"Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner."
— Neil McCauley to Vincent Hanna
Heat is the first movie billed almost entirely on featuring Al Pacino and Robert De Niro together. It's a 1995 Michael Mann film about the relationship between a cop and the criminal he's investigating. Pacino plays LAPD Lieutenant Vincent Hanna, of Robbery and Homicide, on the trail of master thief Neil McCauley (De Niro). Neil lives by one rule: when you feel the heat, you walk away. Never become attached to anything you can't leave behind in 30 seconds.Both men are masters of their professions, but struggle with their personal lives. Hanna wrestles with his family, while Neil is forced to admit (to himself rather than anyone else) he may have feelings for the woman he's been seeing. The tangles of their personal and professional lives become messier as Neil reunites his crew for one last gig, a retirement send-off.Despite the action trappings, and having one of the most memorable and realistic shootouts in movie history, the drama of the film comes from the internal strife of the two characters. On one hand, Vincent is obsessive about his job and oblivious to his failing marriage. On the other, Neil is successful and has nearly everything he wants, but is still painfully lonely. Neither man is happy or fulfilled, and each is looking in all the wrong places to find those missing pieces.This is the film that helped put director Michael Mann (Collateral, Miami Vice, Public Enemies) on the map.Not to be confused with the Burt Reynolds movie of the same name.
This film provides examples of:
Action Film, Quiet Drama Scene: Lots, actually, but the scene where Vincent and Neil have a coffee and discuss their lives is probably one of the most iconic in cinema. It helps that it's the first time De Niro and Pacino appeared in the same scene together in a film (they did appear in the second Godfather movie, just no shared scenes, as De Niro was playing a younger Vito Corleone in flashbacks set in the 1910s while Pacino played Michael Corleone in the 1950s scenes).
Actor Allusion: In both this movie and True Lies, Max Daniels plays a thug wielding a Steyr TMP who is shot and wildly fires his gun into the air as he goes down. Here, it actually happens before Shiherlis shoots him in the back, as he is unable to get steady footing.
Affably Evil: Neil may be a ruthless bank robber but he's not above polite conversation even with people he says he would murder if he had to, as witnessed by his genial encounter with Vincent. For example, when he takes the bank hostage, he says, "We want to hurt nobody. We're here for the bank's money and not your money. Your money's insured by the federal government, you're not going to lose a dime. Think of your families, don't risk your life, don't try to be a hero." He also tells those who are sick or have heart trouble to line up against the walls.
All There in the Script: In the original draft, Hanna was explained to have been a habitual cocaine user, thus enabling him to keep his "edge" at all times. This is never mentioned in the film, but Pacino used it in his performance anyway, thus offering some justification for his at times rather hammy performance.
Antagonist Title: Surprisingly, yes, even though the title is about the good guys. Because the focus of the film is evenly divided between Neil and Hanna, people on two opposite sides of the law, the title counts for this. The "heat" is a slang term for the cops, whom Neil needs to outsmart and run from to succeed in the end. It is personified in Vincent (Neil's antagonist), who eventually becomes the 'heat' for which Neil needs to drop everything he is attached to in 30 seconds flat to make his escape.
Arc Words: The quote on top of this page; it's McCauley's credo in regards to his line of work. Disregarding it has disastrous consequences for any who pull it.
Bang, Bang, BANG: Averted. All of the shots you hear during the bank robbery shootout use the original on site recording rather than dubbed in sound effects. That's the reason why the shots sound a bit scratchier compared to other scenes where guns are fired. You also hear shots echoing between the skyscrapers.
Armed Blag: The film opens with Neil and his crew holding up an armored car, shooting all three guards, then escaping.
Bank Robbery: The last job Neil plans with his gang is a bank heist, meant to be a pre-retirement gig. It doesn't go well.
Bath Suicide: Hanna's stepdaughter tries to do this, after she got seriously distraught that her biodad wouldn't give her the time of day. When he gets home from work Hanna finds her lying in his bathtub with her wrists cut. He immediately ties her arms and legs to stop the bleeding, and rushes her to the nearest ER. It's got more Squick than when Bosko gets shot during the bank robbery shootout, or when the three guards are killed in the armored car robbery.
Batman-Gambit: About halfway through, there is a scene where Neil, Shiherlis, Cheritto and Trejo meet up in an intermodal yard, apparently to paint it as their next target, as well as to map out the viable escape routes. The whole time, Hanna's team surveys their activities from hidden vantage points. When Hanna and his team later assemble on the same location to break down Neil's gameplan, they quickly discover the worthlessness of the target location, as well as the absence of any effective escape routes. Hanna then breaks out in smug laughter, realizing now that Neil had wanted his team to get in the open so that he could then get photos of them, and jokingly makes poses while Neil photographs him.
Bittersweet Ending: Vincent gets his man...at the expense of Neil's life. Bosko, Cheritto and Breaden are killed during the botched heist. Trejo and his wife are brutally tortured, the latter succumbing to her injuries and the former mercy-killed by Neil. Chris survives but has to abandon his wife and son. Vincent is also very close to a divorce but it's left somewhat ambiguous.
Beard of Evil: It is no coincidence that Neil has a natty little goatee while Hanna is clean shaven. Waingro, who is clearly evil, has the bigger beard.
Black Dude Dies First: Both played straight and subverted in the bank robbery shootout - Donald Breeden is the first of the crooks to die, which happens after a bullet fired from the roadblock pierces the windshield and hits him in the head. Sgt. Drucker is one of the cops left standing.
Straight and averted in the bank robbery shootout:
When Hanna shoots Cheritto during the robbery shootout, this trope is played. You see Hanna fire his rifle once as soon as Cheritto turns to face him, and then Cheritto falls backwards, but you don't see a bullet hole sprout on his face or any heavy bleeding.
Likewise, averted when Bosko is shot in the neck by Shiherlis at the beginning. When Hanna leans down to check Bosko's pulse, he's bleeding very extensively.
In the drive-in theater shootout:
There isn't much blood seen when the gun-wielding assassin is shot during the ambush at the drive-in theater, other than some streaks of blood that appear on the windshield of the station wagon when Neil runs over him.
Averted with the pickup truck driver, as blood splatters heavily when Cheritto empties a shotgun into the truck as it passes by at speed.
Averted with the armored car robbery, because when the guards are getting shot, you can only see the bullet hole appear in the first guard, the one that Waingro shoots. And though you don't see blood spurting when the other guards are shot, when Hanna comes to look at the scene, blood has pooled pretty extensively around the bodies of the three guards (we get a very decent look at the corpse of the third guard, the one who was shot three times by Cheritto), which comes as no surprise given that the second and third guards were each shot multiple times (the second one was shot five times with Neil's assault rifle and the third one was shot three times by Cheritto).
Boom, Headshot: During the armored car robbery, Waingro shoots the first guard in the face at point-blank range with his pistol. Also, the same effect with the third guard when Cheritto uses the Mozambique Drill on him. Cheritto himself also gets shot in the head by Lt. Hanna at the end of the botched bank robbery.
Bottomless Magazines: Subverted. During the bank robbery shootout, you only see Neil, Shiherlis and Cheritto reload exactly once, despite having only 30-round magazines at most. If you look carefully, however, you can see see them partway through the motions of reloading a few times.
California Doubling: Averted. Every thing outdoors was filmed on location, and nothing is doubling for another location. The armored car robbery, for instance, is on Venice Boulevard beneath the I-10 and I-110 interchange, with the Convention Center visible in the background of several shots.
Cluster F-Bomb: The dialogue in the film has occasional bouts of swearing, but Lt. Hanna's dialogue stands out.
Cool Guns: We might as well list the roster, and see if you agree.
Used in the armored car robbery:
Waingro carries a Star Megastar pistol, which he uses to execute the first guard.
Cheritto carries two guns - a Ruger KP90 pistol in a crossdraw holster on his tactical vest, and an FN FAL 50.61 Paratrooper rifle as his primary weapon. He uses the latter to shoot the third guard.
Shiherlis carries an M733.
Neil uses an automatic Colt M654 to mow down the second guard.
Trejo carries a Norinco Type 56-1.
In the bank robbery shootout:
Neil and Shiherlis are using Colt M733s. In the bank, when they have their masks on, to tell them apart, Neil has a dark black suit and Shiherlis has a gray suit.
Cheritto is using an IMI Galil.
Hanna uses a FN Herstal FNC-80.
Detectives Casals and Bosko both use M16A1 assault rifles.
Sergeant Drucker has a Mossberg 590 shotgun, and later uses his Beretta sidearm after his shotgun runs out of shells.
Chekhov's Gunman: Donald Breedan is introduced in what appears to be a scene completely unrelated to the Hanna vs. Neil plot as he gets a job as a short-order cook at a diner. He doesn't appear again until much later, when we see Neil, Cheritto, and Shiherlis take breakfast at said diner and Neil notices and recognizes Breedan behind the grill, and then recruits him as a last-minute substitute for Trejo.
Cradling Your Kill: Hanna does something like this to Neil after the short gunfight at the airport; he doesn't exactly cradle him, but he does hold his hand and comfort him as he dies.
Death Glare: During the scene at the truck stop diner, Cheritto delivers a very cool one to dissuade fellow diners from noticing Waingro getting beaten up.
Deconstructed Trope: The movie is such a treatment of the Gentleman Thief stock character. Neil has the charm and all the connections, but he's painfully lonely, and won't get close to anyone for fear that the cops will be right around the corner. The one major job he's involved in goes terribly awry, and results in over half of his team being killed by the cops. Neil gets more violent as the film progresses, culminating in his revenge overriding his need to escape. He ends up proving his own adage right when he flees (and leaves his girlfriend) after he sees Hanna pursuing him, and winds up dead at the end of the film.
Deer in the Headlights: The little girl Cheritto uses as a human shield while firing on Drucker and Casals gets taken hostage because of this trope.
Diner Brawl: A really vicious one happens at the truck stop diner between Neil and Waingro.
Disappeared Dad: The unseen father of Hanna's stepdaughter is clearly a selfish jerk not interested in her, but she nevertheless yearns to make a connection with him. His failure to bother with her eventually drives her to attempt suicide. Despite his own obsession with his job, Vincent at least tries to compensate and make some time for her, even as he pursues Neil McCauley.
Disposable Sex Worker: Waingro is a Serial Killer of prostitutes. This is one of the purest examples of the trope: the killings have precisely zero bearing on the plot, existing solely to establish Waingro's bona fides as a grade-A bastard, and gratuitously, at that, since during the armored car robbery, Waingro pistol-whips the first guard and then shoots him in the face at point-blank range, demonstrating his ruthlessness.
Neil and the crew become these during the armored car robbery when they don hockey goalie masks. However, you can tell each guy apart based on what they are wearing and their voices:
Neil and Shiherlis start in the ambulance and both are wearing paramedic uniforms. To tell them apart, Neil has a white hockey mask and Shiherlis wears a black hockey mask (he's the only one of them to wear a black mask).
Cheritto has a tactical vest with a pistol on a crossdraw holster.
Waingro's mask is shaped differently from those of the other crew members. Also, compared to Neil, Cheritto and Shiherlis, Waingro's hair is disheveled and sticks out from beneath his mask.
During the bank robbbery, when the gang have their ski masks on, Neil wears a dark black suit, while Shiherlis wears a gray suit (they are both carrying Colt M733 rifles), and his hair is not entirely covered by his mask. Cheritto and Shiherlis have suits of the same shade of gray, but Cheritto is carrying a different type of rifle.
Failed a Spot Check: Cheritto realizes seconds too late that he failed to see Hanna take up a position behind him and get enough time to draw a bead on him
Freeze-Frame Bonus: We see a close-up on Hanna when he pulls the trigger to shoot Cheritto. But if you are paying really close attention, notice that the camera angle changes very slightly, ostensibly to edit out a cycling malfunction.
Funny Background Event / Visual Pun: During the bank robbery shootout, there is a moment where Shiherlis crouches behind a car with the license plate "2LUP382" to reload his Colt M733 assault rifle. Per British Army terminology, this means "Second Lying Up Position", and this happens to be the second time Shiherlis is in this position.
Grey and Grey Morality: There are no truly good or bad characters. While Neil is ultimately a bad guy, he still has a handful of redeeming qualities. The movie exists show that some cops and criminals are Not So Different - Hanna shares many qualities with Neil and also with Shiherlis. Waingro exists purely to show how much better Neil is in comparison.
Gun Porn: Much less typical "Gun Porn" and more like "Proper Firearms Procedure And Close Quarters Battle Porn." The bank robbery shootout is full of it, with the robbers using assault rifles of various kinds and the cops using a variety of pistols, shotguns, and rifles. There is also a pretty exotic variety of rifles and pistols that Neil and his crew use during the armored car robbery.
Gut Feeling: Hanna says, "Neil is still here. I can feel it."
Hero Protagonist: Lt. Vincent Hanna, a cop trying to catch a crew of bank robbers.
Honor Among Thieves: Neil's team of robbers are mostly this: despite some bad habits, they mostly watch out for each other. Except for Waingro, who is too inhumane to count. Neil had to know going after Waingro would leave him exposed to the cops chasing him, but he had to make the bastard pay for what happened to Trejo and Trejo's wife. See Revenge Before Reason below...
Idiot Ball: For such a smart crook, Neil attacking Waingro in a crowded resteraunt, and then trying to execute him in the middle of a parking lot aren't the actions of someone who's trying to keep a low profile. Factoring in his decision to go after his sociopathic partner at the end when he's almost home free, this might just be evidence that Neil isn't as practical and detached as he'd like to believe.
Instant Emergency Response: Nicely averted, given that the film is gunning for as much realism as possible. In the armored car robbery, the crew knows that they have three minutes to do their work from the moment the driver makes the radio call for help to when the first police car arrives. They accomplish the job, though they come very close to using up that time window when Waingro shoots the first guard, necessitating Neil to shoot the second guard and Cheritto to shoot the third guard. The spike strip that Trejo lays out keeps the police from chasing them if they should be spotted while they're driving from the scene.
Interrupted Suicide: Hanna intervenes when he finds out his stepdaughter slit her wrists, and rushes her to the ER. After several emergency surgeries, he and his wife are told that she's gonna make it.
Janitor Impersonation Infiltration: Neil confronts Charlene at the motel where he makes the call to Van Zant's drop man and bluffs his way into her motel room by pushing a janitor's cart to outside her door. No disguise is used.
Karmic Death: Admit it, you cheered when McCauley gave Waingro the Mozambique Drill (two in the chest, one in the head) treatment. Although the third guard to be shot in the armored car robbery is also killed in this way, he was shot by Cheritto with a semiautomatic rifle, while Waingro executes the first guard at point-blank range with a pistol.
Laser-Guided Karma: Happens to Chris Shiherlis' character. He's the only member of Neil's crew (other than Nate, their fence, who in the original script was supposed to get caught,) who eludes the police, but he only does so because Charlene, whom he had been having vicious marital problems with throughout the film and had been cheating on him with Marciano, warns him about Sgt. Drucker and the other policemen at their house. Chris is able to escape, but is forced to abandon his son and wife (who he just then realizes really still does love him.)
Married to the Job: Vincent, at the expense of his marriage. And his previous marriage. And the one before that. Neil also, at the expense of any kind of fulfilling personal life whatsoever. It is one of the threads they have in common.
Mercy Kill: Neil when he kills his fellow partner Trejo.
Noble Demon: Neil. He is a ruthless, violent criminal willing to commit murder when it is necessary, but he takes no pleasure in it and makes every effort to minimize innocent casualties as much as possible. Notice his anger at Waingro for shooting the guards at the armored car robbery. One gets the idea that he'd be a pretty decent guy in a different profession.
A memorable scene occurs when Neil and Vincent sit down at a cafe together and reach this very conclusion.
Vincent: I don't know how to do anything else.
Neil: Neither do I.
Vincent: I don't much want to, either.
Neil: Neither do I.
Hanna also shares a lot with Chris Shiherlis in terms that their marriages are falling apart, with both of their wives cheating on them.
One scene has the cops go out to dinner with their families at a nice restaurant. Another scene, which comes right after the shootout at the drive-in movie theater, has the criminals go out to dinner with their families.
When Cheritto turns around and sees that he's failed to spot-check behind him while firing at Drucker and Casals, as Hanna has drawn a bead on him. Hanna shoots him just as he's beginning to realize.
Neil does sentry duty when the crew attempts to rob the precious metals repository. The job goes well, until he hears a small clang coming from the Aztec Linen trucks parked in the nearby lot (caused by a SWAT member in Hanna's truck banging his rifle against the wall). Neil instinctively realizes that the police are hiding and watching them, and quickly walks in to withdraw Cheritto and Shiherlis.
Paper-Thin Disguise: Neil does this twice: at the beginning of the film, he wears a paramedic uniform to steal an ambulance. At the climax, he is able to walk through a hotel swarming with police merely by stealing a security guard's jacket and tie. He makes no other attempt to disguise his appearance. He knows enough that he mostly just needs a Bavarian Fire Drill and act like he belongs. Where he acquired the paramedic uniform might be an interesting Noodle Incident.
That Poor Car: Subverted in the armored car robbery. When Shiherlis sets off a charge to blast open the back doors, the shockwave shatters a row of car windshields, yet we don't hear the standard cacophony of car alarms that would normally happen with this trope. Then again, these cars are in a dealership and their alarms may have been disabled on purpose.
Precision F-Strike: The precious metals repository stakeout has this when Neil, on lookout duty, hears a metal clanging caused by a SWAT officer sitting down in Hanna's truck, which leads him to sense that they are being watched. Neil tells Cheritto and Shiherlis to withdraw and they depart, and Sgt. Drucker informs Hanna that the men aren't carrying any loot.
Lt. Vincent Hanna: [over the radio] OK, let 'em go.
Police Captain: What do you mean? We can take 'em...
Lt. Vincent Hanna: On what? What are you gonna take 'em on? Breaking and entering? They didn't steal anything yet. Don't you get it? It gets knocked back to some chicken shit misdemeanour, they do six months and they're out. No fuckin' way.
Police Captain: I'm not taking the heat from my boss just 'cause you let 'em go! They're not walking.
Lt. Vincent Hanna: That's exactly what they're gonna do. They're gonna walk. This is my operation. I have tactical command that supercedes your rank! They will walk away and you will let them! [slams his radio down] Fuck!
Lt. Hanna: I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. BUT YOU DO NOT! GET TO WATCH!MY!FUCKING!TELEVISION SET!
Rabid Cop: Vincent's basic routine around criminals is to act like an especially eccentric version of this until he scares/confuses them into telling him something useful. An early script draft showed Hanna as a cocaine addict, explaining his random outbursts. Even though it was removed from the script, Al Pacino still used it as his starting point.
Rape as Drama: Happens to Trejo's wife. And to the underage prostitutes that Waingro kills.
Reality Is Unrealistic: A number of critics complained that the bank shootout was too over-the-top and broke their Willing Suspension of Disbelief. This was two years before the infamous North Hollywood shootout. Since then, the scene is widely regarded as one of the most realistic and intense shootouts in all of film.
Revenge Before Reason: By the near end of the movie, Neil has an opportunity to leave the country with Eady (his girlfriend) and leave behind his life of crime forever. However, he jeopardizes (and ultimately destroys) that opportunity just so he pay back Waingro for betraying him and killing Trejo (his friend). It goes against his personal code of dropping everything if the "heat" is on. He can't drop the revenge, and it prevents his escape from Los Angeles.
Roger van Zant would have collected 100% on the insurance for his stolen bearer bonds and made an extra 40% by buying back the bonds from Neil and his crew at a discount. Instead, he tries to have them killed.
Semper Fi: Hanna and Neil were both in the Marines making the already obvious similarities even more apparent. This detail is created from one of Neil's tattoos and the fact that Hanna's normal sidearm is a Colt .45 pistol.
Shown Their Work: Much is attention paid to firearms handling procedures and small-arms tactics. This is a trademark of director Michael Mann, who usually insists in putting his stars through combat boot camp if they'll be anywhere near a gun. Examples include:
Use of cover during the bank shootout. Neil and Chris Shiherlis both use cars as shields when they are raking the police cars, putting the engine blocks between themselves and enemy gunfire from that direction. You'll notice that at one point when Hanna ducks behind a car to reload as Shiherlis fires a burst at him, he's using the engine block to protect himself as well.
Aiming through iron sights, even with a shotgun (Hanna, when chasing Neil at the airport. There are at least three or four police officers, Drucker included, firing shotguns during the bank robbery shootout, but these don't count given that when you'd risk getting shot trying to get a perfect hit off with a shotgun).
Good trigger discipline.
Hanna, Casals, and Bosko each use assault rifles for the bank robbery shootout, just like Neil, Cheritto and Shiherlis are using. The one difference is that the robbers are shooting their guns in automatic mode, but the cops who use assault rifles are firing them as semi-automatics. Al Pacino, Ted Levine, Wes Studi and the others were instructed by Michael Mann to use their guns as semi-automatics because their characters, even when under fire from heavily armed gunmen like Neil, would want to try taking him and the others out without running the risk of endangering bystanders (Hanna gets pinned down at the parking lot and is unable to shoot back at Neil because of bystanders running amok in his line of fire as Neil opens up).
Even a bounding overwatch: when Neil's crew is split in the bank firefight, they provide suppressive fire for each other in an alternating advance up the street. They also lay down lines of fire that overlap.
Donald Breedan provides a nice, and interesting case. He is a recently paroled ex-con determined to set his life straight with his wife's support. However, when he applies for a job as short-order cook at a diner, the Jerkass manager extorts him and treats him like dirt (and we are given hints that he has been known to do this in the past). He cannot resist when Neil comes by and asks him to substitute for Trejo as the getaway driver. Breedan's story arc is a realistic portrayal of a sad truth: a number of people do not want to give ex-cons a chance to start their life anew, often forcing them back into the criminal life they were trying to leave.
When Hanna arrives at the scene of the armored car robbery, Detective Bosko informs him that according to a homeless man who for the most part, witnessed the heist ("Well he was hiding. He heard it mostly"), one of the robbers called a guard "slick". The truth, which only we the audience know, is that when Waingro Pistol Whips the first guard, Cheritto tells him, "Hey, slick! See that shit comin' outta their ears? They can't fucking hear you! Cool it!" It initially looks like a continuity error or a dialogue mistake on Bosko or the script writer's behalf, but, on a second viewing, you might realize that in fact this is a very clever insertion of something police investigations in the movies have typically forgotten—eyewitnesses are not 100% reliable and multiple witnesses can give contradictory accounts about events, and this homeless man was stating what he thought he saw and heard. Why? He may not have seen Waingro pistol-whipping the guard, and if he did, they were all wearing hockey masks that hid their mouths, making it harder to tell who was talking to who.
Sir Swears-a-Lot: Several of the men swears throughout the movie, but Lt. Hanna stands out.
Smug Snake: Waingro certainly seems to think he's badass, but in reality he has no brains and can't overpower anybody unless he's holding a Star Megastar pistol at a deafened and unarmed guard or bashing in the head of an underage prostitute.
Stealth Hi/Bye: Waingro's ability to disappear without a noise when Neil, Cheritto, Shiherlis and Trejo are preparing to kill him at the truck stop, but are distracted when a police car appears on the street. Fortunately, the cop suddenly drives off responding to another emergency call, but when Neil, who had his pistol trained on Waingro's head a moment before, looks back to preparet to finish the guy off....Waingro is gone.
Steel Eardrums: Averted in the armored car robbery scene. Waingro starts yelling at the guards, "Get back!" but when they don't move, he pistol whips the closest one in frustration (the guards were deafened from Shiherlis blowing open the back doors; and since Waingro was wearing a hockey mask they couldn't even tell he was talking at all). Cheritto turns to him and says, "Hey slick, see that shit comin' outta their ears? They can't fucking hear you! Cool it!" The robbers themselves don't have this problem because Shiherlis shouts a warning for them to stand back and cover their ears while he hits the detonator.
Played straight in the bank shootout. The robbers suffer no hearing damage from three automatic assault rifles being fired out of the car. They should not be able to hear each others' yells unless they had hearing aids and ear plugs, and two-way radios.
Tragic Mistake: Neil choosing to going after Waingro in the hotel attracts Hanna's attention, which leads to a final, fatal encounter.
Cheritto opting to stay on the bank job (he didn't need the money at all and was just in it for the "action") didn't really work out for him either, also leading to a final, fatal encounter with Hanna.
Donald Breeden agreeing to serve as getaway driver for the bank job, largely out of frustration with the shitty job his parole officer arranged for him.
Two Lines, No Waiting: The movie shifts between McCauley's and Hanna's separate, intersecting stories, though they are mostly separate for a while.
Villain Protagonist: Neil McCauley is a ruthless bank robber, but he has an equal role in the story as Vincent Hanna, the cop trying to catch him.
Villain Antagonist: Neil from Hanna's POV. Waingro, however, is this from any POV whether you're siding with Hanna or with Neil.
In addition to the scene of the criminals going out to dinner
A deleted scene where Cheritto purchases hockey masks for the armored car robbery and a doll house for his daughters, which if retained in the final film would have fallen after the scenes of Neil stealing the ambulance and Shiherlis buying demolition charges.
Neil runs into Eady at a library, while purchasing a book on different types of metals (ostensibly implied to be him planning for hitting the precious metals repository).
What Could Have Been: Reading earlier versions of the script show that some things were changed significantly.
Trejo's name was originally Towner. No The Danza would happen.
Earlier drafts do have Nate getting caught by Hanna and facing accessory charges for the armored car robbery and the bank robbery
The armored car robbery in earlier scripts is a bit different. Its street location is much different, and the escape is a lot tighter as the crew actually rams several police cars while they're escaping after shooting the three guards.
Bosko is the detective that is killed in the final film during the bank robbery shootout. Originally, this would have gone to Schwartz, who in the film is shot in the shoulder by Cheritto.
The shooting at the drive-in movie theater differs in one way between the movie and script drafts: in the drafts, Neil's reflexes cause him to spot the assassin creeping up to the shotgun side window and react accordingly in the nick of time. In this version, Shiherlis is not stationed on the roof of the projection building, but is instead stationed with Cheritto by the exit gate to shoot the driver. The assassin would also beg Neil to kill him afterwards.
Worthy Opponent: Particularly how Vincent feels about Neil, and sometimes Neil about Vincent.
You Do Not Want To Know: Hanna says this when Justine confronts him after he is called away from her at a party to go view one of Waingro's victims:
Justine Hanna: I guess the earth shattered?
Lt. Vincent Hanna: So why didn't you let Bosko take you home?
Justine Hanna: I didn't wanna ruin their night too. What was it?
Lt. Vincent Hanna: You don't wanna know.
Justine Hanna: I'd like to know what's behind that grim look on your face.
Lt. Vincent Hanna: I don't do that. You know it. Let's go, come on.
Your Cheating Heart: Hanna catches his wife cheating on him as a result of his own obsessive devotion to pursuing Neil, at the expense of his marriage; he takes it badly. Unexpectedly the scene has comedic elements. Charlene also cheats on Chris with Alan Marciano, so Hanna and Chris have something in common, though the difference is how they discover it: Hanna discovers his wife's infidelity by himself, but Chris doesn't find out about his wife's affair with Alan Marciano by himself: rather, Neil does because he sees them at a motel while making arrangements with Van Zant over a pay phone to exchange the stolen bonds.