Video Game: The Witch's House

COME TO MY ROOM

The Witch's House (Majo no Ie) is a freeware puzzle-oriented horror game by Fummy, made with RPG Maker VX. A young girl named Viola has gone to visit her friend, Ellen, who lives in the woods. However, those same woods are said to be haunted by a witch who kidnaps children. When Viola finds her way blocked by magical roses, it seems that her only option is to enter the titular witch's house and find a way to break the spell.

An English translation of the game can be downloaded here. A spoiler-heavy prequel novel is being translated here.

Spoiler Warning: The following page has no spoiler tags regarding the game's progression. Proceed at your own risk.

This game provides examples of:

  • A Day in the Limelight: "The Diary of Ellen" is a novel written from the point of view of Viola's friend.
  • Achievements in Ignorance: See Loophole Abuse.
  • All Witches Have Cats: A talking black cat, who seems to live in the house, serves as something of a guide and a helper (and a save point) to the protagonist. The cat is in fact possessed by the demon who gave the witch her powers, so the "cat" is actually the master in the relationship.
  • Always Night: Almost all of the windows are dark and the text box will read that it is pitch-black, though this isn't the case when you are actually outside or right before the boss battle.
  • And I Must Scream: Pretty much the raw trade, along with the effects of the potion.
  • The Bad Guy Wins: 'Viola' is seen laughing after Viola's father shoots the 'witch'.
  • Beware the Nice Ones: The white flower. It will politely ask how you're doing, but if you don't kill it just right when the time comes, it will end you.
  • Big Bad: Ellen in Viola's body.
  • Big Bad Friend: Ellen to Viola.
  • Bigger Bad: The Cat Demon.
  • Big Damn Heroes: In the normal ending, Viola's father arrives and blasts the witch to bits with his shotgun when it follows Viola out of the house. Subverted by the true ending; he unknowingly murdered his daughter and took the witch home in her place.
  • Blackout Basement: One room is completely black and you need to create a light source before it will let you explore it.
  • Blatant Lies:
    • "Just for a day...Hee hee, I guess I did say that."
    • A text box description reads " A toy soldier with a fake gun". It's not.
  • Bloody Handprint: All over the place. They're usually a sign that a pursuer is coming up soon.
  • Breakable Weapons: At the beginning of the game, you pick up a rusty machete. You then immediately break it (cutting roses of all things) to get to the witch's house. It's also completely ineffective on the roses that lead to the way out.
  • Breather Episode: The rose garden containing the elder tree on the top floor of the witch's house acts as this. In this area, you are safe in the way that nothing will jump out and kill you. You can still die, of course, but it won't be something that caught you completely off guard, as it usually is in this game.
  • Brown Note: The Book of Death. Reading it leads to Viola scratching out her own eyes.
  • Captain Obvious: At one point, the cat says, "By the way, this is a witch's house. You know that, right?"
  • Cats Are Mean: Subverted. A black cat follows Viola into the witch's house and provides friendly chatter (in addition to allowing her to save). While he comes off as aloof at times, he seems genuinely concerned about her. In both endings, he approaches and disappears with her body. And then double-subverted when he's revealed to be possessed by the demon that gave Ellen her powers, and was most likely claiming poor Viola's soul as another victim.
  • Cats Are Snarkers: At the half-way point in the game: "By the way, you know that this is a witch's house, right? Right." The line is even more snarky given that the girl we are playing as is the witch, in Viola's body.
  • Creepy Doll: At one point in the game, you have to solve a puzzle involving a bunch of dolls. After solving the puzzle, all of the dolls turn their heads to look at you as you're leaving through the door.
  • Cruelty Is the Only Option: Several times if you want to progress. You have to feed your pet frog to a monster when it has done nothing but help you and there's also the part where you cut off the limbs of a teddy bear, and when you have to kill a flower... Justified since you are actually playing as the Witch. Of course she wouldn't hesitate in the slightest to commit evil actions to save herself.
  • Cutting the Knot: 1.07's new ending, '___', involves this. Instead of entering the house at all, Viola just sits outside for an hour until it goes away.
  • Daddy's Girl: Viola.
  • Deal with the Devil: The witch is said to be in one with a demon. It can't use its powers to kill in our world, so she sacrifices souls to it in exchange for magic. Ellen entered the contract because the demon said it could cure her illness.
  • Despair Event Horizon: A witch only loses her immortality and dies if she falls into despair, which puts the ending in a new perspective: as she is in the body of a witch, Viola is now technically a witch herself, with all the powers and vulnerabilities that come along with it. After her father fails to recognize her, calls her a monster, shoots her twice, and then leaves with a giggling Ellen, Viola loses all hope and therefore loses her witchy immortality, finally succumbing to her injuries.
  • Determinator:
    • The protagonist never gives up trying to get out of the house, no matter what tries to kill her. The protagonist (really Ellen) is a determinator not just in trying to escape the house, but in how far she's willing to go just to get a body that doesn't hurt. The lengths she went to get Viola's body are quite extreme.
    • The antagonist is also extremely determined. She chases you despite having no legs, no eyes, no voice, and should be dead by now. She's really Viola, and not only is she royally angered at Ellen for what Ellen did to her, she also wants to hurry back to her father's side. Despite how much pain she's in, she doesn't give up. The only thing that stops her is hitting the Despair Event Horizon when she sees that Ellen has won.
  • The Dog Was the Mastermind: The "pseudo-third" ending reveals that the savepoint cat is the demon which gave Ellen her powers.
  • Don't Go Into the Woods: The letter from your father tells you to not go into the woods, though it's actually your way out.
  • Downer Ending: Of sorts. Your protagonist makes it out perfectly fine. Thing is, your protagonist is also actually the Witch.
  • Driven to Suicide
    • When you first enter the library, there's an invisible person who says that they are sorting books and need something to tie them together. After you give him a rope to solve a puzzle, the person thanks you. If you backtrack to the room after that, you'll find that he tied the rope into a noose and killed himself.
      • The prequel reveals that is the trapped soul of a boy that befriended and eventually "betrayed" Ellen.
    • If you return to the garden after getting the purple doll head and go to the room on the right, you'll see that the red grasses hanging from the ceiling. Though they may or may not have been attempting suicide, as other clues in the room seem to indicate the house may have done it.
  • Earn Your Bad Ending: Although each ending isn't really any better or worse than the other as the major events don't change, the audience learns more with each ending, which always shows that things are worse than the player thought before.
  • Earn Your Happy Ending: Played with. The only real happy ending, given the True End Reveal, is to work through most of the game without dying, then letting the "witch" catch you in her chase scene, presumably allowing Viola to return to her original body. Hopefully. Maybe.
  • Eldritch Location: The house. It is explicitly stated that it can change to the witch's will.
  • Escape Sequence: Essentially any chase sequence. Notably, your final trial is to escape from the witch herself or rather from Viola trapped in her body.
  • Even Evil Has Standards: The cat mentions that it was mean of you to cut up the white flower on the roof. Yes, the demon who eats the souls of children thought the callousness of that act was worth pointing out. Unless of course he was just being a smartass.
  • Everything Trying to Kill You: Viola can meet her end by sliding walls, getting eaten by a piano, being shot by a giant toy soldier, having a grandfather clock fall on her, a flower impaling her when she tries to uproot it... You're either going to get paranoid and possibly survive, or get through by Trial and Error Gameplay.
    • The prequel reveals that all the monsters in the house, are people killed by Ellen in the past. Since Ellen in Viola's body is powerless now, it's no surprise that the monsters want their revenge.
  • Evil Laugh:
    • After you read "A Funny Story", you hear a pretty demented laugh and see one of the chairs in the library rock in rhythm with it. Maybe it's just one of the manifestations of the house, or maybe it's Ellen's own...
    • Ellen, in Viola's body, gives a wicked little (soundless) snicker after Viola's father shoots Viola (in Ellen's body).
  • Exact Words:
    • When the invisible chef accepts your offer of lending them a hand, he/she takes it literally and chops them off.
    • The Book of Death kills you upon opening.
  • Exactly What It Says on the Tin: The whole game (well, 99% of it) takes place in a witch's house.
  • Eye Scream:
    • The witch's eyes have been gouged out.
    • The Book of Death causes you to scratch out your own eyeballs.
    • If you retrieve Ellen's knife and unlock the true ending, Ellen stabs a relentless Viola in her right eye socket.
  • The Farmer and the Viper: Viola, feeling sorry for how Ellen was so ill that she couldn't even get out of her bed, allowed her to switch bodies with her "for a day". In return, "Viola" left "Ellen" in a body that she herself mutilated (cutting off her own legs and gouging out her own eyes), and forced burning "medicine" down her throat to render her mute. And that's before the start of the game.
  • Foreshadowing:
    • "A Funny Story." Both it and the game ends with a hunter killing someone near and dear to him because of a misunderstanding.
    • The fact that most of the actions you take in the game fall under Cruelty Is the Only Option foreshadows that your player character is cruel.
  • Freudian Excuse: The witch's diaries reveal that she was an Ill Girl who had no friends and was neglected by her parents, which is why she killed them and turned to magic.
  • Giant Spider: There's one lurking on the second floor of the house, who is Color Blind, which will bite off Viola's head if you try to leave the room while the web is empty.
  • Glowing Eyes of Doom: The witch right before the final chase.
  • Grand Theft Me: The true ending reveals that, before the start of the game, Ellen and Viola had swapped bodies. The third pseudo-ending implies that Ellen had planned on stealing someone's body from the beginning, as that was the spell she received from the demon's contract.
  • Hair of Gold, Heart of Gold: Subverted twice. Viola was a sweet little girl... before she got swapped with her purple haired "Friend".
  • Half the Man He Used to Be: When Viola finally comes face-to-face with the witch, all that's left of her is her mangled upper body. In the third pseudo-ending, it's revealed that Ellen cut her legs off and gouged her eyes out so that Viola would despair as she died. To add insult to injury, Ellen gave Viola a throat-burning "medicine" so that she would no longer be able to scream or even speak, as the sound of her old body screaming upset Ellen. This was to ensure Viola died, because a witch's immortality and glamour fails if she suffers great despair, according to the novel.
  • Haunted House: The eponymous witch's house.
  • Hero Antagonist: The purple-haired witch turns out to be the real Viola trapped in the witch's body.
  • I Just Want to Be Loved: A book in the library titled "Ellen" said that she "only hoped to be loved."
  • Invisible to Normals: The house appears to be devoid of any human residents... it actually isn't, but Viola can't see them, because she does not have magical powers.
  • It Amused Me: At the beginning, the cat says that he's following you around for laughs.
  • Justified Save Point: Not stated outright, but since the cat is actually a powerful demon, it makes sense he could return the Witch from the grave.
  • Jump Scare: So many, you can lose count. Some more dangerous than others.
  • Karma Houdini:
    • Ellen gets away with sacrificing an untold number of lost children to a demon and stealing Viola's body. Unless, of course, you count getting painfully killed every time you screw up.
    • Subverted at one point. Remember the frog you fed to a snake earlier? Turns out he had tadpoles. They're not happy with you.
  • Karmic Death: An easily missable Easter Egg: When you return to the garden, you'll see everything has wilted. The yellow flowers that ordered an assassination on the white flower are dead with one of them being eaten by a clock.
  • Kick the Dog: Hey, look, a frog! Awww. It's very happy, seems to like you, and is completely willing to help you on your quest. Let's feed it to a snake!
  • Killed Mid-Sentence: If you touch the clock on the top floor, it will fall over and kill you while the text in the box is still loading.
  • Killer Teddy Bear: The very first pursuer is a giant demonic teddy bear.
  • Loophole Abuse: There is a room where a note on the wall tells you not to let anything distract you on the following hallway. Normally, doing anything but walking in a straight line to the exit would result in death by giant rock, but if you proceed into the hallway without reading the note, you CAN let things distract you, and nothing will happen. Ignorance of the rule excuses you!
  • The Magic Goes Away: With the death of the witch (or her body at least), the house and the inhabitants disappear. This is why the demon leaves the cat's body, since he would vanish along with everything else.
  • Medium Awareness: In the hallway with the line of cat statues, the black cat is sitting on a pedestal. When you talk to him, he says "A Cat Statue" in an attempt to trick you. This would only work if he knew his text showed up in a text box just like the descriptions of objects.
  • Mercy Kill: Viola's death at the hands of her father in the end could be considered this.
  • Mirror Scare:
    • If you check the mirror in the library enough times, the witch will appear to be behind you in the reflection for a second before the mirror breaks.
    • In the dresser mirror in the music box room, except your face is replaced with a red splotch.
  • Mission Control: You regularly run into notes pinned to the walls that hint you on how to avoid obstacles and solve puzzles. In the True Ending, it is revealed this is the house itself helping its real mistress.
  • Mission Control Is Off Its Meds: While usually helpful, the messages are always extremely vague and cryptic, and occasionally completely insane.
  • Mood Whiplash: The true ending, where the player is rooting for the protagonist one minute and... not rooting the next.
  • Multiple Endings: Three. A normal ending, a true ending, and a "pseudo third ending" As of 1.07, there is a new ending called '___'. This requires waiting 50 minutes at the starting screen where you meet the black cat, then proceeding out.
    • Normal Ending: Viola escapes the house, but the Witch follows her. Her father appears to kill it just in time and they hurry to leave. We last see her giving the house a long look before leaving.
    • True Ending: Viola is chased out of the house by Ellen the Witch (also known as the Legless Girl). She taunts her when she can no longer continue, and Viola reveals that she is, in fact, Ellen, having traded bodies with the real Viola. Ellen explains how she managed it. Viola's father appears, mistaking Ellen to be Viola. He sees the legless, bloody Viola in Ellen's body and kills her with his shotgun. Viola's father and Ellen, still in Viola's body, run away, with Viola pausing a second to laugh. The black cat appears and disappears with Viola's body. The end.
    • Pseudo Third Ending: The black cat is still alive, and will congratulate you and wish you well, and reveal its true identity. The descriptions in the witch's room change slightly. The diary entry changes to describe what happened during the body swap. The Legless Girl begins to chase Viola, who escapes. The screen goes to white as you leave.
    • '____' Ending: Ellen waits outside the house for fifty minutes, talking to the cat, until Viola dies and the house disappears.
  • Musical Spoiler: A sudden lack of music is a fairly good indication that you are about to die. Assuming you're not already dead.
  • Never Say "Die":
    • Parodied in a sense with the books and articles. Where it would read "die" or "killed" or the like, it instead just reads "X".
    • Averted when the tadpoles outright tell you that their father is dead, and you killed him.
  • Nightmare Face:
    • If you open the menu and look at Viola's portrait in total darkness (or after picking up the stopwatch of death), you'll see her face terrifyingly distorted and sporting a huge Slasher Smile.
    • Along with the being caught in the chase scene towards the end.
  • Nothing Is Scarier:
    • There is one room which is completely dark and can only traverse if you have a certain item. Even with said certain item, however, you only have a small bit of light as you walk through very narrow halls. And as you make your way back to the door, you drop it, causing the last few seconds of that stage to be completed in complete darkness, with the sounds of statues moving all around. It's even worse if you decide to open the menu, because you'll see the normally innocent-looking Viola look absolutely demonic.
    • When you return to the kitchen and dining room area, you find it much darker than it was when you were there earlier, and is eerily quiet, save for the sound of a pot boiling on the stove. In order to progress, you need to take a pair of golden chopsticks from the ribs of a skeleton in the cellar at the back of the kitchen (which was inaccessible earlier), in order to retrieve a necessary item from the boiling pot. The game won't let you exit the room without returning the chopsticks to the skeleton, and if you put them back anywhere besides the ribs, the cook from before will suddenly appear and kill you as you try to leave the kitchen. Furthermore, after replacing the chopsticks in the ribs and heading back to the dining room, you'll hear ominous footsteps coming down the stairs beside the kitchen, and you have five seconds to run back to the chimney and escape; if not, the cook will catch you and kill you. Meaning, the whole time you're down there, the cook is still lurking around somewhere, probably watching you, but you can't see him, though why he's suddenly so eager to kill you is unclear — it's likely because you messed with his cooking, found his cellar full of handless skeletons, or both.
  • Number of the Beast: A hint to the number puzzle (removed in the 1.07 version) that opens the door to the room full of medicines and eyes is "bottom-left times 666."
  • Off with Her Head!:
    • In addition to the aforementioned decapitation-by-Giant Spider, putting on the red shoes instead of washing them results in Viola's body running off without its head.
    • Forcing open a door at one point causes your head to suddenly snap off.
  • Ominous Save Prompt: When you finally get to the witch, the game saving screen appears one last time.
  • One-Hit Kill: Every pursuer and obstacle in the game will kill Viola instantly (well, the poison from the dining room takes a few steps to kick in).
  • One-Hit-Point Wonder: The menu shows she has 10 hit points, but they have absolutely no incidence on gameplay...
  • Origins Episode: The Diary of Ellen is a novel written from Ellen's point of view, and explains various things about the game's backstory. The significance of certain rooms and items are also expanded upon.
  • Our Demons Are Different: It seems to be the possessing kind, prefers the body of a cat, eats the souls of children, and mentions that even though it doesn't have a physical form, that doesn't make it immortal.
  • Parasol of Prettiness: One room has a picture of a lady with a parasol. After solving the puzzle there, it changes with the lady now looking at you.
  • Parental Neglect: In the prequel novel we're told Ellen's mother tried to abandon her after getting fed up with dealing with her illness and her father actively ignored her existence entirely. It's outright stated that the father had a drug addiction and neglected her until the very end.
  • Parents Know Their Children: Sadly averted by Viola's father, who shoots Viola dead because he doesn't recognize her and takes Ellen home in her place.
  • Playing The Player: You were playing as the villain all along. All the deaths you had? You probably had it coming.
  • Reality Ensues: In the '___', ending, Ellen, instead of going into the house, waits for Viola to die from her wounds, and leaves.
  • Really 700 Years Old: In The Diary of Ellen it is revealed that Ellen herself has been around for what she guesses to be decades or even centuries.
  • Red Eyes, Take Warning: The witch has these.
  • Red Herring: In the dark area, you can find a wristwatch, but not only is it not a plot-necessary object, picking it up and trying to walk away gets you hung. If you look at the description, it reads "DIE".
  • Rewarding Inactivity: As of the 1.07 update. By waiting for over 50 minutes, the roses that blocked the path wilt and vanish, allowing Viola to leave and bypass the house altogether.
  • Save Point: The cat.
  • Scary Jack-in-the-Box: You encounter one of these on the third floor.
  • Schmuck Bait/Press X to Die:
    • Don't step on that blood pool in the middle of the first note room. Don't lend the invisible chef a hand (unless it's not yours). Don't read The Book of Death. And don't touch the clock on the fourth floor. There's also one room where Viola is explicitly told to let nothing distract her, and doing anything but walking in a straight line to the exit, such as investigating items or dodging (fake) traps, results in her being crushed by a boulder.
    • One of the best examples is the spikes to the side of one of the doors. You don't need to dodge them, as they're out of the way, so basically pretty much the only way to die from the spikes is to voluntarily walk into them.
    • If the game asks you if you really want to do something, you'll probably die from it.
  • Shoot the Shaggy Dog: The true ending. Everything the player does is HELPING the witch, and she escapes with Viola's body; the real Viola is murdered by her own father.
  • Shout-Out:
  • Solve the Soup Cans: You never get through a locked door by using a key, at least in the normal way. The game hangs a lampshade on this in the library where one book reads "Keys do not open doors in the witch's house. Something else must serve as a key." It's justified since the witch controls reality in the house, so the place doesn't have to obey the normal laws of the universe or common sense.
  • Spikes of Doom
  • Spooky Painting: One of the pursuers is a Mona Lisa-esque portrait which will turn Viola into a painting if it catches her. The only way to defeat it is by tearing its canvas up. Possible Shout-Out to a certain other survival horror game made with RPG Maker?
  • Survival Horror: Most definitely.
  • Tears of Blood: Viola's reflection in one room has these, as does the witch.
  • The Dev Team Thinks of Everything: There are some very creative deaths in there for doing particularly stupid things. There are also a couple of deaths that are extremely easy to miss because they're so out of the way. For example, if you come back into the room where you picked up the frog after killing him (there's absolutely no reason you ever would), a giant black hand comes out of the pool to crush you. You can also be sandwiched between two giant skulls in the tunnel that leads to the Skull puzzle if you return there (again, there's no reason to ever do so).
    • By far the most obscure, and probably one of the most bizarre and creepy deaths: when you climb down the chimney on the fourth floor, you will find yourself back in the dining room on the first floor, which is now full of Male Bust Statues (which have replaced all of the chairs around the table). If you try to open the door in the kitchen that leads to the second floor stairs, you will find it is now locked. If you go back up the chimney and descend down the floors to the stairs leading to the first floor, and attempt to open the door from the other side, you will still find it locked. When you turn back, a Male Bust Statue will suddenly appear in front of you. If you choose to remain still, the statue will promptly crush you to death.
    • In the room with the clock puzzle, you need to select an item that corresponds to the clues the note gives you. Select all of the items but the correct one, and if you read the note again, it will now ask you if you meant to answer wrong on purpose. Nod, and the statues placed on either side of you will crush you between them.
    • If you drink the poisonous soup and then try to read the letter in your inventory, it will say that your vision is getting too blurry to read it.
  • The Many Deaths of You: Very, very many.
  • Tomato Surprise: "Viola" is the witch.
  • Too Dumb to Live: Several of the ways to die are this, such as drinking a bowl of poison or trying to walk across a beam that the narration notes would snap in an instant from your weight. The game usually has you confirm these options a second time to hammer in what a bad idea they are.
  • True Colors: In the room where you need to find your way around using a small light, after getting the jade pipe, you start to hear noises of the statues "chasing" after you. At one point when you drop the Bottle (or after picking up the wristwatch earlier), going into the main menu will show Viola with black hair, red skin, and a Slasher Smile, as Foreshadowing to who Viola really is.
  • Villain Protagonist: In the end, it's revealed that "Viola" is actually the witch in Viola's body, and the real Viola is in the witch's.
  • The Walls Are Closing In: The first trap you encounter is this. It also happens later should you enter the cell of the person you give powder and a pipe to, only slower.
  • Waiting Puzzle: In 1.07, this is added in as an Easter Egg. Viola has to wait at the first screen for a full hour to obtain the third ending, '___'.
  • We Used to Be Friends: Viola clearly cared a lot about Ellen, as one book states that the body-swapping spell required a bond of trust to succeed. When Ellen betrayed her, Viola was forced to try trapping and killing her to get her body back.
  • Wham Line:
    • The last of the witch's diaries, where she describes stealing her friend's body - "Isn't that right, Viola?"
    • From the cat - "Good luck with the rest, Ellen...my faithful witch." Technically before that, too, when the text box labels him Demon.
    • And of course, the True Ending:
      "Viola": Hm? "Give it back?" No way. This body hurts much less. You gave it to me in the first place. Why should I have to give it back? Right...Viola?
  • You Fool!: If you wear the red shoes, upon reloading, you'll find the message that originally read "TRY THEM ON" has turned into "YOU ACTUALLY PUT THEM ON! AHAHAHA!".
  • You Gotta Have Blue Hair: The witch has purple hair.
  • You Killed My Father: You can be killed by the frog's tadpoles in revenge for feeding their father to a monster earlier. You can speak with them twice (enough to realize the foolishness of your idea. The third time, the floor collapses underneath you and you drown.
    Tadpole: My dad is dead. My dad was eaten by a snake. You killed him!

Alternative Title(s):

The Witchs House