Mark Z. Danielewski (born March 5th, 1966) is an author most well-known for House of Leaves. His works all employ unique and unconventional styles in terms of the formatting of the text itself, and also are somewhat infamous for being very confusing a good portion of the time.His works so far include:
- House of Leaves (2000)
- Only Revolutions (2006)
- The Fifty Year Sword (initial very-limited release 2005, trade edition release 2012)
- The Familiar, a series of 27 books released over a long period of time (2015-????)
Tropes commonly used by MZD
- Bilingual Bonus: Sometimes you get translations next to the usage of other languages, but not all the time.
- Call-Back: To his earlier works. For example, "allways" from Only Revolutions appearing in The Fifty Year Sword and The Familiar - with "allways" itself being possibly connected to House of Leaves (hallways.) The Familiar begins to approach a Shared Universe.
- Gratuitous Foreign Language: House of Leaves has a.o. French, German and Latin - some parts translated, others not. The Familiar has a few narrators whose native language is not English and sometimes interject their native language (namely, Spanish, Arabic, Turkish, Armenian or Mandarin) in the narrative.
- Mind Screw: In both content and style, which makes his books controversial as figuring out how to read them must be accomplished before beginning to figure out what's going on.
- Title Drop: Usually at least one per book, often more. House of Leaves brings this to its logical conclusion by having a character literally read the book House of Leaves.
- Unconventional Formatting: The master of it. Colored text, upside-down text, a myriad of fonts, text arranged in the shape of what's going on in the book, raining text, footnote labyrinths...
- Unreliable Narrator: There are no reliable narrators in an MZD novel, and that's not hyperbole. For one infamous example in House of Leaves, narrator Johnny at a certain point even outright tells the reader that the last few pages were totally made up. The Familiar at first seems like it's going to avert this with what looks like third-person omniscient narration, but it's soon explained that the narrators are entities called "Narrative Constructs", who quickly prove to be fallible when they begin expressing confusion over the limits of their perception.