A character who cares too much about his principles, often at the expense of caring about the results of his actions. While many characters believe in ideals like truth, knowledge and the rule of law, these guys take it to uncomfortable levels. May be Played for Laughs, or played straight in one way or another.
A person who Will Not Tell a Lie, for example, crosses over into Principles Zealot when they maintain truthfulness even in the face of horrible consequences that they know could be averted by lying. A hero who will commit any atrocity rather than break a promise, even if they were tricked into making it, is a Principles Zealot. Please note that such a Principles Zealot isn't necessarily more principled than someone who normally Will Not Tell a Lie but can make exceptions in extreme cases. The difference is that the zealot refuses to see the big picture, clinging blindly to the principle and the principle only. (Which has a certain bloody-minded logic: the threat of looming negative consequences could always be a trick or illusion, or there might be an escape route, but once you tell the lie to avoid it, there's a 100% certainty that you are now a liar.)
A Principles Zealot can be a Well-Intentioned Extremist, Knight in Sour Armor, Knight Templar, Lawful Stupid or even a someone who ended up on the wrong end of that Sliding Scale. Contrast Totalitarian Utilitarian, who is another side of these four kinds of fanaticism: While the Principles Zealot cares only about principles, the Totalitarian Utilitarian cares only about results. Note that a fanatic doesn't have to fall into either of those two categories: their fanaticism can be about a cause or a belief instead.
See also The Determinator. Contrast Honor Before Reason: Principles Zealot is a character type, while Honor Before Reason is a motivation/characterization. Honor Before Reason is explicitly idealistic and heroic, whereas Principles Zealot is an idealistic character, but is on the cynical side of that Sliding Scale.
No Real Life Examples, Please!, and no historical examples more recent than a century.
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Suzaku Kururugi from Code Geass starts out like this, refusing to support Zero even though it would mean the end of the oppression of the Japanese people, believing results have to come the right way, but slowly drifts away from this, finally seeing that results justify the means, and to have thought otherwise was naive and foolish.
Light Yagami of Death Note believes in justice. This belief leads him to kill thousands of people and manipulate everyone around him. Granted, his idea of justice does shift slightly over time...
Greed from Fullmetal Alchemist claims that he never lies (even to enemies). If this were true then that would mean he would never lie even if it could further his goals, and being the physical incarnation of the sin itself, attaining things like status, sex, money, etc. is very important to him.
Rorschach in Watchmen follows this trope consistently. This is probably because he's The Anti-Nihilist; he believes that the world has no other meaning than the one we impose upon it. If he abandoned his principles, he'd have nothing. The page quote is literal. He would rather let the world perish than neglect one of his moral principles just once. There is however one time where he could be viewed as straying from his principles. A former criminal, Edgar Jacobi, previously known as Moloch the Mystic, had a type of cancer (and not the type you get better from), in his desperation to save his life, he took illegal drugs, that probably wouldn't save him anyways (its a desperation attempt in a deconstruction after all). Rorschach let this offense slide.
This is only bad if you think Ozymandias was right. In fact, Rorschach refuses to stand by and let someone get away with mass murder.
Doesn't matter what the press says. Doesn't matter what the politicians or the mobs say. Doesn't matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences. When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree beside the river of truth, and tell the whole world — "No, you move."
Batman, in The Dark Knight, would rather veer off and crash his bike, leaving himself vulnerable to the Joker, than simply running the Joker over and ending the whole fiasco. Even though the Joker is unloading machine-gun fire into random motorists at the time Batman still will not kill him.
Harry from In Bruges snarls that if he ever killed a child, he would stick his gun in his mouth and pull the trigger then and there. At the end of the film, when he believes he has shot a kid, he follows through on his claim.
Galad Trakand in The Wheel of Time is described as someone who "always does what's right, no matter who it hurts," which also indicates a very peculiar idea of what constitutes "right." He does, though, very specifically and especially include himself in "no matter who."
Stannis Baratheorn from A Song of Ice and Fire. His dedication to his principles as a goal in itself approaches levels of The Unfettered, but the chapters seen from Davos' point of view also shows that Stannis himself is conflicted by this.
In the Xanth novel Man from Mundania, Grey Murphy is so Lawful that he feels obligated to honor the promise his father, the exiled Evil Magician Murphy that previously attempted to conquer Xanth made to the evil Com Pewter, a machine which wanted a human to aid in its world conquest plans. He only escapes by finding an overriding law concerning taking the place of Humphry, Magician of Information, service to whom overrides any and all prior obligation.
Miles and Duv Galeni discuss this while being held captive by Duv's Komarran-rebel father. Miles mentions how his mother has always argued that one should put people before principles, and Duv observes that his father has always been a very principled man.
Specifically, he could easily have saved some of the planets inhabitants, there was no way to save all of them. It's almost certainly impossible to transplant a civilization without destroying it, so the question is whether you let all of them die or let most of them die. In this case, when one of the people who were illegally and unknowingly rescued discovers what had happened, the implications of everything they had left behind and lost drove him to suicide (presumably many others in their culture would have responded similarly).
In JAG, Harmon Rabb defends Rear Admiral Thomas Boone (plated by Terry O'Quinn) who is accused of war crimes during The Vietnam War. While the old officer doesn't plead guilty, he does nothing to defend himself or help the defense. It turns out that he is innocent but believes that no matter the cost he can never break a vow of silence once it's given.
Chris and Victoria Argent on Teen Wolf qualify, due to their Fantastic Racism and The Hunter thing. After being infected with lycanthropy, Victoria commits suicide, with Chris' help, even though they know that werewolves can learn to control their condition and they have the resources to keep one contained until that can be accomplished. The emotional trauma this is guaranteed to cause their daughter is secondary to their adherence to Hunter rules.
Pretty much every single "good" member of the Imperium of Man that isn't a direct member of the local Church Militant should be like this. Especially the soldiers and doubly so for the Commissars. It's to the point that if you disobey an order but win a battle, where obeying an order would lose the entire war, you will be court-martialed and executed. During active combat, so much as suggesting an alternate route could be, at officer's discretion, punishable by death. Then again, considering the setting and the fact that the slightest disobedience has a habit of leading to full-fledged Chaos uprising...
Planescape: Torment gives us Vhailor, a Mercykiller avatar of Justice. Even death didn't slow him down- he didn't even notice his, but continued his work as he possessed his old battle armour. Not even the protagonist is safe from his swift justice if he happens to realize who the Nameless One is...
If Shirou follows this, it can lead to an infamous bad end in the Heaven's Feel route of Fate/stay night.
The Qunari of Dragon Age. Whilst there are exiles who do not follow their code, those that adhere to the Qun will never compromise if the "demands of the Qun" aren't met. Sten can never return home without his sword, as he will be killed on sight for having lost it.
Dragon Age II has several examples. Katojen submits to the Qun despite its consequences for him, and regardless of Hawkes' actions, willingly chooses death. An Arvaarad attempts to kill you even if you have his respect because you may be "corrupted". The Arishok will not leave without the relic and Isabela despite your willingness to let it all end peacefully. He and his men will leave peacefully if you hand said party member over.
Hawke: I see a man who's willing to start a war on principle.
In Final Fantasy VII, the Corel prison warden, while nominally a regular guy, absolutely refuses to let the party leave, even to plead their innocence. More to the point, he refuses to let them go even when Barret is waving a gatling gun in his face, valuing enforcing his prison rules more than his own life.
The entire mainstream Brotherhood of Steel degenerates into this in Fallout. They keep on getting more and more obsessed with keeping to the Codex as more and more schismatics splinters off from the mainstream thanks to the increasing insanity of trying to keep to all the rules. This is worsened by the fact that there is significant evidence that the Codex has been altered... to be more strict (for those that wonder why this is here and not under Honor Before Reason, the Codex, at least by New Vegas, includes parts about not helping outsiders, which is hardly heroic or idealistic), even as hiding in bunkers and keeping all pre-War tech to themselves becomes increasingly less of an option. Even though Nolan McNamara, the elder of the Mojave chapter is quite aware that the Brotherhood is actively stagnating he will not break the followings of the Codex, though if the Brotherhood form a truce with the NCR and helps them win, they'll at least agree to patrol the roads (otherwise if the NCR are not around, they take the opportunity to try and harass travelers for tech).
The Brotherhood have *always* been highly xenophobic and all about hoarding technology. In Fallout 1 they were so close to becoming total zealots that the assassination of just one of their leaders, Rhombus, leads to them becoming the Steel Plague, fanatics who actively hunt down anyone else with advanced technology and usher in an even darker age. Only the Chicago and Washington D.C. Brotherhoods have ever truly diverged from rigid adherence to the Codex, mainly due to being cut off from the central leadership..
Adventure Time has the Earl of Lemongrab who, while not evil (just a huge jerk), definitely qualifies for this trope. All Lemongrab wants is a clean, quiet, orderly kingdom. He tries to achieve this mild goal by screaming at everybody, terrorizing the candy people, and sending folks to the dungeon at the slightest provocation.
His going off-schedule resulted in some rather important documents being soaked in a fountain as the result of a wayward frisbee, which then caused him to lose a lawsuit as well as his business along with it!
In one episode of Spongebob Squarepants, Mrs. Puff has a flashback to the unfortunate day that she met Spongebob. She's just opening her new boating school and gives her word that she will accept ANY student and never give up on them. Cue Spongebob's arrival. In a later episode, the entire plot revolves around Mrs Puff's increasingly blatant desire and attempts to get Spongebob KILLED in a destruction derby accident. She would sooner COMMIT MURDER than go back on her word and just kick him out of the school.
Immanuel Kant advocated this sort of worldview—that one ought to determine the right tenets and stick to them in all circumstances, even if the whole world, all authority, and their loved ones begged them to give in—to never deviate from what's Right, even if it would mean the loss of one's life. He carried this to the extreme of "don't lie to the killer at the door", as demonstrated above in the painting, though he did allow that remaining silent was acceptable. In his own life, he gave misleading answers (a promise to cease publishing material deemed anti-Christian as ordered by his king, which he held applied only while said monarch was living, not after, when he promptly went back to doing it).