow Pass, a Gusty Glade on Death Mountain in Mordor, and the Lethal Lava Land of Mount Horu.
- Valiant Hearts does a variation on this, where the opening levels are non-threatening(A train station on the way to the front and a short boot camp sequence) and even the first real level starts with a rather pleseant countryside that quickly turns into a war torn battle field with corpses and shell craters everywhere. The final levels include a battlefield where you are forced to hide behind disturbingly large piles of corpses to avoid being cut down by machine-guns and being led to your own execution for killing own of your own officers who was continually ordering your comrades to their deaths.
- Gatling Gears plays this straight. The prologue and especially first chapter take place in Green Hill Zone, the second chapter takes place on a Death Mountain, the third chapter in a stormy Remixed Bleak Level of the prologue, the fourth in a barren desert (that was once an ocean), and the last one in Katharsis, a suffocating Eternal Engine Mordor. Interestingly, the final two stages in Katharsis is actually an artificial Green Hill Zone.
- Mini Robot Wars: The first chapter is Green Hill Zone, the second chapter is Shifting Sand Land, the third is Under the Sea, the fourth is Slippy-Slidey Ice World, and the final level is an Eternal Engine Mordor.