Max Reede: My dad? He's... a liar. Teacher: A liar? I-I'm sure you don't mean a liar... Max Reede: Well, he wears a suit and goes to court and talks to the judge. Teacher: Oh, I see! You mean he's a lawyer. Max Reede:*shrugs*
Liar Liar is a 1997 comedy starring Jim Carrey.Lawyer Fletcher Reede is both career-focused and (as his profession demands) an expert in lying. His son Max (Justin Cooper) gets frustrated at his father always breaking his promises and not spending time with him, the breaking point coming when his father misses his birthday party (his father says he's working; his boss is actually working him). Disillusioned once again, Max wishes while blowing out his cake candles that Fletcher couldn't tell a lie for just one day.And the wish works. Fletcher is absolutely incapable of saying any lie no matter how big or small, or even asking a question if he knows the answer is going to be a lie, or even deceiving by remaining silent. He quickly finds just how much he really does lie in one day and how much trouble he gets into because of telling the absolute truth......on the day that not only Fletcher has one of the most important cases of his life, with defenses built mostly on lies, but Audrey (Maura Tierney), Fletcher's ex-wife (and Max's mom) is interested in moving with her boyfriend to Boston, and bringing Max along! Hilarity Ensues.If you're looking for the trope on extremely good liars, see Consummate Liar, which actually used to be named after this movie.
Amoral Attorney: Fletcher, at first. Miranda's Establishing Character Moment is to make it clear she prefers this from her workers — her second line of dialogue is "let the judge decide what's true or not, that's what he gets paid for, you get paid to win".
As You Know: The discussion between Fletcher's boss and the lawyer who won't take the case is there to explain the job of a lawyer to the audience.
Awkward Kiss: Fletcher is visually confused as to what is going on when Miranda begins to make-out with him.
Judge: Commendable, Mr. Reede, but I'm still waiting to hear good cause; do you have one or not?
Casting Couch: Fletcher sleeps with Miranda, his (female, good-looking) immediate boss in the hopes that it'll help further his career to finally make partner. His son's birthday wish takes effect at exactly the wrong time...
Character Development: Fletcher realizes all his mistakes and becomes more sincere and careful about his relationship with his family (especially with his son) as the movie goes on.
Derailing Love Interests: Averted. Jerry is introduced as a genuinely nice and sweet man who treats Audrey and Max well, and although he doesn't care for Fletcher he's civil to him. When he realizes Fletcher still loves his family and the lengths he'll go to in order to keep them, he lets them go and just lets Audrey know he's there if she changes her mind. The only thing you could really say about him is that he's a bit of a goofball, which Audrey admits he can be sometimes.
Diabolus ex Machina: Instigated by Fletcher himself, no less. His last-minute discovery that Mrs. Cole was underaged when she got married, invalidating her pre-nup but leaving the common-law marriage intact ends up unduly costing an innocent man half his assets. We might say it could cost a loving father custody of his children too, but Mrs. Cole had already demonstrated herself in court to be an unfaithful wife and an absolutely horrible mother, so at least she likely won't get full or even partial custody without Fletcher representing her anymore.
Though the sad truth is custody cases tend to favor the mother even if the father is more suitable. All Samantha needs is another lawyer Like Fletcher (it wouldn't be that hard) and she could have the judge's sympathy.
Divorce Is Temporary: Fletcher and Audrey share a kiss in the final scene, at Max's sixth birthday party. They of course ask their son if he made another birthday wish to cause them to get back together - and he replies that he wished for roller blades, meaning Audrey and Fletcher's romance is rekindling on its own.
Drives Like Crazy: Fletcher when trying to get home after learning Audrey is going to move. "I'm an inconsiderate prick!"
Eureka Moment: Right when the case seems lost, Fletcher's client makes an off-hand remark about her age. This turns the case upside down.
As well when Audrey tells Fletcher about what Max wished for the previous night.
Although it doesn't work, Fletcher gets the idea to make it look like he was attacked in the bathroom (as to post-pone the trial) after banging his head on the wall too hard.
Fletcher: Owie! ... (turns to a mirror) OWIE!
Evil Hand: In the Blue Pen scene (which is not red).
Exact Words: Fletcher can't use them, but he can be caught by anyone else using them. As it says elsewhere on this page, not only can he not lie, but he can't even evade the truth, deceive while remaining silent or choose not to answer. Several times he gets into trouble because he is asked a question which he could have given a better answer to if the other person had just happened to phrase it differently.
When Fletcher calls his boss "a worthless steaming pile of cow dung" he has to add on the tag "figuratively speaking."
False Reassurance: He does manage to pull this off once, though. In order to get an extension on the trial without lying he beats himself up in the bathroom, stumbles into the court and truthfully describes his attacker (himself).
Frivolous Lawsuit: Fletcher's current case isn't one (although it is fraudulent), but he isn't against taking cases like this:
Greta: Mr. Reede, several years ago a friend of mine had a burglar on her roof, a burglar. He fell through the kitchen skylight, landed on a cutting board, on a butcher's knife, cutting his leg. The burglar sued my friend, he sued my friend. And because of guys like you he won. My friend had to pay the burglar $6,000. Is that justice?
Gag Boobs: Fletcher's interactions with his new neighbor, played by Krista Allen, who is best known for the Emmanuelle In Space series. And of course, Mrs. Cole being played by Jennifer Tilly doesn't hurt...
Gasshole: "It was me!" as Fletcher retreats from an elevator whose other passengers are holding their noses and looking daggers at him.
Genre Savvy: While Fletcher can't lie, he realizes that he can tell the truth in a deceptive way. The Wounded Gazelle Gambit he attempts below shows his sole attempt at this.
He actually has two of them, the first one above regarding his personal life, the second regarding his professional one when he wins the case for Mrs. Cole and realizes how horrible she truly is when she won't even let her ex-husband say goodbye to his kids. Needless to say he's rather horrified by his actions. Also, the people he was sucking up to make partners only saw the kids as legal leverage leaves him downright disgusted.
The second one hits him really hard. At the beginning, she agreed to sharing custody with the father, saying he's a good father. Aside from her infidelity, she seems to be much more pleasant at the beginning, and Fletcher realizes the much more unpleasant Mrs. Cole at the end was at least partially his fault.
Carrey: JEZEB— (begins laughing uproariously as everyone else cracks up and can't continue) THEY'RE ON TO ME!!!
Kurtz: (still laughing) I'm sorry, he (pointing to director Tom Shadyac) made me do it!
Hollywood Law: Fletcher's secretary recounts the urban legend of a burglar falling through his victim's roof, injuring himself, and then successfully suing for it. Hopefully people realize this is legally impossible.
Hurricane of Euphemisms: "You slammed her! You dunked her doughnut! You gave her dog a Snausage! YOU STUFFED HER LIKE A THANKSGIVING TURKEY!" [Makes gobbling noises]
Ignoring By Singing: Fletcher knows he is cursed to speak the truth when answering a question, but not if he can't hear the question!
Insult Backfire: Fletcher hurls a metric ton of verbal abuse at his boss who finds it hilarious. He then goes all the way and insults everyone in the room who all laugh at his insults.
It does backfire for Miranda, however. She was out for revenge after Fletcher told her, "I've had better." When she realized he was incapable of lying, she throws him in front of the committee in hopes that his Brutal Honesty would ruin him.
Insult to Injury: A passerby giving Fletcher money as he sags despondently on the courthouse steps following his self-inflicted beatdown.
Karma Houdini: Mrs. Cole has cheated on her husband several times, it's hinted that she's not completely sure both her children are her husband's, and after Fletcher convinces her she's the victim, she becomes a complete Jerkass who uses her children for emotional gain in court. And thanks to a technicality no one saw coming, she wins the case and gets the standard divorce settlement of half her husband's assets, over 10 million dollars, and decides to sue for sole custody of the kids to get even more money in child support and deny her husband the right to them. Her getting away with all this is actually a major plot point, when Fletcher realizes it's his fault she was able to do all this and succeed.
Kick the Dog: After the judge rules in Samantha Cole's favor and grants her 11 million dollars, she then declares that she isn't going to adhere to their original deal to share custody, and instead plans to contest custody to get another $10,000 from him. She specifically says she's doing this just to hit him where it hurts.
Large Ham: Jim Carrey, of course. The outtakes even have this exchange:
Swoosie Kurtz: Your Honor, I object! Carrey: You would! Kurtz: Overactor! Carrey: JE-ZE-BEL!!!
Followed by Kurtz pointing to someone off-camera (Tom Shadyac, the director), saying he put her up to it, and Carrey hugs her, mugging hammily, "Oh no! They're on to me!"
Long List: When Fletcher is stopped after reckless driving...
Officer: You know why I pulled you over? Fletcher: Depends on how long you were following me! [winces] Officer: Why don't we just take it from the top? Fletcher: [sighs] Here goes...I sped, I followed too closely, I ran a stop sign, I almost hit a Chevy, I sped some more, I failed to yield at a crosswalk, I changed lanes at the intersection, I changed lanes without signaling while running a red lightand speeding! Officer: Is that all? Fletcher: [groaning] No... [gestures with his eyes; when the cop doesn't get it, says] I have unpaid parking tickets. [Opens his glove compartment and there are so many tickets they spill out; whimpers] Be gentle.
Loophole Abuse: The film plays with this. On the one hand, sometimes Fletcher is able to tell the truth in a roundabout way; when he beats himself up and the Judge asks who did it, Fletcher gives a physical description of himself rather than just say he did it himself. On the other hand when it comes time to rehearse Falk's testimony, he discovers he can't ask a question if he knows Falk will lie about it. During the trial he does manage to get the questions out a couple times, but can't help himself from immediately objecting to himself.
My God, What Have I Done?: Fletcher has two. One when he realizes how he's functionally ruined his relationship with his son, and a second when he realizes that his lies from the previous day have turned Mrs. Cole into a petty, vengeful ex-wife.
Fletcher: After all that, your husband wants to deny you a fair and equitable share of the marital assets based on one single act of indiscretion. Mrs. Cole: Seven. Fletcher: Pardon me?
Really Seventeen Years Old: Fletcher discovers that Mrs. Cole lied about her age when she got married, rendering the prenuptial and the original marriage contract void, but leaving her still entitled to half her (ex)husband's wealth as they had lived together long enough to be considered common-law married anyways.
Refuge in Audacity: Fletcher's immediate boss learns of his current problem and takes him to the firm's board meeting where he regretfully tells everyone the honest truth of what he thinks of them. They end up in stitches laughing, loving the no-holds barred roasting.
Required Secondary Powers: In a way, and for plot purposes. Not only does he have a truth-telling "superpower", but he also seems to be incapable of holding back the truth that is on his mind and spits it right out. For instance when he's pulled over by the police Fletcher seems incapable of reserving his 5th amendment right to stay silent, or simply say "yes" when asked if he knows why he was pulled over. (See "Long List" above for a quote from the scene).
He also learns, to his horror, that he can't ask witnesses in court rehearsed questions if he knows they're going to lie. And he demonstrates a zig-zagging inability not to tell the direct truth — he never tells the judge he's ill but then talks as if he is, but when asked if he can proceed with the trial after his "mugging", he says yes instead of simply stating he'd prefer not to.
The Roast: Fletcher ends doing this to a room full of executives once his boss finds his insults hilarious.
Wounded Gazelle Gambit: Fletcher beats the everliving crap out of himself in the bathroom so that the court session could be postponed. When asked who did it, he describes the assailant—himself—as "A madman, your honor! A desperate fool on the end of his pitiful rope!" Still, Fletcher's scheme fails when he's forced to admit that he still feels physically able to continue with the case.
"About 6'2'', 180 pounds, big teeth, kinda gangly." [Closes mouth to cover teeth]