"In the evening Popov and von Kartzov drank champagne and dined sumptuously. Though Popov would never know it, von Karstoff's real name was Kremer von Auenrode, an educated and wealthy aristocrat from Trieste whose main objective was to get through the war with maximum pleasure and minimum danger."Whether Old Money, New Money, royalty, or nobility, these people just spend their time living off their vast sums of money they earned, or their family's sums of money. Not to say they just sit around doing nothing (usually). They have too much of their free time taken up by travelling, going to parties and galas, attending horse races and polo matches, keeping up with the latest Society gossip, choosing which clothes to wear, spoiling Mr. Muffykins rotten, and occasionally doing at least some token work in their family business. So they can't really be too idle. They're too rich to be. The threat of Passed-Over Inheritance is particularly powerful against the younger members of the family in this set. Now this is some Truth in Television, as some real life people have acted like this (such as during the "Gilded Age"), as do Socialites today. And the Ermine Cape Effect long gave the impression of this among royalty and nobility. A Rich Idiot with No Day Job exploits this image to hide their superhero activities. A Super Trope to:
—Ben Mackintyre, Double Cross: The True Story of the D-Day Spies
- Rich Bitch
- Rich Boredom
- Rich in Dollars, Poor in Sense
- Royal Brat
- Socialite (even those with a job rarely have particularly strenuous ones)
- Spoiled Brat
- Spoiled Sweet
- Uncle Pennybags
- Upper-Class Twit
open/close all folders
- According to a Groupon commercial, there are two kinds of people in the world: the "haves", and the "have-dones". The "haves" are depicted as luxurious people who just stand there, while the "have-dones" are people with active lives.
- Denmark's Prince Edvard of The Prince & Me shirks his princely duties (including opening a cabinet meeting) by instead racing sports cars. Paige knows exactly who he is. He's a spoiled, little rich kid who sees college as a detour on the way to an easy life. No character. No accomplishments. Just a royal pain in the ass.
- The Idle Class: Almost everyone except the Little Tramp, particularly the husband who looks exactly like the Tramp.
- Harold Lloyd typically alternated feature films between this type of character (at least at the start of the movie) and his more well-known go-getter boy.
- X-Men: Days of Future Past: For a whole decade, Past Charles Xavier hasn't done anything the least bit productive, although he has an excuse; the events of the previous movie were rather hard on him, and he isn't so much Idle Rich as Clinically Depressed Rich who's self-medicating with liquor.
- In The Mad Miss Manton, all the debutante girls are viewed this way by the public—-in a way, they are—- but they do a lot of charity work, and try to solve a murder-mystery.
- The rich socialites in Sin Takes A Holiday do nothing but dance or have dinner parties.
- Very deliberate in In Time. Since time is literally money, and the rich by definition have a lot of it, doing everything very slowly is their version of Conspicuous Consumption.
- Paula from The Ex-Mrs. Bradford. She writes mystery novels and lives the idle lifestyle except when there's a murder to solve.
- Deconstructed with Tom and Daisy in The Great Gatsby: sure, they donít work, but they are constantly chased by all kinds of Con Man (Biloxi), The Thing That Would Not Leave (Klipspringer) and Nouveau Riche (Gatsby). Without a job, they have plenty of time for Rich Boredom. Both of them are Lonely at the Top, they cheat on each other without any passion, Tom is clinging to his Glory Days as a football hero because he knows he will never top that, and Daisy is a Stepford Smiler.
- Arabella Yount and the other bankers' wives in Capital.
- When Jerin gets a taste of real wealth in A Brother's Price, he quickly finds that for him the idleness is enforced, it's confining, and he's bored. He and his sisters end up reading a newspaper "to death" and have to be rescued by friends.
- In Gene Stratton-Porter's Michael O'Halloran, Douglas recounts how a friend of his is training an orphan waif to follow him in his business, because while he has sons, his rich wife is training them to be "men of wealth and leisure".
- In Dorothy L. Sayers' Lord Peter Wimsey novel Have His Carcass, one professional dancer speaks with contempt of women who resort to the high life rather than making a life for themselves.
"L'amour! These ladies come and dance and excite themselves and want love and think it is happiness. And they tell me about their sorrows — me — and they have no sorrows at all, only that they are silly and selfish and lazy. Their husbands are unfaithful and their lovers run away and what do they say? Do they say, I have two hands, two feet, all my faculties, I will make a life for myself? No. They say, give me cocaine, give me the cocktail, give me the thrill, give me my gigolo, give me l'amo-o-ur! Like a mouton bleating in a field."
- In Andre Norton's Catseye, Tikil is full of Blue Bloods far from the planets where they get their money, living a life of luxury.
- Ivan Vorpatril in Vorkosigan Saga is a subversion. He wants few things more then to be idle and to convince everyone else he is idle. But unfortunately the antics of his cousin Miles always prevent that.
- The Tusaine King in Song of the Lioness (who is one of the few examples in the Tortall Universe). He lounges around and parties while his brother and cousin run the country. When said brother and cousin are captured in the brief war (which they started), the King immediately sues for peace with Tortall so they can go back to running the country for him.
- King Roger was this prior to the start of the Provost's Dog, even being nicknamed "Randy Roger'', leaving his brother Prince Baird to run Tortall for him. By the start of the trilogy, he no longer is, as his second wife, Queen Jessamine, was raised to be Royals Who Actually Do Something, and convinced him to be the same.
- Also, in the Circle of Magic series, Sandrilene fa Toren and her great-uncle (the ruling Duke of Emelean) admit that the former's parents were pleasure-seekers who traveled around frequently solely for their own and their daughter's amusement.
- Colin, the wealthy, sophisticated, care-free protagonist of Boris Vian's Froth on the Daydream. Too bad this state doesn't last.
Live Action TV
- Mr. and Mrs. Hart from Hart to Hart, a modern day Nick and Nora Charles, were this. True, they usually got involved in some crime mystery, but that was just what they did for fun.
- Gilligan's Island: Mr. and Mrs. Howell were this.
- Jack Donaghy in 30 Rock refers to this as "Trust Fund Kid Syndrome"; however, his definition of it expands to include anyone born to wealth who uses that to do something other than accumulate even more wealth.
- Many of the rich women in Devious Maids, most notably Evelyn and Genevieve.
- Space 1889 played straight. People with social class 5 or 6 (on a scale to six) are independently wealthy and get money without working. You can still choose to put your characterís free time to good use, though, but he or she will probably consider real work for money, particularly if it is some form of manual labor, beneath him or her.
- The Moon Is Blue has David Slater, who probably never worked a single day in his life and won't have to for the foreseeable future. He wins $600 in a game of gin with a "bloated capitalist who grinds the faces of the poor," who turns out to be Don.
- In Crusader Kings most courtiers that don't have titles or duties will be this. It is especially important to avoid for Muslims as idle men will spend their time drinking and partying and raise the dynasty's decadence, paving the way for invasion by other Muslim rulers. The Republic also introduced this as all adult men of the dynasty was given a share of the profits (resulting in players killing useless dynasty members). A later patch inverted this by limiting the number of trade posts to the number of adult men in the dynasty.
- Towards the end of the Imperial Agent storyline in Star Wars: The Old Republic, the Agent attends a party of rich good-for-nothings on Correllia who are so fed up and bored with their carefree life that they chose to party away for as long as they can before their planet is destroyed by the fighting between the Republic and the Sith—not even attempting to do anything about it.