Background Magic Field

"While typically invisible to the naked eye, high densities of Mist will occasionally manifest in very visible phenomena. The highest concentrations of Mist can even do damage, leading to over-rapid changes in the environment, and violent behavior among animals and those more sensitive to the Mist's effects."

In some settings, magic is more of a raw natural phenomenon than something derived from designated gods or demons, acting as a kind of atmosphere enclosing a planet or permeating the universe. This background magic field, then, is magic in its rawest untapped form as a pervasive energy field that can and does affect the setting in much the same way that radiation or weather might affect our world. In areas where the background magic field is dense, strange things happen, including spontaneous miracles, bizarre weather, and hideous mutation. However, it can also greatly (if unpredictably) increase the powers of mages who tap into it. Areas of calmer magic are much more predictable, and in areas where the field is weak or absent, magic might not even be possible. If a background magic field exists in a setting, you can be quite sure that at least one school of Functional Magic will involve the channelling of this magic into a more focused form. Often it's the sole source of magic in the setting.

Note that while many settings can be assumed to have this, examples should only be included where the Background Magic Field is explicit, apparent, acknowledged, and has tangible impact on the world without anyone even having to do anything to disturb it. This may range from supernaturally altering the geography and climate to enhancing or inhibiting Functional Magic by its very presence.

The Background Magic Field may be composed of, or easily turned into, Mana. Currents in the Background Magic Field may lead to Ley Lines. Said field will usually be detectable, resulting in Supernatural Sensitivity. See also Place of Power, Minovsky Physics.

The trope name is intended to echo real-world background radiation, which captures many of the trope's aspects in a less fantastical way.

If the Background Magic Field has a will of its own, then you are dealing with a Sentient Cosmic Force.


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    Anime and Manga 
  • The magoi in Magi Labyrinth of Magic, which comes from the rukh. Magoi causes all of the world's natural occurrences like storms. Most magic users can only harness the magoi within their bodies, but magi can tap into the magoi and rukh outside of themselves.
  • Spiritual Energy in Bleach, which manifests in the form of Reishi (lit. "Spiritual Particles") and can be used to fuel/enhance the inner-derived soul force known as Reiatsu. In Soul Society, where Reishi is a lot more dense, the characters can use their powers a lot more effectively. And Hueco Mundo, the realm of Hollows, it's even denser.
  • Nen in Hunter Hunter works in a manner reminiscent of Bleach's reiatsu. It predates Bleach by years.
  • Psi in Psyren is yet another... with the future being more conducive to the brain wavelengths.
  • Magic in Fairy Tail relies on this. Face disrupts the particles in the atmosphere that make magic possible. This is a very bad thing, considering just how much the world of Fairy Tail relies on magic.
  • In The Mage Will Master Magic Efficiently in His Second Life, Mana serves as this. When it mixes with different things in nature, it can create monsters. Enough of it in one place will spawn a boss.
  • The "spirit corridor" in No Game No Life is the source of all magic. All living beings contain spirits in their body, and having these spirits controlled can have a strong effect on them. Additionally being exposed to high levels of spirits can be crippling or even fatal to races that are less magically inclined, like humans.

    Card Games 
  • The page image comes from Magic: The Gathering, one of the most definitive examples. Mana is present in, and can be drawn from, the land by magic-users in order to cast spells. Enough mana can do basically anything, up to and including creating entire races.

    Comic Books 

  • Present in With Strings Attached around the world of C'hou. With proper training, a resident can learn to manipulate the Field to perform magic. Also present but rare are those with a natural genetic gift to manipulate the Field without training.
  • Also present in Sailor Moon Z; largely explored in the episode where Hotaru gets a little too close to Saturn for her own liking.
  • An important plot point in the Thor and Being Human crossover Housemates.


  • Larry Niven's The Magic Goes Away was about what happens when a world of magic users hit Post Peak Oil by using up their Background Magic Field. One character invents a device that depletes an area of magic (and then signals the completion of its task by EXPLODING!) called the "Warlock's Wheel." (It's a flywheel with two spells on it; "spin faster and faster," and "keep it together." When the out-of-control "spin faster and faster" spell finishes eating up all the area's magic, "keep it together" fails and centrifugal force makes it fly apart.)
  • Magic in the Discworld, including the unstable magic areas where crazy things happen. In fact, the Disc would fall apart without this trope. Bonus points for actually being a very close analogy to radiation in some books. Possibly a case of Write What You Know, as Terry Pratchett used to work as a press officer for the nuclear power industry.
    • Discworld does a fair amount of this. The Unseen University Library is the greatest collection of magic tomes on the Disc, so efforts must be made to avoid the magic going critical. The Science Of Discworld mentions that the last place to try splitting the thaum (the basic unit of magic) is now a very large crater, and anyone who explores it suffers weird consequences.
    • The Discworld also has spent magic spells/tomes/wands leaking magic like spent reactor fuel, causing unpredictable mutations in the nearby flora and fauna.
    • The magical field is so thick that it manages to noticeably slow down light itself, causing it to behave much like a liquid, "flowing" around and over mountains and fields — this explains why the Disc, a completely flat world, still experiences a gradual sunrise in the same way that Roundworld does. An early book established that the local speed of light is about the same as the speed of sound, and in fact red shift is noticeable at proportionally slow speeds.
    • Sourcerers, the result of a wizard having eight sons, are insanely radioactive in this way, and (unlike normal wizards) generate their own magic, adding the magic field just by existing. It's one of the only known ways the background radiation can actually increase.
    • In The Last Continent, the wizards end up in Fourecks while it's still being created, meaning the magic field is enormous, causing all sorts of aggressive spellcasting and imbalanced morphic fields. Ridcully, the Dean and Stibbons briefly end up as a baby, a teenager and a decrepit old man for a few seconds, and the mere memory of becoming the kind of person he has to deal with every day causes Stibbons (Stibbons) to roll up his sleeves for easier casting when he suggests they find the Creator, noted as equivalent to a sliding back the pump on a shotgun.
  • In the Hurog duology, there is background magic everywhere, but it is stronger in some places, and it feels different - Ward is able to tell when he's at home, because he's connected to the magic there. Castle Hurog was intentionally built in a location with strong background magic.
  • The Wheel of Time has the True Source, a sort of pervasive invisible magic that is available almost everywhere, except in Ogier steddings and the city of Far Madding, which block access to it through natural phenomena and ancient relics respectively. Magic itself, known as the One Power, is channeled from the True Source.
    • In the Age of Legends, there existed something called the "Standing Flows" which enabled a variety of enchanted objects, such as telephones and airplanes, to be usable by non-mages.
  • In the Heralds of Valdemar series, magic acts much like running water—always around, but in unequal concentrations. Life Energy bleeds off of living things into the background magic field, then collects into Ley Lines, which meet at nodes. Not only do ley lines run everywhere, but in places where they get muddled, Bad Things tend to happen—like people and animals mutating, sometimes even overnight. Naturally, the Kingdom of Valdemar backs onto a whole wood full of muddled ley lines and mutated creatures, one of the remnants of the catastrophic war that occurred over three thousand years ago.

    A mage's ability to tap these sources of power depends on his training and his innate potential. Apprentice and Journeyman mages limit themselves to their personal power and what they can draw out of the background field, and your local village wizard or hedge-witch will specialize in making effective use of small amounts of power. Master- and Adept-class mages access the ley lines and nodes to produce more impressive effects.

    After the Mage Storms trilogy, as a result of efforts to avert a second Cataclysm, the magic field is reset—all of the ley lines and nodes are drained, and magic "rains" evenly over the world. The field is still there, but useless for accomplishing any powerful spells until the ley lines reestablish themselves.
    [Darian] had heard it spoken of as "fog" by Starfall—sure, there might be enough water in a barn-sized mass of fog, but it did you no good if you wanted a drink of water.
  • Magic in The Acts of Caine series exists as "Flow," which magical adepts can channel for their own purposes.
  • The Saga Of Recluce has the Order/Chaos Balance, which can be manipulated by those sensitive to it, but exists in everything and alters the way that the laws of physics and thermodynamics affect ordinary matter, weather and climate, technology, living organisms, and geography in that universe.
  • In the Sparker book, there are two kinds of people:kasir and halani. Kasir(magicians) can influence the Background Magic Field through incantations and gestures. However, each spell has byproducts, which can be helpful,useless, or even harmful. Naturally, the kasir developed spells to neutralize the negative byproducts.
  • Piers Anthony's works:
    • In Incarnations of Immortality, Magic is the result of a "fifth fundamental force", expressed through particles called "magicons". The magicon field of Earth has an effective radius not much larger than Earth itself, so magic cannot travel between planets.
    • In the Apprentice Adept series, magic is a natural force generated by Protonite/Phazite, a substance formed in the vicinity of a certain kind of Negative Space Wedgie and found abundantly only on Proton/Phaze; the Functional Magic itself only works on the Phaze side and where the two worlds overlap. Because the series runs on Magic Versus Science, Protonite (the scientific equivalent) is a very potent source of fuel and energy, the rarity of which drives the central plot.
  • InThe Dresden Files, each person has their own personal pool of magic, however, excess power can be drawn from a Background Magic Field. Magically-closed circles will "seal" the enclosed area off from the rest of the Field, limiting the magic that is available to magic-users trapped within (and keeping purely magical beings from crossing in or out), but allowing for delicate spellwork that would otherwise be disrupted by background energies. Magic energy will instantaneously flow back into the sealed area as soon as the circle is broken.
  • In Harry Potter, areas of intense magic such as Hogwarts cause electrical devices to stop working.
  • The Tradition in Tales of the Five Hundred Kingdoms is an ambient magic native to the land and acts like the laws of nature. Specifically, it causes people's lives to follow the fairy tale they most resemble... without regard to how nice, happy, or even feasible those stories are.
  • The different types of fae from the Coldfire Trilogy—earth, solar, tidal, and dark—are this, with an emphasis on volatile.
  • The Jesker religion from Elantris believes in the existence of a pervasive energy field called the Dor which guides the universe. Turns out they're right, and the Elantrians draw on the Dor for their power (through Aons). There are other ways to access the Dor, however, and at least one is less than pleasant.
  • Sergey Lukyanenko's Last Watch reveals that the Power is more complicated than Anton thought. While he knew from the beginning that the Others get their Power from humans, he didn't realize that the level of Power in the world depended on the human/Other ratio. There's a physiological property that each person has, a "magical temperature" of sorts. Most people have a higher magical temperature than the ambient one. Thus, they produce magic and fill the world with it. A small percentage has a lower-than-ambient temperature. They absorb more magic than they produce. Thus, they can manipulate it. They become Others. The lower the temperature, the more powerful the Other. Zero-level Others don't produce any magic and can theoretically absorb any amount of ambient magic and make use of it. This realization allows Anton to defeat the book's Big Bad who teleports into orbit after making himself a zero-level Other and is unable to get any ambient magic before burning up on re-entry. When he gives a lesson on the subject in School Supervision to newly-initiated Others, he explains that the Others will never go into space, at least until sufficiently large offworld colonies are established to allow them to do magic. This is a big letdown to the sizable number of Others who like science fiction.
  • Both types of common magic in Labyrinths of Echo feed off a background magic field: the Plain Magic is powered by a field generated by the World's Heart—a sort of metaphysical axis that goes through the planet, with one end touching the eponymous city of Echo (and the other lost somewhere on the ocean floor). Just over a century before the novels take place, the power of this field had been nearly depleted, almost bringing about The End of the World as We Know It, and while the Heart has since begun to recover, a Ban on Magic is still enforced very strictly in Echo. Meanwhile, the True Magic uses the background power field of The Multiverse itself, which is infinitely more abundant than the power of a single world—but only a select few ever learn how to access it.
  • In Sean McMullen's Voyage of the Shadowmoon, Verral is a moon in the van Allen belt of a gas giant. Some of the inhabitants of the moon can use magic, which is explicitly the high levels of radiation found there.
  • The rurant in Tough Magic is mentioned as being a field of magic that a caster can draw upon.
  • In Circle of Magic, while academic mages are able to produce their own spells, ambient mages are able to draw upon and manipulate the magic already inherent in the world. Different ambient mages are attuned to different parts- e.g. Green Mages draw power from plants, 'Stitch Witches' from thread-work and clothes, etc.
  • Journey to Chaos: The reason why Eric can perform magic on Tariatla and not on Threa, is because the former has one of these and the later does not. Not only does it provide the mana for spells but it also gives rise to monsters through mana mutation and enables non-human animals to be as intelligent as humans. Ceiha, an island nation, is the only place in the world that isn't covered by this field, and such, magic is much more difficult there.

    Tabletop Games 
  • In the Greyhawk campaign setting of Dungeons & Dragons, magic is considered to operate this way. While there are gods of magic, they are more defined as deities with supreme knowledge and mastery of magic rather than being the source from which it emanates.
  • Magic in Forgotten Realms is derived from the Weave (or the Shadow Weave), which is mostly all-permeating. In wild magic zones it's "snarled" or mildly damaged , and places where it's severely damaged or suppressed are dead magic areas (both can be repaired, but it's hard). In last tens of centuries it's also rather broken as a whole.
    • During the century-advance for the setting to reach 4e, one of the goddesses of magic died, and vast areas of the Realms lie now under a dense area of wild magic, called the Spellplague, that either makes you very, very sick, before mutating into a terrible monster, turns you into a terrible mutated-monster right away, or gives you cool spellscars that come with interesting powers. In 4e FR, players may optionally be allowed to start with one such scar, and there's a theme (an optional PC element equivalent to a low-level Prestige Class that you get on top of your other class for free, much like Paragon Paths and Epic Destinies in 4e are to Prestige Classes at higher levels) called the Spellscarred Harbinger that grants multiple spellscars over the course of the first ten levels of play.
  • In Eberron, the background magical field is extremely stable, especially as compared to worlds like Krynn and Toril. Magic is so reliably abundant that that it has actually been commercialized. The nation of Cyre was destroyed mysteriously during The Last War, and where it once stood, a terrible mist of wild magic now stands, and no one goes in there now except for clans of Warforged, crazy villains, and crazy PCs. However, this had no effect on the stability of magic beyond Cyre's borders. There are also areas called "manifest zones" where the planet Eberron is magically linked to other planes of existence. In these locales physical laws may become a fusion of both worlds. For example, the city of Sharn stands within a permanent manifest zone that enhances anti-gravity magic and allows for otherwise impossible towers and floating structures.
  • In Ravenloft, the supernatural Mists form the boundaries of the Core, Clusters, and Islands of the world, and likewise manifest within these territories at the whim of the Dark Powers. New lands can congeal from the eerie Mists when a new domain is created, and domains whose darklords have been destroyed may disperse into Mist as if they had never existed.
  • The Dragonlance setting, however, mostly subverts this. The availability of "primal magic" is directly connected to the amount of Chaos active in the world. The more Order the gods imposed on the world the less available this magic became, until Chaos reasserted itself. Otherwise, Rule Magic powered by energies furnished by the Gods of Magic, embodied in the planet Krynn's three moons, is the primary source of arcane power. While one could technically utilize this system of magic without swearing allegiance to one of the gods, if the gods are absent then this kind of magic does not work anymore.
  • Wholly averted in the Dark Sun campaign setting. The world of Athas has no ambient magical energy at all, which means that all magic has to come from a specific source. Divine spellcasters draw upon elemental forces. Wizards draw upon the energy of plants (and sometimes animals and people) in quantities relative to how powerful the spell is, with overuse of said magic being the reason the setting is largely a wasteland. Only psionics really come from an undefined source, although they are usually attributed to being an expression of the user's own personal energies.
  • In Shadowrun, this is the Earth's aura, or rather the combined auras of all living things on the planet. Mages have a hard time in space.
    • Also in Shadowrun, areas of highly aspected magic to a particular (usually toxic) element are rated by their background count. The higher the background count, the tougher it is on the mage. (2 is discomforting, 3 is Nausea, 4 is utter revulsion, and 5 is called a Mana Warp.)
  • GURPS has had this from the beginning, with a setting's (or potentially even individual location's) "mana level" directly impacting who can work magic there (if at all) and how difficult it is for them, from "no mana" areas where there is just plain no magic at all to "very high" mana levels where anyone including non-mages can cast any spells they know and mages recover expended energy just about instantly but every failure is treated as a critical one (and an actual critical failure rolled there bids to be truly spectacular). There are even advantages/disadvantages allowing a character to alter the mana level in their immediate area (and yes, they're expensive). The Celtic Mythos source book also had rules for wonders generated by wild mana levels. Aspected magic and mana are also covered.
    • Ley Lines and Feng Shui are also mentioned in GURPS source books as being representable by local Mana levels.
    • The 3rd edition Religion source book also has comparable variable levels of "sanctity" for a particular religion or specific god.
  • Both Warhammer universes. The results of high background magic can cause anything, from random mutations and sponaenous deposits of Green Rocks, all the way to a downright Negative Space Wedgie.
    • Warhammer's background magic behaves less as a fixed field and more a roiling, chaotic climatic system. The Winds of Magic blow into the Warhammer World from the collapsed warp gates at the north and south poles, and drain slowly back through the High Elves' magical vortex on the Isle of the Dead. Different types of magic manifest as different winds, which behave differently depending on their nature (the wind of Light Magic is diffuse and permeates solid objects, the wind of Jade Magic falls like rain and is absorbed by water and living things, the wind of Amethyst Magic pools in places of death and despair etc.). In the game itself the strength of the winds varies from turn to turn - the roll of 2D6 (or 4D6 in Storm of Magic games, set during great hurricanes of magical power) determines the amount of magical power available to cast spells with that turn, and also empowers or enervates magically attuned creatures like daemons and phoenices.
  • Exalted has Essence, the energy that makes up and gives form to Creation. Every person has a little Essence in them, but the Exalted (and a few Heroic Mortals) are capable of channeling it to full effect.
  • Rifts uses this idea as the foundation of the magic used in the setting, concentrated into "Ley Lines" that criss-cross the landscape like glowey highways. Magic is boosted near these lines and starts getting a bit wonky where they cross each other.
    • In contrast, Splicers is explicitly said to be in a mystic "dead zone". Magic spells cost twice the P.P.E. for half the effect.
  • In Mage: The Ascension reality is composed of quintessence, the "thread" of the "fabric" of the tapestry of the world. Everything is suffused with quintessence to varying degrees, and can have different Resonance, or magical impressions based on how the world perceives that object or person. For added fun, mages can make use of the Sphere of Prime in order to manipulate quintessence and restructure the magical nature of people and objects around them, including shutting off the flow of quintessence to such things, effectively erasing them from existence.

    Video Games 
  • The Mist in Final Fantasy XII provides the page quote. It's an unstable, intangible and (usually) invisible field, which impacts everything from geography to technology.
    • This is even carried over to game mechanics. The rate at which your party's MP regenerates depends strongly on the thickness of the Mist in the area.
    • Mist also carries over to Final Fantasy Tactics A2, which also takes place in Ivalice. It doesn't play as much of a story or gameplay role, though there are some battlefields where the "weather" is a thick Mist concentration, which lets Geomancers use their Mist Storm spell.
  • To a lesser extent, Final Fantasy IX's Mist, too. It's less dramatic in its wildness, but still responsible for the shape of travel and civilisation on the Mist Continent, as well as its hordes of ravenous beasts. Its origin and its role in the creation of the Black Mages are also major plot points.
  • This is actually a battle mechanic in Chrono Cross. The magic field is always of a certain elemental type, and can be influenced through spellcasting. The (elemental) color of the magic field determines how powerful magic of that type is, and in order to use Summon Magic the field needs to be the specific entity's color.
  • Arcane magic in Warcraft setting is energy from the Twisting Nether that is channeled to the mortal world through leylines. Mages tap into this energy to cast spells. Warlocks draw their power directly from the Nether (and by making pacts with demons that live there). Shamans, Paladins and Priests rely on being granted power by deities or elemental spirits. Its somewhat unclear how Hunter magic works, and Hunters using mana could simply be a case of Gameplay and Story Segregation. Death Knights use some sort of runic system that channels leyline energy through predesigned patterns to create effects, rather than using the Death Knight's personal will.
    • Hunters using mana is entirely for game design convenience. Back in the alpha they operated off of focus, a resource more similar to energy and it has now been brought back for Cataclysm.
  • Aer in Tales of Vesperia is one of the main elements present in the atmosphere of their world. Anyone with the proper magical bracelet and a basic knowledge of how to do so can cast magic using aer.
  • This is how Mana works in Tales of Symphonia. The source of it is a Mana Tree (or the seed of one), and it's concentrated around the homes of the Summon Spirits, although the cause and effect of this is not entirely clear. Either way, the strength of this Background Magic Field is a central point driving the plot of the game, since everything will die if it fades completely, and the Seed that provides mana to the two worlds at the start of the game only provides enough to supply one of them...
  • BlazBlue has Seithr, which is made of particles of the Black Beast. It is the power source for the Ars Magus, but causes harmful effects in high concentrations. Unfortunately, it has completely saturated the surface of the planet, meaning humanity is forced to live at high elevation.
    • Magic (which was unconnected to seithr) already existed before the Black Beast, but only a handful of people could use it. Ars Magus was invented by a magic-user as an alternative system so that more people could fight the beast.
  • Dragon Age combines this, Spirit World and Dream Land in the Fade, which is more like a paralel dimension. During sleep, human, elven, and kossith souls enter the fade, but mages have a permanent connection even when they are awake in the world of the living, which allows them to do magic. And also allows demons from the Fade to possess them through the same connection.
  • In The Elder Scrolls, Magicka is energy that is bleeding off into the material plane from the plane of Aetherius where the gods reside, through the plane of Oblivion. The sun and stars are holes in Oblivion, leading to Aetherius.
  • Occasionally mentioned in Kingdom of Loathing.
  • The main conflict of the Golden Sun series revolves around whether or not such a magic field should be allowed to exist. Hundreds of years prior to the start of the series, the power of Alchemy was sealed away, because power-hungry people would tap into it and use it for war. With Alchemy gone, though, neither advanced civilizations nor the physical world itself could be sustained, which would have resulted in a very slow apocalypse. The plot of the first two games are essentially a Secret Test of Character by the Wise One to determine whether or not people can handle Alchemy responsibly and by doing so it's subverting its own programmed directive to keep Alchemy sealed. While the 2nd game ends with Alchemy restored, the problems that crop up in Dark Dawn go a long way to explaining why the ancients felt Alchemy needed to be sealed in the first place.
  • The Void, in the StarCraft franchise, a manifestation of space itself, which provides the Dark Templars with special psionic powers.
  • Xenoblade Chronicles has ether, the substance of the Homs' being, which allows Shulk to have his vision through the Monado by predicting the exact area, amount, andconcentration of ether in the universe.

  • In Drowtales, Mana is a Functional Magic - like cloud of energy generated by the Life Force of the Fey races (elves, fairies, drow, etc.) and is necessary to sustain their immortality. It fills the cities where they live, and it can even be seen by drow but is invisible to humans.
  • In Tales of the Questor, Lux is another natural field, explicitly compared to heat, light, electricity, sound waves, atomic forces, and gravity, generated by living things. Most humans can't sense the field or how it is manipulated, but other species like the Rac Cona Daimh can sense and use it, and many fairly simple physical phenomena manipulate the field. In particular, Lux can be artificially produced with mechanical generators, allowing it to power everything from household appliances to quarrying equipment to (much later on) even starships.
    • Also unlike most examples, even very strong lux fields are harmless to life. In fact, the most lux-rich areas tend to also be the ones with the most life around.
  • In one filler arc of Elves With Mecha, one character complains that the Steam Punk world he all-of-a-suddenly finds himself in has no Magical field Harmonics.
  • In El Goonish Shive, there is an ambient magic field that can be utilized by magic users or magic-using tools in addition to or instead of their own internal magic reserves. By design, it has been growing stronger in and around Moperville; many of the feats pulled off by the main characters would be impossible anywhere else.
  • Explained by Treneth in Visseria, magic in the setting occurs because some individuals can tap into surrounding spiritual flows, doing so by the writing of diagrams that shape the effects.

    Web Original 
  • In the Web Serial Engines of Creation, the Pactlands are engulfed in The Veil, an example of this trope.
  • All kinds of mystic forces in Phaeton are omnipresent, without them, birds couldn't fly, trees couldn't grow and people could call down bolts of lightning from the sky, granted that last one takes millions of times more energy than the other examples, most of the time.