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  • Alas, Poor Scrappy: Even die-hard Keisha fans feel sorry for Jade and how her solo career was torpedoed before it could even start by her involvement in the most controversial Sugababes lineup change. Especially because, with some exceptions, everybody acknowledges she had no malicious intent against Keisha when she joined – she even thought she'd be replacing Amelle!
  • Best Known for the Fanservice: Controversy aside, the 4.0 lineup is better remembered for their choreographies in Stripperiffic coordinated outfits than their musical output. Of course, the Sugababes being a pop girl group means that a certain amount of fanservice was alway part of the course, with more or less overt examples happening as early as the 2.0 line up (before that, the girls were minors); but it's 4.0 that really leaned into the trope.
  • Broken Base:
    • Which lineup is better? Mutya, Keisha and Siobhán; Mutya, Keisha and Heidi; Amelle, Keisha and Heidi or Amelle, Jade and Heidi?
    • What did exactly happen in 2009? All parties involved have only made vague, partial or conflicting comments about the situation that led to Keisha's ousting. Though nowadays the blame generally falls on the management for handling the whole thing poorly, the fanbase was utterly fractured back in the day, and the fault lines are still visible to this day. Amelle and Heidi's fans latched onto Keisha's reputation as a bully and blamed the incident on her for exhausting Amelle with her attitude. Keisha's fans pointed at Amelle and her Hard-Drinking Party Girl antics and claimed she exasperated Keisha. Fingers still get pointed in both directions when the incident is brought up, even though the girls themselves have all claimed to have moved on from it and that there's no bad blood left.
    • With the group's official return in The New '20s, the base broke again over whether or not Heidi should have been asked back. Heidi's fans argue that she was part of the group during their most successful years, she has writing credits on many fan-favourite hits from that era, and it's disrespectful of Siobhán, whom they treat as The Pete Best and a Spotlight-Stealing Squad, to sing those songs. MKS's fans counter that none of the former members were ever criticised for singing previous lineup songs, and the current Sugababes had to rebuild themselves from the ground up in The New '10s while the others still had the legal means to perform under the name and did nothing with it; in particular, fans point out that Heidi is no longer a Sugababe because she let the group "kind of fizzle out" while pursuing her reality TV career in the New 10s, so her current absence is entirely on her.
  • Covered Up:
    • Most people are more familiar with their version of "Freak Like Me" rather than the Adina Howard original.
    • People outside of France would be excused not to know that "Too Lost In You" is a Translated Cover Version of Patricia Kaas' "Quand J'ai Peur de Tout".
  • Fan Nickname: The fanbase uses the "Sugababes 1.0", "2.0", "3.0" and "4.0" designation to tell the various lineups apart. 1.0 and MKS are used pretty much interchangeably nowadays.
  • Fanon Discontinuity: Some fans consider that Sweet 7 never happened due to Keisha being replaced by Jade halfway during production. The current lineup very much agrees.
  • Germans Love Sugababes: Literally. In the first half of the 2000s, all Sugababes albums released in Germany peaked inside the Top 20 (with a couple attaining Gold status), and many of their singles did too. In fact, Germany pretty much launched the career of Sugababes as their debut album One Touch peaked inside the Top 10 there but barely scraped the Top 30 in the UK. They were also extremely popular in Austria and Switzerland. Outside the UK, this is where the band enjoyed the most success.
  • Harsher in Hindsight:
    • The 1.0 lineup's final single, "Soul Sound", was an uptempo song about being happy and joyful. The song was released just weeks before Siobhán left the group (due to depression and bullying, no less) and and about two months before September 11. Hmm.
    • In the videoclip for "Get Sexy", there are scenes with the 3.0 lineup singing chained to each other; meanwhile, tension within the group was rising, with Amelle and Heidi threatening to leave and Keisha eventually being ousted.
  • Hilarious in Hindsight: During an interview in their early days, when asked about the origin of the group's name Mutya jokingly replied that "We can't just call ourselves Mutya Keisha Siobán". That's precisely what they called themselves when the 1.0 lineup reunited while the legal rights for the Sugababes name was still held by the management of Heidi, Amelle and Jade.
  • Ho Yay: Very blatant instances of this occur in the video for "Freedom", where there is lots of lesbian flirting going on. This was possibly done to reflect the "bisexual craze" in pop at the time (with Jessie J, Christina Aguilera and Kesha expressing their bisexual tendencies). Just so you know, Heidi, Jade and Amelle (the group's members who were in the video) are all straight.
  • Memetic Mutation: Inevitable, given the Revolving Door Band nature of the group.
    • "Everybody must take their turn to be in the Sugababes".
    • Comparing the turnover rate of Boris Johnson's cabinet members to the lineup change of the Sugababes was a popular meme in 2019.
    • Heidi Range's Iconic Police Siren Vocals.
      • "I don't wanna feel like I'm Heidi / Don't wanna listen to sirens".Explanation 
    • "Nice try, Heidi, we know it's you".Explanation 
    • Jade's "kinf of fizzled out" comment.Explanation 
    • The Sugababes are the Ship of Theseus.Explanation 
  • Misblamed:
    • For years, Keisha was painted as a bully and the main reason why Siobhán left, not helped by Siobhán's own incessant oblique comments after leaving. When the original lineup reformed in The New '10s, the girls acknowledged that they were teenagers whom the surrounding adults and management manipulated into trying to be the Spotlight-Stealing Squad for one another. Siobhán went as far as stating that the entire situation might have been resolved if she'd actually gone and talked directly to Keisha.
    • All the girls from the 4.0 lineup caught an unfair amount of flack from people who wanted Keisha back: Amelle for allegedly causing the situation in the first place, Heidi for being the longest-lasting member at that point and not sticking up for Keisha, and Jade for replacing her. The management team that was mostly responsible for her being forced out got little to none of it from the public, though music critics didn't let them off as easily.
      • Years later, Keisha confirmed in a video that, as she found out, the rumours of tension between herself and her former bandmates (such as Heidi, Amelle and Jade allegedly being "afraid" of running into her) were fed to the press and fanned by the managers and execs in hopes of creating buzz around Sweet 7 and saving it from becoming a flop. To be fair, though, the girls didn't do much to dispel them.
  • Older Than They Think: The main reason behind the perplexity over Heidi's absence from the "2019 reunion": many people think it happened out of the blue years after the disbandment of the band, and can't make sense of why certain members were included or excluded. In reality, Mutya, Keisha and Siobhán had already reunited as early as 2011, in parallel to the 4.0 lineup (which was kind of fizzling out on its own anyway), and had been fighting a legal battle over the name ever since. As such, rather than a reunion, 2019 saw more of a resurgence, which continued the nearly-decade-long discourse that the original members had started as MKS.
  • Overshadowed by Controversy:
    • Downplayed in general, in that they were never truly overshadowed until Sweet 7, but their tumultuous history is as much a part of their mythos (and charm) as their music, and they've always been as much a fixture of tabloids and gossip columns as of music magazines. This seems to have largely died down since their official reuinon in 2019.
    • Played completely straight with the 4.0 lineup and their only output, Sweet 7: the fandom and the press alike were paying more attention to the circumstances of Keisha's departure than the actual music that was being released.
    • Mostly averted outside of the UK: fans in the rest of Europe were definitely more familiar with their music than their drama, especially early on, when the Internet was not as widespread and access to British tabloid gossip was limited.
  • Replacement Scrappy: This is a trope that leads many Sugafans to a Broken Base — Siobhán or Heidi? Mutya or Amelle? Keisha or Jade?
    • The latest lineup change (ie. Keisha to Jade) comes under the most scrutiny, mainly because of Keisha being the only Sugababe to not leave the band of her own accord (she was fired by the powers because apparently she was more than a handful). She was also seen as the 'driving force' of the group, and it certainly did not help that she left in the middle of an album campaign that saw a radical departure from the group's old image and sound. Many Sugafans deem that the final "nail in the coffin" occurred when Jade recorded her vocals over Keisha's, even for singles that had already been released with Keisha's vocals. Despite all this, the remaining two singles from the album, featuring Jade's vocals, reached the top ten in the Singles chart.
    • Despite her long tenure, many fans have turned on Heidi in the late run of the 4.0 lineup and afterwards. Reasons include: her not standing up for Keisha despite working together for many years; her continued false promises that the band was still active, which Jade went on to dispute; her dismissive attitude towards the de facto disbandment, calling it "not a big deal" warranting an official statement, and implying she'd gladly come back to the band should her newfound reality TV career flounder. She came off as callous and opportunistic, which prompted many fans to embrace Siobhán in her stead.
    • Even after the controversy surrounding the 4.0 lineup change died down, Amelle has increasingly become this in recent years due to her repeatedly stating she'd be on board with "reuniting for a last tour" with all six members. While some fans think it's a nice idea, many others point out that a) it completely ignores the actual reunion of the group as MKS in 2013, b) it shows that Amelle doesn't get the very point of the Sugababes (i.e. it's a three-piece band singing together harmonically), c) her insistence on it being one "last", "final" tour is disrespectful of all the difficulties MKS had to go though to bring the Sugababes back for good, and d) it makes her feel like she's in for a quick cash grab without the commitment that being in the band full time would require.
    • In an ironic twist of fate, things went full circle in 2022 when Siobhán briefly became this to her own replacement scrappy: the girls released a short Tik Tok tributing the "Push The Button" video in an elevator with the current lineup, with some fans, more familiar with the 2.0 lineup, complayning about Siobhán "stealing" Heidi's place. Downplayed because it was just a fractional portion of the fanbase, and only online, while Siobhán has been met with acclaim and loud cheers at live performances even while singing Heidi's parts.
  • Retroactive Recognition: Baby Julian Morris plays Mutya's victim in the videoclip for "Freak Like Me".
  • She Really Can Act: While MKS fans are quick to point out that Heidi and Amelle's vocal expertise could be charitably said to be... shakier than that of the Babes they replaced, nobody in good faith can deny that Jade has the chops to live up to Keisha. She has enough prowess to sound like she's actually singing even on the semi-spoken monotone of "Get Sexy", and when they all sing together, she utterly dominates the song.
  • Stuck in Their Shadow: Poor Jade. While Heidi's absence from the 1.0 lineup reunion is sometimes a point of contention, and Amelle's name does occasionally come up, Jade is rarely even mentioned anymore in the discourse around the group, either among fans or in the press coverage.
  • They Changed It, Now It Sucks!: Many fans have stated this in regards to both the group lineup and sound, with Sweet 7 and the 4.0 lineup being hit the worst.
  • They Wasted a Perfectly Good Character: Aside from the controversial lineup change, the main complaint that fans and critics alike had about Sweet 7 was that the robotic, monotone, separate vocals on then-trendy electropop beats felt parcitularly out of place with a group whose main distinctive traits used to be vocal harmonies sung onto very distinctive, left-field pop tracks.

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