The Arc the Lad series is Sony's answer to Tactics Ogre and Shining Force. Its first game launched with the PlayStation in 1995. Working Designs released a compilation of the first three games and a bonus arena-battling bonus disc in 2002. The last game in the series, End of Darkness, was released in 2004 (2005 in the United States via Namco) and was an online-enabled action RPG rather than a strategy game.The original Arc the Lad was a fun, albeit short T-RPG, which followed the adventures of a young lad called Arc Ricolne and his six traveling companions.Arc II, its direct sequel, follows the adventures of Elc, a bounty hunter who is the last survivor of a nation of fire users slaughtered by Seyra, the country Arc hails from. Being longer, more complex, and infinitely Darker and Edgier than the previous episode, Arc 2 has been lauded as the supreme game in the series and a legitimate contender for the title of "Game with the most Player Punches thrown."Two of the three other sequels (Arc 3, which takes place a few decades after the end of Arc 2, and Arc 4 , which takes place a thousand years after the original trilogy and has its own page) are usually considered inferior but still-decent games, while most of the negative criticism directed towards the series falls upon End of Darkness.This game series provides examples of:
All of the Other Reindeer: Darc from Arc 4 spent most of his life as a slave because of his obvious human lineage. This is actually what started his ambition to become the King of all Deimos.
Angst Coma At the end of the White House story arc, Elc ends up at the ground zero of an explosion which leave him half dead. While Kukuru manages to heal his physical wounds, he remains comatose as a result of the guilt he feels from being unable to protect/avenge his tribe nor save Mariel from the White House
Apocalypse How: A Class 2 happened 3000 years before the first game. The reason Arc 2's ending isn't considered a downer ending is because this time it was only a class 1.
Applied Phlebotinum: The spirit stones are the Arc-verse's main source of energy and the reason behind Romalia's wealth and power.
Arbitrary Headcount Limit: Usually only five characters are allowed on the battlefield at a time. Arc 1 is the exception, as all playable characters participate in every fight.
Ass Shove: In-game example in Twilight of Spirits, whenever you have Delma in you party. So, you're in a fight, maybe you're in trouble, one of your characters is in critical condition, you'd really need a healing item... Then you remember that you put one in Delma's inventory. Try and guess where she pulls it from.
Ax Crazy: The Slasher, a monstrous serial killer who happens to be Ginie, one of Elc's childhood friends.
World of Badass: Even the weakest, most cowardly member of the Seyran drum corps becomes a fearsome Magic Knight and One-Man Army when pushed to take a stand, while the real heroes and villains are outright Persons Of Mass Destruction. It takes entire civilizations populated by people like these to defeat the Big Bad.
Bittersweet Ending: Arc 2 would be a Downer Ending in the vast majority of games, being a Pyrrhic Victory in which the only success Elc and the survivors of the party can claim is that they survived The End of the World as We Know It, and saved some portion of humanity as well. But this was better than anyone expected, and probably the best that humanity could hope to win.
Black and Grey Morality: The bad guys are genocidal bastards, while Arc is a wanted terrorist by the second game. Keep in mind that this is not just propaganda: Arc Ricolne is very pragmatic, and will do whatever it takes to defeat Romalia, and while he does not willingly target civilians, he shows little concern for collateral damage when he or one of his allies start to blow things up.
Bullying a Dragon: During the slaughter of the Pyrenians, Seyras soldiers and researcher find a young Elc who proceeds to burn half a dozen of them to a crisp. The survivors then decide that such a prodigy would make a very good guinea pig. Three guesses at what happens when he turns into an adult...
Arc: "You... You're the one who killed my father!"
Ark Ghoul: "I have killed many, and your father may have been amongst them. But if I did slay him, his death was so unremarkable that I have no memory of it. But enough talk. It is time for YOUR ignominious end, boy."
Cutscene Power to the Max: Mostly averted: characters who are powerful during cutscenes are powerful during gameplay, but you cannot use Arc or Gogen to blow up buildings when you control them.
In Arc's defense, Romalia intentionally puts their doomsday devices in the middle of population centers, specifically to discredit their enemies. Civilian casualties are inevitable when fighting them.
Defector from Decadence: Many exemples: not all Romalians are happy about the way their country is behaving and form a resistance movement of their own; Choko may be a monster created to Kill All Humans, this does not stop her from becoming one of the greatest asset of the forces of good, and while Darc's Nakama may be composed of Deimos and monsters who hate or at least despise ordinary humans, they still choose to side with them against the Dark One.
Disc One Nuke: When the team from the first Arc the Lad show up during the second game, they are vastly more powerful than the other main characters and enemies. To avoid a Game Breaker situation, the plot makes sure you can only have one of them at a time in your team until much later in the game.
Disposable Woman: Kharg's mother. Said to be a great warrior, she gets killed without even having a chance to fight.
Doomed Hometown: Arc's hometown of Touvil is destroyed at the beginning of Arc 1. Elc's whole nation is slaughtered in the first minutes of Arc 2. Alec's hometown Romalia's capital city is destroyed in the first cutscene of Arc 3. Ironically, by the heroes of the previous episodes.
The Empire: Romalia is a Kingdom, but acts like a bona fide evil empire. It's actually a subversion since it has been a superpower for ten centuries, but became evil only one or two generations prior to the first game.
Everything's Better with Princesses: Sania is Millmana's princess, Kukuru, being Arc's betrothed, is technically Seyra's princess, Delma, being the Orcons' leader's sister might count as well.
Fantastic Racism: People from Holn are distrusted by the Game's expy of Switzerland because of their ability to communicate with monsters. In Twilight of the Spirits, Human and Deimos are locked into a cold war pretty close to heat up. Deimos are intelligent humanoid monsters... And also technically fully human: they can have children with humans and were created by altering the genetic material of humans gifted with spiritual powers
Faux Action Girl: Kharg's mother, see Disposable Woman. In Arc 2, Kukuru seems to have become this, but she later proves that she still can kick an enormous amount of ass when she manages to invert her Demonic Possession and takes control of the Big Bad's body long enough to allow Arc to seal it again, while she is already dead.
Floating Continent: The flying castle, last dungeon of most games in the series.
Global Airship: The Silver Noah: acquired very early during the first game.
A God Am I: The Big Bad sees himself that way. Then again, being an immortal Eldritch Abomination gives you some credible reason to call yourself a god.
Green Aesop: Zig-zagged between this and a Space Whale Aesop: Overusing natural ressources weakened the Guardian Spirits of the planet and modern lifestyle have made people complacent to the point of forgetting that the Eldritch Abomination which nearly destroyed the world 3000 years prior is still alive and about to break free from its Spirits-powered prison: that's the Space Whale part. On the other hand, during the course of the first two games, many subtle and not-so-subtle hints are dropped that overexerting natural ressources is slowly but surely destroying the environment and that without change, Arc's World's modern civilization is doomed even without the Dark One readying itself for another genocidal rampage
Heartbroken Badass: After the events at the White House, Elc becomes this
Heroic Sacrifice: This is how Arc's father met his end, and later Arc and Kukuru do it as well.
Hero with Bad Publicity: Arc ends the first game and begins the second as a wanted criminal, accused of both regicide (he was framed) and terrorism (for blowing up mind control devices disguised as landmarks and otherwise fighting against the Empire).
Hot Blooded: Kharg, in Twilight of the Spirits, sounds like this sometimes.
Insurmountable Waist-Height Fence: Averted during battles, since characters can jump above almost anything when they are leveled enough, but played straight the rest of the time.
The Ishmael: Elc toward Arc, even if he is a very badass Ishmael.
La Résistance: Comes in no less than three flavors in Arc 2: there are resistance movements in countries occupied by Romalia, their is a resistance In Romalia proper, made by Romalian who disagree with the imperialistic ways of their country, and Arc's team is a third independent and very mobile resistance.
Lady of War: Kukuru, at least in the first game. Paulette and Delma from the fourth game might count as well.
Last of His Kind: Elc is the last living Pyrenian. Inverted in Twilight of the spirits: Darc and Kharg are the first Human/Deimos hybrids which is ironic since intelligent monsters where created by using kids with spiritual powers like Elc.
Lazy Backup: averted in the first game, where all your characters always take part in the fight. played straight in the other episodes: even when you have a dozen human characters and even more mons, they do not take part in the battle: sometimes justified when the characters try to infiltrate enemy facilities, but why would they no go all out when they openly attack the Big Bad stronghold?
Lethal Joke Character: Poco is a musician. A cowardly musician who probably does not know how to handle a gun correctly. He is also the most deadly soldier of Seyra's army (Arc and Kukuru are not soldiers, Tosh is para-military).
Linear Warriors, Quadratic Wizards: Inverted: Magic tends to be more useful early on, but physical attacks surpass them by the end of the games, when big bosses with tons of HP and great magical resistance appear.
Magic Knight: Every main character proves competent with weapons as well as with magic.
Magic Knight Templar: Arc and Elc tend to be quite extreme in their ways of dealing with evildoers (Most CG cutscenes of the second game show things getting blown up. Guess who's responsible?)
Mad Scientist: Scientists in the Arc-verse do not seem to mind the fact that they are working for an Eldritch Abomination and that their technology is used to commit several genocides: they even go as far as experimenting on themselves without any hesitation. The Academy of Arc 3 is a little more idealistic and ready to help mankind, but in the end, they do not fare much better.
Although, the way the cabal treat Vilmer it's fair to say that not all scientists are enthusiastic about promoting Romalia's imprialism
Magic Music: Poco, a proud member of the Palencia army's... drum corps.
Magitek: Arc's world is close to the technology level of earth during the 90's, but the main source of energy are stones infused with the power of elemental spirits. Romalia uses mixes of genetic engineering and black magics to create its army of Super Soldiers.
Magnetic Hero: Arc. Lampshaded when he arrives to save Poco, and Poco comments afterward that, with Arc there to inspire him, he suddenly felt like he could fight with his cymbals, and so he did.
The Man Behind the Curtain: Gaidel, the King of Romalia is one of the only fully human antagonists of Arc 2 and has no supernatural power whatsoever. His lack of power other than political is an important plot point.
Modern Stasis: The industrial revolution happened 1000 years prior to the first Arc the Lad, yet appart from a few gadgets used by the Romalian military, technology never went beyond the level of the late twentieth century
Nintendo Hard: The games are pretty challenging for anyone who's not used to strategy RPGs, and the difficulty curve shoots through the roof with the final bosses. Arc 2's final boss is so strong that about the only way to beat him without hours and hours of extra level grinding is with a Romancing stone equipped Choko.
No Biochemical Barriers: Deimos and humans can have children, justified since they were created from humans to begin with.
One-Man Army: Many characters follow this trope, and are usually Genre Savvy enough to include this into their plan. It is even lampshaded in the second game of the series:
Shu: "I know someone who's rowdy enough to hold off ten guards. He can be a decoy while I set the bombs." Tosh: "Who are you talking about?" Shu: "Uh, you, Tosh!"
Old Save Bonus: Arc 1 was written with the intent of being able to import a clear data file into Arc 2. If you do, when the cast of the first game joins your party, they'll have all of their experience and equipment from the first game. Arc 3 also gives some benefits if you load an Arc 2 save at the final save point.
End of Darkness also gives you a free character unlock Lilia for having clear data from Twilight of the Spirits.
One Game for the Price of Two: Arc 1 is essentially an extended prologue for Arc 2. The U.S. release, Arc The Lad Collection, packages them both together and also throws Arc 3 in as well, so only the Japanese players had to buy them separately.
Somewhat understandable in the case of Arc I and Arc II. The creators were originally intending to make it as a Playstation 1 launch title. Unfortunately, their ambitions grew beyond their resources (not to mention the amount of time available), so they split the project into two games. Arc I managed to make the Playstation launch, and Arc II came out later, and did the delay ever pay off.
Orphanage of Fear: the facility code-named White House: unlike most exemples of this trope, the kids are not openly mistreated by uncaring or sadistic by the people in charge (in fact, one of its former managers, Vilmer is shown to be a descent, loving grandfather), but when the employees are pretty much on Cthulhu's payroll, you know that the facility hides very dark, horrific secrets
Perfectly Arranged Marriage: Tragically subverted: Before meeting him, Kukuru is not happy at all with the prospect of marrying Arc, and her rebellion against tradition is what starts the whole mess. By the end of the first game, she has fallen in love with Arc, but they are now forced to become Star-Crossed Lovers because she has to stay in Seyra and maintain the weakening seal upon the Dark One while Arc keeps fighting Romalia all over the world, and, by the end of the second game, they can only be reunited in death.
Polluted Wasteland: the whole country of Zariban: once a very fertil land due to the fact that the Water Spirit dwelled there and one of the first places to be resettled by humans after the species was nearly wiped out during the first war against the Lord of the Dark Abyss 3000 years prior to Arc 1, by the time Arc arrives in the country for the first time, it has been reduced to a desert due to the excessive mining and processing of energy stones.
Pyrrhic Victory: The ending of Arc The Lad 2. Lets have Elc explain it shall we?
Really Three Thousand Years Old: Gogen may look like an old man, but he's still in good shape for a guy who spent 30 centuries watching the prison of an Eldritch Abomination. Choko is one of the original monsters born during the games' Backstory and is therefore as old as Gogen
Rebellious Princess: Sania and Kukuru are princesses and wanted terrorists. You could hardly get more rebellious than that!
Royals Who Actually Do Something: Arc, Kukuru, Sania from the first two games, Kharg and Darc in Twilight of the Spirits (Kharg is still a prince despite the fact that his country abolished the monarchy, and Darc intended from the beginning to kill his way to the top)
Scary Black Man: Gruga, a former freedom fighter who decided to never again his colossal strength except in sports tournaments, until his blind daughter was kidnapped.
Sequel Escalation: The first game is quite short, takes place entirely on a relatively small continent with a total of seven party members. Arc 2 has you going all over the world, more than doubles the cast of characters, throws in a ton of side quests, and is crazy long.
Set Right What Once Went Wrong: cruelly subverted in Arc 2 Arc's dad gave his life to the spirits in order to time travel and do so. He failed
Schizo Tech (machinegun-toting, IED-tossing ninja terrorists fighting alongside medieval knights. It has to be seen to be believed.)
Sliding Scale of Idealism Versus Cynicism: The first two episodes go waaaaaaaay down the cynical end, the third tries to be a little more idealistic, the fourth is again more cynical (but not as much as the second), the fifth tries again to be more idealistic. On the whole, the series remains mostly on the cynical side.
Summon Magic: Chongara can summon supernatural beings, and Arc's power comes from his ability to summon guardian spirits.
Theo's Cardish ability in Arc 3
Take Over the World: Subverted: The Big Bad does not want to control mankind: he already was in charge before becoming an Eldritch Abomination, and by controlling Romalia, he was once again the ruler of mankind at the beginning of Arc: the only problem is, this was not enough for him: wath he wanted was control over the whole planet, including the whole ecosystem, even if it meant remaking it from scratch
There Are No Therapists: The Arc series cast is even worse off than the Final Fantasy cast, which is saying a lot.
Twenty Bear Asses: A lot of the job sidequests in both Arc 2 and 3 are this variety.
Unlucky Childhood Friend: Mariel, just... Mariel. Elc promised to save her from the White House, but when he finally found her, she was turned into a monster and he had to fight her under the playground where they played when they were kids. This is a subversion since Elc quite obviously loves her and is more than ready to reciprocate her affection. The problem is that he is still forced to kill her, while Gallarno watches him
Urban Fantasy: The game doesn't draw a great deal of attention to the universe's 20th century tech, but neither does it try to hide it.
Weapon of Choice: Played straight except in Arc 2, when characters have two or three weapons of choice.
Wutai: Arc's country, Seyra, takes this role. High technology mixes with traditional samurais who protect its capital.
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