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- Code Geass: This was C.C.'s geass before receiving immortality, due to the powers provided by the geass being according to the user's biggest desire, and her biggest desire was to be loved (she was a slave). After a while she lost the control of her powers and the only person she cared about, was the nun that gave her the geass, because she was the only person immune to her power.
- A character from March Story uses a scarecrow that has an effect similar to this (but only effects the Ill that he hunts) as bait. The scarecrow can take on the appearance of whoever the Ill viewing it most loves. It's not immune to refflective surfaces though.
- In Sailor Moon, the Sailor Scouts' magical transformations have a layer of Glamour on top, so that no one who sees the girls in and out of their Sailor forms will be able to recognize them. This comes up in the anime when Sailor Venus joins the Scouts and then meets them in their civilian forms later; it takes a moment for Amy, Raye and Lita to figure out that the blonde girl who just showed up at Raye's temple is Sailor Venus, and vice versa.
- Poison Ivy has this power in Batman comics, but it's probably at its most noticeable in Batman & Robin, where every man she stands near becomes instantly attracted to her. Apparently it's due to "plant pheromones" or something.
- The Runner from Marvel Comics has an undefined ability to make people enjoy his company. It doesn't prevent people from attacking him, which results in the occasional amusing fight scene.
- Black Orchid can do this in the ongoing series that followed Neil Gaiman's miniseries.
- This is Allure's power in Relative Heroes in The DCU.
- Gambit (Remy Lebeau) of the X-Men has a hypnotic charm, an ability to "charge" the kinetic energy within a person's brain, allowing a subtle influence over any sentient mind. This power allows Gambit to compel others to believe what he says and agree with anything he suggests.
- In Fables, any Fable who can't pass for human must buy one of these from a witch, or be arrested and taken to The Farm, a homestead out of town. Which, considering that most of these Fables are animals, isn't as bad as it could be.
- The Fair Folk in The Sandman all wear Glamour to hide their true appearances. It's considered very rude to appear in public without it — it's the Fae equivalent of public nudity. Dream doesn't like Glamour in the Dreaming and had Nuala, the Fae girl sent to him as a gift that he cannot return, remove her beautiful illusory form (revealing her true mousey appearance). Queen Titania's Glamour is unique in that it is not solely done for vanity but also because it hides her true human appearance.
- The Mass Effect/Sword of the Stars Fusion Fic Shepherd Of The Stars explains the Asari's universal attractiveness as just a lesser version of the psychic glamour the Morrigi use to make themselves seem more impressive or terrifying.
- This is mentioned as a known type of magic in the Pony POV Series, but a few characters have noticeable uses of it:
- General Admiral Makarov has this factor as part of his Charm Person power set, making others see him as beautiful and amazing. It turns out it goes even deeper, as his cervacorn form is disguising his true form that at one point fails completely when he has an extreme Villainous Breakdown.
- The Nameless Passenger/Nightmare Eclipse in Dark World has one that prevents those she's talking to from realizing The Voice in their head isn't supposed to be there. Her Good Counterpart has the same exact ability. Eventually Twilight breaks it by asking her who she is, forcing her to reveal herself.
- A number of Miraculous Ladybug fics justify the series' use of Clark Kenting by suggesting that there's a glamour preventing people from recognising Miraculous holders under their masks or otherwise identifying them from circumstantial evidence. One example is Powers of Invisibility, which eventually reveals that Juleka is immune to the glamour due to the same senses that make her ideal for the Turtle Miraculous.
Films — Animated
Films — Live-Action
- In Ghost Ship, the dead Francesca seduces Greer to kill him. After disposing of him, her form shifts back into the rotten corpse she has become.
- Thranduil the Elvenking from The Hobbit: The Desolation of Smaug uses it in some way, though it's ambiguous how. Either it to covers up the horrific burns on one side of his face and it fails when he loses control, or he used it to create fake burns to make a point.
- As mentioned above, The Fair Folk were the Trope Codifiers of this power. In fact, the very name "faeries" is derived from Latin's "fata", meaning "enchantment", and the various euphemistical ways of referring to them is tied to keeping up appearances: If the faeries discovered that their glamour wasn't as convincing or absolute as they thought it was, if you didn't think they were fair once the effects of the glamour wore off, it was entirely your fault that you were living proof of the flaws and shortcomings of both them and their prized glamour, and so you'd need to be recitified... Yeah, better keep calling them "fair" even after the glamour has worn off.
- Not limited to western folklore and faeries, this trope was also common in regards to the Japanese youkai:
- The Kitsune often disguised themselves as women who came across to those who saw them as supremely beautiful and nigh-omniscient. With this glamour, the Kitsune would often lure aristocrats with their wiles while they brought ruin upon the land around them. Only very powerful Onmyouji and/or Buddhist Monks could see through this glamour and realize who the true culprit was as well as her true nature. Dogs, however, were immune to the glamour and would instintively chase the Kitsune if it caught sight of her, and if the Kitsune passed between a lightsource and a shoji paper screen, her shadow on the screen would reveal her true nature.
- Special mention goes to the youkai Nurarihyon, an old coot with a weirdly enlongated head, who was said to enter people's houses, drink their tea, eat their food and generally act like he owned the place. While some stories state that he did this only while the owners were away, thus only fooling neighbours into thinking the owners were home, some other stories have it that he could do this while the occupants were at home, too. Not only that, during his visit the owners of the house would think he was the master of their home, and not until he left on his own would anyone even think to ask the question "Who was that guy?"
- Perfume, a novel about a troll-like man with a heightened sense of smell who is on a quest to create a perfume so beautiful that it will make all who smell it believe they are in heaven.
- Another classic trope example would be the elves of Discworld, who have this as their deadliest weapon.
Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
No one ever said elves are nice. Elves are bad.
- Also from the Discworld, the charismatic Captain Carrot might have this, but balance of the evidence is that he really is just that good.
- In The Dark Tower series (and a lot of other books by Stephen King), there exists a (kinda) subtle type of magic, and along with it a type of Glamour. Used quite often to veil Eldritch Abominations from, well, everyone that doesn't want to Go Mad from the Revelation. Which is quite a bit of people.
- In The Heartstrikers series all dragons have a non-mind control version of this that makes them appear as impossibly beautiful/handsome humans.
- King of the Water Roads - "Seeming," as they call it, is the easiest kind of magic to learn, and one of the only scraps of magical talent usually still found in Markasia. It is a power entirely based on glamour, but if a sorcerer is powerful enough it seeps into Your Mind Makes It Real territory.
- In the Sword of Truth books, Witch Women like Shota or Six do this unconsciously, and sometimes unintentionally, to those around them. It's considered rape by the Sisters of the Light if one uses this to seduce and have sex with a man, punishable by death or exile from the Palace of the Prophets (which is basically the same thing).
- In Shannara books, (namely the Sword of Shannara), a siren uses a glamour to appear as a beautiful woman sitting by a tree just before the tree eats a hapless traveller.
- Star Trek: New Frontier: The Selelvian race has a form of Glamour that's called "The Knack". They claim it only makes a person do what they really want to do, but it is eventually shown that they can make others do what they want them to do. It doesn't work on nonbiological beings, so Morgan (a hologram) and Data (an android) are able to bust them, leading to an off-pages war.
- One of the original "Four Aces" in the Wild Cards series, Envoy, does this through pheromone control. HUAC finally makes him testify in a sealed booth.
- Skulduggery Pleasant: Everyone who sees China Sorrows for the first time falls in love with her. As Skulduggery notes, the effect lessens significantly once you get to know her.
- The Dresden Files makes a few mentions of fae folk casting a glamour, and says that all those 'glamorous' actresses in the world wished they could look like the fae.
- All paranormals in Paranormalcy have some sort of glamour to hide their true features: vampire glamours look normal to hide their shrivelled corpses; werewolves use them to hide their Supernatural Gold Eyes and wolf form on the full moon; and faeries use them to tone down their unbelievable good looks.
- The Laundry Files has a glamour as a spell any mildly-skilled sorcerer can cast. They're ranked on a scale of one to five, with one being "cover up minor imperfections," three being "make a humanoid entity look perfectly human," and five being "instill outright worship." At one point, Bob buys an iPhone and silently curses to himself that someone at Apple must be casting class five glamours over them.
- In Tom Holt's J.W. Wells & Co. books, there is an entire department in the company devoted to glamour. It is run by the The Fey and their biggest, highest-paying clients are celebrities and politicians who are looking for more publicity. The Fey and their part-human descendants are particularly good at "effective magic" which affects the viewer's mind and perceptions, while other types of magical beings prefer "practical magic", which changes the physical structure of things.
- The True Game series by Sheri S. Tepper has certain characters who possess the talent of Beguilement, which makes the wielder seem more attractive and charismatic when it is used. Powerful Beguilers can make themselves seem irresistibly attractive even if their true bodies are deformed or disfigured.
- In Camille De Angelis's Petty Magic, beldames can cast a variety of glamour spells that let them disguise their true age, take on someone else's face, etc. The older, more experienced ones have learned that while it can sometimes be fun to look younger and more attractive, the most useful glamours achieve the reverse effect-making one seem bland, boring to look at, and completely inconspicuous, which is particularly useful for anyone doing government work or espionage.
- Used the traditional way in Jonathan Strange & Mr Norrell: As soon as the gentleman with the thistle-down hair, who used to look like a beautiful human male, is in death's clutches, he starts losing his Glamour and reverting back to his weird, ugly, animal-like true form.
- The Shapeshifter series has illusions, persuasions and invisibility as types of glamour. A character not being vulnerable to two of these is a major plot point.
- In the Rainbow Magic series, sometimes Jack Frost uses magic to hide the goblins' green skin.
- In Faerie Winter the faerie folk have the ability to use glamour on humans as a way to control them. This is exploited by The Lady in order to punish the humans for the war.
- In Pact, the fair folk make heavy use of this, a substance that they use to create objects that appear perfectly real, influence others, and change their shape, but which can be broken by crudity. It's suggested that, as glamour is inherently deceptive, the fair folk have even fooled themselves-they may well be simply magicians who have lied to themselves so well that they can't remember ever being human.
- The Tzenkethi in the Star Trek Novel Verse are a mild example. Every non-Tzenkethi who sees one comments on their grace and ethereal beauty. They're frequently considered almost mesmerizing. The lower ranked Tzenkethi clearly experience a similar effect when in the presence of their betters.
- Morgan Locke, the protagonist of M.C.A. Hogarth's The Blood Ladders Trilogy is an elf who thought he was human due to a glamour that was placed on him when he was a baby left with a human family. However, the glamour draws upon his own magic, and its constant running for twenty years has effects resembling a terminal illness, he throws up at least once a day and has seizures and hallucinations. So he makes a deal with a sorcerer to remove it in the first book.
- In the Star Darlings franchise, Star Darlings and Starlings in general adapt human appearances on Earth, covering up their skin's natural sparkle and unnaturally-colored hair.
- In The Fairy Chronicles, nonmagical people see fairies as their fairy spirits, ordinary insects or flowers.
- In The Traitor Son Cycle, the Powers of the Wild can compel other Wild creatures to do their bidding with their mere presence.
- Worm has a whole category for people with these powers called Strangers. One particularly terrifying example is Nice Guy: whose power makes everyone think that he's a nice, if rather boring, guy who obviously isn't doing anything wrong. Even when he's in the middle of disemboweling someone.
- In The 4400, Graham Holt took the Promicin shot and gained the ability to make anyone who walked within a certain distance of him to worship him and do anything he told them to. Eventually he had most of the city brainwashed, along with members of the Army and the police force. He could make them do anything, including violate the law. Also, his control didn't go away when the affected person left his vicinity. He was only stopped because Jordan Collier took away his ability. (Why he didn't fall under Graham's power himself was never explained.)
- Jasmine on Angel used a high intensity permanent Glamour that was visually transmitted to try and Take Over the World.
- Simon the Likable from the Get Smart episode "And Baby Makes Four". A vicious agent, when you look at him, you can't help liking him. This like is so powerful that no one can arrest, or even stop, him.
- At least, until he bumps into Agent 99's mother on her way to the pay phone (hey, it was the '60s) to make several calls about her new grandchild; as she had been bumped several times before, always dropping several hundred dollars worth of change, she's not exactly receptive to Simon's charms here.
- On Stargate Atlantis, a man called Lucius Lavin is able to take over Atlantis through the use of a Glamour potion. Unfortunately for Lucius, the potion doesn't work on people who can't breathe through their noses, so Colonel Sheppard and his head cold end up saving the city. Then, McKay gets hold of the potion just in time for Sheppard (the only person not given the potion antidote) to get over his cold.
- In the remake of V, Anna, the leader of the Visitors, has a "Bliss" trance that she periodically puts her people into that makes them all unquestioningly loyal to her. It's not until the unintended series finale that she becomes able to do it to humans, pretty much ending the series with The Bad Guy Wins. It's not exactly like the fairy example (it's not Bliss that makes her look like Morena Baccarin) but it's very much an example of what happens if someone can make you find them graceful, wise, a lifelong friend, and make you easily suggestible if not utterly enthralling you in More Than Mind Control, and can use it on crowds. And you should shiver.
Anna: We are of peace, always.
- It is implied that Time Lords possess this in Doctor Who:
- Even from the 1960s, the First Doctor makes a throwaway comment that his form is a kind of disguise.
- The Second Doctor seems to have an almost supernatural ability to make Wig, Dress, Accent perfectly convincing, which is exaggerated later by the character of the Master, whose evil powers are based around glamour.
- All the Time Lords in the novelisation of "Shada" are depicted using it on the humans to some extent — it seems to manifest as inhuman beauty for the conventionally beautiful Time Lords (Romana) and impossible charm and likeability for less conventionally beautiful ones (the Doctor and Chronotis). Chris cannot stop staring at Romana, thinking over and over that she is the most beautiful woman he has ever seen, even though he notices that he doesn't find her sexually attractive and that he should find her a lot less alarming than the fact she has a Robot Dog; and whenever Clare gets a scene with the Doctor she describes his appearance over and over again in her internal monologue, picking out mannerisms and features she finds irresistibly charming (like his smile, his voice, his nose, and things like how he runs and the particular way he reads a book) and finding herself driven to fill the 'companion' role by instinct, while at the same time well aware that she doesn't find him handsome and that it makes absolutely no sense for her to act that way or feel that way about him. Chronotis can get away with extreme rudeness, possible sinister intentions and the fact that he's been living at the university for centuries without visibly ageing by constantly projecting an air of harmlessness that makes everyone assume that he's such a nice person.
- In the NBC version of The Wiz, a Kalidah attempts to steal the Silver Shoes from Dorothy by disguising as her deceased mama, and imploring her to help her get down from a tree. Fortunately, the Tin Man alerts Dorothy of the ruse before the Kalidah can claim the Shoes.
- In the Scion roleplaying-system, powers like these can be wielded by scions with high stats in Appearance (positive) and Charisma. Basically, they're either so unearthly beautiful that you cannot help but be smitten with them at first sight, or so incredibly charming that you'll be hanging on their every word. Having either of those stats maxed out (or, GM forbid, BOTH) puts you on a level where you can have this sort of effect on the very gods!
- A lot of splats in the The World of Darkness have some variation of this, ranging from "life of the party" to "so glorious even considering disagreement requires you to exert great willpower, let alone harming them". They included both of the Vampire gamelines, Demon, Werewolf: The Apocalypse, Changeling: The Lost, and obviously Mage: The Ascension and Mage: The Awakening through Mind effects.
- Meanwhile, the crossover game Midnight Circus features all the forms of Glamour featured in the Old World of Darkness, plus one unique to the eponymous Circus: the Glamour Veil, a vast shroud of illusions and mental commands draped over the circus, preventing the customers from noticing anything suspicious about the place. This comes in particularly handy during Koba's Progressive Klown Show, which usually ends with a traitor in the clown troupe being eaten alive by an enslaved werebear: not only does the Glamour Veil prevent the audience from realizing that someone has just been murdered on stage, but any rescue attempts by the player will be interpreted as All Part of the Show - including the moment when Koba brings out a flamethrower and sets the stage on fire.
- Exalted, oh Christ, Exalted. Let's just start with the fact that the Raksha outright call the abilities they use to appear as beautiful ravishers and demon-whores "Glamours." Then there are the various social powers of the Exalted, which range from "everyone in this social group finds this suddenly taboo" to "everyone who watches me dance falls utterly in love with me, regardless of sexual orientation" to "you find my words stir up shame and loathing within yourself." ... With special mention to "you rationalize my every action as being virtuous".
- Much like Scion which followed it, Novas in Aberrant with Mega-Charisma, Mega-Appearance (beauty), and/or Mega-Manipulation can provoke love at first sight or have a hypnotic voice, in addition to the bonuses they get on ordinary social tasks that anyone can attempt.
- In 7th Sea, the sorcery associated with Avalon IS called Glamour, with a few of its knacks able to make the sorcerer more beautiful for bonuses to social skill checks. Likewise, Scryers of Sophia's Daughters get for free the Above Average Appearance advantage (or reduce the cost for Stunning or Blessed Appearance advantages) as part of their sorcerous package. Also, the advantage "Dangerous Beauty" is specifically used for seduction attempts.
- Daemonettes from Warhammer and Warhammer 40,000 use magic/Warp Energy to appear like something their targets would find most attractive, lulling them into helplessness before cutting them down. The eldest Dark Eldar — fitting, given their own twisted relationship with Slaanesh — use their advanced technology to appear youthful and sexy. Psykers and daemons can see through their illusions, revealing the Dark Eldar for what they truly are: ancient decrepit monsters.
- In Twice Charmed, Franco DiFortunato's most powerful magic is used to make Anastasia and Drizella graceful and beautiful.
- Naminé in Kingdom Hearts: Chain of Memories can rewrite people's memories so that they think she's their childhood friend and they're in love with her and so on, if that counts. It's not a sudden "as soon as she walks into a room everyone there is in love with her" kind of thing, but it does make her function in the story much the way a Mary Sue would in a fic, except that you're supposed to be thinking "wait who is this chick and why does Sora care so much about her all of a sudden". She can only use her powers on Sora or those who are close to his heart.
- Ciel from Tsukihime uses this at Shiki's school to hide her true origin, appearing as the always sexy, always beautiful senior girl in charge of the Tea Ceremony club.
- Male Morrigi from Sword of the Stars have a sort of psychic glamour, allowing them to project an impossibly beautiful image of whatever species they're currently engaged with. Those images all possess wings, so a human might see a beautiful angel, for example. As All There in the Manual reveals, Female Morrigi have an opposite functioning Glamour that makes them look more fearsome and dangerous than they really are.
- The Knights Ofthe Old Republic Jedi Exile has this ability, pulling people in and getting them to do what they otherwise would not. It's much more pronounced if you use this power for evil, as your party members snap out of it after killing whoever you've set them against and react with horror.
- A non-superpower/magic example is the Living Infected in Survivalist. They're zombies that will eat your flesh and tackle you to the ground like any other, but they retain all their memories of being human, as well as their ability to speak coherently and use weapons. If someone in your group shows strong Blood Knight tendencies that don't seem to fit in well, don't be surprised if they turn out to be a Living Infected.
- Presumably this is how the move Attract works in Pokémon. If it hits an opponent of the opposite gender, they end up infatuated and may not be able to make a move. The effect wears off after the battle ends or the affected Pokémon is switched out.
- This is the chief power of traitor Goddess Drocilla during the Elder Wars in Lusternia. She's explicitly stated to be the most dangerous of the Twelve Traitors (which include Mad Scientist Raezon, the terrifying Morgfyre and their brilliant leader, Fain) because of this power. At the Traitors trial, she nearly manages to get them all set loose by seducing the rest of the Gods with her enchantments. Igaso manages to temporarily break the glamour by screaming "LIAR!" in Drocilla's face and declaring her a traitor to everything the Gods believed in, giving Jadice enough time to seal Drocilla's powers and banish her to the Void.
- "The Thnikkaman" (AKA Bubs with sunglasses) in a few Strong Bad E-Mails. His very appearence, whilst doing nothing impressive, can pretty much lead to both character and plot derailment due to characters fawning over him. Did we mention that his catch phrase, which no one seems to mind, is "yeah, shut up kid"?
- In the Global Guardians PBEM Universe, The Charmer's whole power is getting people to like her to the point that they'll do anything she wants. Ambrosia uses super-pheremones to do the same thing, but only to men.
- Whateley Universe: This is a moderately common power, even for non-Faerie, and most of the Sidhe and other Faerie have some degree of it. The ones who have the most powerful Glamours are all beings whom you would expect to have such powers:
- Fey, who really is a queen of The Fair Folk, tries to keep it under control, but it still gets her a lot of unwanted attention.
- Most of the New Olympians, who are the reincarnations of the original Olympian Gods, have this, with Imperious (Zeus), Majestic (Hera), and Cytherea (Aphrodite) being both especially powerful and very prone to abuse it; Imperious on at least one occasion taking it to the level of Mind Rape.
- Carmilla is a Horny Devil who is related to Chthulu and rules her own Hell dimension (but is still a Nominal Hero in the series).
- Hey, here's your dose of Paranoia Fuel today. Modern neurology, while advanced, isn't quite exact. Technically it wouldn't be defying modern neurological science for this to happen. Not paranoia fuel yet? well there's also a distinct lack of proof that this hasn't been done subconsciously by everyone you love.
- Oxytocin? If one could secrete it into the air...
- It could be argued that individuals who can pull off Clark Kenting (as seen on that trope's page) have a mundane form of this.