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YMMV: Rurouni Kenshin

The Manga and the Anime:

  • Alternate Character Interpretation: Shishio. He wants what he thinks is best for his country, and has a complex but apparently genuine loving relationship with his girlfriend, and inspires genuine loyalty in his most devoted followers. On the other hand, this doesn't stop him from killing her, even if she was willing; he is clearly The Sociopath and a straight-up Card-Carrying Villain who fully expects to go (back) to Hell when he dies, and his vision of a "better" Japan is a Social Darwinist war-mongering tyranny and marks him as a precursor to the horrors of Showa-era Japan, and he commits numerous atrocities throughout the story as well. So, a (very, very dark) Anti-Villain and Well-Intentioned Extremist working on Blue and Orange Morality, or a sadistic megalomaniac? Or an unholy mixture of ALL OF THE ABOVE?
  • Anticlimax Boss: A bunch of them, some explained (and apologized for) by Watsuki-san himself.
    • Raijuta: He's a big, muscular man who appears to be a genuine threat when he first appears, but as the story progresses he's eventually shown up for the weakling he really is compared to Kenshin. This is even more obvious in the manga; in the anime, he at least had an imposing force of samurai warriors to back him up.
    • Usui: Gets a huge build up, but is defeated by Saito in the space of less than ten minutes screen time.
    • Yatsume: Again, he's a victim of the "Saito effect".
    • The Su Shen: The author even admitted that they're only there to keep Saito, Aoshi, Sano and Yahiko occupied.
  • Anvilicious: Considering Kenshin's non-killing vow, the series does have shades of this, with Kenshin often saving his enemies in almost any circumstance despite the often intense enmity to him.
  • Awesome Music: The TV show soundtrack, composed by Noriyuki Asakura, is still considered an all-time classic. It's particularly worth noting that at first it was kinda upbeat and lighthearted, but when the Kyoto arc started, Asakura changed to a Darker and Edgier approach. Both styles were memorable, but the latter is the one that most people consider to be the best. Here some examples:
  • Badass Decay: Raijuta was supposed to be a bigger threat until Watsuki remembered that Kenshin had already demonstrated the ability to dodge bullets.
    • Kenshin has a little of this in the Kyoto arc but this was due to Watsuki's Character Development of Kenshin as he didn't want him to be an Invincible Hero and brought him strong enemies.
    • Enishi full stop. When first encountering Kenshin, he brings him despair for all the chaos he has caused. In the final fight, it looks like they changed roles.
  • Base Breaker:
    • Kaoru. Full stop.
      • For some, she's a good female lead with a great Character Development, and the only reason why she doesn't stand out more when it comes to action, is because she's Overshadowed by Awesome (and she hasn't Yahiko's advantage of being an Author Avatar). If you doubt about her fighting skills or psychological strength, her supporters will gladly point out moments like braking Jin'e's spell through sheer will and specially her victory over Kamatari and his humongous Sinister Scythe (with a broken wooden sword, no less).
      • Her detractors, however, see her only as a bratty girl or a Damsel Scrappy, whose character development only makes her more submissive. And her supposed "Awesome Moments"? Apparently, they don't count, since for them, the Jin'e's spell thing was either just a lame Deus ex Machina via The Power of Love, and they consider Kamatari an Elite Mook at best and a total wimp at worst. On top of that, she even received some help from Misao (even if it all it did was to even the odds). It only gets worse when anyone mentions her Wangst after the farewell scene with Kenshin in the Kyoto arc (even if it lasts for one issue in the manga). Part of this might be due to the fact that the anime, especially during Filler arcs, tend to amp up her more conceited and violent traits.
  • Bishonen Jump Syndrome: RuroKen was one of the first Shonen Jump series to cater to this, since many female fans were first attracted to the series because of the attractive male cast.
    • However, because it was such a new thing at the time, Watsuki kept getting in trouble with his editors, who demanded he make the series more male-targeted (observing the strict gender segregation shonen manga had at the time). Several times in early volumes, Watsuki apologizes for the series being more popular with girls than boys.
  • Broken Base: The manga versus the anime versus the OVAs. Fans of each rarely overlap (although the anime and OVAs have some overlap, for obvious reasons).
    • The fans who dislike the OVA's are extremely vocal about it. Read any RuroKen entry on this site (or any site discussing anime) and you're bound to find some snide remark about it. Unfortunately, that wrath is also typically visited upon any fans who don't hate the OVA's.
      • Ditto Season 3 of the TV series. The most vocal RK fans write off that season entirely, considering the series to have ended at Episode 62. They get quite offended if anyone suggests there were any decent episodes in there.
      • An anime reviewer who had heard the complaints about Season 3 decided to actually watch it objectively, concluding that the Christian arc isn't that bad (though it is long and nowhere near as good as the Kyoto arc), and the filler is actually decent up to Episode 82. It's those last 12 TV episodes where things completely derailed. The video-only Episode 95 is considered good even by fans who hate the rest of the season.
    • Watsuki admitted that some fans started reading the series during the final arc when he pretended Kaoru was dead shocking all readers and characters only to reveal shortly afterwards she was alive.
    • There are heated arguments in Japan over the final battle of Kenshin and Shishio in Shin Kyoto Hen Part 2 regarding its controversial ending. Shishio's skull starts to crack from the pressure building up in his body as it overheats, but it's held together by his hachigane. Kenshin kills Shishio by aiming a blow from the butt of his sword at the hachigane, shattering it and allowing his head to split open. Yes, Kenshin actually killing Shishio despite his vow affected the fanbase. To make it more surprising, he isn't even shocked about murdering him.
    • The Reflections OVA. It's either a good, if not bittersweet alternate, non-canon ending to a series or it's an In Name Only mess that was a slap in the face.
  • Complete Monster: Has its own page.
  • Crazy Awesome: Shishio is a villainous example.
  • Draco in Leather Pants
    • Most of the major antagonists are sympathetic (and quite Bishōnen to boot) and rank consistently in the top ten during character polls. Watsuki later attempted to avert this by making the antagonists of the Jinchuu Arc Complete Monsters. It didn't necessarily work.
    • A specific example: Enishi's back story is tragic, but that doesn't excuse his illegal activities and outright sadism.
  • Ensemble Darkhorse
    • The best example is probably Soujirou, a minor villain in the Kyoto arc who stole every appearance he made. Word of God is that he intended to bring Soujirou back at some point because he felt underused for all the fans he had, but he never did.
    • Also Okita Souji, who ranked decently in the first character popularity poll (something like 7th place?) despite having only appeared in two or three panels in a flashback at that point. Interestingly, Watsuki based Soujirou on Okita Souji (they're practically twins), and notes in Soujirou's profile that Okita has always been incredibly popular among Shinsengumi fans. He credits this for Okita coming in so high on the poll.
  • Evil Is Cool: Shishio
  • Evil Is Sexy: Yumi, often by way of Kimono Fanservice.
  • Growing the Beard: The Kyoto Arc, starting with Saito, not only does the animation drastically improve in the anime, but the story moves out of the Monster of the Week format to a long story arc.
  • Fashion-Victim Villain: Enishi. What's with the blue muscle shirt, Chinese pants and Lennon Specs? Does he dress in the dark?
  • Foe Yay
    • Every one of Kenshin's rivals has this to some degree.
    • Sanosuke X Saito might as well be canon. It doesn't help that Sano acts very tsun towards Saito, and his reaction to seeing Saito alive again after Saito had disappeared in the collapsing enemy lair...
    • Besides Kenshin, what's the most popular ship with Kaoru? Enishi. It helps that Enishi cannot bring himself or anyone else to harm Kaoru and Kaoru is willing to cook for him during her stay with him. And that's not getting into the discussion of how Enishi got Kaoru out of her training uniform and into a robe...
  • Ho Yay
    • Kenshin to Sano, most obviously in the anime: the adaptation adds one last duel between them not present in the manga, and when Sano collapses from pain, Kenshin catches him and lets out a rather tender smile.
    • Saito and Sano have a nice case of Belligerent Sexual Tension.
    • One of the prototype one-shots had Kenshin see this between Megumi and Kaoru (he says something to the effect of "Oooh, so that's why she doesn't want to get married."). They were sisters in that universe.
  • Jerk Ass Woobie:
    • Enishi. Yeah, he did go through lots of heartbreak, but he also left others completely broken.
    • For some fans, Sadoshima Houji becomes this after he kills himself. Also an in-story example, as Kenshin expresses pity for him once he's told about that.
    • Amakusa's Start of Darkness comes when he's a child and both his parents and his whole Christian village is slaughtered, with only him and little Sayo as survivors. Doesn't necessarily mean he was less of a bastard as an adult.
    • Kenji in Seisouhen had a horrible childhood with a constantly absent father and a mother dying of a grief and skin disease she caught from said father, but it doesn't make him any less of a brat, when he refuses to come back and let both of his parents say goodbye to him before they die, and runs away to Hiko to find "real strength".
  • Jumping the Shark: In his notes from Volume 24, Watsuki believes the series' message was almost ruined by the twists involving Kaoru being "killed" by Enishi causing a horrible reaction on Kenshin and his friends only to reveal few chapters later that she was alive. Watsuki even noted that some people were so disappointed with the twist, they stopped reading it.
  • Love to Hate: Shishio Makoto is a brutal Social Darwinist who causes many atrocities in the series, yet his odd sense of honor makes him the perfect adversary to Kenshin due to his genuine desire to make Japan strong. The author Watsuki even considers him his favorite villain of the series.
  • Magnificent Bastard: Shishio and Enishi. For an anti-heroic version, Saito.
  • Magnum Opus: As a defining work in Jidai Geki and Shonen manga, it's considered Watsuki's best work and probably the reason why his later manga get overshadowed.
  • Non-Japanese Love Samurai X: The Sony/Animax dub is surprisingly popular overseas. This is in spite of a few name changes to the primary cast (Kaoru —> Kaori and Yahiko —> Yoshi); the dub in question does start to grow a small beard around the time the Kyoto arc kicks off, though, with a particularly solid performance from Shishio himself.
    • The series got immensely popular all over the world. Some famous examples are Latin America, a big chunk of Europe (specially France, Spain, Italy and, to a lesser degree, Germany) and Eastern Asia. In all of those places, the series is considered an all-time classic, and it still has reruns and re-prints. This, arguably, contributed to the substantial global hype that demanded the 2012 live-action film be released theatrically in other countries too (see below).
      • One of the most iconic cases is Spain. The series arrived there in the summer of 1998 under the name "The Samurai Warrior" ("El guerrero samurai" in Spanish) and became the most watched program of the station it was in. It became an instant classic for Spaniard anime geeks, which is specially surprising when you consider it was broadcast on Saturday mornings (luckily, with no censorship). The manga came one year later and rights were acquired by the Spanish branch of Glénat, a French publisher. That branch was at the brink of bankruptcy when they started to publish it, but the success of the manga was so big that practically single-handedly made Glénat the biggest manga publisher in Spain. Thanks to that success, Glénat could acquire other big hits like Love Hina, Naruto, Bleach, One Piece, and many more. Plus, in 2010 they started a special reprint (the same one started in Japan that same year) and still managed to top the manga charts in Spain. Wow! Spaniards Love The Samurai Warrior indeed!
      • Latin America gives Spain a run for its money. Under the name Samurai X it was dubbed and shown uncut and gave many kids their first taste of anime.
    • Americans Hate Tingle: Emphatically does not apply to the show � RuroKen hit pretty big in America � but rather the above-mentioned dub. Due to various issues, North America originally got its own English dub commissioned by Media Blasters (this is the one aired on Toonami and available on DVD). This dub is much more faithful to the Japanese and has no name changes. It's also widely considered to be much better acted. American fans who are aware of both dubs' existence universally hate the Animax dub. Amusingly, Richard Cansino plays Kenshin in both dubs.
  • Memetic Mutation
    • ...oro? note 
    • Hatarakitakunai degozaru! Zettai ni hatarakitakunai degozaru!!" (働きたくないでござる!絶対に働きたくないでござる!!; I will not work, there is no way I will work!) A Japanese meme that heavily implies Kenshin's status as a NEET.
  • Moe Moe:
    • Kaoru.
    • Sanjou Tsubame.
    • Misao.
    • Seta Soujirou.
    • Honjou Kamatari.
    • Toki Takatsuki.
  • Seasonal Rot: Anime only. Everything after the Kyoto Arc was filler and widely agreed to be inferior to the rest of the series.
    • Fans who argue the above forget that over a third of Season 1 was also filler, and the Raijuta arc was changed so much as to be completely unrecognizable (the only things that arc has in common between media are Raijuta's technique and Yutaro's fate).
      • Four episodes in Season 3 are actually taken from an officially-produced novella ("Voyage to the Moon World"; the novel's author is given story credit). Not technically canon, but not made-out-of-whole-cloth filler either.
    • Watsuki might disagree about it being confined to the anime. He was unhappy with the way parts of the Jinchu arc turned out, particularly the battles against The Six Comrades and many of their character designs (one was a pretty blatant rip-off of Venom). He also admitted the... thing... with Kaoru was badly executed.
  • So Cool It's Awesome: Frequently quoted as one of the absolute best manga/anime of the 90s, if not ever, and for good reason. Even if the animation is dated by today standards, it still holds up magnificently thanks to the sheer power and resonance of its story, theme and characters.
    • Kenshin himself. Probably one of the best manga/anime protagonists of all time.
  • Squick:
    • Gein makes puppets out of dead people.
    • That fish they're eating in anime episode 81? The one that's been cut into little bits and arranged neatly on a plate? It's still alive.
  • Strawman Has a Point: When first confronting Kenshin, Saito suggests that his refusal to kill his sworn enemies could indirectly endanger the innocent people he cares about, and in fact already has multiple times. This is supposed to be Saito's Hannibal Lecture, but many fans think he not only makes a damn good point, but exposes the critical flaw in Kenshin's philosophy. Several times throughout the series before and after this point, Kenshin's friends are at the mercy of enemies he formerly refused to kill, and survive by getting lucky.
  • Viewer Gender Confusion: Kenshin. Not helped by being voiced by women in Japanese versions: ex-Takarazuka actress Mayo Suzukaze in the anime, Megumi Ogata in the CD dramas. There's also a story that he inspired the character Baiken in Guilty Gear when the character designer for the game mistook Kenshin for a woman.
  • What Do You Mean, It's Not Symbolic?: The cross-shaped scar (a mark) on a character who is Walking the Earth after committing murder brings to mind the Biblical story of Cain. Also, the cross is a symbol of redemption, and Kenshin is trying to make up for his checkered past. The fact that it is probably Kenshin's "cross to bear" is made more obvious in the Shimabara/Christian Revolt filler arc, as well as the accompanying ED "1/3 Junjou na Kanjou." However, the real reason why Watsuki added it? He thought Kenshin looked too feminine. But to be fair, he made the best of it to create an awesome story during the Jinchu arc, specially the flashback episodes.
  • What Measure Is a Non-Badass?: The Kaoru bashers LOVE to apply this to her, calling her "whiny bitch" and "useless whore" for being emotional and outspoken and sometimes prone to Tender Tears. It reaches gross extremes when they systematically deny anything good she ever has done in the series and demand her TO DIE.
    • In volume six of the manga, it is revealed that she is one of the top six dojo masters in Japan and has earned the nickname Kenjutsu Princess—many boys at the Maekawa dojo only show up on days Kaoru instructs. Word of God also states that Kaoru is a very powerful fighter, but she often gets overshadowed by Kenshin and Sano.
  • The Woobie: KENSHIN.
    • Soujirou and Enishi especially make you want to cuddle them and make them all better (it helps that they're good-looking pretty boys), but lots of the other characters are quite sympathetic as well:
    • Sanjou Tsubame.
    • Akira Kiyosato.
    • Shigure Takimi.
    • Toki Takatsuki.

The 2012 Live-action Film

  • Big Lipped Alligator Moment: In the big battle of The Movie, Sanosuke goes against The Brute for an awfully-drawn-out battle... leading to him calling a timeout. They both stop. And eat. Until The Brute turns out to be a vegetarian who doesn't take kindly to Sanosuke tearing into that roast chicken. He has no problem sharing the booze, though...
  • Complete Monster:
    • Kanryu Takeda likes to pass himself off as a successful businessman and an example of what the Japanese can accomplish in the new era of the Meiji. However, below that he is a oppressive drug lord who takes glee in finding, then murdering, police informants and putting them in the open so people could find. He also directly murders through Jin-E a department of the police while chasing after Megumi Takani who he had forced to make his brand new opium. To test the new opium as well he kidnapped users off the street, locked them in his secret room in his office, and saw how far they degraded while under his new drug, all with a smile on his face. However his worst act is when he learns Megumi is taking shelter in the Kamiya Dojo and after Kenshin refused to be bought by him: he poisons a district all around the Kamiya Dojo. If it weren't for Megumi, there'd be hundreds, if not thousands of deaths directly on his hands.
    • Jin-E Udo seems like a normal Psycho for Hire, but he doesn't murder and kill for profit. He just likes to kill. When he pulled himself out of the mountain of corpses he accumulated in the Battle of Toba Fushimi, he took up Kenshin's killing sword as his own. For ten years, he's committed murders in Kenshin's name-calling himself Hitokiri Battosai to strike fear into people. When he storms the police department on the trail of Megumi Takani, he could have easily just evaded the officers. He didn't; he went and purposely started a horrific attack on the station and left a gory tapestry of death, even messing with one officer with his 'Shino Ippo' to force him to stand still as Jin-E impaled him slowly to savor it. In the last act of the film, he kidnapped Kaoru while Kenshin was saving Megumi from Kanryu. When Kenshin showed up, he first kicked Kaoru down a stone staircase to make sure she'd hit every step just to piss Kenshin off, and then using the Shino Ippo, he paralyzed her lungs. Again, just to piss Kenshin off. When Kaoru broke through it with her own spirit and after Kenshin had shattered his elbow, Jin-E has the last laugh by stabbing himself just to spite Kenshin and spit on his Thou Shall Not Kill code.
  • Crosses the Line Twice: In the 2012 movie: Akira getting up once after getting sliced by Kenshin? Noble and tear-jerking Determinator stuff. Akira getting up twice after getting sliced again, with Kenshin getting an exasperated look on his face? Hilarious! Akira still managing to cling to life, all the while muttering how he's not going to die and how he has to live then Kenshin stabs him coldly through the neck? Then Kenshin realizing the gravity of taking a life afterwards? Not so much.
  • Moral Event Horizon: Kanryu ordering the water in Kaoru's neighborhood to be poisoned. A good number children would have died. All just to flush out Megumi.
  • So Cool It's Awesome: Many consider it one of the best live-action adaptations from an anime ever.
  • Spiritual Licensee: At least some parts of The Movie would also make for a very good live-action epilogue for Total War: Shogun 2: Fall of the Samurai.

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