A Dramedy starring Jean-Claude Van Damme as Jean-Claude Van Damme. A tired, washed-out failure, struggling for work and (subsequently) money, the film starts with JCVD returning to his hometown of Brussels, Belgium. When one day going to the local Post Office to receive a wire transfer, he suddenly finds himself smack-bang in the middle of a robbery, held at gun point and marched into the back with the other customers and staff, where he's forced to juggle their expectations of "the Muscles from Brussels" with the fact he's a 48 year old man who really doesn't want to get shot.
His day does not improve from there.
Quite probably the finest film Jean Claude Van Damme has starred in for years (possibly ever), and immediately recognized as such when it was released. It gets a lot of mileage out of both the public's perception of him, and the current state of his career.
This movie provides examples of:
- Adam Westing: Played for Drama.
- Anachronic Order
- Ascended Fanboy: One of the robbers is a huge fan of Jean-Claude Van Damme, and his hero just come in the post office he is working in. The two boys in the video club also count.
- As Himself: Jean-Claude Van Damme.
- Bittersweet Ending: JCVD is in prison, but he can meet his daughter
- Boring, but Practical: At the end, in his Imagine Spot, Jean-Claude first pictures taking out the gunman holding him hostage with a flashy high kick, but when it comes to the act itself just goes with a straight elbow-shot to the guy's gut, which works just as well.
- Character Title: And also some kind of Mononymous Biopic Title, but it is not a Biopic of Jean-Claude van Damme.
- Deconstruction: For starters, action heroes (even ones that keep fit like Van Damme) get old and have it harder to find work. Second: while action films allow someone to be an invincible One-Man Army, in a real hostage situation nobody wants to be the wanna-be hero that gets blown away because he was stupid.
- Die Hard In A Bank: A very clever deconstruction of this trope.
- Fake Action Prologue: The opening scene is a Show Within a Show
- Hostage Situation
- Imagine Spot: Jean-Claude imagines himself taking out the final robber singlehandedly, and the crowd cheering him on. He does manage to elbow the man in the gut before the police finish the job for him.
- Logo Joke: JCVD himself appears in the opening Gaumont logo, trying to steal the daisy from the boy. The boy refuses, but JCVD responds with a roundhouse kick, before spending the daisy up in the sky as the rest of the logo plays normal (albeit sepia).
- Nice Guy: JCVD is portrayed as one of these throughout the film, which is lampshaded by the owners of the shop across the street from the bank
- The Oner: The movie opens with a fairly epic one in-universe which fails due to a window not blowing up and a set piece falling down at the end.
- And there's another later, with JCVD's very long monologue.
- Pretty Little Headshots: Happens to one of the robbers partway through the film. Just a small smoking hole in the forehead. He even keeps talking as he dies.
- Protagonist Title
- Right Hand vs. Left Hand: Most of the action of the film centers around the police and the robbers not being entirely sure what the other one is doing, or at least having a distorted perception of motives
- Take That!: Jean-Claude's fanboy complains about John Woo's behavior, how he dumped JCVD when he became famous in Hollywood. There is also a joke about Steven Seagal.
- Taking the Kids
- Wouldn't Hurt a Child: Played straight for one robber, averted for another one.
- Wrongful Accusation Insurance: Subverted. Jean Claude is convicted and serves time for embezzlement that he performed while being threatened by the actual robbers. On the other hand, the police thought for a moment there that he was working with the hostage takers, so yeah...