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Anime & Manga
- 7 Seeds does its best at keeping the focus on each Team at times, though it's noticeable that certain characters get more focus during these moments. The Hail Of Corn arc introduces all the members of Team Summer A, but with a bit more focus on Ango, as the arc continues.
- Sonic X doesn't really have a protagonist. Depending on the episode, the focus may be on Sonic, Chris, Shadow, Tails and/or Cosmo, or Amy, give or take a character or two. This has not been received unanimously warmly; some fans felt this cheapened Sonic's characterization as a dynamic protagonist, especially since he was sleeping and running around without a goal most of the time.
- Bokurano does this. Character arcs may last two or three episodes instead of just one, but the principle is the same.
- Dangan Ronpa 3: Between the two different sides of the anime, there's about 8 protagonists falling in and out of focus. In Side:Future, there's Kyoko, Makoto and Kyosuke, and in Side:Despair, there's Hajime/Izuru, Chiaki, Chisa, Ryota and later, Junko. Besides that, some characters also get A Day in the Limelight, such as Komaru, Toko, The Imposter, Seiko and Koichi.
- Higurashi: When They Cry changes protagonists every arc. The viewpoint, however, is almost always Keiichi, but he rarely remains as the focus of the narrative in the second half of the series (he stops being the point of view character for the first time a short arc before it, in fact).
- Soul Eater, particularly the first three episodes/chapters which introduced each of the three main meisters and their partners (Soul and Maka first, followed by Black Star and Tsubaki and finally Death The Kid and the Thompson sisters). They then got a few Monster of the Week episodes each before the main plot kicked in.
- Durarara!! has Loads and Loads of Characters, many of which are plot significant in some way. The POV switches around constantly (a single anime episode could focus on two or three different plot lines at the same time, and a single scene can revisited a couple of times to show the different characters' perspectives), and rarely focuses on anyone in particular. Word of God says that Celty is the true protagonist, though.
- Pokémon Chronicles, a short lived Spin-off of the Pokémon anime, focuses on everyone except Ash while Ash was in the Hoenn region. It rotates per episode; one episode will focus on Misty, another on Gary, another on Professor Oak, Casey, Ritchie, Tracey, and a few stories solely focusing on Team Rocket. This show might as well be called "Rotating Protagonist: the Series".
- My Hero Academia: Played with. The main group often varies, but Midoriya and Bakugou are always in the spotlight, while Uraraka, Iida and Todoroki are prone to fall in and out of focus. Aside from that, the other members of class 1-A are prone to become said group. Kirishima often gets the spotlight due to being always following Bakugou, besides various characters such as Shouji, Tokoyami, Tsuyu, Mineta, Jirou, Yaoyorozu, Kaminari, Mei and various others also get attentions in some given arcs, even if they aren't on Midoriya's group.
- Family Complex is a single-volume tankoubon made up of 5 one-shots, each focusing on the different member of the titular Sakamoto family.
- Ano Ko Ni Kiss To Shirayuri Wo operates like this. While Ayaka and Yurine are the only pairing whose arc spreads over several volumes, the brief focuses on them come between longer arcs where they stay in the background. In volume 1, 3 and 5 they still have a fair amount of screentime, but in volume 2, 4 and 6 they barely appear. Each volume focuses on the couple featured on the cover, who might be new characters or already known but not yet developped ones. Another particularity is that the focus tends to "hop" from a group of character to another after they interact − for example, Ayaka being interviewed by Sawa and Itsuki in volume 5 or Izumi meeting Amane in volume 6. This allows for smooth transitions between the arcs despite the constant shifts.
- The Brave and the Bold: Every month Batman would team up with a new hero. Often, this and other Team-Up Series in its mold were used to test the waters regarding the second-billing character. The tradition would be carried on in a modern Brave and the Bold series, where every issue features two different heroes or groups working together.
- Marvel had a counterpart to the above in the original Marvel Team-Up, where heroes would join forces with Spider-Man, and Marvel Two-in-One, where the Thing would have a new partner every issue. As with The Brave and the Bold, a modern MTU series dropped the superstar regular angle and featured new team-ups every time. However, the latest incarnation of the series is Deadpool Team Up, which naturally features the eponymous anti-hero alongside the issue's guest star. Deadpool Team-Up is notable for primarily featuring more obscure characters such as U.S. Archer and It, the Living Colossus. There is also the Marvel Age Supervillain Team-Up, which features Dr. Doom teaming up with a different supervillain and/or team each issue. The Sinister Six, the Circus of Crime, the (original) Masters of Evil, Magneto...
- DC's Great Ten miniseries did this - every issue focused on a different member of the titular team. Since the series was cut short due to weak sales, Mother of Champions and Socialist Red Guardsman shared the last one.
- Marvel Comics' Solo Avengers and DC Comics' Teen Titans Spotlight showcased various members who didn't already have their own series. However, during the former's first year or so, the rotating protagonist in question would star the issue's back-up feature, as Hawkeye was the star of the lead feature.
- The first six issues of Marvel Comics' Young Avengers each focus on a different member of the team.
- This is the hook for the latest version of Heroes for Hire: Misty Knight uses her contacts to "maximize the potential of [her] address book", calling in favors from different heroes in every issue. The only constant besides Knight herself is Paladin.
- In the Vocaloid Fan Fic Good Night, nearly the entire cast trade off the narration role. In the order of doing so for the first part, Tei, Len, Haku, Kiru, Rin, Luka, Gakupo, Neru, Hankyou, Gumi, Miki, Gakupo(?), and Meiko.
- The Elemental Chess Trilogy never puts any single character in the driver's seat for more than one chapter at a time.
- In the Mass Foundations series, Ethan Sunderland, aka the Courier, Jocelyn Song, aka the Lone Wanderer, and Eric Grimes are the protagonists of the first, second, and third entries, respectively.
- Gensokyo 20XX is a variant of this, with a different character narrating the events of certain chapters from their POVS.
- Just Before The Dawn has several main characters that the narration regularly rotates to. Tercio is the closest the story has to a main protagonist, but the narrative regularly switches to follow Celestia, Gilias, and Victus. Occasionally more minor characters find themselves the focus as well.
- A Brighter Dark: A dramatic retelling/Alternate Universe of Fire Emblem Fates. The story covers the events of the war from the perspective of multiple characters on both sides, usually covering about three perspectives per chapter, with their name and location signaling the beginning of their section, adding depth to both sides of the conflict and making the fact that Anyone Can Die all the more heartbreaking.
Films — Live-Action
- The Jurassic Park films.
- In the first film, the main characters are Grant, Ellie, Ian, Hammond, and the kids.
- In The Lost World: Jurassic Park, Ian is the main character, Hammond and the kids get cameos, and there is a new set of supporting characters.
- In Jurassic Park III, Grant is the main character again, Ellie has a minor role, and there is yet another new set of supporting characters.
- The Pusher trilogy follows a different character in each film. Each protagonist is in all of the previous films and none of the future films.
- This seems to be a common feature in films written by Doug Kinney, as both Animal House and Caddyshack jump between numerous main characters throughout their runtime.
- The Big Short follows three groups of people: Michael Burry and Scion Capital; Vennett, Baum, and Baum's employees; Shipley, Geller, and Rickert All three storylines are completely self-contained; none of the three groups ever interact with each other, and seldom appear onscreen together.
- The Familiar: This book series has nine color coded (and differently text-formatted - it's a Mark Z. Danielewski book, who's known for his Unconventional Formatting) narrators, and each tells two to five chapters per book. Of the nine, only three know each other / share storylines (as they are a girl, her father and her mother) and in their cases sometimes one begins to tell of an event and another finishes it.
- The Wheel of Time practically has this as its hat. Every chapter is from a character's perspective (or sometimes a few characters—the intros especially). Although there's a single in-universe messiah character (the Dragon Reborn), he has two buddies note who have nearly as much influence on the world as he does, and then nearly every other character with authority gets at least a scene or two, but often many recurring ones. It gets to the point that the minor characters' rotation sometimes overshadows the main plot!
- A Song of Ice and Fire has each chapter from a different character's point of view, with that character's name or description as the title of the chapter. The first book starts with a small number of recurring POV characters, and each subsequent book adds or subtracts a few.
- In Catch-22, Yossarian is the protagonist, but every chapter is titled and focused on a different character (Milo gets three), and Yossarian is often Out of Focus for long stretches.
- Each chapter in Kristine Kathryn Rusch's Fay novels concentrates on a different character.
- The Valley Of Horses alternates chapters about Ayla and Jondalar until they meet; it's third person narration.
- In Tamora Pierce's Circle of Magic series, each of the books focuses on one of the four main characters as they live together, learn magic, and become a family, though each book also features scenes from the perspectives of other characters and their own subplots. The second series, The Circle Opens, follows the same format, except the characters are four years older and leave to go travel with their teachers. The latest book, The Will of the Empress is the only one save Sandry's Book which deals with each of the four characters relatively equally.
- Harry Turtledove's Alternate History novels use this trope to explore different aspects of the world, e.g. a war may be narrated from the perspective of officers and grunts and civilians on different sides. Each chapter includes multiple passages centered around different viewpoint characters.
- The Animorphs books follow a pattern to determine who the protagonist is. Each book follows the next character in the pattern, and the Megamorphs books are longer and everyone gets a turn to be the narrator. Originally the Token Non Humans, Ax and Tobias, only got half as many books because it was assumed they would be less popular; it turned out to be quite the opposite, however, and the pattern eventually changed.
- The Everworld books rotate point of view between the four main characters. Senna also gets a book, which results in Jalil having one fewer than the others.
- In The New Prophecy, the second Warrior Cats Myth Arc, each book features the POV of Leafpool and one of the main cast (Brambleclaw, Squirrelflight, Stormfur, or Feathertail).
- The Casual Vacancy by J. K. Rowling has protagonists in the double digits, although Krystal Weedon appears to be the heroine for large sections of it.
- Brandon Sanderson:
- Elantris: Each chapter is from the point of view of Raoden, Sarene, or Hrathen, rotating between them until the end, where the breakdown of this rotating scheme is one more clue that things are (as usual for a Sanderson novel) going totally haywire around 5 chapters before the end.
- None of the others commit to this trope as fully as Elantris, but other Sanderson works feature at least a downplayed version. Warbreaker follows two royal sisters who can both be considered protagonists, and the Mistborn trilogy clearly has Vin as the main protagonist, but in individual books other characters receive equal-ish billing with her: Kelsier in The Final Empire; Elend and Zane in The Well of Ascension; and Elend, Spook, and Sazed in The Hero of Ages.
- The Stormlight Archive has a number of protagonists, but each book puts one character's backstory center stage (The Way of Kings focuses on Kaladin, Words of Radiance on Shallan).
- Fat rotates every chapter between each of the three protagonists, with the exception of three chapters, one of which is Grenville's recipe for boiling an egg, one of which is an anger management guide and the last of which is a newspaper article about Grenville's not-a-rampage at the Well Farm.
- Similar to the Batman example in Western Animation, The Dresden Files always has the story told from the point of view of Harry, but generally focused on a different person in his (vast) retinue of friends, allies and enemies. Murphy, Thomas, Elaine, and Michael Carpenter are the rotating allies, while the Denarians, the Red Court of Vampires, the Faeries, and other unexpectedly recurring creatures/foes form the rotating enemies.
- In Wolfen the chapters alternate the pov from the human investigators and the predators hunting them.
- The Village Tales novels are prone to this: probably because they decline to have but one protagonist. The Duke, the Rector, and the Deputy Headmaster get a goodish deal of page-time, but gardeners, farmers, sextons, the Archdeacon, the vet, the railwaymen, and everyone else gets plenty as well. The sub-manageress at the country house hotel gets her own chapter in Evensong, for that matter, and The Day Thou Gavest is specifically geared to this trope, as a Day in the Life novel for the whole Ensemble Cast and its Loads and Loads of Characters.
- Requiem for a Dream cycles between Tyrone Love, Marion Silver, and Harry and Sara Goldfarb, sometimes in mid-paragraph.
- Lost may be the most famous example, with almost every episode focusing on a different member of the ensemble cast's flashbacks, later flashforwards and flashsideways.
- Band of Brothers: while Dick Winters qualifies for the central character of the series, in most episodes the plot instead focuses on one of the other members of Easy Company.
- Skins combines this with Idiosyncratic Episode Naming: every episode is named after the character that episode is focused on. It even introduces a new cast every two years.
- Degrassi fits this to a T. The limelight focuses on the characters on the A plot and minorly on the B plot, and the other characters are barely even mentioned.
- Battlestar Galactica switches focus fairly regularly.
- The Wire rotates between having protagonists at the Homicide Unit, The Major Crimes Unit, The Pit, the docks, the corners and Hamsterdam, the elections, the schools, and the newspaper.
- 6 Degrees does this for its first season, with each of its six episodes focusing more heavily on one of the main students. This is dropped for the second season.
- A bizarre example occurs in the third season of Farscape: Crichton is 'twinned', and the two Crichtons then get separated, each taking half the cast with them. For much of the season, episodes alternate between following the Moya-Crichton and the Talyn-Crichton.
- The Cosby Show becomes this in its last two seasons. All the regulars get their days in the limelight, and in the end Bill Cosby, himself, is the only one who appeared in every single episode.
- Boys From The Blackstuff focuses on a different character each episode, to the extent that other members of the ensemble cast are often reduced to extras or absent from a given episode altogether.
- Dear White People: Each episode is done largely from the POV of one particular character.
- As If, the proto-Skins in every way that mattered, averaged four focal episodes per character per season for each of its six characters.
- Dragon Quest IV is divided into chapters, with each one starring a different protagonist. Originally, you didn't even get to see the main hero/heroine until you reached their chapter; later versions added a Prologue.
- Mass Effect 2 is like this: each character on your crew gets an (optional, but skip it at your own risk) personal loyalty mission, which is custom-tailored to their combat style and inconspicuously reveals enough of their backstory and personality to make you care about them.
- The Final Fantasy series:
- In the first half of Final Fantasy VI, the story frequently switches from one character to the next, and there is no clear protagonist.
- In Final Fantasy XII, each of the six main characters more or less have a period where the story focuses on them, although Vaan, Ashe, and Balthier do have more focus then Basch, Fran, and Penelo.
- Final Fantasy XIII switches between at least three groups of main characters all the time, mixing them up every now and then to let each one interact with every other. It also likes to shift about the leader role (the only character you control in combat), making sure you don't get too comfortable with any given combination of skills and classes. Once you leave Cocoon and reach Pulse, the full party is assembled, and all six characters start getting relatively equal time, though Lightning eventually establishes the protagonist role once again.
- Odin Sphere. Each of the first five "books" features a different character, and the sixth book rotates between all of them for the finale.
- Phantasy Star III: Generations of Doom takes place over three generations, with a different protagonist and variations in the cast for each.
- Suikoden III Has a trinity sight system where the player chooses one of three characters to play as, they ultimately have to play as all of them eventually to progress the story. But choosing who to play as first is optional; there are also three un-lockable characters as well. Obtaining them either has to do with meeting them, or by doing a special task.
- Occurs in Golden Sun: Dark Dawn, where the plot focuses on different members of the large party at certain stages (Sveta is arguably the most important character overall, but doesn't join until the halfway point) and the Heroic Mime main character never gets extra focus, unlike Isaac and Felix in the first Golden Sun games.
- Recent story arcs of Rumors of War pair up characters for their day in the limelight. It makes for a veritable Cast-Go-Round, not unlike a Soap Wheel. The most recent (read: third) arc explored some of the consequences and repercussions of the very first story arc through the use of several Whole Episode Flashbacks (Chapters 13, 15, and 17).
- Homestuck's Geodesic Cast has led to rotations within rotations: cast focus typically rotates between:
- One of the other three Kids (which is in itself on a rotating basis: during Act 5-2, for instance, this has rotated from Jade to Dave to Rose).
- Various Trolls
- Other characters (rotating between the Exiles, the Guardians, Doc Scratch, the villains... and so on). Four Lines, All Waiting is a simplification of the situation. So do many MSPAFanVentures, which are in the same style as Homestuck. Examples are Be The Seadweller Lowblood and Adult Stuck.
- Superego, itself an MSPA Fan Adenture, rotates between its ten characters and their experiences in a not-quite-normal hospital.
- The Meek shifts its focus between the travelling Angora, the emperor Luca, and the rogue Soli.
- After the first few Welcome Episodes, Combat Devolved develops into this.
- Dino Attack RPG does this regularly, seeing as it is written by multiple people on a forum that does not allow one user to make two posts in a row. Basically, this means that one player writes a post depicting a certain series of events from the point of view of a character. The next post, written by another player, is written from the point of view of a different character, which depending on the circumstances can range from further explaining the events written by the last person to being entirely unrelated. Considering this is an RPG in which every player has Loads and Loads of Characters, a single post can include segments focusing on several different people in different places, doing things that may or may not be related.
- This is how things work in Arthur, so different members of the cast get their own Episode Title Cards.
- The Transformers does this in similar vein to Star Trek and Stargate. Optimus Prime plays the role of Captain but each episode may focus on the Autobots as a team or a specific (group of) Autobots rather than Optimus Prime as a protagonist.
- Batman: The Brave and the Bold has an interesting variation on this trope, where Batman remains the protagonist nearly all of the time, but each episode focuses on him teaming up with a different obscure character from The DCU. Though, in some episodes (like "Aquaman's Outrageous Vacation!") even Batman himself gets pushed into the background.
- Justice League and, particularly, Unlimited are the kings of this trope, focusing on new previously-obscure DCU characters (both villains and heroes) in every episode. Although The Question does get a Character Focus, too, what with being the Ensemble Darkhorse.
- Episodes in My Little Pony: Friendship Is Magic focus on one or two of the Mane Six, or the Cutie Mark Crusaders, either as a group or one of their members.
- Goof Troop has this format, and the show's tone changes significantly depending on who's in focus. Max's episodes are more exciting and have more wit-based humor, Goofy's tend to be the most light-hearted and silly, Pete's are often plain sadistic, though he does usually deserve it, if not for his episodes then for PJ's which spend much time not being funny at all. It's not uncommon for the episode forms to overlap, and everyone is capable of starring in heartwarming episodes (though Pete does it significantly less often than the other three). It also gives A Day in the Limelight to its secondary characters.
- Thomas the Tank Engine follows this dynamic (in part due to being adapted from the lead-less The Railway Series novels), with every main engine (along with several supporting ones) getting a spotlight episode on a regular basis. Some seasons tend to give Thomas the lion's share of lead roles (especially later on) but many other engines still get their turn.
- Teen Titans: While Robin was the clear Badass Normal leader of the group, as far the series as a whole was concerned, no one titan really took on the role as the "main character". Rather, most episodes generally focused on the issues and progression of a particular titan. This even applied to the those shows seasons with Robin having the focus in Season 1, Cyborg taking center stage in season 3, Raven having the focus in Season 4, and Beast Boy getting the focus in Seasons 2 and 5.
- This is common in the Animated Adaptation of Rosemary Wells's Timothy Goes to School. Each episode would focus on a different student of Hilltop School. Most of the episodes would usually focus on Yoko, Lilly, or Nora.
- G.I. Joe: A Real American Hero is well-known for this trope. Throughout most of the series, each episode featured a different Joe, sometimes in a personalized storyline.
- South Park always gives an Day in the Limelight to each resident of South Park. These range from Stan having to deal with his dad's antics to Kyle trying to stop Cartman's next audacious scheme. Their are even episodes where the role of protagonist will shift to someone else.
- The Loud House: While back in season 1 the show originally started with Lincoln as the protagonist and central focus of every episode, as of season 2 it has gradually shifted to this format; a trend that continued in season 3.